Snowden's secret. [Slight gore below cut]

#extradirty
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@taciturncitadel
Snowden's secret. [Slight gore below cut]
a moment of peace
(pls click on image tumblr crunched the quality sob)
hey what's up with the "!" in fandoms? i.e. "fat!" just curious thaxxx <3
I have asked this myself in the past and never gotten an answer.
Maybe today will be the day we are both finally enlightened.
woodsgotweird said: man i just jumped on the bandwagon because i am a sheep. i have no idea where it came from and i ask myself this question all the time
Maybe someone made a typo and it just got out of hand?
I kinda feel like panic!at the disco started the whole exclamation point thing and then it caught on around the internet, but maybe they got it from somewhere else, IDK.
The world may never know…
Maybe it’s something mathematical?
I’ve been in fandom since *about* when Panic! formed and the adjective!character thing was already going strong, pretty sure it predates them.
It’s a way of referring to particular variations of (usually) a character — dark!Will, junkie!Sherlock, et cetera. I have suspected for a while that it originated from some archive system that didn’t accommodate spaces in its tags, so to make common interpretations/versions of the characters searchable, people started jamming the words together with an infix.
(Lately I’ve seen people use the ! notation when the suffix isn’t the full name, but is actually the second part of a common fandom portmanteau. This bothers me a lot but it happens, so it’s worth being aware of.)
“Bang paths” (! is called a “bang"when not used for emphasis) were the first addressing scheme for email, before modern automatic routing was set up. If you wanted to write a mail to the Steve here in Engineering, you just wrote “Steve” in the to: field and the computer sent it to the local account named Steve. But if it was Steve over in the physics department you wrote it to phys!Steve; the computer sent it to the “phys” computer, which sent it in turn to the Steve account. To get Steve in the Art department over at NYU, you wrote NYU!art!Steve- your computer sends it to the NYU gateway computer sends it to the “art” computer sends it to the Steve account. Etc. (“Bang"s were just chosen because they were on the keyboard, not too visually noisy, and not used for a huge lot already).
It became pretty standard jargon, as I understand, to disambiguate when writing to other humans. First phys!Steve vs the Steve right next to you, just like you were taking to the machine, then getting looser (as jargon does) to reference, say, bearded!Steve vs bald!Steve.
So I’m guessing alternate character version tags probably came from that.
100% born of bang paths. fandom has be floating around on the internet for six seconds longer than there has been an internet so early users just used the jargon associated with the medium and since it’s a handy shorthand, we keep it.
Absolutely from the bang paths–saw people using them in early online fandom back in 1993 for referring to things.
I had been doing it for a very, very long time but never actually knew the actual name for it. This is exciting! I like learning things.
I am very glad this has been going around so folks learn the Lore, but also let’s encourage it because then we get to say “bang paths” more often.
People who cannot find beauty in every biome on earth are incredibly bizarre to me. "yeah this place is really beautiful but this place isnt :/". what the fuck are you talking about. start admiring that rock and that tree and that bug and that scrubby little plant and that weird animal and that extreme weather right now. im not telling you to go live there but please you gotta start enjoying all kinds of nature im begging you.
there's a family of local sandhill cranes that adopted an abandoned goose last summer and they're STILL together today even after migration.... i love them + they're local celebrities + nature is beautiful
Sandhill crane (Antigone canadensis)
Canada goose (Branta canadensis)
One thing that isn’t being discussed about the White Pharaoh is where on Earth the image came from.
“Oh, it’s just from an online slots game”
BUT THATS THE THING!!! IM NOT SURE ABOUT THAT!!! CAUSE WHEN YOU LOOK CLOSER:
THE BACKGROUND AND COLORS ARE DIFFERENT. Noticeably so, too, the first one has more muted colors and a realistic background while the second is incredibly saturated with an obviously drawn background. This would make genuinely no sense to have two pieces of advertising for the game be so different if this was made for the slots game.
My proposed theory: white pharaoh is a piece of stock artwork / imagery, explaining the artistic differences between the two pictures.
But this can only be solved by either
A. Finding the origin of picture 1
B. Finding the source of the stock artwork
Those willing, please help my search.
@goldenspirits
I went to Know Your Meme in search for an answer and the first answer contains a racist dogwhistle, so maybe that's a lead?
You can also notice the 'American Textbooks' variation, which is the most popular variation, in my opinion, has different saturation.
Image without the racist dogwhistle, found on reddit:
A third background has hit the white pharaoh.
And this one seems to have the highest quality of all, so I suspect this is the original image. (Found it on knowyourmeme, so, no source, but working on that)
Update:
The Third Background also seems to be from Pharaoh's Fire, I'm strongly convinced that is the actual origin of the image.
