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@silvertherowlet
Rowlet pumpkin
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
[WITNESS LOG: A beautiful day on Lake Tahoe's Speedboat Beach! current era]
"can't get any damn electricity in tahoe anymore cuz of the data centers across the NV border. all the homes are empty unless whatever san francisco tech rich bitch decides to take an AirBnB offer. ...and theyre LOSING money for all of this, all that destruction and these people can't even keep their business alive after all that. they do not know how. they've never been hungry in their lives.
well, at least I saw some grey foxes out by speedboat beach this morning. if they'll see it through, so will I."
Humans have been living in the Cairo region for thousands of years. The Egyptian people have been using that land for as long as there has been written human history. They have the right to build a golf course in their desert. The desert they built it on was not "untouched". The actual untouched desert is untouched because is fucking inhospitable and difficult to navigate.
Don't tell the native people of a country you don't live in what they can and cannot do with their land.
(But, eat the rich. A golf course is a waste of space and resources)
reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics
@dragonpyre any chance you could elaborate on this
I grew up learning about land formations. Seeing fictional maps that don’t follow the logic and science of them makes me upset
What are the most common sins you’ve seen relating to this? I wanna know
Mordor.
Why is the mountain range square. How did the mountain range form. Why is there one singular volcano in the center. Why does it act like a composite volcano but have magma that acts like it’s from a shield. If it’s hotspot based volcanic activity why is there only one volcano.
And then the misty mountains!!!! Why isn’t there a rain shadow!! And why is there a FOREST where the rain shadow should be!!!!!!!!
So what is a rain shadow?
Wind blows clouds in from the sea, but mountains are so tall the clouds can't get past 'em, so you get deserts on the windward side of mountain ranges because clouds can't get there to water the land, or do so only very rarely.
this is because, as clouds are forced upwards by rising land, they cool and dump their rain. so the side of the mountain facing the ocean (or an inland sea, or a great lake) gets all the rain as the clouds are squeezed out, and the opposite side gets nothing.
my favorite thing is the american great lake snowbelts! so, the 'flow' of weather across north america, in very general terms, blows from the northwest on down south and east to the gulf of mexico.
so the wind is blowing from west to east, and in the winter it's a dryer wind than in the summer because it's colder. but after blowing across a great lake for a hundred miles, the wind is wet again. and that wet turns into snow. so for all of these lakes, the big cities are on the west side, not the east sides, because the east sides absolutely suck to live on.
the sole exception is buffalo, NY, which literally has to be there because, unfortunately, that's where all the important canal stuff between lake ontario and lake erie is happening.
also this always strikes me as cool, check out where cleveland is:
it's right at the edge of that snowbelt. and you see way more cities west of it than east, too.
#but again. mordor looks like that becaue sauron made it#and he's an ass
On a Watsonian level, sure.
On a Doylistic level, Mordor looks like that because plate tectonics was a fringe, ludicrous, laughable theory that nobody outside serious geology nerds had ever heard of until scientists proved seafloor spreading in the early 1960s. The first edition of the LotR trilogy was published in 54-55. We literally did not know that plate tectonics was real until almost a decade after the book was published, so obviously, it was not something Tolkien could have been considering as he made his maps.
I don't know enough meteorological history to know when white people figured out about rain shadows and added it to geology classes, or what would have been taught about volcanoes and such. But any education Tolkien got on the subject would have been in childhood/adolescence; his college education focused on the liberal arts, not the sciences, and his professional study was linguistics and the middle ages. So anything Medieval and earlier European authors wrote about he had a pretty good chance of knowing about. But not much exposure to modern science. So his science knowledge was probably limited to "what English schools taught at the turn of the 20th Century."
I mean, it's true he didn't know about plate tectonics, but he did know what mountains look like, and that it's not normally That. And it wasn't his style to break that kind of norm without cause.
LotR has recurring themes of the reckless imposition of one's will on the natural world creating ugliness, an order you thought was inherently an improvement that in fact is inferior to what you have displaced. (Typified by reckless tree-felling; a reflection of the despoiling of the English countryside and the world by Progress.)
Mordor is a rectangle because Sauron is an asshole.
