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@ramblingcj
It deeply saddens me that "pdf file" has become slang for pedo. Don't you dare disrespect my wife the beautiful portable document format ever again
and to the children in the notes saying we need this fucking baby talk to get around censorship online; there's been no credible evidence that any site other that YouTube (which will only demonetize your video, ftr) will actually censor or hide content that include words like rape, pedophile, gun, terrorist, etc. etc. and even if we take as a given they were (which, again, they are not), do not fucking comply in advance, you absolute fucking coward. and ESPECIALLY do not comply by altering your real life fucking vocabulary. don't let the technocrats dictate what words you say holy fucking shit dude!!!!!!!!!!!!
Additional reminder that this kind of self censorship makes it harder for people to block content they do not want to see.
The poor dude sounds just a little exasperated, and with good reason
GTA Minthara 🕸 I had A LOT of requests to draw Minthara and I gladly obeyed. I love this woman so much. It was a very fun trend to draw and I hope I'm not too late with the second piece (I'm so slow artist, sorry)
Escaping the heat
My friend really changed once she became a vegetarian
its like ive never seen herbivore
i sighed so loud my mom asked me if i was okay and she’s two rooms away
World Heritage Post
Reblog daily for health and prosperity.
Lord why have you not taken woody allen yet. Your aim is fucking terrible
You're just trying to make me mad so I'll kill you. Buffy the Vampire Slayer | 3.17
Right...mad. We'll go with that.
being offered ai at every turn
hey guys wanted to share this Mr.freeze fanart did, inspired by the episode "Heart of Ice". took me more than a week to finish and thankfully it was worth it. i hope you guys like it.
feel free to drop critique or notes in the comment section below✍️😄
thank you!
While taking a nap today I dreamt there was a hazard sign called "never found" which was used to indicate a location where people disappeared never to be seen again
it looked like this
The imagery and vibes of this were so visceral I had to do art about it
(Grayscale version under cut)
Why would you post a horrible sign like that near me, a perfectly normal river in England?
[ID–
First image is a drawing of a yellow hazard sign depicting the silhouette of a rabbit falling into the jaws of a trap (or the stylized jaws of a sharp-toothed predator).
Second image shows the sign in an ominously dark and shadowy forest, rendered all in sombre sepia tones, together with a text sign below it that says "Never Found".
Third image (below the cut) is the same as the second, but rendered in gray tones.
Fourth image is a photograph of the infamous Bolton Strid, a pretty, gurgling stream set in the lush Yorkshire Dales, that is actually the narrow top of a deep, rocky chasm filled with dangerously rushing currents of treacherous water (reputedly killing 100% of all who enter its depths, with the majority of bodies never recovered from the rocks, caves and whirlpools below).
Fifth image is the same photo of the Bolton Strid, but with the hazard sign and its sinister "Never Found" message superimposed onto the picturesque scenery.
End ID.]
I feel like someone is standing next to me talking about how I'm dead
The chemical they put on ants and all the other ants think they're dead that's what happened to tumblr except the chemical is unmarketability
tumblr may have censored porn but check this out
i hope Elon musk KILLS himself and DIES a thousand DEATHS. and i hope every other billionaire a very merry DIE DIE DEATH KILL MURDER DEATH KILL
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.