Skara Brae Buddo, human figure carved from whalebone, dated c. 2,900 – 2,400 BC. Discovered at Skara Brae, a Neolithic settlement located in the Bay of Skaill on the Mainland, an island in the Orkney archipelago of Scotland.

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@so-i-have-just
Skara Brae Buddo, human figure carved from whalebone, dated c. 2,900 – 2,400 BC. Discovered at Skara Brae, a Neolithic settlement located in the Bay of Skaill on the Mainland, an island in the Orkney archipelago of Scotland.
Tired baby
So much peace to be found in realizing that social interactions are inherently “awkward.” People will always talk over each other or pause in a conversation or run dry for topics at times. It does not mean you’re uniquely horrible or that you don’t know how to socialize. I think it’s the way you react to it (either with anxiety or with nonchalance) that actually dictates how much weight it has. But even the most charming, most extroverted person on this earth has those momentary lapses that I think scares anxious (me included) people so much
Wait is this true?? We’ve just been actively lied to by anatomical diagrams this whole time?
this is true of pretty much all internal anatomy, because the real situation is sort of like if you stuffed a bunch of water balloons of different shapes, connected by tubes, into a bag, itd be really hard to tell whats going on! so you make things more orderly when you represent them, and the connections and lengths and stuff are correct. like the former image is what you get if you cut it out of someone's body and arrange it neatly (and also, if their system wasnt aberrant somehow, but most people's bodies are aberrant somehow. so what they show you is more of like an average of everyone's weird aberrations)
Reblog to change someone's perception
" Twilight " // © Daniel Greenwood
A view of Rome (detail), Franz Knebel (Swiss, 1809-1877)
(by Hans Ott)
“When I was 26, I went to Indonesia and the Philippines to do research for my first book, No Logo. I had a simple goal: to meet the workers making the clothes and electronics that my friends and I purchased. And I did. I spent evenings on concrete floors in squalid dorm rooms where teenage girls—sweet and giggly—spent their scarce nonworking hours. Eight or even 10 to a room. They told me stories about not being able to leave their machines to pee. About bosses who hit. About not having enough money to buy dried fish to go with their rice.
They knew they were being badly exploited—that the garments they were making were being sold for more than they would make in a month. One 17-year-old said to me: “We make computers, but we don’t know how to use them.”
So one thing I found slightly jarring was that some of these same workers wore clothing festooned with knockoff trademarks of the very multinationals that were responsible for these conditions: Disney characters or Nike check marks. At one point, I asked a local labor organizer about this. Wasn’t it strange—a contradiction?
It took a very long time for him to understand the question. When he finally did, he looked at me like I was nuts. You see, for him and his colleagues, individual consumption wasn’t considered to be in the realm of politics at all. Power rested not in what you did as one person, but what you did as many people, as one part of a large, organized, and focused movement. For him, this meant organizing workers to go on strike for better conditions, and eventually it meant winning the right to unionize. What you ate for lunch or happened to be wearing was of absolutely no concern whatsoever.
This was striking to me, because it was the mirror opposite of my culture back home in Canada. Where I came from, you expressed your political beliefs—firstly and very often lastly—through personal lifestyle choices. By loudly proclaiming your vegetarianism. By shopping fair trade and local and boycotting big, evil brands.
These very different understandings of social change came up again and again a couple of years later, once my book came out. I would give talks about the need for international protections for the right to unionize. About the need to change our global trading system so it didn’t encourage a race to the bottom. And yet at the end of those talks, the first question from the audience was: “What kind of sneakers are OK to buy?” “What brands are ethical?” “Where do you buy your clothes?” “What can I do, as an individual, to change the world?”
Fifteen years after I published No Logo, I still find myself facing very similar questions. These days, I give talks about how the same economic model that superpowered multinationals to seek out cheap labor in Indonesia and China also supercharged global greenhouse-gas emissions. And, invariably, the hand goes up: “Tell me what I can do as an individual.” Or maybe “as a business owner.”
The hard truth is that the answer to the question “What can I, as an individual, do to stop climate change?” is: nothing. You can’t do anything. In fact, the very idea that we—as atomized individuals, even lots of atomized individuals—could play a significant part in stabilizing the planet’s climate system, or changing the global economy, is objectively nuts. We can only meet this tremendous challenge together. As part of a massive and organized global movement.
The irony is that people with relatively little power tend to understand this far better than those with a great deal more power. The workers I met in Indonesia and the Philippines knew all too well that governments and corporations did not value their voice or even their lives as individuals. And because of this, they were driven to act not only together, but to act on a rather large political canvas. To try to change the policies in factories that employ thousands of workers, or in export zones that employ tens of thousands. Or the labor laws in an entire country of millions. Their sense of individual powerlessness pushed them to be politically ambitious, to demand structural changes.
