rocky horror fe3h au where hubert is frank n furter
almost home
Three Goblin Art
macklin celebrini has autism
we're not kids anymore.
PUT YOUR BEARD IN MY MOUTH
todays bird
dirt enthusiast
Stranger Things

oozey mess
he wasn't even looking at me and he found me

shark vs the universe
d e v o n
Cosimo Galluzzi
Lint Roller? I Barely Know Her
Sade Olutola

Origami Around
2025 on Tumblr: Trends That Defined the Year

ellievsbear
trying on a metaphor
One Nice Bug Per Day

seen from Argentina

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seen from Türkiye
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@rencely
rocky horror fe3h au where hubert is frank n furter
👏🏾Education 👏🏾is 👏🏾a 👏🏾right,👏🏾 not👏🏾 a👏🏾 service 👏🏾
Pass along and use the shit out of them
wolfram alpha is a tool made by the gods themselves. do not underestimate its power. it goes in the hallowed halls with quizlet
Just found out that there are people that dislike Caspar???? How do people manage their lives with the burden of such terrible taste?
What could possibly be bad about a blue haired, big hearted, fearless, enthusiastic, beefy manlet who is in love with his sleepy genius of a childhood best friend?
I'm seriously astounded.
LSDKJFLSDJFLSDFNM
Okay but ngl I feel this unironically
Depression is not your Hogwarts House. It’s your Boggart.
mercedes with cats .. 🥺🐱💛
I guess my discomfort with the AM route could actually be summed up as
“I went straight from playing The Gayest House to the Most Heteronormative and Patriarchal House and even though it makes sense from a worldbuilding and storytelling standpoint, it still made for a very uncomfortable experience for me, the player.”
Imagine if I only played AM and I came away thinking this was a typical medieval fantasy where the men are all in leadership roles, the women are all relegated to support roles and struggling against forced marriages, men act out their feelings with violence, women in power are inherently suspect, hints of flirtation between women are aggressively shot down, hints of feelings between men are treated awkwardly and uncomfortably.
Not knowing there’s a whole other route where multiple women are in charge, men pay women respect and never degrade them, nobody ever suggests that there are inappropriate roles for any gender, men are allowed to be soft, women are allowed to be aggressive, everybody has at least one potential gay ending and it’s not treated as a shameful secret.
Honestly, shout out to the LGBTQ Blue Lions fans. I’m starting to appreciate all the extra work you have to put into those characters.
i LOVE the gray morality with edelgard. i love it. don’t tell me she’s evil, don’t tell me she did nothing wrong. talk to me about the edelgard who is so steadfast in her beliefs that would do literally anything to make her world a reality. like she’s so cool! she’s so powerful! she’s certainly not an evil fascist dictator as very ridiculous people like to call her but she’s not faultless either. its always tempting to lump characters into black and white categories, and sometimes a character truly is just despictable or just truly good, but in edelgard’s case she is completely gray and i find it so compelling
on one hand, she honestly has the complete right of it. the church is corrupt. it’s a cult run by an ancient war criminal who hates humanity and wants to control it. the church is what’s fascist—it lies, bans books, limits free speech, carries out unilateral executions, and upholds oppressive elitist systems of crests and nobility that hurt fódlan and its people beyond measure. edelgard wants to end all that. she wants to tear down all those systems, make hereditary statuses meaningless, and establish a democratic meritocracy so that crests and class and religion can no longer ruin lives. a world without the church of seiros lording over fódlan with all its conservative values would inherently be a better place.
but given the way rhea’s cult has established itself, there’s only one feasible way to take it down, and that’s with a war. so edelgard starts one because the violence is necessary to overthrow the oppressive force. she believes wholeheartedly that lives lost for a greater purpose are not lives lost in vain. she believes that the sacrifice demanded by her war is acceptable if it means the world will eventually be changed for the better. and that is messed up! even SHE thinks it’s messed up! she expresses that she’s conflicted about starting a war, she worries she’ll take things too far, and she doesn’t like the thought of being responsible for so much bloodshed. and yet she does it. she does it anyway, because she believes that ultimately she’s right and that her new world is right and as non cf routes show, she would go to almost any length if it meant a chance at making her world a reality. and i LOVE that. it’s one big “do the ends really justify the means” question, and as much as i love edelgard and believe in her cause and see next to no way around it, i can’t say that it does. but that’s part of what i find so interesting and cool about her. she is so determined and steadfast in her beliefs and it’s both her greatest strength and her greatest flaw.
it’s important to take into account the fact that edelgard is a revolutionary written (badly) by conservative people. of course she’s going to be morally condemned for trying to change the world, of course her vision for society is going to be treated like it’s too radical or a fantasy that wouldn’t work. i think her story and character and motivations could have been so much stronger with different, better writing. but looking at the edelgard we have, i still see her as a strong and complex person trying to fix the world by the only means available to her, even if those means lead to an massive loss of life. she’s not completely evil, but she’s not completely good either. she’s perfectly morally gray and it’s my favourite thing about her.
