I'd rather be in outer space đ¸

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Cosmic Funnies
Cosimo Galluzzi

JBB: An Artblog!

titsay
Acquired Stardust
todays bird
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â
"I'm Dorothy Gale from Kansas"
Not today Justin

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RMH

pixel skylines
cherry valley forever
Jules of Nature
$LAYYYTER
styofa doing anything
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@shadowquill17
ilya + advanced boyfriending
Artist Spotlight đâ¨
Meet Comical Specimen, a comic artist and the cover designer for Pins & Patches! They can be found on YouTube and Tumblr at @comical-specimen, and on Bluesky at comicalspecimen.
For more information on the Charles Rowland Zine, and to see additional contributors, check out the tag on our page HERE.
Same dbd, but edwin looks like this because once in the 90s charles gave him a makeover and he couldn't say no
hollanov + grinning like dopes as they text each other
I mentioned this headcanon of mine in a post I recently reblogged but I realized I've never made it its own post so its getting one now. I love all the funky tension around shane and yuna with yuna being his manager and pushing him to keep up the Golden Good Boy of Hockey image, but I feel like... it isnt a mutually exclusive thing that yuna is probably also aware that her son is a bit of a bitch.
yuna raised shane on a diet of scathingly critical commentary over hockey games; she raised him to excel over his fellow hockey players. I can see it being a fun hollander family pasttime, for all three of them to watch games together, shane and yuna tossing deep cuts and absolutely foul chirps back and forth about whatever player just fumbled a shot at the goal or got slammed into the boards because he wasn't paying enough attention to the opposing defense or whatever. shane "bunch of finnish guys talking about the cousins theyre in love with" hollander, son of yuna "fuck him. right up the butt!" hollander. and david is there providing the snacks and nodding and humming along (not that he doesn't have his own opinions as a former hockey player, but to me he seems like he would be far less intense about it- more likely to balance shane and yuna out by complimenting the new chicago rookie's edges or saying stuff like "they've been rebuilding nicely"). shane needs to be reserved and polite for the camera, during press runs and commercials and whatever else, but that doesn't extend to the hollander's family time. yuna knows her boy, and he's a good boy, but he's ALSO a mean little fucker sometimesâespecially when he's relaxed, feeling safe, and has his guard down. (idk how well this actually fits with what we see of shane and his mom's relationship in canon, but shhhh I'm just playing in my little sandbox.)
so. what I'm imagining is this carrying over into yuna's perspective on shane's relationship with ilya. she's wary of him for a while at first, because he's ILYA. he's her son's rival; she's spent almost a decade hating him on shane's behalf. it's going to take a little more than a few awkward dinners and a love confession for her to warm up to him. but the more dinners and movie nights ilya is over for, the more HE warms up to THEM, and the more shane starts to relax with him around yuna and davidâthe more yuna starts to notice about their relationship.
at first, ilya is more reserved around the hollanders, trying to be a Good Boyfriend and make a Good Boyfriend impression in them, but he gradually starts to loosen up and be how he usually is with shane-- poking and prodding and teasing to get a rise out of him, because he likes stirring shane up. and shane pokes and prods and bitches right back, "fuck you"s and "shut the fuck up, asshole"s and chirping ilya with a grin on his face. but it's not even just that; shane is comfortable being mean WITH ilya. they're watching a game at the hollanders' and ilya tosses out a chirp about buffalo's goalie, and shane immediately 'yes, and's it with something just as sharp. yuna brings up one of she and shane's regular bits about philly's center being way past his prime, and shane doesn't even hesitate to keep it going with ilya right there next to himâeasy and relaxed in a way she knows he usually isn't around his team.
and yuna is just witnessing all of this with big sparkly eyes and a full, vaguely aching heart, because Oh. her boy feels safe. her boy is in love. and then she goes into the kitchen to cry about it a little under the guise of replenishing the veggie plate and david rubs her back with a commiserating "i know, honey, i know" (and he's probably a little teary-eyed too, because he knows what shane's comfort around ilya means just as well as his wife does).