In contrast, here in wealthy countries, we are told how powerful we are as individuals all the time. As consumers. Even individual activists. And the result is that, despite our power and privilege, we often end up acting on canvases that are unnecessarily small—the canvas of our own lifestyle, or maybe our neighborhood or town. Meanwhile, we abandon the structural changes—the policy and legal work— to others.”
- Naomi Klein
“Climate Change Is a Crisis We Can Only Solve Together” The Nation 17 June 2015
(updated link as of March 2024)
OP.. CHANGE YOUR URL OP
Sound. On.
Sound is far more imperative than you ever imagined
something ive noticed after being a hobby cosplayer for years is that in a lot of places the general consensus seems to be that wearing costumes in public is weird and/or socially unacceptable, but whenever I'm in costume in public while on the train to the con venue or having a photoshoot on location or something, people by and large fucking love my costume. they think it's so cool. kids think my costume rocks. their parents are impressed that I made it myself. random grandmas tell me my armor kicks ass. I was at a japanese garden once and barely got around to doing the photoshoot me and my homies came there to do because swathes of visitors who had never heard the word cosplay before were lining up to take a picture with me.
it's the same thing with adjacent hobbies like larp or reenactment or fursuiting, the general image of the hobby is that you're weird nerds (and probably also sex perverts) for playing dressup despite not being a child but when you're actually in costume the response from random normies is categorically positive. I inevitably get weird looks from the kind of people who think having a tattoo is an affront to god but they give me that look for just existing with blue hair and pronouns too and the people who actually talk to me always do because they wanted to tell me they love my costume. and the response that always gets me the most is when they say it looks fun but they would never dare to do the same. it's such a shame. why did wearing a silly little costume have to become an act of bravery.
A couple of years ago, a bunch of Star Wars costumers went to a state park and met for a photo shoot. The organizer notified the park staff that we were coming only to take still pictures, no video, no commercial use items. We gathered together and lugged our stuff into a fairly low traffic location, set up a portable changing tent for those who needed it and got dressed.
Our scout troopers and Jedi and Sith posed against the rock crags and forests and in dappled sunlight. We got great pictures.
And every once in a while someone would come around the bend and find something TRULY unexpected.
Most people scrambled backwards or ducked behind the nearest tree, apparently thinking they'd stumbled into a film shoot of some kind. A few took pictures from a distance.
Once we explained, all of them were delighted. How strange. How wonderous. Two little boys took pictures with every single costumer, a woman sat on a rock and just watched, one guy called home to FaceTime his brother.
The world is mundane and predictable and painful sometimes. And breaks to that are magic. Little bursts of a world turned on its head. In the best way.
Who invented autism?
The famous Italian inventor, Leoneuro di Vergent.
yak scared of pumpkin not clickbait
somehow this gorgeous creature is more unicorn-like than a horse
can I be so real with you. can I be honest. totally aside from the moral panic about women on booktok being """porn addicts""" because they're reading erotica, I think it's so fucking goofy when people act as if there needs to be some kind of societal reckoning with how tiktok books "aren't very good." like, okay? they're commercial products mass produced for entertainment. tiktok didn't invent that; you're going to have to take it up with pulp magazines and dime novels and comic books. you guys would throw up if you found out about Fanny Hill.
a year or so ago I was lucky enough to attend s talk by Dr. Emily Knox, a brilliant researcher and author with degree in both library science and religious studies, and she had this theory that both leftists and the right in America have this baked in reverence for books that's a holdover of ye olden days when very few Europeans could read and most people primarily interacted with the written word in a religious context, as a means of learning about the Christian God and means of salvation.
the subject of Knox's talk was mainly how, on the right, this deep belief in the innate power of the written word is a large part of what drives efforts to have books removed or banned from public libraries, as if good "normal" white children are going to instantly become polyamorous atheist antifa supersoldiers if they're exposed to degenerate filth like And Tango Makes Three.
meanwhile on the left we're broadly ideologically opposed to book banning but still have this weird reverence for something that is, ultimately, a mass produced consumer good. which is why you get people developing beef with books that don't pass the vibe check re: being intellectually and morally improving literature and acting like it's a societal ill that women on tiktok are ready dorky erotica. sure, you're not saying out loud that these books should be banned, because you know it sounds fashy, but if you're arguing that they'll have a deleterious effect on women too dumb to know better then the subtext is still pretty readily apparent.
I guess my point being if you've allowed yourself to develop a superiority complex because you think you're reading "better" books than Those Other People maybe uuuuh calm the fuck down and kill the book cop in your brain, it literally doesn't matter.
some people in the notes are like halfway getting this by saying something along the lines of "at least they're reading something! all reading is good reading!" and like. sure. but what if I also told you that reading is not an innately virtuous act and that reading for fun is morally neutral.
people whose takeaway from this post is "all popular things are objectively bad" please see me after class