Monterey Bay Aquarium
Three Goblin Art
oozey mess
trying on a metaphor
NASA
occasionally subtle
titsay
PUT YOUR BEARD IN MY MOUTH
AnasAbdin
#extradirty
Cosmic Funnies
Keni
almost home
Acquired Stardust
let's talk about Bridgerton tea, my ask is open
Discoholic 🪩
pixel skylines
Aqua Utopia｜海の底で記憶を紡ぐ
Mike Driver
art blog(derogatory)
seen from Malaysia
seen from United States
seen from Indonesia
seen from Philippines
seen from Türkiye
seen from Netherlands
seen from United States
seen from United States
seen from Netherlands
seen from Türkiye
seen from Türkiye
seen from United States
seen from United States
seen from Türkiye
seen from Canada
seen from Indonesia
seen from Poland
seen from United States
seen from United States
seen from United States
@projectxa3
IM TRYING TO WATCH NAKED LUNCH WHO THE HELL DID THIS
You got me good. And it's funny. But WHY
So the subtitles are still the actual Naked Lunch subtitles, leading to some very funny syncs
I'm just skipping around because this is great. william s boroughs' writing was always meant to be seen this way
https://imgs.xkcd.com/comics/parking.png
“Police reported three dozen cheerful bystanders, yet no one claims to have seen who did it.”
@sumrallmind Request Ruby x Coco I dub this ship: “You’ve Got Red On You” I greatly enjoy how most Ruby x [Insert Character Here] ships are just people being worn down by Ruby’s genuine enthusiasm and naiveté @minion-of-the-east @thepatrickest @shadowsofapocalypse
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
grabs your boobs and shuffles them around like they're cups in a shell game
my booabs...
ah, the two genders, Girl and Orb
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
How could you forget?
For those who don't contain a vast knowledge of Green Day lore like myself, I don't think it is hitting just how much of a "fuck you" the NFL is giving djt/the white house.
This is a band that is:
Made entirely of openly bisexual/queer men
Made entirely of men who are vocal about being raised by single mothers on welfare
One of their members was adopted and raised by a Black woman and has said he "understands how his mother could hate 'the white man' and love him with her whole soul."
Were the first band to say, "No Trump, No KKK, No Fascist/MAGA U.S.A." on live television without ANY warning.
Literally released a song last year called, "The American Dream Is Killing Me"
Prioritizes all female/female fronted bands to open for them to address inequality in the music industry. (edited for clarity since yall blew this post up. Lol)
OPENLY tells trump supporters they are not welcome at their concerts.
Anyway, Enjoy Feb. 8th Magats! You're gonna hate it. :)
The Wageworker, Lincoln, Nebraska, May 31, 1907
I started listening to the cree radio station because its the only one left in my range that doesnt play alberta separatist ads now and those make me see red like some sort of bull, which is not safe while im behind the wheel of a vehicle going 110
Why haven't they told me about the cree all-purpose radio station sooner. They play everything from the 50s to today. Half of their ads and one of their shows is in cree which I do not speak a lick of but thats fine, they play banger music. They give me local news updates that arent dripping with UCP cocksucking. They tell me about things that affect a demographic I otherwise hear very little about by virtue of being a white guy in alberta.
We are holding hands. We are learning about other cultures. We are listening to 60s rock and roll and then an elder will tell us stories about his youth. I am enamored. I am in love.
Lots of people in the notes have asked me to drop the radio station im talking about here. If youre in the Edmonton area the frequency is 89.3, and when we went on a trip recently we got pretty reliable signal all the way to Ponoka. If youre outside of it or international you can get the live broadcast at ravenradio.ca
They also have a retro hour at noon every day and do language lessons for allies
Playing a little bit of everything from the 50's to Today! Alberta's Best Rock
for easy access
I like driving the big buses, they’re 13 tons of ‘get outta my way!’
...bweh!
@charl0ttan
So very clear and damned well said.
Republicans In Your Bedroom
Republicans are beyond extreme. #MAGAIsWatchingYou. (From the Progress Action Fund)
tony talking about how he wishes his mental problems were physical so he could deal with them and then immediately getting told to lose weight by a nurse is so. it's perfect commentary. oh my god.
