"I'm Dorothy Gale from Kansas"
Noah Kahan
macklin celebrini has autism
RMH
EXPECTATIONS
Three Goblin Art
let's talk about Bridgerton tea, my ask is open
Game of Thrones Daily

★
we're not kids anymore.
untitled

Origami Around
Show & Tell
Mike Driver
h
NASA

Kiana Khansmith
YOU ARE THE REASON
KIROKAZE
Cosimo Galluzzi
seen from Italy

seen from United States
seen from United Arab Emirates
seen from India
seen from Italy

seen from Philippines

seen from United States
seen from Brazil

seen from Portugal

seen from Türkiye

seen from Germany

seen from Saudi Arabia
seen from Türkiye
seen from Tunisia
seen from Ukraine

seen from Malaysia
seen from United States

seen from Malaysia
seen from United States
seen from Australia
@ravhjarta
daniel hayes uppendahl in secret's fetish photo anthology, vol. 2
Out and in
Book of hours, Flanders c. 1485
Kraków, MNK 3025 I, p. 469-470
Ju-on: The Grudge — 2002 dir. Takashi Shimizu
"Now we're on the roof, she and I, dancing. Tango music playing softly to drown out the Mexican music next door. It's the hour between the dog and the wolf. We've consumed so much of a cocktail that is probably poison, but fuck it, what a way to go. Rocking in each other's arms."
— Bunny, Mona Awad.
æ nr mòus: The Inherent Aftermath Part 1 (2023)
Oromo is a large steamed pie whose variations can be found through Kyrgyzstan and Kazakhstan. It is prepared with a thin sheet of dough that is sprinkled with various ingredients before it is rolled into a large coil and left to steam. The fillings are incredibly versatile and may include anything from shredded meat to different vegetables such as potatoes, pumpkin, or onions. This traditional dish should always be enjoyed freshly prepared, and it is typically served sliced. Occasionally, it is accompanied by tomato or cream-based dips. src.: https://www.tasteatlas.com/oromo photo ref.: https://allthatcooking.com/2014/04/21/oromo-kyrgyz-stuffed-pasta-roll/
Was Loki worshipped in the Viking Age?
No.
Yes.
Rituals would have been performed to propitiate or ward off the Jötuns.
Yes, but it was frowned upon or forbidden.
Yes, but as Lóðurr.
Something else (mention in reblog).
No. No, he was not. This is not up for debate lol. The answer is no. We have known the answer is no for about forty years. Anyone who has read any serious academic work on pre-Christian Nordic religions knows that the answer is no. There are no theophoric place names, there are little to no runic inscriptions, there are no iconographic representations that can reasonably be dated to before 1000. He is at best a culture hero or stock character and kenning deposit amalgamated with Satan and Judas. At worst he's a racial stereotype. It has been suggested that if anyone "worshiped" him it was by putting out cake for the elves. You aren't really worshipping the elves, you're just sort of acknowledging they're there so they don't eat your chickens.
Gro Steinsland's influential but incalculably dumbass female-jotnar-as-earth-goddess hieros gamos thing was beaten to death by Margaret Clunies Ross a decade ago. There's no iconography, no place names, nothing in the sagas mentioning this other than one line misunderstood by Steinsland, no artifacts. Simek has demonstrated it was somehow politically expedient for a rich family to be descended from something under the giant semantic umbrella, but he has suggested that's because the elite men of early Iceland were all ugly and they needed/wanted jokingly to explain why.
If you're interested in this field to the point of wanting to go to grad school, you should maybe read something more recent than Dumézil.
MARGARET ATWOOD x WALTON FORD
‘Let Us Now Praise Stupid Women’, Good Bones and Simple Murders (1994);
Gleipnir (2012), watercolor, gouache, ink, pencil on paper, 69" x 120" x ½".
Do you have any tips on doing accurate research for people without access to formal education
Sure! This can't be one size fits all for every field, but I can give some starting points for history.
If you're reading a book, here's what to consider:
1. Are there footnotes or endnotes? In academia this is our way of being transparent with each other about where you got information. If a book doesn't have them, they're more interested in telling a good story than being accountable to their peers. That's a red flag.
2. Don't trust claims that seem very specific but don't have a source. Broad claims can be the author's analysis. But specific things "so and so said this" "there was a rumor that (x)" should be coming from somewhere and it is the author's job to tell you where.
3. Look out for choppy quoting. Even if someone has a source, they may not be using it well. If someone is paraphrasing a lot and only uses bits and pieces of the text while also using a lot of ellipses, you will want to try to find the whole text to make sure it's being quoted fairly.
4. Look at the publication date. Knowledge changes with time and old books tend to be outdated. You don't have to stick to the academic rule of thumb of "25 years is the threshold for new scholarship" but do be aware that if something is over 50 years old, many many people have likely revisited and revised what it's saying. Not that new books can't also be bad and incorrect, but they tend to be working with better tools generally.
