Showing off the Arapaima I made! (Pattern also made by me)
This was the test of the new pattern and I love her. 🎏💕
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Showing off the Arapaima I made! (Pattern also made by me)
This was the test of the new pattern and I love her. 🎏💕
how this week has felt
Prints of these are now up on my inprnt! Link in bio as always and thank you for the lovely comments 🖤
CREATURE FEATURE THAT FLEW INTO MY HOUSE AND WON'T LEAVE. EATS MY FOOD. EATS MY CLOTHING. EATS MY FURNITURE. PLS HELP.
Meteor Shower, oil on panel by Mia Bergeron
apologies to anyone who followed me for tma. cow studies :) ❤️
a sketch of Stelliah appears. she's surrounded by her favorite things!
He's worried about stepping on flowers. He loves nature. - (ref)
Why We Don't Have A Largely Renewable Grid
Okay, I feel with the current discussion with people who are angry about Solarpunk but refuse to actually research any of this, one topic kind of got lost. And I feel a lot of people do not quite understand it. And that is capitalism and how it relates to renewable energy.
The people who vent about Solarpunk will usually claim that it is pro-capitalist. Which it explicitly is not. Though a bunch of people who mostly like Solarpunk as an aesthetic will also not understand that Solarpunk in its nature is anti-capitalist.
And I think this does connect to one specific issue about how capitalism relates to renewable energies - and which generally speaking is not talked about.
A lot of people think the reason that renewables might allow people to be more self-sufficient in regards to energy, meaning that everyone could just have their own energy source and no longer rely on big suppliers.
But that... is actually not true.
Yes, depending on how well of you are, you might be able to complement your energy consumption with some photovoltaic panels on your roof. But that is only viable if you have your own roof with your own photovoltaic panels. Most people who currently are living are renting apartments, and do not have access to this. Yes, these days you might have also the ability to put two smaller cells onto your balcony, and yes, that helps, sure. But it is still not enough to live off of.
The vast majority of renewable energy comes currently from renewable energy "farms". That means photovoltaic farms, so big fields fully covered in photovoltaic panels. Parks of wind turbines (especially effective if it is off-shore). And hydro dams (that actually are not very good environmentally speaking, btw). All of those are still owned by capitalist entities.
Which does open the question: why do we not have more renewable energy? It is cheaper, after all. Especially wind energy, but photovoltaic has become quite cheap as well. Would it not be in the interest of the capitalist elite to build a whole lot of wind farms and photovoltaic farms given they can get more return on investment?
And here is the thing that most people do not see - because it never gets explained to them: fossil fuels are staying, because the literal worth of capitalism is tied to them.
Assets vs Money
The core issue that people need to understand is this: capitalists do not own money. They own assets. If you want to go all Marxist: they own the means of production. Which is partially true - and partially a bit too simple.
But yeah, if you hear about how "rich" any given person is, you imagine that their bank account is showing numbers that are very long. When you hear "Elon Musk has a Net Worth of 440 billion dollars!" you imagine his bank account holds 440 billion.
But it doesn't.
Musk himself is actually a great example, because he tends to be very cash strapped. He does have little money on his actual bank account. From what people say, he likely will not have more than a few million which he actually can access as cash on a bank account or similar.
No, the reason he is "valued" of 440 billion is that he owns assets. His biggest assets are his shares in Tesla, but there is obviously other investments as well. There is also gonna be a privat jet, a yacht, and stuff like that.
Whenever he wants to buy something he goes into debt. Because he can just march up to a bank (or, to be more real, have some guy he is paying, march up to a bank) and say: "Hey, I need some money. I have stuff. If I do not pay you back, you can have my stuff." And then the bank is gonna say: "Well, you do have a lot of stuff. Okay, we are gonna loan you 20 billion."
Which is why Musk would go broke if the Tesla stock ever fell under $120 per share. Because that is the number at which a lot of his debt is tied. If it goes other, banks will start to doubt he will be able to pay them back and start grabbing his stuff, basically.
This does however also relate to renewable energy. Because here is the thing: while you probably know the names of the Silicon Valley billionaires, you likely have never heard of Chris Cline, Oleg Deripaska, Matt Ridley, Clive Palmer, Gautam Adani, Yao Junliang or Gina Rinehart. In fact, out of the billionaires with large holdings in fossil fuels the only ones you likely will know are Warren Buffet and the Rothschild family.
