⦿ They/them (nonbinary & queer)
⦿ Psychology Master's student
⦿ Thiam-centric author, but posts about a lot of fandoms
⦿ rd_eternity on AO3
⦿ Feel free to tag, DM or send asks! Just be respectful <3
⦿ Current WIP: recrudescence
genuinely one of the worst things that’s happened to television in the last few years (exacerbated by streaming services) is death of Filler. going from 20 episodes to 8 because “we didn’t really need that episode where the main characters went to the beach right? it had no long lasting effect” but we DID!!! we needed to see how they act without the Big Bad Plot and to establish the dynamics between the characters and lay in the sun (do they forget sunscreen? how do they react to a thieving seagull? do they get buried in the sand or do they do the burying?). the plot isn’t everything. the action doesn’t hit as hard without the quiet moments. give us character development and our little scenes back
First off I want to say that I'm so proud of Mark, of Amy, of the whole crew, but especially Mark because holy fuck was that amazing. I was so immersed and caught up in the world and I knew I was going to be because he's an amazing storyteller but holy fuck he knocked it out of the park.
My inner media studies freak was having a grand ol' time with everything. No spoilers (those are under the cut) but the whole build and release of tension as the story unfolds??? Masterful. I was worried (a lil bit) about how he'd flesh out the lore because obv the characters in the movie don't need the lore dumps from the computer the way the player does in the game but he knocked it out of the park. There were so many little touches that made it feel so human and real and grounded even in an ocean of blood. I loved the way he took the plot of the game (or lack thereof) and made it a full movie.
ALSO the effects? In. Sane. Some made me a lil nauseous, I will admit, but oh my god were they incredible. There's one moment (or a series of moments) in particular where I literally had the 'oh no my mortal eyes are not meant to witness this' (which was the point) but they were done SO WELL
All in all? 10/10. So glad I saw it in theaters, especially after hearing Mark talk about how much work he and the team put in to making it ready for theatrical release.
SPOILERS UNDER THE CUT I REPEAT SPOILERS UNDER THE CUT PROCEED WITH CAUTION YOU HAVE BEEN WARNED REACHING CRUISING DEPTH IN 2 MINUTES
okay first off simon's little notes? on the map? adorable. i love how HUMAN simon is through the whole thing, asking names, giving the engine a little pat-pat when it turns back on, UGH i love him protect him get him the fuck OUT of there
the rivalry/hostility between the coi and eden was also really well done. i wasn't sure how much mark was gonna use/lean into that but i LOVED having simon be from eden and there for the filament station disaster--him finding the note from the previous convict? calling him 'brother' when he heard the recording of the note you find in the game???? the pendant he wore on his arm and how it was the thing keeping him TETHERED for better or for worse??????? oh my god it was so fucking good. the way that filament station haunts the narrative, the questions/reveals we get about simon's life, his own ghosts and regrets, the questions about life and death...
the shots. oh my fucking god the shots. those shots in the beginning where the porthole is almost like a halo for simon??? the part where he's begging for the voices over the radio to be real and he moves so his shoulder blocks the indicator light so we can't see if it's on or not??? the dutch angle when the first drop of blood hits his hand to immediately signify something's wrong??? the shot of ava looking through the blood with her damaged eye and it perfectly parallels the massive eye looming out of the blood later in the movie???? the CRACK in the porthole looking like a tree and the pendant from eden cracking in the same way??? again i knew they were gonna be on it but holy FUCK were they on it.
and simon was smart. thank god simon was smart. he drew the map when he didn't have it--which i didn't even realize the map wasn't the complete one you see in game until he started drawing the rest of it!!! he used the binder to hold the lever forwards so he could keep moving. he used the camera as a source of light. he spat on the indicator to make it light up. at no point was i like NO YOU IDIOT and that's what makes horror SCARY.
i also loved how the movie paralleled the game in interesting ways!!! simon goes down once, gets pulled back up, goes down again to get more info, mirroring how there was a massive lore update to the game that included the computer on the ship and all the logs and entries about the worldbuilding. the part where the tether snapped and he got dropped into the weird cave was at the farthest node where normally you get the jumpscare and it's game over. the wibbly wobbly node being the blood portal to the blood dimension where the blood god stares into simon's soul and they recognize each other because we're all just blood--sorry.
and then the science!!! yeah every time you use the camera it's raditation--and GOD that picture in the space ship is terrifying--and so simon's slowly being irradiated over the course of the movie so who knows what's really happening. the hallucinations, the voices, the contaminated human blood. the black box log from the sm8 was HAUNTING. and the blood taking on such a life of its own with rather...disarming consequences, yes that ending sequence will haunt me too.
the whole debate between what's worth life and what isn't. simon so determined to live for so so long and you as a viewer go back and forth with him the whole time and he just wants to live and then the ENDING where he straps the life jacket to the black box and it's bigger than me and THIS POOR MAN. mark's an incredible actor and goddamn does this movie showcase it.