(edelgard antis do not interact)
explain your gender in 10 words or less without using boring words like “male”, “female”, “nonbinary”, “masculine”, “feminine” or “androgynous”.
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tag yourself
It’s the thought that counts.
Necessary context
on Twitter
You ever get emotional about how an entire village, and not a well off one at that, agreed to pool their resources together just to send this one girl to a prestigious academy where she could realize her ambitions?
You ever think about how a girl had to become so resourceful that she can't bear to see things go to waste when she can still find an use for them, no matter how small?
You ever remember how a brave young woman stood face to face to a legendary beast and requested a weapon from it that she could use to help people in need?
You ever think about how one very plucky girl just declared herself the apprentice to one of the most legendary mercenaries in the continent and stuck to it through thick and thin?
You ever feel your chest tighten because this woman declared herself a bodyguard to someone she initially didn't really understand or necessarily like just out of her loyalty for their father?
You ever realize that Leonie Pinelli, this girl with no Crest and no status to speak of has exactly 0 weaknesses for learning new subjects because she puts her all into all she does so she can make her village proud?
Iconic Yandere Characters in Anime
this has the power to kill given the opportunity
Ever think about how vulnerable Edelgard must have felt with her missing memories? A preteen crown princess with freshly healed scars thrust into the middle of a sensitive political situation, not being able to remember which of the people around her she knows, which she trusts, which treated her well when she wasn’t the declared heir?
How she’d know when people are lying to her but struggle to determine why they were lying. Is the maid who claims she’s served in the palace for years lying because she’s trying to make a good impression on the new princess, or because she’s a spy? (If she’s a spy, who on the endless list of possibilities is she a spy for?) Is the noble expressing sympathy over the sudden death of her brother (”a fever they say, how sad, didn’t your sister go the same way?”) insincere because he knows the truth of how and why her siblings died, or is he insincere because he’s an asshole? Is the too-old man courting her hand claiming he’s known her since she was a child because he is trying to gain her trust or because he really is that creepy?
Does she remember the uncle who raised her? Her real uncle, the one who gave up everything to go into exile with his niece? Does she remember him well enough to know the difference between him and the creature who wears his face?
Does she remember her siblings as anything other than children crying in the dark? Does she look at paintings of them and try to guess at which names match their faces? Does she recall which sister taught her how to tie those ribbons in her hair? Does she know which of them held her hand the longest in the dungeons?
How paranoid she must have grown, questioning every gesture, mistrusting every kindness. No wonder she is disdainful of expressions of sympathy. No wonder her only friend and confidante for so long was somebody who deals in facts and logic. Notice how Edelgard recites facts about noble houses as though she memorized them in a book, never embellishing with personal anecdotes. How even the story of how her parents met one another is like a fairy tale written out of rumor and speculation, one she acknowledges might not be accurate. How much of her own life did she have to read up on?
(How many times did she go to Hubert to ask him what is real? How much of his job is just helping her keep the facts straight?)
How she clings to the facts as they are written when her own memory fails her. “Is it possible that we’ve met before?” she asks Dimitri in Abyss, before quickly rejecting the notion. Impossible. It doesn’t line up with the history that she has pieced together from public knowledge.
(If he’d said yes, would she have believed him? So many people have told her they were so many things to her in the past. So many have lied.)
How paranoid she must have remained still, coming to Garreg Mach. Could she trust her own Black Eagles? Duke Aegir, snake that he is, certainly would have bid his heir to keep an eye on the crown princess. Did House Bergliez enlist their second-born to ensure the war plan was carried out successfully? Is House Varley’s mystery daughter an agent of the church? Is every one of them who they say they are, or are they a house of Monicas, monsters walking around with stolen faces?
(They’re not like the other houses, all wrapped up in each other’s history, full of childhood friendships and rivalries. Edelgard is a stranger to her own house, and – how refreshing that is, that none of them pretend otherwise, that they do not force her to pretend to know them.)
And yet she constantly exudes confidence. She has to. Weakness and uncertainty are not traits she’s allowed to have. So she swallows her fear and feigns absolute certainty, and at night, she reads history books to memorize her own father’s deeds.