I feel like whenever Ilya is modeling for a brand and doing a photoshoot and Shane comes with to watch, there always ends up being extra pictures of him with Shane, usually just giving him a hug or a quick kiss. Like after they're done with most of the main stuff Ilya is always like "what? We're just gonna waste the fact that my gorgeous husband is here? I must get photo with him" and most of the time the company obliges but never shared any of them publicly. However the rare times they do, the internet goes freaking wild. It happens once or twice and it gets to the point where when either of them do photoshoots and their partner doesn't make an appearance in at least one photo, people won't stop talking about it. Eventually clothing brands get the idea and start asking them to do joint photoshoots and it melts brains
Home Sweet Home đđ
Itâs interesting how the entire club scene is lit with the bisexual colors bc both Ilya and Shane are performing bisexuality in inauthentic and equally toxic ways to hide their fear, hurt, and shame.
For Shane, bisexuality is his last ditch effort to deny his queerness and desire for Ilya. For Ilya, flaunting his bisexuality in front of Shaneâwho is struggling so hard with the desire to be âstraight passingââis both a taunt and a plea.
Both of them using bisexual exploration and expression in deeply flawed and destructive ways for a scene that is lit with bisexual colors is so interesting.
The bisexual flag colors are meant to represent authenticity, visibility, and pride but both Shane and Ilya are so deeply buried in fear, hurt and shame that they are branded by the bisexual colors instead of embraced by them.
The bisexual colored lighting is as atmospheric and inescapable as identity itself, further contrasting and coloring everything that is keeping them apart.
love the premise where Shane is like
âIlya I know you like to joke by On God you Cannot tell people that I bottom (insert explanation of the feminization of Asian men here)â
Ilya: Okay my love. (Announces to the world that Heâs the bottom instead of being quiet when people are making assumptions)
they will not show up at 5
Maybe a hot take but I don't know why everyone acts like the "we'll see you at five" line means that Yuna and David will show up the same day at the cottage.
I mean don't get me wrong, I've definitely enjoyed the fix-it fics where they don't, and I feel like many agree that Shane and Ilya should get their quiet time alone after that whole thing, but was it ever confirmed that they don't? Sorry if I missed the info, but I keep thinking about it and it just doesn't work for me. So even if it's canon, lemme just share all the reasons it just doesn't make sense.
First of all, potentially completely biased gut feeling here, but to me it already looked like that "We'll be there around five" was just them confirming plans, maybe for the next day or maybe the day after that? (Okay, let's be real, they wanna see their son, it's probably the next day.) That's the first thing I thought when hearing that line, and that's what I kept thinking until I saw people talking about it. Because I mean, "We'll be there around five" doesn't imply that it's the same day. It just means it's in the future (near future, sure).
Second, when Shane and Ilya drive back, the sunlight looks like it's... idk, I really wanna say late afternoon because it looks so golden hour-y? Which would make it pretty late since it's the summer? And I know they filmed that in June, but in terms of vibe, it's just giving end of the day, late afternoon. Something ending, but in a really lovely, satisfying way. That's the vibe, guys, idk! You know the vibe! The vibe after lunch and dessert and coffee with your family during the week-end? It just makes me FEEL that it's at least 3 PM, if not 4 PM.
Third, even if we look at the timeline, Shane and Ilya were talking about what to eat for lunch when Shane's dad surprised them. I don't think Shane is the type to have lunch particularly early, so let's be Classic⢠about it and say it's around noon.
They then take the time to help Shane calm down, get ready, drive to Shane's parents'. That's what, another 40 minutes? Once they're there, we see the whole talk, we know they have lunch. We only get bits and pieces but that whole thing HAD to have lasted at least an hour.
And THEN once everybody relaxes they probably stay another little while after that, maybe another hour, right? Until things settle and they're all apparently completely relaxed when they come out to walk Shane and Ilya to the car. That brings us to 2:40 PM, at the absolute earliest.