#the rain shadow thing otoh was undoubtedly total ignorance#but those mountains were made as the fortress of a demigod#too steeped in evil to understand beauty#it's *supposed* to look like something that Shouldn't Exist#like quite often this is something that happens in worldbuilding yes#things are arranged Wrong because a person doesn't grasp the underlying logic#but mordor is a bad example for the same reason it's an obvious one#it's So Very Wrong because it was designed to be wrong#to give you a bad feeling with how much it shouldn't look like that#if he just wanted it unapproachable on all sides it could've been in a caldera formation it didn't *need* corners#the corners were a choice#tolkien's job involved lots of looking at maps and things okay#meanwhile people whose lives revolved around the weather generally knew where the rain happened#long before it was formalized into 'rain shadow effect'#people not having The Science doesn't mean they don't have eyes and brains
I wrote an entire paper in college analyzing the geology of the Misty Mountains and to a lesser extent the White Mountains (the Misty Mountains are easier because we get a cross-section via Moria). One thing I discovered that still knocks me for a loop when I think about it is:
Moria is the only place in Middle-Earth where mithril is found, right? That's kind of a big deal. So, why? What makes that location so special? Is it just random?
I found a paper that had just been published *that year*, 2011 or 2012 as I was writing it, that studied the locations of precious-metals mines in the Pyrenees, the similarly long skinny mountain chain that divides Spain and France. This paper discovered that where there was a bend in the mountain chain, from one of the continental plates having an awkward corner in it that got subducted under the other plate, that had dug deeper into the mantle and caused precious-metal-bearing ores to flow up to the surface in ways they didn't do anywhere else in the Pyrenees.
There's a conversation in The Fellowship of the Ring where one of the hobbits -- I don't have my copy handy or I'd get the direct quote -- asks why they can see the Misty Mountains ahead of them at one point if they're still heading south from Rivendell, and it's explained that south of Caradhras (which you may recall is the surface mountain under which Moria runs) the mountain chain bends and runs southwest instead of due south for a while.
Tolkien had absolutely no way to know *why* this particular feature of a mountain range was associated with intrusions of rare and unique metal ores, but he had gone backpacking in mountains enough to know How Things Should Look.
(And as prev excellently points out, when Jirt made screwed-up geology it was very much on purpose. Mordor shouldn't be square! Mount Doom shouldn't be doing any of the things it does! A composite volcano shouldn't even have especially hot lava! Even the Gulf of Udun, the circular feature at the upper left corner of the square, shouldn't be like that -- perfectly round features should be impact craters or calderas, not The Mountains Just Do This In A Suspiciously Convenient Way. These are all the way they are because Sauron forced them to be, in defiance of the laws of nature. Remember, he's akin to Balrogs and was a Maia of Aulë -- he's a volcano spirit in many ways.)
Amazing work by the LoTR fandom, as always.
This also serves as an excellent example of why worldbuilding needs - more than realism - to be cohesive and work with the themes of your story.
pull up
J. Drew Lanham, Sparrow Envy: Field Guide to Birds and Lesser Beasts (2021)
violence and death and dying and blood and guts and gore and violence and viscera and fuck you fuck you fuck you fuck you fuck you fuck you
The courage to slay a god.
Longtime readers may be aware of how much I relish an excuse to bully a company, so I'm sharing the wealth;
Clothing company Patagonia is currently sueing drag queen Pattie Gonia for "irreparable” harm to their brand.
To be clear; Pattie named herself after the region in South America.
So Pattie is asking people to politely ask Patagonia to drop the lawsuit.
I'm extending the invitation to all of you, because sueing a drag queen for 'infringement' in the current political cultural landscape is vile. Especially a drag queen who has raised millions of dollars for non-profits, uses her platform to raise awareness for climate activism, and fully aligns with Patagonia's apparent climate-conscious mission statement.
They're claiming they're sueing for $1. They're actually asking her to stop using her name, and pay over $1 million in legal fees. They're straight up harassing her.
In contrast, drag queen Jan Sport has a Jansport bag line. It's that easy to just... work with a queen.