5. Look up the author. I cannot stress this one enough. The author's background and political convictions can matter a lot to how they interpret things. For example, one of the biographies people tend to pick up about my dissertation topic is from the late 1920s by a man who later applied to join the NSDAP. That fact really can't be separated from his interpretations no matter how hard people try.
6. Stop reading if someone is making a lot of moral or personal judgements on a historical figure. I'm talking about the "Elizabeth I was a frigid hag and men found her ugly"-esque takes, not things like calling historical atrocities morally bad. Does it feel like bitchy gossip? That sort of thing is unprofessional, uninformative, and means someone has an axe to grind. Spite can be motivation for research, but axe grinding shouldn't show up clearly in published work.
These are things to keep in mind to make sure you're getting better information. Others are free to add on for their field or if there's something I forgot.
One very important thing to add: professors and academics like people emailing them about their research. You can do that! You can ask for copies of pay walled articles. You just have to go through the mortifying ordeal of expressing interest in an email.
I put together a little guide on how to find and access the latest scholarly work in your field of interest – the focus is on history but the principles are widely applicable. Might be of help!
Just because it's published in an academic journal does not mean that it's Correct, or that it's good. Plenty of articles are pushed over the hill to publication because they're zeitgeisty. Academia has trends just like everything else, and sometimes those trends end up being anywhere from a little misguided to very stupid.
2. Even a great, well-researched, well-cited book/article can have material in it that is wrong, or it can end with a batshit interpretation of data. I think the funniest example of this I've read recently is the book Man Corn, which painstakingly goes through almost every single instance of potential cannibalism in archaeological remains from the Precolumbian American Southwest and then makes the specific conclusion that a culture of highly socially regimented, aggressively warlike cannibalistic freaks kept cyclically rising in central Mexico for thousands of years and being chased out to invade Chaco Canyon, which they controlled socially via frequent displays of ritual cannibalism. That is a...colorful conclusion to make, but the data in the book is still very good and useful!
3. Possible you're going to be reading one language through another, especially when it comes to ancient languages. Academic translation is a difficult art. The nuance or context present in the original Hungarian or French or Sumerian might not come across all the way. Scholars working with difficult or fragmentary older languages might have wildly different interpretations about the meaning of a single world, let alone a text. Many ancient and medieval texts are extremely difficult to translate "correctly" because the script, systems of abbreviation, and references are obscure, or because half the codex was eaten by rats. Sarcasm and humor are genuinely quite hard to parse across time and scholars are going to have different opinions on how to deal with a source. Nothing Is Certain
4. You are never going to get a work of "pure," "correct" history because that's not how unconscious cultural biases work. National traditions of scholarship might favor one view over another. For example: Gísli Sigurðsson, an Icelandic gentleman who grew up with these stories as part of the national fabric, thinks that the Prose Edda demonstrates that Snorri Sturluson was a reluctant or ambivalent Christian, maybe even a crypto-pagan. Heinrich Beck, a German academic who grew up aware that the perceived pagan bona fides of the Prose Edda were used for horrific purposes, argues that the Prose Edda is a very learned Christian work that is fluent in Christian theology and organized to be an analogue for Biblical material. I have my own opinions on which of these scholars are correct, but they are both serious academics who have spent decades working with material to support these theories. It's just very clear why they became interested in which side of the argument in the first place. (Gísli in fact says this out loud in the introduction to The Medieval Icelandic saga and Oral Tradition, that he was surprised that when he went to university outside Iceland no one wanted to entertain the importance of longrunning oral tradition in the sagas, as in Iceland it's kind of a given). Mild cultural biases are inescapable parts of writing history, they are not dealbreakers.
