A little comic for Mermay

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@scratchedagain
A little comic for Mermay
I aspire to be as passionate about something as this guy and the orcas are passionate about hating the sunfish
In the sunfishâs defense!!!!!
making a collection
Wait I have more
This is Tie, she is going to eat all of the notes
reblog to feed her notes
How is she doing this
Nah girl don't do it... by daddysbestestkitten
Today my magnificent octopus magnum opus, a 126-page monograph on the genus RhombophryneâMadagascar's diamond frogs, was published open access in the journal Vertebrate Zoology. In it, my colleagues and I have described seven new diamond frog species and provided detailed revised accounts of each of the now 27 species in the genus, compiling practically everything that is known about these curious and obscure frogs!
Allow me to introduce the new characters:
This piece of lint precious child is Rhombophryne maraorao, a little burrowing species from the northeast of Madagascar. It is very similar ecologically to R. coudreaui, a long-known species from further south. The name maraorao means ârough to the touchâ in Malagasy, referring to the rough skin of this species. They do a weird thing where they straighten all of their limbs and go stiff in self defence. Think pumpkin toadlet post-launch mid-air stiffness, but⊠in the hand?
This beautiful creature is Rhombophryne mavokely, a little leaflitter-dwelling species from the northeast of Madagascar. The name mavokely is the Malagasy word for âpinkâ but literally translates as âsmall yellowâ (mavo = yellow, kely = small). I LOVE this bizarre etymology, and also this species is small and sometimes pink and sometimes yellowish, so the name seemed extremely apt. This species was the first Rhombophryne I ever saw aliveâI caught the first ever specimen immediately underneath my hammock on Marojejy in 2016!
This shiny boy is Rhombophryne sonaliae, a rather well known species from eastern Madagascar that has previously been called R. alluaudiâuntil we showed in 2019 that the correct use of that name was for a Plethodontohyla alluaudi from southern Madagascar! We dedicated this species to Sonali Garg, in recognition of her fantastic work especially on Asian frogs.
This forbidden truffle is Rhombophryne anatiala, a very poorly known species very closely related to R. sonaliae but found further north and differing subtly. The name anatiala means âin the forestâ in Malagasy, referring to the forest habitat of these frogs.
This bumpy beanbag with his go-faster chevron is Rhombophryne kotrobaratra, an interesting species from northeastern Madagascar with rather unusual anatomy, especially its quite long and strong hindlimbs. The name kotrobaratra means âthunder and lightningâ in Malagasy, and refers to the inclement weather that seems to bring these frogs out (true for all Rhombophryne, really) .
This coffee bean is Rhombophryne quentini, an orange-thighed species from high-elevation forests in northern Madagascar that resembles R. ellae. Back in 2020 I named R. ellae after my partner, Ella, and I thus took particularly great pleasure in naming this new, closely related species after our four-and-a-half year-old son, Quentin. A little family of frogs. :3
This little pebble is Rhombophryne kilonjy, a small, poorly known and obscure species related to R. ellae and R. quentini but found in lowland forest close to the coast in northwestern Madagascar. The name kilonjy means âpebbleâ in Malagasy because, well, just look at it.
Even way back in my tumblr posts from 2013 and 2014 I think you would find mentions of the work I had begun on this monograph. I had no notion that it would take more than twelve years to complete. But I cannot express my joy at finally being able to share these charming, round frogs with the world. I hope you approve of the names!
If you want to read a bit more about these frogs, you can do so on my website. I have even posted a couple short videos about them on TikTok and Instagram (which also will show you how to pronounce the names!). Basically, you can find me most places on the internet, and wherever you find me, you can be sure to find frogs and lizards and snakes and a good deal of enthusiasm.
Performance art is good and listening to people who don't understand art talk about performance art is a unique type of torture.
Which is probably a thought that could be the core of a pretty fun, masturbatory piece of performance art.
Oh. Oh actually. Actually.
Okay, so the name of the piece is "It's what you make of it" and you have a setup that's a cross between a zoltar fortune-teller machine and a crank penny press. The room the piece is performed in has a warning about recording the performance and cautions the viewer to only interact with the piece of they consent to being recorded and photographed.
The artist is in the box, made up as a marionette and the viewer can use pulleys and switches to position the artist's limbs and to change the background and lighting of the box and can type a short prompt for the artist to repeat and act out verbatim.