Black Eagle!Dedue AU
Dedue starts classes in the Blue Lions House, but he isn’t totally loyal to Dimitri like he is in the canon. In this AU, he is bitter about the Murder of Duscur and about Dimitri’s refusal to do anything in terms of reparations.
Dedue spends two moons in the blue lions and in that time, he is consistently belittled and degraded by Felix and Ingrid for his heritage. He doesn’t get this treatment from his other classmates but they seldom defend him. This refusal to take action leads to a rift between the Dedue and the rest of his class. For a while, he feels totally alone.
One day, Ingrid gets exceptionally racist in the mess hall and it draws attention. Again, none in the Blue Lions stand up for Dedue but to Dedue’s surprise, quite a few Black Eagles come to his defense immediately. This leads to a spat between the the black eagles, Petra, Dorothea and Ferdinand in particular, and Ingrid and Felix. Seteth breaks up the argument but before they leave, the Black Eagles invite Dedue to their table. Dedue thinks on it a minute before he stands with his food and he goes to join them. He starts sitting with and just generally hanging out with the Eagles from then on, but it doesn’t push him to switch classes.
From then, Dedue builds relationships with most of the Eagles.
Petra becomes friends with him first, and they bond over their mutual feelings of homesickness. They become good friends doing cool friend shit like hunting and fishing together and kicking the shit out of racist monks and students. Idk I just want them to be bros, dude.
Dorothea becomes friends with him by asking him about the arts of Duscur. He’s wary of her initially, but he eventually warms up to her and he even sings the songs he remembers for her.
Ferdinand tries to be a protector to Dedue at first but that annoyed Dedue more than anything. Dedue tries to explain that he doesn’t need a defender and that while he appreciates the thought, he would rather not have Ferdinand stick his neck out like that. Ferdinand obliges, albeit a bit confused as to why someone would refuse a noble’s protection.
Caspar becomes friends with Dedue because of how built he is. They train together all the time, and though Caspar is a bit too rambunctious for Dedue’s tastes, he indulges him anyways and he develops a friendship with him.
What pushes Dedue to leave the Blue Lions is his paralouge. Dimitri refuses to defend the Duscur rebels. He says that there are more important matters at hand, so he turns his back on the people who just want their homes back. Desperate and enraged, Dedue turns to the eagles and begs them for their aid. Without question, Byleth and Edelgard agree to help him and together, they help the Duscari rebels fend off the battalion of Faerghus soldiers. Afterwards, Edelgard offers the rebels a haven in Enbarr, so that they may live in peace. The rebels accept her offer and they go to Enbarr as temporary refugees, but with plans to take their lands back in one way or another.
Dedue is thoroughly shocked that Edelgard was so ready to aid his people who have been seen as lessers for so long and he’s even more shocked when she offers the people of Duscur her protection and a temporary home in Enbarr. It is here where Edelgard confides in Dedue that when she is Emperor, she wants to create a world of equals in terms of rights and protections. It’s vague but it’s enough for him to turn his back on Dimitri all together and join the Eagles because in this one act of aid, she has done more for Duscur than Dimitri has in his entire life.
Ingrid is predictably vindictive about his choice to leave, but everyone else is amicable about it, ranging from sad to indifferent.
When the war rolls around, Dedue doesn’t think twice about siding with the empire.
Dialogue vs former classmates
Dimitri
Dimitri: Dedue!
Dedue: Your Highness.
Dimitri: I don’t understand, how could you side with her? Can you not see the destruction that she has wrought?
Dedue: With her help, Duscur can reclaim what it has lost. She offers a future for my people, whereas Faerghus sees us as little more than a remnant of the past.
Dimitri: Faithless turncoat! Very well, then. If you fight for her despotic visions, then you’ll die too!
Ingrid
Ingrid: Duscari scum! I will rid you from the world for your treachery!
Dedue: No, Ingrid. You will only die trying.
Felix
Felix: Even if you’ve left the boar, you’re still nothing more than a dog. The only thing that’s changed is your master.
Dedue: I have no words for you.
Felix: Good. Come fight me and die.
Sylvain
Sylvain: So, this new world Edelgard wants to build is one where crests are insignificant?
Dedue: Yes. If you lay down your arms, I can promise you that you’ll have a place in it too.
Sylvain: Tempting, but I’m afraid I’ve already found a cause worth fighting for.
Dedue: Your sense of duty will get you killed.
Sylvain: I have the Lance of Ruin on my side, Dedue. I’ll take my chances.
