robe stays on
mask stays on
GLASSES STAY ON
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❣ Chile in a Photography ❣

shark vs the universe
Cosimo Galluzzi
h
Keni
I'd rather be in outer space 🛸
Sade Olutola
Game of Thrones Daily
almost home
🩵 avery cochrane 🩵

PR's Tumblrdome
The Stonewall Inn
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One Nice Bug Per Day
noise dept.

titsay
Monterey Bay Aquarium
"I'm Dorothy Gale from Kansas"

#extradirty

seen from Congo - Kinshasa
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@snowyathena
robe stays on
mask stays on
GLASSES STAY ON
it was a stroke of genius to give James T Kirk a bitchy flip phone in the 60's, truly amazing to watch him slam it shut like a pissed off socialite girl in 2000's teen shows
You know, I'm still not convinced that Jor-El and Lara are conquerors or colonizers in Superman 2025 and Supergirl 2026. Based on how Rutheye and Krem react to Kara being Kryptonian, I don't get the sense that Kryptonians were invaders. Rutheye's response almost seems... heartbroken for Kara. I don't believe Kryptonians were this evil force in the universe. Maybe elitist and reclusive, but for Rutheye, who is a true working class citizen and fully aware of them, to not have ANY negative reactions when learning Kara is Kryptonian and shows more sadness than fear....... yea, I don't think Kryptonians are the colonizers audiences believe them to be.
We see Zor-El and Alura resent the idea of Kal-El becoming a conqueror of worlds, and Zor-El is uneasy by the idea of send Kara off to become a god on a planet with a yellow sun. Considering how well respected Zor-El seemed to be on Argo, I could honestly believe many Kryptonians align with his ideals. I think majority of Kryptonians were in the same mindset, and that Jor-El and Lara didn't become outliers until the end.
As I'm writing this, I have Superman 2025 paused right after the Engineer downloads the rest of Jor-El and Lara's message. I watched their expressions closely, and they look horrified by what they're saying. You can see Lara literally bracing herself, even gripping her stomach like she's sick listening to Jor-El, and she has this almost horrified expression. She can't even look at him. She literally turns her head down when he starts telling Kal-El to lord over the planet. It's almost as though she hates hearing what Jor-El is saying, but she's also nodding along despite how haunted she id, like she agrees their decision is the right one. A means to an end, so to be speak. Jor-El's demeanor changes, too. He genuinely looks hopeful in the first half of the message, and then in the second half, he looks haunted and hollow. We even see him glance at Lara right as she looks down, like he's not completely confident. He goes from looking like he believes in what he's saying, to repeating a script he's prepared. His voice goes monotone and flat. I don't think they have pride in the mission they gave Kal-El, but they see it as necessary. I vehemently believe what we saw were desperate parents in their very last moments terrified for their infant son they're launching far off all alone into space.
I believe Jor-El and Lara were normal Kryptonians who were simply living their lives. I don't think Jor-El had his sights set on the rest of the universe. He couldn't have, because he had to be focused solely on Krypton to recognize the signs of its impending doom. Jor-El and Zor-El worked together, and Zor-El never says anything to make the audience think he resents his brother. It seems more like he simply resents their two vastly different ideas on how to preserve Krypton. But he never says anything to indicate he didn't get along with Jor-El. Even when talking about Jor's plans, he looks sad, not horrified. I would not be surprised if they were brothers who loved each other dearly, and in their final moments had ideological departures from each other.
I made a post about this a while ago, but I truly think the people we see in the recording are simply terrified parents. They're people who didn't think there was any possible way to save Krypton, which they ended up ultimately being right about, outside of genetic preservation. Maybe they feared what kind of world they were sending Kal-El to. We don't know how much of Earth Kryptonians know about. We know they knew there's a yellow sun, but that doesn't necessarily mean they knew much about humans other than everyone on Earth looks Kryptonian. Maybe Clark's parents saw some really dark parts of humanity. Maybe they just simply didn't think highly of humans because technologically speaking we're behind. Maybe they thought humans are inferior and were a perfect way for Krypton to survive through descendants. Maybe humans were the closest genetic link they could find to Kryptonians, and it wasn't the ideal planet they would have chosen otherwise. We don't know. But I do think they were afraid for Kal-El's safety. I think they decided to leave a harsh message because they feared for Kal-El's future and ability to protect himself.
This makes me question the Fortress' origins and purpose, because I almost wonder if Jor-El intended for the Superman robots to raise Kal-El. Jor-El and Zor-El knew well in advance what would happen to Krypton, and that gave them time to develop technology to enact their own plans in saving their people. Zor-El made the force field to save what already existed, and Jor-El built the ship to carry on its genetic legacy through a new generation (in a very horrifying way). Maybe Jor also designed crystals with programming to build the Fortress from whatever material it came into contact with, hence why it's made of ice in the movie. Clark's ship was damaged in transit. Maybe his ship was knocked off course from its intended coordinates on Earth, or the Fortress programming was delayed. I don't know. But if they wanted him to be a conqueror... it makes so much more sense that Jor and Lara would want Kal-El to be raised by Kryptonian robots instead of humans.
