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pixel skylines
Xuebing Du
Not today Justin
i don't do bad sauce passes
hello vonnie

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will byers stan first human second
$LAYYYTER

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Cosimo Galluzzi
noise dept.
he wasn't even looking at me and he found me
Misplaced Lens Cap
DEAR READER

ellievsbear

Love Begins
Cosmic Funnies
Three Goblin Art

Discoholic 🪩

seen from Israel

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@rowaaaan
Snorping idiot club
It's a soggy algae wafer don't worry!!
by the way it's fine to like sexual content just for the sake of it. "we can't ban porn because other stuff will get banned" "sometimes nude art has value" "the government will classify queer people as sexual" this is all true but it's okay to just like porn. its okay to not want porn to be banned because you like it.
RIP Marjane Satrapi, author of the amazing graphic novels Persepolis about living during the fundamentalist revolution in Iran in the 70’s and 80’s. She also created the animated movie based on the graphic novels, which is where these gifs come from.
Gifset source
Reblogging in honor of Marjane Satrapi, one of THE great graphic novelists. Her comic Persepolis was a crucial text for shaping my belief that comics can deeply explore identity, culture, politics, and history.
Potato Bracket Qualifier 5/7
Smashed potato
Deep fried Korean potato sausage stick
Spiralled potato
Shoestring fries
Potato doughnuts
Saag aloo
Pierogi
This is literally just warhammer.
Are you called orcboxer because you box orcs
I'm an orc who boxes, I box orcs, I'm a boxer who orcs, and I orc boxes. There is a golden ticket hidden somewhere on my blog abd if you find it yoiu win one million dollats
Polish sabre; 4th quarter of the 17th century (blade), 3rd quarter of the 18th century (mounting)
Wawel Royal Castle – National Art Collection
The blade may be associated with the reign of Jan III Sobieski and possibly originated from his armoury in Żółkiew. It later entered the Radziwiłł collection, was taken to the Hermitage, and was returned to Wawel in 1924.
Type: Sabre with scabbard
Overall length: 94 cm
Blade length: 79 cm
Sheath length: 82 cm
Blade width: 5.5 cm
Scabbard width: 7 cm
Origin: Poland
Blade maker: Attributed to Armenian craftsmen of Lviv
Material: steel, gold, bronze, velvet, turquoise, coral, almandine
Technique: forging, grinding, chiseling, gilding, casting, inlay
Decoration: Gold mesh ornament, rocaille motifs, floral inlays, gemstone settings, eagle-head pommel.
2026.6
I feel like we're living through the "first as tragedy, then as farce" version of the conflict b/w Marius and Sulla. Everybody stay alert and keep an eye out for Julius Caesar he could appear anywhere at any moment
So who's Marius and who's Sullah?
So Trump as a Sulla analogue is an easy sell, but we don't seem to have a Marius. The role of Marius in this slapstick production seems to be played by a rotating cast all like sharing the energy or wtfe. Screaming and pissing and weeping like babies over fairly unremarkable economic reforms is the Republican Party's favorite hobby and that's pretty Sullan so for a while back in like 2021 I thought Joe Biden and/or Kamala Harris might be the Marius just by eliminateskies but they both evaporated like a fart in the wind and I couldn't see either of them swinging all that much extralegal military authority. I don't think Joe Biden ever saw more than 1 or 2 eagles at one time.
#okay i see it#well the US self-mythology always did like to immitate rome#frequently relieved that i'm a provincial peasant tbh
Back when I was a weird little girl I was always the type of weird little girl who'd excessively romanticize the barbarians and view Roman civilization as synonymous with political corruption and cultural extinction and she was right so this is all par for the course tbh
My monkeys are attempting to overthrow me and take over my circus via violent proletarian revolution
“this character did not act in the most objectively logical way possible!” is not ! actually valid literary criticism
i have trust that the media literacy enjoyers will find this one idk
hot take monday: emma shouldn't be one of the most popular austen novels. like it's FINE. and sure it's longer than the rest of the novels for maximum slow burn. but it's not Special. it's just... fine
Never underestimate the power of a good slow burn tho…………
Never underestimate the power of getting into a big disagreement with a loved one, getting proved wrong, growing and changing, and still being loved after it all.
and!! still!!! being!!! loved!!!
To call it a “slow burn” is to read it through like a particular fandom-oriented romance*-centric lens where the marriage plot is the main goal of everything—which is fine but it’s not all the book is or can be, and I don’t think that’s the reason for its length. The novel is largely considered to be Austen’s best by Austen scholars, not because of any feature of the romance, but because it’s where she used the technique of free indirect discourse most extensively and most sensitively. The language itself is just extremely clever—that plus the way the book functions for me as an epistemological problem (what’s the nature of knowledge?? Why does Emma observe things and yet still get them wrong? Why does Mrs Taylor do the same? Does Knightley “know” that’s something’s up with Jane and Frank, or is it a lucky guess? Does observation + being proved correct = knowledge, or is there a way to be “right” in a way that does you no credit and to be “wrong” through no fault of your own?)
I think Emma might not be one of my favourites if I were reading it “for plot,” but that’s just not how I read it. I’m not... enormously into Emma & Knightley as a couple, lmao
* “romance” in the modern sense, not as in “a fantastical story”
I think I've studied Emma about four times now throughout high school and uni (because of the nature of my degree) and yeah... it's an absolutely masterful piece of literature.
I think all of Austen's works are, but Emma is arguably the tightest in terms of how much meaning is fit into every line. The word play and social commentary is such a focus, I second the bit about the free and indirect discourse, and you have so much more lying and deceitful truths in this book which completely change in tone and meaning upon rereading. It really makes you question the characters and what they say or believe they know.
But what is of particular interest to me is how it explores that lower boundary of the genteel class and more than her other novels. From a historical perspective, it offers us so much nuance and information about the shifting of classes:
Miss Bates is genteel but barely clinging on because of her severe financial distress, and is reliant on her neighbours to quietly overlook the usual requirement of returning dinner invitations (she couldn't afford to reciprocate) in order to continue participating fully in genteel society.
Her niece, Jane Fairfax, is as genteel as Miss Bates by birth and far more genteel in education and manners, yet she's the one about to take a half-step down socially by becoming a governess.
Mrs Weston went from that half-step down to unquestionably genteel for life by marrying Mr Weston (himself "born of a respectable family, which for the last two or three generations had been rising into gentility and property" but was still low enough on the gentry ladder that to marry a wealthy, landed gentleman's daughter for his first marriage was a big step down for Miss Churchill "of a great Yorkshire family") who is now rich enough to have a carriage which places him in at least in the top 2% of society via income.
Augusta Hawkins is from the mercantile middle class and thus born a full step down but also moved into the gentry class by marrying Mr Elton (which is partially why she tries so hard to look the part and pushes the connection to the 'estate' of Maple Grove, she needs to establish herself in this social sphere) who, as a clergyman, is genteel but on the lower end of the scale.
Harriet Smith is in a nebulous quasi-genteel state as her education is genteel enough to allow her to mix with the gentry, and clearly someone with a bit of money is supporting her, but she's illegitimate and therefore can't fully be placed until her family connections are known (because she would naturally be lower than them) unless she happens to marry first and thus assumes her husband's position.
Mrs Goddard was likely a governess or teacher in her youth, genteel enough by birth to educate young ladies, but poor enough she had to work, and's now the mistress of a school. Which makes her less genteel than Miss Bates, technically, but with more financial freedom. And it's a respectable enough career that she hasn't been completely cut from Highbury high society, though she exists on the periphery.
The Coles are a merchant family whose wealth is allowing them to takes those steps to move up the social class (via the education of their children and hosting the local gentry) and we see those tensions in the novel and how delicately it had to be balanced (Mrs Cole couldn't just invite the Knightleys and the Woodhouses to dinner, her husband could befriend the local gentlemen freely but Mrs Cole was first friends with the lowest on the genteel scale, Miss Bates, and had to slowly establish herself socially before making an overture towards Emma).
The Martins may be what Mr Weston's family was two or so generations ago, especially if Robert Martin ever buys the farm he rents from Mr Knightley (which would also put them on track to be like the Hayters from Persuasion), and are also becoming more respectable and educated. They're not moving into the gentry class yet, the Miss Martins are too securely lower class to have tea with Miss Woodhouse even though they've got the same education and perhaps greater wealth that Miss Smith, but Robert Martin is already starting to mix equally with families along that genteel border, like the Coxes, though he and his sisters are not high enough to be invited to the ball. It's an interesting contrast to Miss Bates, who is poorer and less educated than them, and yet unquestionably genteel and invited where they are not.
Then the Coxes themselves are "very vulgar" but their son, William, is a lawyer (perhaps his father too, and likely 'only' an attorney, given he seems to have an office in Highbury - so not nearly as impressive or genteel as Mr Knightey's barrister brother) so we might think of them as the same social sphere as Mrs Bennet's father in Pride and Prejudice and learn more about her status before her marriage from that.
Though Emma and Mr Knightley are the main couple, and are both far above the border of gentility, the majority of characters in the novel are not. And a lot of the tensions between characters are caused or exacerbated by minute class differences. Emma's treatment of Miss Bates is so dangerous because it could set the tone for the rest of Highbury and result in Miss Bates being shut out from genteel society since her position is already so tenuous, aside from Emma not wanting to marry Elton she's offended he would even aspire to her, and is extra offended his wife considers herself Emma's equal, Emma wavers over accepting the Coles rise or opposing it by declining their invitation, her desire and attempts to secure Harriet's as genteel causes many problems for them both, her shunning of Jane Fairfax as a friend gains an extra layer of insult when you understand that she's the suitable and natural choice due to her class and education, and Mrs Elton being patronising to Jane would've been even more unjust to contemporary readers than us since they knew Jane's 'naturally' the social superior by birth.
You lose so much of the novel if you see it only as a slow burn love story and not a deft study of blurring class lines, the resulting tensions, and the difficulties of maintaining and risings ones' status. None of Austen's other novels let us see so clearly the influence and importance of wealth as opposed to birth and education on class. (I actually have an essay about that topic in Emma, lol)
All of Jane Austen's books offer social commentary and explorations of class as well as studies of human character, let alone amazing wordplay and pioneering language style, but even among them Emma stands out. It's not my favourite to reread, or my favourite couple, but it's such a masterpiece of literature and I love it dearly.
People will literally see a sage green building and be like "what if it was white" 🙄
People will literally see a unique little house and be like "what if it had beige vinyl siding" 🤢
People will literally see a gorgeous Victorian painted lady house and be like "what if we knock it down and make it a carwash" 🤮
People will literally decide to build a community center for their town and then be like "what if it looked like a prison" 👹
People will literally see a mom and pop store going out of business and be like "what if we had a 3rd Dunkin Donuts there" 💀
People will literally see a vacant lot and be like "what if we had 6th dollar store there" 🤑
People will literally see a 40 year old bowling alley and be like "what if it was storage units" 😵💫
Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.
This is the paper. It's excellent, highly recommend reading it.
I remember reading about Gebru's firing but I had no idea this was the paper she was fired over.
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
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