Finally, Shane and his parents might have some issues with boundaries, but I kinda don't think they would visit again after this whole thing. (Okay, Yuna might have, but I honestly think David would hijack that and give Shane a bit of space. Hip squeeze style, iykyk).
I mean, they just had a lovely lunch, their son is going home with his boyfriend, everyone's had a pretty big and emotional day. Yes, they will all get together soon! It doesn't have to be right that same day. Shane is an adult, he's staying at his own cottage in the first place, so they're not always glued together, and this is not a family vacation. Seeing each other once a day or once every couple of days feels like the vibe here.
So yeah, TL;DR: I don't get that whole "noooo Shane's parents should give them a bit of time instead of showing up immediately at the cottage", because to me it was obvious from the very start that their visit was never supposed to be later that same day.
Svetlana's "since when did you start smoking again?" is such an overlooked line that implies so much. Because why would Ilya have stopped smoking and suddenly started up again at this point in time? What I'm saying is thank you Jacob Tierney for overtly suggesting that Ilya stopped smoking for Shane, even with them meeting as rarely as they do, and now that Shane's broken it off he's taken it up again because what's the point of quitting if it's not for him?
Ottawa Centaurs family â¤ď¸ (Dykstra might finally turning good song offstage, sorry)
So maybe Cliff Marleau calls in sick that game against Montreal. Or maybe Shane looks where he's going and doesn't get hit. Or maybe the hit just isn't even that bad. And Shane goes home that night and waits for Ilya in his apartment and when Ilya shows up, he's been psyching himself up for the last two hours to end this thing but then he just...can't. Shane is so softly pleased that Ilya is back, open in a way that he's never been before their phone conversations while Ilya was in Moscow, and the hit of having him again after all of that is like nothing Ilya has ever experienced. So they let it ride. And Shane does ask WillYouComeToMyCottage but crucially he is two orgasms deep and Ilya is still inside him and it has about the same effect as the morphine would have. So Ilya hits that "Maybe. Maybe." and Shane hmm's and reaches back to palm Ilya's hip, press him in closer, and they let it ride.
So it becomes real but not at the same time. So they call each other in the evenings, a few times a week, not too much. Ilya sends texts that say You looked good in Buffalo tonight, great game and Does your hole feel empty without me and, worst of all, he texts things like Did your sink ever get fixed I know the dripping was driving you crazy. And he forces himself not to think about what any of it means. And he doesn't stop. Doesn't even really think about stopping, anymore.
He lets his teammates think that things are getting serious with Montreal Girl, because it's a good excuse for why he's not pulling and the guys have formed a narrative that makes sense. Of course Rozanov is settling down now. He just buried his father. Those kinds of things put life into perspective. Time to get serious, time to be a man. He's gonna get a wife and have a couple of kids and slap the Rozanov name on all of them and make dearly departed Papa so very very proud.
Some of it is not untrue, if one considers that Shane IS Montreal Girl, and things are getting serious. Serious in a hot, messy way that neither of them completely knows what to do with. As a younger man, as the kid he really no longer is, Ilya always assumed that this kind of thing would feel like a fucking prison--and it does, but in almost the exact opposite way of what he'd supposed. The bars aren't to keep him in, but to keep Shane out, and it's feeling more and more like Shane is bending the bars, pushing them out of the way and sneaking into the cell with him, and fuck if it's the only thing Ilya wants, to live in this prison with Shane. And maybe they can leave it together someday. But he never says any of it.
The Metros make the playoffs, number three seed against the Admirals' number two. And the first major upset of the playoff season occurs when the Metros knock the Admirals out in game seven of the series after some particularly nasty hockey is played on both sides. Scott Hunter was playing like he had something to prove and Shane Hollander was playing like a man who had nothing to lose--because a two-time Stanley Cup winning captain going for his third actually, really does have nothing to lose.
