( ░ ❛ plots based off of 80′s/90′s movies
*All plots may be altered to any gender in any role, these are just stated in sense of the original movies’ characters
FERRIS BUELLER’S DAY OFF // (1986)
MUSE A has a knack for skipping school and getting away with it. Intending to make one last big bang before graduating, MUSE A calls up his girlfriend MUSE B, and convinces her to call in sick, and embark on a one-day, wild journey through the streets of Chicago.
PRETTY IN PINK ( VERSION 1 ) // (1986)
MUSE A is an outcast at her Chicago high school. When one of the rich and popular kids at school, MUSE B, asks MUSE A out, it seems too good to be true. As MUSE A starts falling for MUSE B, she begins to realizes that dating someone from a different social sphere is not easy.
PRETTY IN PINK ( VERSION 2 ) // (1986)
MUSE A is an outcast at her Chicago high school, hanging out either with her older boss who owns the record store where she works, or her quirky classmate MUSE B, who has a crush on her. When one of the rich and popular kids at school asks MUSE A out, MUSE B watches her as she starts falling for the popular kid. It kills MUSE B to see MUSE A with someone else, but as her best friend, he stands by her through everything. But when MUSE A goes through a rough patch with her new beau, will MUSE B take advantage of the situation to make his move, or remain in the ‘friendzone’ as he always has been?
CAN’T BUY ME LOVE // (1987)
MUSE A who is a nerdy high school student, helps keep MUSE B, his popular cheerleader next door neighbor from trouble after she accidentally destroys her mother’s designer clothes. MUSE A agrees to pay for the $1,000 outfit on one condition: that MUSE B will act as though they’re a couple for an entire month. As the days pass, however, MUSE B grows fond of MUSE A, making him popular. But when the month is over and MUSE A decides he no longer needs MUSE B to keep up his popularity and he leaves MUSE B in the dust, it becomes apparent to the both of them they need each other a lot more than they had each thought.
MUSE A is part of the most popular clique at her school, but she disapproves of the other girls’ mean spirited behavior. When MUSE A meets the school’s new Bad Boy, MUSE B, the tackle the high school hierarchy one by one with a method most do not reach –– accidental murder, only to make them appear as suicide. Soon MUSE A realizes that MUSE B. is intentionally killing students he does not like, and she is in a moral gridlock; does she stop her true love from killing those she does not even truly like, or does she stand up against his actions and risk losing her life and her boyfriend?
CRUEL INTENTIONS ( VERSION 1 ) // (1999)
MUSE A is a kind, pure girl, who is known for writing into a local magazine about how she plans on holding sex off for marriage and true love. MUSE B is the uptown bad boy, known for his sexcapades and bad behavior. When MUSE B finds out about MUSE A, he makes it his conquest to seduce her –– but what happens when along the way, he finds himself falling more in love than lust?
CRUEL INTENTIONS ( VERSION 2 ) // (1999)
MUSE A is an innocent and naive girl who transfers to an upscale New York private school. MUSE B is the private school, grade A bitch who chews everyone up then spits them out at her regard. MUSE B promises to take MUSE A under her wing, only for it to be revealed that MUSE B is only doing so to get back at her ex boyfriend, who left her for MUSE A. Her plan is to make MUSE A’s reputation tarnished before it can even begin, and ruin her life.
10 THINGS I HATE ABOUT YOU // (1999)
MUSE A is beautiful, smart and more outspoken than her peers, meaning that she doesn’t attract many boys. Unfortunately for her younger sister, house rules say that she can’t date until MUSE A has a boyfriend, so strings are pulled to set the dour damsel up for a romance. Soon MUSE A crosses paths with handsome new arrival MUSE B, who is as snarky and out there as she is. Will MUSE A let her guard down enough to fall for the effortlessly charming MUSE B?