5. History and folkloristics and literature are different things. Except when they're not. When are they not? Incredibly dependent on period and location. Did this really happen or is it a metaphor? Did it happen at that speed? Elder Scrolls reference: Ysgramor was supposed to have come back to Tamriel from Atmora after the Snow Elves massacred the Atmoran Nords at Saarthal on Night of Tears, accompanied by his Five Hundred Companions, and then they destroyed the Snow Elves and won Skyrim for the Nords. However, the books scattered around Skyrim/Michael Kirkbride say that the Atmoran conquest of Skyrim took hundreds of years and that the Five Hundred Companions were probably a certain number of chieftains or warlords who brought their own troops along with them. Historians have different levels of credulity about equivalent incidents in the record. Did Harun al-Rashid send Charlemagne an elephant as tribute, as Einhard reports, or did he just make allowance for ivory trade into the Carolingian Empire? Was the raid on Lindisfarne that destructive when it was clearly still operational afterwards? Was it a slave raid or a hostage situation given that Alcuin hints that he can probably retrieve the kidnapped novices? Did Hjalti Skeggjason really get in trouble for calling Freyja a bitch at Alþing in 999 or at that point was Iceland so thoroughly syncretized towards Christianity that he wouldn't have needed to make that comment in the first place? &c
6. If you're researching to write a novel, then you are in fact allowed to do whatever. Harry Turtledove had a leg up on writing Justinian because he has a PhD in Byzantine history, but in the back of the book he blithely says that he juggled timelines and characters for a better story. Bernard Cornwell has a Notes at the back of every book where he describes what he intentionally left out because he didn't think it was cool or sexy or plot-friendly enough. Don't worry about it.
7. Academics can sometimes be incredibly bitchy towards each other in their published work. Unlike being bitchy about a random historical figure, this is fine, and is in fact delightful to read over a cascading series of response articles
“he does not belong to destiny and he must pay for that”
R.D. Williams on Turnus, Aeneas and the Roman Hero
the love was there. it didnt change anything and it wasnt even thematically relevant and honestly it kinda got annoying to the point where i wished for hatred and malice instead and it ruined the whole thing for me
oh i'll go NUTS
as someone who is lowkey obsessed with how the odyssey is structured i find this diagram by james redfield very satisfying:
"[A pattern] based on strict alternation. Odysseus faces two kinds of dangers; he may be killed before he gets home, or he may be induced to stop on the way. He faces violence and temptation." (from Redfield's 'The Economic Man')
aand if any of you are in north germany, lmk, we should hang
Do you have any tips on doing accurate research for people without access to formal education
Sure! This can't be one size fits all for every field, but I can give some starting points for history.
If you're reading a book, here's what to consider:
1. Are there footnotes or endnotes? In academia this is our way of being transparent with each other about where you got information. If a book doesn't have them, they're more interested in telling a good story than being accountable to their peers. That's a red flag.
2. Don't trust claims that seem very specific but don't have a source. Broad claims can be the author's analysis. But specific things "so and so said this" "there was a rumor that (x)" should be coming from somewhere and it is the author's job to tell you where.
3. Look out for choppy quoting. Even if someone has a source, they may not be using it well. If someone is paraphrasing a lot and only uses bits and pieces of the text while also using a lot of ellipses, you will want to try to find the whole text to make sure it's being quoted fairly.
4. Look at the publication date. Knowledge changes with time and old books tend to be outdated. You don't have to stick to the academic rule of thumb of "25 years is the threshold for new scholarship" but do be aware that if something is over 50 years old, many many people have likely revisited and revised what it's saying. Not that new books can't also be bad and incorrect, but they tend to be working with better tools generally.
5. Look up the author. I cannot stress this one enough. The author's background and political convictions can matter a lot to how they interpret things. For example, one of the biographies people tend to pick up about my dissertation topic is from the late 1920s by a man who later applied to join the NSDAP. That fact really can't be separated from his interpretations no matter how hard people try.
6. Stop reading if someone is making a lot of moral or personal judgements on a historical figure. I'm talking about the "Elizabeth I was a frigid hag and men found her ugly"-esque takes, not things like calling historical atrocities morally bad. Does it feel like bitchy gossip? That sort of thing is unprofessional, uninformative, and means someone has an axe to grind. Spite can be motivation for research, but axe grinding shouldn't show up clearly in published work.
These are things to keep in mind to make sure you're getting better information. Others are free to add on for their field or if there's something I forgot.
One very important thing to add: professors and academics like people emailing them about their research. You can do that! You can ask for copies of pay walled articles. You just have to go through the mortifying ordeal of expressing interest in an email.
I put together a little guide on how to find and access the latest scholarly work in your field of interest – the focus is on history but the principles are widely applicable. Might be of help!