The Metros go home in the Conference finals. Boston sends them home. They do not even make it to the fucking couch that night. Ilya fucks Shane on the goddamn floor in the entryway of his house, in front of the windows, presses bruises on top of bruises. Shane is feral, biting and snarling and only submitting when Ilya puts a hand against the back of his neck and says, âWho do you fucking belong to?â and Shane says, âYou, fuck, itâs always been you,â like itâs being drawn from him with a knife.
Ilya Rozanov wins his second Stanley Cup on a June night in Nashville. He still hasn't slept when his back hits the sheets of a hotel suite he doesn't remember walking into, six o'clock in the morning with dawn behind the curtains. Shane is up for his morning jog. He says he's taking it along the lake. He says he watched the game with his parents the night before. He goes quiet on the other end of the line and Ilya drunkenly hums a tune he heard at some point during the night.
Shane says, "I'm so fucking proud of you, baby," and that, too, sounds like it's being ripped from his unwilling body. There is so much love and jealousy and affection and spite wrapped up in it that Ilya can only laugh. It has never felt more strange, that they are the only two people in the entire world who know about this. This beautiful, awful, insane thing they do. The fact that they cannot talk about it, even to each other.
Ilya goes to Russia.
Ostensibly, he is tying up loose ends. He is visiting his mother's grave. He is giving his niece presents while she stares at him like she doesn't remember him putting her on his shoulders when she was little. Because she probably doesn't. And God knows what her father has said about him, now that she is old enough to understand. It's supposed to be a one-month trip. When the summer spits them out onto training camps, Ilya has only been back in the States for 72 hours.
He has spent the entire summer calling Shane as the moon rises in Moscow, to the point where Shane had eventually confessed to him that his dick had started having a Pavlovian reaction to the clock in his living room announcing that it's gone two o'clock.
Ilya has gone so long without having any thought about fucking someone who isn't Shane, in fact, that he doesn't even think to vocalize any of it. It's just a part of his being now. This brain that sometimes thinks awful things, and these hands that were built to play hockey and throw punches and touch freckles. This dick that only gets hard for Shane Hollander. Ruined for everyone else.
(One time, over the summer in Russia, a girl approached with that familiar look on her face and he'd leaned over and shook his head and said, "I'm married," just to feel the words in his mouth. It hadn't felt like a lie.)
So too much has been said. Or not enough. Or the right things, but to the wrong people. Sveta knows about Jane. She probably has her suspicions on who he is. Ilya is sure that Shane has not said fucking word to anyone, save perhaps Rose Landry. There have been a few implications. But nothing has been said.
So he opens the door to Shane after the first Boston-Montreal matchup of the season and it's perhaps only the third or fourth time they've been together since Tampa. And so much is left unsaid. And so much has been said. And Ilya's body craves Shane's like a fucking addict. It's not his fault that they, again, don't make it to the bed. The couch is close enough.
Shane thinks it's funny--he's in fine form, body moving atop Ilya's with only the absolutely necessary clothes removed. Joggers, underwear. The socks and the crewneck sweatshirt (Metros logo, tiny 24 over the breast almost like a kid with his name sewn into the collar) and the fucking baseball cap he'd worn for anonymity in the cab all stay on. He's panting by the end, overheated in his layers, laughing and running his fingers over Ilya's jaw and telling him that the beard burn on his thighs from playoffs took an entire week to heal. Ilya tells him You loved it and Shane blushes and arches and says, "Yeah, I did," and he's glorious.
Then Ilya lifts him off and slaps his ass and sends him marching into the bathroom with a command to make himself decent again, which Shane scoffs at even as he walks away, awkward swing to his step, wet trail down the back of his thigh.
He is not so glorious when he returns.
He wears a pair of Ilya's sweatpants and he smells like Ilya's soap but he's frowning and he puts himself a whole cushion away from Ilya. When Ilya scooches to him, showing off his shoulders just a bit, Shane watches him come but pulls his face away when Ilya tries to kiss him.
"Baby," Ilya pouts against his shoulder. "What is it?"