The viewer has to drop a token (provided as part of the piece) into a coin slot and work a crank to complete the prompt. While the artist is acting out the prompt, the prompt is printed on a photo strip that includes a picture of the prompter (taken by a hidden webcam on the booth). One copy of the prompt and photo is spit out along with the cranked token (which has the phrase "it's what you make of it" and an image of a clown pressed into it) for the viewer to keep, one copy of the prompt and photo is spit out inside the booth where the artist can collect it after completing the prompt.
What the artist is going to do with the photo strip is not explained, the artist doesn't speak or move except as a response to a prompt.
People will prompt the artist to say "this is stupid." People will prompt the artist say explicit phrases, or to swear incessantly. People will prompt the artist to say slurs.
And they will walk away with their prompt attributed to them with their photo and a coin they used their energy to mint into a reminder that the art is what they made of it. And their creation is documented in the hands of the artist as well. What did they put into the world? What did they decide to say when they had a chance to say anything? What were they comfortable saying before they realized that someone would quote them on it? What did they make of it, and how would they feel if their photo was attached to their prompt in a book or video or somewhere that people might see it?
How did they approach the piece? How would they approach it a second time?
Also the artist goes hog fucking wild on the prompts. They're acted out *loudly* and melodramatically with as much emotion as the artist can put into the performance.
And whenever the machine is not in motion the artist is still and vacant, but the performance of the prompt involves as much eye contact and emoting as possible.
The piece is dead and meaningless until you approach it, and as soon as you start interacting with it it should become disconcertingly alive with your intention.
That sounds like an actual, literal nightmare I had as a kid where I fucked up giving instructions to a mimic-biological construct and didn't say anything b/c I didn't want to get in trouble and the construct was killed for not following the instructions correctly.
I absolutely would never want to be put in a situation where someone couldn't refuse my orders.
Well. Clearly as performance it it works already. I need to go drink of a cup of tea about this to stop being upset. I'm sure it would also make other people feel things they perhaps didn't realize they were going to feel.
Marina AbramoviÄ, Rhythm 0 (1974)
This post was directly provoked by stumbling across a reddit thread of non-artsy people reacting to Rhythm 0.
Collins is gone.
Namaygoosisagagun First Nation/Collins has burned to the ground. The entire community is nothing but ashes after being quickly consumed by wildfires. They did not have any support from emergency services, and no one offered aid. The community saved themselves by escaping into boats because no one came.
Mishkeegogamang and Cat Lake have lost power. Families are ending up in shelters with nothing. Armstrong, Lac La Croix, Whitesand, Gull Bay, Lac des Mille Lacs are currently in the fires path and all members are being evacuated.
All this loss, all this devastation, and it was entirely preventable.
After steadily underfunding wildland firefighting and purposefully excluding Indigenous wildland firefighters and Indigenous wildfire organizations from wildfire operations, firefighter training, decisionmaking, and resource exchanges, in 2025, Doug Ford slashed the forest firefighting budget.
It's hard to ignore his decision to cut funding and leave us out of adequate fire training (even though we've lived with forest fires for thousands of yearsâfar longer than settlers have been in Canadaâand made sure fires like the ones we're all seeing today were prevented through kinisitotÄn) when, despite making up less than 5% of the population, we account for 42% percent of all wildfire evacuations in Canada.
And when we are successfully evacuated, we face discrimination and racismâlike Kashechewanâbecause it's always been easier to blame us than it is to blame the true culprit: denialism, corportate greed, and colonization.
The people of Collins and every other impacted community deserve better.
Right now, the AFN is currently accepting donations to help Collins First Nation. If you're able to, please consider donating.
ONWA (Ontario Native Women's Association) is another great place to donate to. They have outreach vans going to motels and inns and offering food, water, resources, and cultural support to those impacted by the wildfires.
Other places to consider donating to are Mikinakoos Emergency Fund, Red Cross, True North Aid, Indigenous Climate Action. You can also send donations directly to Whitesand First Nation via e-transfer ([email protected]) and they request that you add your full name in the e-transfer comment section to receive a tax receipt.
*Before sending money, verify that the appeal appears on an official First Nation, Tribal Council or registered charity channel.