this movie is so goddamn good. it's good as a video game adaptation, it's good as an idie horror film, it's good as a markiplier story. it's truly so so so good and my entire hat off to mark for working so hard to make it a reality.
two things that can and should coexist: writing fanfiction for yourself as a form of self-care slash comfort and appreciating kind comments given by your readers, as well as using these encouraging comments as a source of motivation to write more fics
Just saw the new Beniot Blanc movie, I love that this established that Blanc's crime solving M.O. is to team up with whatever suspect has the kindest heart and commit minor acts of obstruction of justice to keep them from getting arrested until he can crack the case.
I hope that southern fried fancy boy never stops adopting good people at grisly murder scenes.
QUINTESSENTIALLY, the Knives Out trilogy centers around women who have been dangerously misunderstood and falsely accused to the extent that it defines who they become, and the revolving plots are built for the sake of unmaking the myths.
Wake Up Dead Man takes it a step further by bringing us all the way back to the impetus of sin with a woman, a mother, placed at the center of fault. Eve and Grace were both women trapped in circumstance, neither allowed to know the full extent of the life surrounding them. They weren’t tempted, but taunted, with a means of escape and a route to freedom.
The apple, the corrupting sin that men sought for power while shamed women only sought it for sanctuary. And yet — a girl named for life and a girl named for forgiveness aren’t allowed the courtesy of either.
WHUMPTOBER is a month-long, prompt-based creation CHALLENGE (think: Inktober, but whumpier). There are four prompts for each day of the month, giving 124 for you to play with! There is also a list of 18 alternative prompts that can be subbed in for any day to give participants as much creative freedom as possible.
All prompts are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!
You can produce work in any media you choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). You can participate as much or as little as you want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.
Please make sure to read the Event Info and FAQ carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.
Information on how to TAG is here.
This year’s AO3 Collection can be found here.
This year’s playlist can be found here.
The ‘Anatomy of a Whumptober Prompt’ post can be found here.
And our 'Resources for Writing Sensitive Topics’ post is here.
We’re very excited to see the community come together for yet another year of Whumptober! Go ham with the prompts, and support your fellow creators - we wish you all the best of luck, but most importantly: HAVE FUN!
Happy whumping,
Mods Vanne, Yenn, Kitty and Surro
Text versions of the prompts, including a google doc format, are posted below the cut!
A Google Doc of the prompts can be found here for easy copy-and-pasting!
Whumptober 2025 Prompt List
No. 1: “Please don’t cry”
Lamb to Slaughter | Ceremony | Beg for Forgiveness
No. 2: “You’ve got a lot of nerve to dredge up all my fears.”
Prophecy | Sewer | Taking Accountability
No. 3: “I look in people’s windows, transfixed by rose golden glows.”
Isolation | Candlelight | Found Family
No. 4: “Don’t be scared, I’ve done this before.”
Non-Human Whumper | Iron Rod | Loss of Powers
No. 5: “My panic’s at the ceiling, but I’m face down on the carpet.”
Quivering | Dream Journal | Phobia
No. 6: “No grave can hold my body down.”
Caught in a Net | Medical Restraints | Pinned to the Wall
No. 7: “Tell me that you’re okay, and I’m fine.”
Trapped with the Enemy | Elevator | Pushed Beyond Breaking Point
No. 8: “Oh horror, oh horror, what did you see?”
Self-Inflicted Injury | Held at Gunpoint | Dissociation
No. 9: “We’ll make it alright to come undone.”
Touch | Flashbacks | Scalding
No. 10: “There’s nothing you can ever say, nothing you can ever do.”
Without Consent | Secrets | Lips Sewn Shut
No. 11: “Can you get through all the pain inside you?”
Hidden Injury | Laceration | Forced Reveal
No. 12: “It’ll be for nothing.”
Cardiac Arrest | Sacred Place | Withholding Medical Treatment
No. 13: “How dull is it to pause, to make an end, to rust unburnished.”
Never Enough | Insignia | Forced Retirement
No. 14: “In the end, it’s worthwhile.”
Ignoring an Illness | Body Bag | Wounded Caretaker
No. 15: “You can take a break, if you just tell me that it hurts.”
Failed Rescue Attempt | Body Part in the Mail | Live-Streamed Torture
No. 16: “I’ve had the rug pulled beneath my feet.”
Repressed Trauma | Permanent Marker | Disorientation
No. 17: “Tell me there’s a hope for me.”
Internal Bleeding | Coma | Redemption
No. 18: “As the world caves in.”
Dystopia | Ruins | Environmental Whump
No. 19: “You’re on your own, lost in the wild.”
Dehumanisation | Living Weapon | On Patrol