Still: a lot of very rich people largely are considered rich because they hold assets whose entire value is related to humans largely being dependent on fossil fuels. They own coal mines, coal plants, chemical plants, oil wells, and many associated things. And them being rich is tied to those things being valued highly.
If we collectively decided that actually we do not like fossil fuels anymore and will just not use them anymore, the value of those assets would instantly drop to ZERO. And sure, most of those people would not be poor if that happened. They largely still own enough other shit to be considered millionaires afterwards. But they would no longer be the SUPER RICH.
And this is where the double bind comes in: this entire thing creates a game of chicken. Because in the moment when one of those big investors in the energy sector would decide to just sell their holdings in fossil fuels to exchange them for holdings in renewables, the value of those things would collapse. Because remember: they do not have inherent value. Coal is in the end just carbon rocks. If you cannot use it for energy, then... oh well, there is literally not much you can do with it. It would just become dirt.
And this is why capitalism does not want to switch to renewable, sustainable energy. Because the people who hold all the money and power are depending on fossil fuels having inherent value. Because it turns out them being rich is tied to fossil fuels being valued.
It really is not that much about whether some people could be self-sufficient on renewable energy. That is not the big issue. The big issue really is that too many influential people have too much depending on fossil fuels being the main source of energy.
Solarpunk and Capitalism
Of course, even outside of the energy question Solarpunk is anti-capitalist in quite a lot of ways, given that Solarpunk as an ideology is also about sustainable living outside of energy. It is about using clothes for longer, and no longer using fast fashion. It is about making food and housing available to everyone. It is about creating libraries of things, to which people can just go if they need tools for anything. It is about mutual aid, and taking care of people because they are people - and not because you can make money of it. It is about community - and actual community is much less exploitable than a fragmented individualist society.
But the reason why renewables and capitalism do not go hand in hand is what I explained above. The simple fact that a lot of very rich, very powerful people are only very rich, and very powerful as long as we are depending so much on fossil fuels.
(All artsworks come from the Solarpunk Seed Library, by the way.)
I love Solarpunk so fucking much. It’s the most late 2010s ass genre humanly possible. A genre consisting entirely of Pinterest concept art boards and a yogurt commercial. Aggressively political with no actual political stance or statement other than “climate change is bad.” genuinely incredible levels of sucking
Solarpunk started out as a concept of imagining a sustainable future without capitalism cooked up by Brazilian anarchists, to my understanding. (There's a whole timeline I found here if anyone wants to flip through it.) Something of a humanist/naturalist contrast from transhumanist and singularity/"rationalist" views of the future. And, of course, contrast from the gritty dark hypercorporate crapsack worlds of cyberpunk. A few novels were written, but overall the literary movement fizzled out because it turns out writing compelling stories in utopian settings with solely interpersonal conflict is pretty hard, actually.
From there the political aspect of it got picked up by climate doomerist types who pushed it as an antidote to the impending apocalypse. Alas, being fanatically worried about climate change seems to have fallen out of fashion since COVID for whatever reason. I believe a lot of these people have moved on to walkable urbanism and anti-AI movements.
And the aesthetic side of it started off with a particularly influential Tumblr post from 2014 that had quite a few neat ideas. All of those were sanded down over time into a vision of skyscrapers with moss and solar panels, coupled with some recycled cottagecore material and a bunch of Ghibli screencaps.
And then Chobani comes in and makes a yogurt commercial that's just futurist luxury automated cottagecore in a Ghibli aesthetic, complete with some vague handwaves at a spunky DIY attitude and a whole bunch of small-scale renewable electric generators. And from there the movement, whatever it was, merged with "Frutiger Aero" and completely fell apart into bland nothingness.
I suspect the Brazilian anarchist sci-fi writers who were hoping for some kind of cultural counterpart to thinking that Isaac Asimov's "The Last Question" was literally going to come true are rather disappointed in this turn of events.
It turns out that praxis leading to solarpunk future and solarpunk presence is million skills with million names and acquiring and practicing these skills don't look particularly like solarpunk aesthetic. It looks punk. But to give it a distinct visual language, both consistent and recognizable at a glance, you need to put a strictly aesthetic effort on top of everything else.
Praxis itself? It looks like disability activism. It looks like attending local town council meetings. It looks like diving into super specific debate on local law requirements on water-permeable surfaces percentage. It looks like keeping in contact with local priest to snoothly distribute furniture from well-off middle class finishing renovation to 18yo orphans ageing out of the system. It looks like negotating with local cultural activity center how to organise half-illegal craft workshops because paperwork for fully legal ones excludes the most neglected demographic. It looks like lobbying for health insurance to put "replacing batteries in the implant surgery" on the list of covered medical services, so people don't need to surgically replace whole implants. It looks like million other specific things.