If you can't offer financial support, please consider donating items of need. Moontime Connections is currently accepting drop-off donations. If you live in the Thunder Bay area, Namaygoosisagagun Health Office is also taking in donations! They can also bemailed to Superior Inn Hotel & Conference Centre at 555 West Arthur Street, Thunder Bay, ON, P7E 5P8.
items needed are: food, diapers, medical masks, menâs and womenâs joggers (all sizes), childrenâs clothing (newborn to size 14), childrenâs shoes, summer clothing, menâs clothing, toiletries (lotion, Vaseline, toothpaste, toothbrushes, shampoo, conditioner, soap, deodorant, etc.), strollers, adult depends-all sizes, dog & cat food
wÄ«ya ispÄ«h iyiniw-kiskÄ«yihtamowin pasikĆpayiki kÄwi askiy ta-iyihyÄ«makan
The final trailer.
I want to see this get an Oscar nomination and make A GAZILLION BUCKS.
Iâm really enamored with the dynamic of two characters who work perfectly in tandem, like pacific rim drift compatible level, but they donât like each other. Itâs not even as strong an emotion as hate itâs just a very neutral-negative dislike, but they still act in perfect concert and their individual abilities are fully complementary
getting lost in boston is fun because I turned around on a street corner three times and some guy yelled "hey stupid! the bus is that way!" very helpful interaction and accurate insult, 10/10 no notes
one time I walked around a building a couple times looking for a bathroom and this guy went "this bitch thinks she's on a merrygoround, where the fuck are you tryna go? bathroom? one floor down to the right behind the door that says bathroom."
My very first time in Boston. I was absolutely miserable, trying to drag my giant suitcase up a lengthy set of stairs in the pouring rain. This guy who had already reached the top looked back at me with the most pure expression of disgust Iâve ever seen in anyoneâs eyes, marched back down the stairs, grabbed my suitcase, carried it to the top, left it there for me, and walked away without ever saying a word. I think about him often.
For the people in the notes going "why is Boston like this": a) the insults are a way to show you have no ulterior motives when helping someone (and don't need to be thanked or repaid), and b) Boston was settled by the Irish
also the Italians. mixing Irish and Italian sociocultural attitudes had the effect of multiplying the Sass Levels by the power of infinity, in the sense that you get all of the clever dry wit of the Irish and all of the bitchy gossipy condensation of the Italians rolled into one very stereotypically overly-friendly American package.
also worth noting that who you are to them doesnât matter. theyâll talk to strangers like that and will also talk to their best friends like that. theyâre just Like That.
More from the notes:
The Amnesty International report that JK Rowling is trying to censor through legal threats.
It can also be found on Google Drive here and on Bluesky here.
Please save and share this info where possible. This report has since been removed by Amnesty International due to legal threats of libel from JK Rowling. This information is no longer easily accessible.
Here's the report as a PDF.
mini quilt ideas for kona coty âwanderâ (medium-dark grass green?)
a progression of ideas
the rebirth of mothra trilogy is on netflix so i have an appliqué companion
appliquéd / new layer
next layer
bitches love layers
a point has been reached. this is about 22x22â and it needs to be 18â to 20â square. thinking about how to put more of the medium green (the kona color of the year) in it
i believe the answer is islands so i started making those today
might move them around or make a real big one for one of the corners
might move them around
or make a real big one for
one of the corners
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
âIf you deny any affinity with another person or kind of person, if you declare it to be wholly different from yourselfâas men have done to women, and class has done to class, and nation has done to nationâyou may hate it, or deify it, but in either case you have denied its spiritual equality, and its human reality. You have made it into a thing, to which the only possible relationship is a power relationship. And thus you have fatally impoverished your own reality.â Ursula K. Le Guin "American SF and The Other" in Science-Fiction Studies 7, 1975.
The Lower Rio Grande Valley National Wildlife Refuge in Texas could lose 715 acres to SpaceX under a federal land exchange proposal.
Congress created this wildlife refuge in 1979 to protect its diverse wildlife, including rare species like ocelots, aplomado falcons, and migratory birds such as piping plovers, red knots, green jays and Altamira orioles. The refuge protects some of the best habitat in the United States for the endangered ocelot and is one of the last remaining expanses of public lands in south Texas. SpaceXâs rocket launch activities have already been impacting nearby habitat and destroying shorebird nests, and wildlife canât afford this lopsided deal.
The Center for Biological Diversity is suing the U.S. Fish & Wildlife Service to stop this harmful land giveaway, and we need your support.
Join the fight to protect wildlife and wild places with a gift to the Center for Biological Diversity.