Annette
Annette: I know I should hate you for siding with her…
Dedue: …
Annette: But, I don’t. I really do understand why you did.
Dedue: We don’t need to fight, Annette. Surrender, and I will see that you are treated with fairness and dignity.
Annette: I’m sorry, but I can’t. I will not lose my father again. Prepare yourself, I won’t go easy on you.
Ashe
Ashe: I was hoping we wouldn’t have to fight.
Dedue: As was I. I don’t suppose I can convince you to lay down your bow and surrender?
Ashe: I’m sorry, but no. I have a duty to fulfill. Even if it means I’ll die fulfilling it.
Mercedes
Mercedes: Oh! It really is lovely to see you again. It’s a shame that it’s like this, isn’t it?
Dedue: I don’t want to fight you, Mercedes. Please, stand down.
Mercedes: If only it were so simple, Dedue.
Endings in Crimson Flower route
Solo Ending
After the war finally came to a halt, the people of Duscur were able to reclaim what they had lost and then some. Dedue was widely celebrated as a hero to his people and he became the first leader of Duscur. The people wanted him to rule as a king, but he proposed a more democratic rule. Even so, Dedue was never voted out of office and under his selfless leadership, Duscur was able to bloom into a wealthy nation with rich art and world famous cuisine.
Ending with Ferdinand
After the war had finally came to a halt, the people of Duscur were finally able to reclaim what they lost and then some. Dedue became a hero to his people and together with the aid of Ferdinand von Aegir, Duscur healed from the scars of it’s past and it blossomed into a vibrant nation which was rich in trade and art. Later, after both Dedue and Ferdinand had passed, letters between the two were discovered, the contents of which were described by poets and scholars as the most beautiful and intimate expressions of love and gratitude to ever be written.
Ending with Petra
After the war had come to a close, Petra was finally crowned as the Queen of Brigid. From the very start of her reign, Petra worked hard to establish strong diplomatic relations with not just Fódlan, but with Dagda, Almyra, Morfis and the newly rebuilt Duscur. Dedue, as the new leader of Duscur, would meet with Petra regularly to make sure that their two nations grew strong together, though later, these meetings would become more private affairs. Eventually, Dedue announced that he would not be running for another term and he left Duscur to be with Petra, to whom he was wed almost as soon as he arrived in Brigid. The people were initially skeptical of him but Dedue’s tireless devotion to his new subjects earned him their love and admiration. To this day, Dedue and Petra are revered in both Duscur and Brigid and the two nations enjoy a high degree of camaraderie.
Ending with Dorothea
When the war finally came to a close, Dorothea accompanied her husband, Dedue to Duscur. Together, they got to work rebuilding Duscur, though in two very different ways. Dedue became the first elected leader of Duscur and his policies made sure that the country was built strongly in terms of infrastructure and with its economy. Dorothea, on the other hand, became a patron of the arts and she oversaw the creation of a new Opera company in Duscur which took in talent from all over the world. This diversity of artists effectively revolutionized art itself, and before long, Duscur was known far and wide for it’s wide array of arts. For as busy as the couple was, however, they always made time for one another and it is said that no union was ever as happy and serene as theirs was.
Ending with Caspar
In recognition of his daring deeds during the war, Caspar was offered the position of Minister of Military Affairs, but he declined. Instead, Caspar accompanied Dedue and his people to help rebuild Duscur. Unfortunately, hatred for Duscur persisted in the north of Fódlan. This led to the creation of a military dedicated to the defense of Duscur, helmed jointly by Caspar and Dedue. Thanks to their tireless efforts, Duscur remained safe and in time, the nation was able to heal and bloom into a wondrous country of wealth and formidable military might. To this day, Dedue and Caspar are remembered as the greatest of all of Duscur’s heroes, even being called the sons of the War God by some.
Ending with Bernadetta
After the war had finally come to a close, Bernadetta was allowed to take over the Varley territory from her father, but instead of taking over, she chose a more adept successor and relinquished all claims to the territory. From there, she became a traveling artist of great renown. She ventured far and wide, from Brigid to Sreng to Almyra, but eventually, she found herself in Duscur and she fell in love with the culture. Her paintings of Duscur and it’s denizens became beloved by the people to the point were Dedue, the new leader of Duscur, had to beg her to stay. She inevitably stayed and with her help, art museums were established in Duscur. In time, these became among the finest in the world, filled to the brim with the beautiful works of Duscur’s many artists.
two mage divas and a short king
some of you guys really are incapable of viewing relationships between characters and people without a romantic/sexual lense and it shows
what’s up