Just because it's published in an academic journal does not mean that it's Correct, or that it's good. Plenty of articles are pushed over the hill to publication because they're zeitgeisty. Academia has trends just like everything else, and sometimes those trends end up being anywhere from a little misguided to very stupid.
2. Even a great, well-researched, well-cited book/article can have material in it that is wrong, or it can end with a batshit interpretation of data. I think the funniest example of this I've read recently is the book Man Corn, which painstakingly goes through almost every single instance of potential cannibalism in archaeological remains from the Precolumbian American Southwest and then makes the specific conclusion that a culture of highly socially regimented, aggressively warlike cannibalistic freaks kept cyclically rising in central Mexico for thousands of years and being chased out to invade Chaco Canyon, which they controlled socially via frequent displays of ritual cannibalism. That is a...colorful conclusion to make, but the data in the book is still very good and useful!
3. Possible you're going to be reading one language through another, especially when it comes to ancient languages. Academic translation is a difficult art. The nuance or context present in the original Hungarian or French or Sumerian might not come across all the way. Scholars working with difficult or fragmentary older languages might have wildly different interpretations about the meaning of a single world, let alone a text. Many ancient and medieval texts are extremely difficult to translate "correctly" because the script, systems of abbreviation, and references are obscure, or because half the codex was eaten by rats. Sarcasm and humor are genuinely quite hard to parse across time and scholars are going to have different opinions on how to deal with a source. Nothing Is Certain
4. You are never going to get a work of "pure," "correct" history because that's not how unconscious cultural biases work. National traditions of scholarship might favor one view over another. For example: Gísli Sigurðsson, an Icelandic gentleman who grew up with these stories as part of the national fabric, thinks that the Prose Edda demonstrates that Snorri Sturluson was a reluctant or ambivalent Christian, maybe even a crypto-pagan. Heinrich Beck, a German academic who grew up aware that the perceived pagan bona fides of the Prose Edda were used for horrific purposes, argues that the Prose Edda is a very learned Christian work that is fluent in Christian theology and organized to be an analogue for Biblical material. I have my own opinions on which of these scholars are correct, but they are both serious academics who have spent decades working with material to support these theories. It's just very clear why they became interested in which side of the argument in the first place. (Gísli in fact says this out loud in the introduction to The Medieval Icelandic saga and Oral Tradition, that he was surprised that when he went to university outside Iceland no one wanted to entertain the importance of longrunning oral tradition in the sagas, as in Iceland it's kind of a given). Mild cultural biases are inescapable parts of writing history, they are not dealbreakers.
5. History and folkloristics and literature are different things. Except when they're not. When are they not? Incredibly dependent on period and location. Did this really happen or is it a metaphor? Did it happen at that speed? Elder Scrolls reference: Ysgramor was supposed to have come back to Tamriel from Atmora after the Snow Elves massacred the Atmoran Nords at Saarthal on Night of Tears, accompanied by his Five Hundred Companions, and then they destroyed the Snow Elves and won Skyrim for the Nords. However, the books scattered around Skyrim/Michael Kirkbride say that the Atmoran conquest of Skyrim took hundreds of years and that the Five Hundred Companions were probably a certain number of chieftains or warlords who brought their own troops along with them. Historians have different levels of credulity about equivalent incidents in the record. Did Harun al-Rashid send Charlemagne an elephant as tribute, as Einhard reports, or did he just make allowance for ivory trade into the Carolingian Empire? Was the raid on Lindisfarne that destructive when it was clearly still operational afterwards? Was it a slave raid or a hostage situation given that Alcuin hints that he can probably retrieve the kidnapped novices? Did Hjalti Skeggjason really get in trouble for calling Freyja a bitch at Alþing in 999 or at that point was Iceland so thoroughly syncretized towards Christianity that he wouldn't have needed to make that comment in the first place? &c
6. If you're researching to write a novel, then you are in fact allowed to do whatever. Harry Turtledove had a leg up on writing Justinian because he has a PhD in Byzantine history, but in the back of the book he blithely says that he juggled timelines and characters for a better story. Bernard Cornwell has a Notes at the back of every book where he describes what he intentionally left out because he didn't think it was cool or sexy or plot-friendly enough. Don't worry about it.
7. Academics can sometimes be incredibly bitchy towards each other in their published work. Unlike being bitchy about a random historical figure, this is fine, and is in fact delightful to read over a cascading series of response articles