People who got inspired by solarpunk tend to spend some time looking at art, then turn around, ask "okay but what can be done now that I can engage with" and then go do it. And then what they do stops looking like solarpunk aesthetic.
Of course there's also that thing that before Covid, lots of climate collapse containment issues were literally "we know that business-as-usual is cheapest short-term but can we focus on how it's killing us long-term". Covid era showed that business-as-usual is unsustainable now, mid-term and short-term and today and yesterday; and also that goverments can simply decide to act and it create tangible effects. Suddenly, it wasn't "solar would be better if your gas import was ever endangered", it's "we build all the solar for yesterday because we cannot afford keeping to gas". Creating inspiring narratives is optional when cost of business-as-usual is visible to naked eye. Lots of people who used to share inspiring pictures of solar on background of green hills either went to install solar and negotiate specifics of grid inclusion, or moved on to the next issue.
Central idea of solarpunk aesthetic was to give people tools to imagine sustainable future; to create visual and narrative shorthands allowing people to engage with vision of non-apocalyptic future.
Central idea of solarpunk philosophy is that apocalypse is anything but inevitable and the main challenge isn't lack of means and tools, but widespread cultural pessimism. You cannot change anything if you believe change is impossible. Therefore, for change to be possible, you need to envision the world that can be changed.
Basically, if solarpunk art convinced anyone that there is achievable alternative to doom, it have already succeeded.
You absolutely can merge in one all the issues ever discussed in context of exploring how sustainable climate-proofed non-capitalistic world can work and how it can be achieved, with the attempt to design a distinctive and consistent visual language for it.
And you absolutely can blame whichever aspect of that merged entity for the fact that detailed fact-based solutions are difficult to derive from visual language or using visual design tools.
You can! Totally! You're just going to sound silly.
Erosion by Tamsin van Essen. Who knew parasitic invasion could be so beautiful?
van Essen on her project:
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
Scavenger
i think another thing that will help you improve a lot as an artist is to develop a healthy curiosity for things you might otherwise consider boring or mundane. if you want to make an illustration look more deliberately stylized, you have to care about the different styles even small things can exist in.
knowing how to draw things you enjoy in your style is a great first step. but have you ever looked at the way the tongue of a sneaker feeds into the mouth of the shoe? how about the mechanics of a pair of scissors? how about the different styles a chair can be built in?
these are things you might 'remember' how they look, but actually caring about the individual items instead of just as background props can distinguish your work in ways you wont realize until you start doing it.
instead of drawing vague concepts of things, you have to think of the objects as characters themselves. the same goes for your backgrounds.
Two paintings I made at the end of my last semester of college. 12 years ago now. Time is messed up.
Opposable thumbs are handy
solarpunk haters are cowards I'm sorry. Yeah my bad for liking a utopian society where we can still reap the benefits of technology without the unchecked ecological decimation of capitalism. Sorry I like nice things I didn't know you couldn't like nice things anymore I forgot you can only like things that suck bad
"climate change is scary and it's so sad how so much of the biosphere has been completely eradicated all in the pursuit of making the line go up. we have all this technology that could be used to improve society for everyone and it's fully possible to do so in an eco-friendly way that uplifts not just humanity but also the beautiful natural world that we are blessed to share this planet with and have the right to fully exist within as fellow animals, yet instead this technology is being used to oppress us and destroy the earth all because the people in control of this technology care more about obtaining and maintaining societal power than they care about actually creating a just and fair society that answers the needs of both human and nonhuman communities alike. wouldn't it be nice if we were able to change things so we and our nonhuman relatives were both able to thrive? wouldn't it be nice to not live in an era of ecocide while still being able to reap the benefits of modern technology, and how could we accomplish that?"
"UMMM CRINGE ALERT!!!! DONT YOU KNOW ONLY LIBERALS AND FASCISTS CARE ABOUT THE ENVIRONMENT??? real leftists celebrated the deepwater horizon spill because that meant amerikkka couldn't make money fishing in the gulf of mexico anymore"
Reblogging this here because a) facts, and b) I’m very interested in addressing this core issue of “why can’t some people envision a post-capitalist eco-future”…. If we start at the very entry level of it all (fictional examples) that can outline some of these processes in more concrete detail, more people can expand their own imaginations.