But hey, maybe I'm wrong about all of it!
I actually hope we don't get answers. I like having the space to come up with head canons and theories. It also doesn't make much sense to get answers anyway, because the people who knew those intents are gone. Not even Zor-El is around to answer those questions Clark has. I think these are questions Clark and Kara should have to live with, instead of getting some convenient answer to make them and the audience feel better about their family's history.
“NOT WHAT I’M CALLED” has been in my head for the past few days so have this
Me IRL ☹️
obsessed with just. the entire phrasing and performance of this random tiktok. the uncapitalized 'i's implying the youth of the author. "I think my mom wants me home soon too" SHUT UPPPPPP. only good modern depiction of hades and persephone literally ever. god.
theres NONE left. i drinked it all
Tangled au where 12/13 year old Rapunzel gets mad at Mother Gothel and in a fit of teen rebellion cuts her hair and that kills her, so the now orphan Rapunzel leaves the tower and stumbles into the Snuggly Ducking and is effectively adopted by the thugs. She works there as a barmaid and every year a couple of them take her to the outskirts on the kingdom to see the lanterns.
She isn’t found out to be the lost princess until
A) she goes into the kingdom to bail out one of regulars
Or B) after stealing the crown, Eugene, heads to the pub to keep low only to have a heart attack bc wtf is that the queen???
#this spawned a thoughts in my brain wherein Flynn gets caught &sentenced to death as in canon #and rapunzel decides to go big (and unknowingly) go home and shows up to save him by pulling the Anastasia Con 'i'm the lost princess!' #and as soon as she has secured his release is like OKAY HOW DO WE DO THIS #and he's like do what???? the lost princess con is a game! no one wants the risk of actually trying it! #and didn't you say it would be mean to do that to the king and queen?? #'that was before they tried to have you killed though? so lets figure it out fast! '#anyway they sit down to hash out Her Story and Flynn puts the timeline together and goes uhhhhh I think you might actually be her actually? #the orphanage didn't teach much math but he's been a thief long enough to know 2 plus 2 is 4. (@hedgiwithapen)
dedicated to the people who keep reblogging my vigilcourt fanart despite my dead account i love you
straight white people making a romance movie: haha what if it was illegal to have sex? wait what's lawrence v texas. wait what's mclaughlin v florida. wait what's loving v virginia
As preposterous and stupid as this fucking movie's premise sounded (for a light-hearted rom-com, and not The Handmaid's Tale) I didn't want to think about it too much until the movie actually came out, and then I could see if it was somehow more intelligent and subversive than the trailer let on, but guess what, it's even worse!
If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die.
Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allie’s roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. “This night is for the straights,” Swindell’s character says to Allie, before saying that queer people have worked around straight laws for centuries. This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). It’s also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, that’s not even thirty years ago. By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They aren’t the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond “repeal” signs in various windows and some creative graffiti (...) (...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. That’s just warmed-over conservatism running around in sheep’s clothing.
yeah i wrote this post having only seen the trailer, but jesus christ. was this movie a psyop LMAO??
also, for the unaware: mclaughlin v. florida was a 1964 supreme court case that struck down a florida anti-miscegenation law that criminalized cohabitation (and thus, as implied, sex) between white people and people of color of opposite genders. anti-miscegenation laws made marriage and sexual relationships between white people and people of color, most often specifically black people, a FELONY in several states in the united states up until the 1950s and 1960s. though it was already struck down by the supreme court, the state of alabama didn't repeal their law until 2000! there were THREE ATTEMPTS at codifying anti-miscegenation into the us constitution!
like yes, the issue here is partially straight white people's ignorance on the united states's history of homophobic policy, but it's also really important to recognize that arguably the majority of the issue here is straight white people's ignorance of the united states's history of codifying eugenics and antiblack racism.
the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.
can y’all maybe reblog this version i feel like people are forgetting about the racism and just focusing on the homophobia
just trying to help with the dishes.. all good here (via)
Here's our most requested item: Bob Katter's same-sex marriage speech, in all its unhinged glory
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thought of this immediately and was delighted to discover it’s the same op