i finished the tenant of wildfell hall today.
(this novel was first published in 1848, so i will not be tagging for spoilers. i think 178 years is plenty of time to either read it or get a sparknotes summary.)
i am not ok, but in the absolute best way. i was honestly delighted by how quickly and easily i fell in love with the story, especially because i was not expecting to. it's been awhile since i couldn't put a book down, and i had to force myself to go to bed last night because i was literally falling asleep sitting up as i was trying to read, and unwilling to capitulate. i had to know what happened next!
one of the aspects of this story i love best is that although the cruelty of huntingdon is shocking and horrible, even if you realise it's coming, it is, compared to a lot of other gothic fiction, a mundane horror. people like arthur huntingdon existed then, and they certainly exist today. the danger brontë describes is still (unfortunately) too important not to discuss. i was sitting there in utter terror, screaming in my head OMG NO SHE THINKS SHE CAN FIX HIM and if i'd had a physical book, i would have been clutching the edges so hard my fingertips would have been white.
it's interesting to me how brontë drew both the characters of helen and huntingdon, because each in their own way is an extreme that i don't think is very common—though definitely not impossible—and both are because so many people of the period required helen to be nearly a living saint and huntingdon to essentially be the devil himself for people to sympathise with her. and i'm willing to bet even then, there were those who still thought she should have stayed. they were wrong, helen should have stabbed him in the eye, but i guess not everyone is circumspect enough to see that.
and gilbert. oh, gilbert. one of his greatest strengths is that, in all honesty, he's just some guy. he's a member of the gentry, yes, but not an especially high-born one, he doesn't have any illustrious connections, his dad didn't seem to have a deleterious effect on his principles, he participates in the labour of his farm. he even seems to have developed the foundation of some of these principles despite his mother catering to him all the time. that's what's so fabulous about him, though, is because brontë goes to great lengths to show that it doesn't take an especially great man to be kind and gentlemanly and good to women.
i do have a mini-rant about how people talk about gilbert, which i'm not going to indulge in much of here, but i'm deeply sick of how it seems like anyone who wants to defend him has to talk about how, yes, he's flawed. of course he is! that's a human being! anne brontë wouldn't be even half the writer she is if she didn't make him have some flaws, because ordinary people usually have a host of them! i'm not even talking about his hitting his friend lawrence with the whip, because 1) that was completely provoked, and 2) i actually thought it was wonderful that he didn't immediately come out of it with good grace and an acute sense that he'd done wrong. i loved that it took him a little bit to admit that to himself, because that's people. anyway.
this is getting long, so if you want to continue to hear my thoughts, feel free to append to this post or send me an ask.
I love your points about Gilbert! (he's a gentleman farmer or yeoman, Lawrence is the only gentry in the area, but that's not a big deal. However, that is why he's so nervous to meet Helen again at the end when she is very solidly rich and gentry. Also, probably why the snobby Lawrence doesn't want Gilbert and Helen together)
One of the important things about Arthur's evil though is that he doesn't really touch Helen. It's still so rare to see a woman who is "just" being abused financially and emotionally, but not physically or sexually by her husband and Anne Brontë STILL says, "This is intolerable, she should be able to kidnap her son and leave." And what makes Helen finally leave is that Arthur is corrupting her son and turning him against her. Everything else she was determined to endure.