"Nothing," Shane mutters. And the thing is, Ilya knows that Shane is lying. He also knows that if something spooked him this bad a year ago, he would have been ten minutes gone already. Ilya knows that he is trying.
"What scared you?" Ilya murmurs. "Hm? I bet if you tell me, I can explain."
Shane twists his head to the side again, but this time it's more like he doesn't want to be seen. Ilya sees his jaw tense, untense.
"I just don't think it's very fair," Shane says after moment.
"What is not fair, lyubimyy?"
"You..." Shane scoffs, draws a hand through his hair. "You'll fuck her in your bed, but when I show up you--fuck me on the couch or the floor--"
"Shane," Ilya says. "What did you see?"
"Her fucking--" Shane sighs, and says the word bra under his breath like some people say fucking, but Shane Hollander does everything backwards, it sometimes seems, "is on top of your laundry bag, and your bed's a mess. How recently was she here?"
"Shane," Ilya says.
"I get it, you know. I--maybe I don't love it, honestly, but I do get it. We don't see each other much, and even if we did, it's--" Shane sighs, squeezes his eyes shut. "It's not like I can expect anything. I get that. But could you just...I don't know, is it too much to ask that you change your sheets after you've been with her? Before I get here?"
"Hollander."
"Is that too much to ask?" Shane sounds like he's genuinely asking. Like he actually thinks he's toeing over some invisible line between them.
"The bed is a mess because I am bad sleeper," Ilya tells him, not ungently. He doesn't say, You would know this if you had ever once stayed. Doesn't say it because they've beat that particular horse dead. They've both made their apologies. Several months of cross-continental Skype calls leaves a lot of time to talk things out, once the jerking off is over.
Shane scoffs. "Whatever."
"No, is true." Ilya smacks a kiss onto his shoulder, and then onto his neck. "I kick like donkey. And I took a nap before you came, because I wanted to stay up all night and fuck you very nicely right until you have to leave in the morning."
Shane shudders and gapes and says, "We'd have to sleep at some point."
"You could. I wouldn't mind."
Ilya sees the shudder that runs through him, and the dilation of his pupils, and the very deliberate way that he visibly shelves that train of thought to take back down later.
"The bra?" Shane mumbles.
"Has probably been here for years. When I find it, I send it to laundry with everything else. I do not know where it always hides."
"That's..." Shane screws up his face. "Sort of too stupid not to be true."
"Is truth. Would you like to hear another truth?" Ilya waits patiently for Shane to give his little furrow-browed nod. "You are only person I have ever fucked on the floor. Only person who ever wanted it that bad. Only person slutty enough to let me."
Shane's inhale is deep, shuddery. His whole chest expands with it and he swings his face away from Ilya like his breath on his face is too overwhelming. Ilya grins.
"Ask me," Ilya whispers. "Ask me how many people I've fucked this year."
Shane clears his throat. "How many?"
"One."
Another gasp.
"Now ask me the other thing," Ilya whispers. "Ask me for what you want, Hollander."
Shane's lips part to admit his tongue between them, pink and wet. Ilya watches his lips curl over his teeth, his eyes dilate, and he knows that he is absolutely fucked.
"Fuck me," Shane whispers. "Just me. Please. Make me yours. Be mine."
Ilya stands up, pulls Shane along with him. In a move that's becoming quite practiced, he gets his hands under Shane's thighs and lifts him, and all 200 pounds, six feet of hockey player are in his arms easily.
"Where are we going?" Shane asks, though he clearly knows the answer.
"Bed," Ilya says. "I'm taking you to bed."
âStarlightsâ i keep forgetting to post here. Its really hard to be active in many social media plus i still have no idea how to use this appđ
Hudson Williams, #1 Shane Understander
I think Shane was a character who, soon as I read him, made all the sense to me. I felt immediately a kinship and an ownership over Shane. I was like, âI need to be the only person to tell this story. I get it. I want to be the person to be Shane and I want to spend time with him.â [x]
(sources below)