Anyway. Be respectful(ish), but feel free to be annoying on Patagnoia's socials, asking them to 'DROP THE LAWSUIT'
I think they have a twitter and tiktok too!
ok so, I approached my local library with a proposal to donate a mural as a way to A: build portfolio/gain practical experience and B: give back to a beloved public institution. The director was very enthusiastic about it and i've been working on it since the beginning of March. Come with me as I endeavor to paint what is in all honesty an excessive amount of birds
I wanted the birds to look like they were actually in the space so first thing after doing the draft was to do a lighting study
after that I covered the walls in letters in lieu of a projector/vr headset bc i have neither of those :) Then i take a picture of the section of wall and superimpose the lineart over top of it so I can pencil in the lines
et voila
and that was a whole week on it's own so next comes the paintin' >:)
and now, the birds
Birds 1 and 2/14: Red Winged Blackbird, Male and female, Agelaius phoeniceus
Bird 3/14, American Robin, Turdus migratorius
hoo boy, ok *out of breath*
GIVE IT UP FOR BIRD NUMBUH 5, THE CANADIAN GOOSE, Branta canadensis!!!!
this guy took me about 4 days to completely finish, all of those freakingk coverts were a bear to render
speaking of obnoxious coverts:
bird 5/14, Bluejay, Cyanocitta cristata
the friggin stripes almost got me chat, i may not make it
Madam....
birds 6 and 7: American Goldfinch, Spinus tristis, male and female
pleasantly simple to paint! next is the flickerrrrr
*melts into goo*
BIRD NUMBER 8, (yellow shafted) NORTHERN FLICKERRRRR, Colaptes auratus
genuinely made me start questioning my sanity around day 3, it's half the size the of the goose, WHY did it take me 4 days to finish??
nothing but pain and suffering, i'm sure hope the next bird will be much easier and with FAR less barring :)
in other news, I am losing my mind hairline
SHE'S DONE!!
Bird number 9: Red-tailed hawk, Buteo jamaicensis
my chains are broken i am FREE. although i did have a great deal of fun with this, the barring on the wings itself took me like four days and i am READY to move on
this was a week and a half of continuous work so please excuse me for getting a little emotional in the bg 🙏
*does a little jig*
BIRD NUMBER 10!!! The Male Mallard Duck, Anas platyrhynchos
the male and female ones are gonna be posted separately bc they're taking a lot longer lol but yea! super happy i was able to capture the iridescent green of the head, i found metallic green and blue paint at a craft store that really made his head POP. it looks better in person i promise
ALSO!! As this is the 10th one, BIG announcement. The end is in sight!!!!! I plan to finish within the next 3 weeks and there will be a small dedication ceremony/ unveiling happening at the library to commemorate its completion on the 16th of May. If you live in the Western New York region and want to check it out for yourself shoot me a dm!
Also thank you everyone for your kind words and support throughout this whole process, it's been a genuine treat thinking there are potentially thousands of you out there cheering me on while I paint this 🥹
aaaand another one bites the duck,
we're movin right along with bird numero 11!! The lady Mallard!! Anas platyrhyncos
the 16th is looming in the distance so i'm trying to get thru these as quickly as i can so i can have as much time for the GBH as possible. i still need to do the names next to all of them so i've got about a week and a half to finish everything which is GREAT because i have adhd and nothing gets my ass in gear like a fuckin deadline, let me tell you
power couple that they are, here's bird number 12 and 13,
the Northern Cardinals, Cardinalis cardinalis
and NOW that they are complete, ITS GO TIME, in the next five days (library's closed for mother's day 😭😭) i need to have the GBH fully rendered, the names of the birds vectored, weeded, masked, applied to the wall, and then painted, plus additional cattails throughout. I may be able to get away with just getting the GBH done in time for the unveiling and then just have the names and cattails added later, but i'm gonna really try to get it all done in time. BUT, i have a plan. Part of why i take so long on these is because i really am just figuring it out as I do it lmao. there have been many a time where i am sitting on top of the ladder googling "how to paint birds" but I think if i take the time tomorro to do all that figuring out how to approach it beforehand, this will go a lot faster. I may also recruit some of my artist friends to help with the placing of the names... hrmm we'll see.
Anyways, shout out to the librarian who tracked down exactly the thing i needed so i could figure out where to place the highlights in my birds eyes, ur the real mvp
thanks for the reminder, kid
at long last, we've reached the end...
Bird number 14 out of 14,
The Great blue heron, Ardea herodius
thank you to everyone who reached out or got excited about this project, it genuinely gave me the fuel i needed to keep going. In total, the 480+ total hrs it took me to cover this wall pales in comparison to how long its expected to spend on there, hopefully imparting a sense of beauty and love for the natural world to the next generation and here's hoping i'm only getting started with these.
i'll see y'all soon :')
this baby tawny frogmouth is hungry hungry hungry! hes taking it all!
unauthorized fucking thing!!!!!!
(warning: loud chirping throughout)
source: hellgate osprey cam
Osprey (Pandion haliaetus)
European starling (Sturnus vulgaris)