I would dare to say that the first background is actually an actual pic of the Giza Pyramids, but I have no evidence to support my claim. Feel free to help on this search :)
Oh no, accidentally got lost in my own reblog chain. Anyways. Sorry to all my followers for hyperfixating on white pharaoh, but I just discovered something Huge!
(reposting images for archival purposes.)
For now I'll be throwing the towel on the White Pharaoh search, but Metacritic seems to have a version of the image with Great resolution:
And one of the oldest videos I can find on the Pharaoh's Fire game is from 2015, which is when the game was released according to metacritic, and it has the White Pharaoh on its thumbnail
After taking a well-earned break from my White Pharaoh quest, I decided to lay low, send an email, to the company that had published the mobile app, and I waited.
This was sent May 27th, and today is June 6th, a week with no answer and my anxiety still whispering in my ear, I decide to continue my search.
I decide to do some research on some other Pharaoh's Fire art, well, it is our best lead, and surprisingly enough, I found an ArtStation, named Michael Gruber, or mxgart.
On the bottom right we can see an icon, this is, as I call it, the post-white pharaoh icon used for Pharaoh's fire. A website shows a timeline of different versions of the app, and the first instance of the White Pharaoh is (DD/MM/YYYY) 15/7/2015 , it gets changed to the pyramid we see in 12/11/2015 (Source for chronology.).
Those with a keen eye may have noticed something: Copyright. That's right, copyright! Specifically Cervo Media Copyright. Luckily enough, Michael Gruber's profile has a link to Cervo Media's website and-
There he is! The White Pharaoh- I can barely believe it myself! So that's pretty much it, for now! Cervo Media owns the right to White Pharaoh- and most certainly Michael Gruber drew it! So, unless we have a Tommy Tallarico situation in our hands, this is it! We found the White Pharaoh!
Thank you for your attention, thank you for your time, and sorry for the long post!
Edit: Hey, I didn't expect this addition to gain so much traction! But I wasn't the first person to discover Michael Gruber's artstation or the Cervo Media website. That was @hareofhrair . Thank you for your research if you are reading this, by the way! Go read their post here. Cervo Media seems to have shut down sometime in 2018, as one of Michael Gruber's blogposts indicates. So any attempts to contact the company itself will, well, fail. One thing I slightly disagree with Hareofhrair is the use of CGI pyramids indicating this is some edutainment game! I analyzed the backgrounds in my thread, but one of the backgrounds was, yes, a 3D model, but painted over by Michael Gruber (He says so in his artstation). We can also see one of the ads in an addition and it's a gif of that same background, discovery by @themainspoon (Here!).
But thank you for your time, really.
been listening to the Murderbot diaries recently..i like it a lot
If you had gone through the exact same things your Blorbo went through in canon, would you have handled it better than your Blorbo did?
Yes
No
Every poll on this blog is about fictional characters only. This request was sent to us and we made a poll in response to it. Send any Blorbo-related question you want to our inbox and we’ll make a poll on which people can vote with their own Blorbos in minds
im literally in tears what the fuck
Revolutionary idea: imagine [character I like] with [disability I have]. More people should get on this!
Me when a character I like dies in the characters are gonna die show: how could this happen.... darn it.... I didnt see this coming
trying to figure out dinner with my father is impossible
trying to figure
out dinner with my father
is impossible
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
girl you really got me going
I love characters who are like "I'm a terrible person" but when you look closer it's more like
"I adapted to survive something and now I don't know how to stop being that version of myself."
"Trans people were invented by doctors in the 1950s"
@thatlittleegyptologist Something about this "hot take" seems sus to me, but I don't know enough to say what
okay, so I'm gonna tread lightly here because, well, this site doesn't take well to discussions of nuance, especially on topics such as this. I'm of the very firm belief that trans people have existed for all of history, but the way we approach things like this has to be considerate of the entire context.
So, the individual we're dealing with here is a Roman period mummy that was CT scanned in 2014 as part of the Ancient Lives and the skeleton was determined to be a male, but was originally brough to the British Museum in a coffin that was named and styled as female. The mummy is accession number EA 6704 and the coffin is EA 6703. (Concurrent accession numbers mean they were brought in together and EA stands for 'Egyptian Antiquities' and please be aware that the link for EA 6704 contains images of the mummy for those of you wish to avoid more images of the deceased)
Now a lot of people, in both the comments, the OP, and the book this is taken from are...assuming a lot of things. First of all the tweet and the book it's taken from (no idea which one) say 1960s, and the tumblr comment says 1950s. If we check the museum catalogue entry in the 'Bibliographic References' section it says 'Dawson and Grey, 1968' and is their survey and research of mummies in the collection. It was then further CT scanned in 2014 which confirmed the 1968 analysis. The skeleton, at least, is male.
So why is the above a hot take, and, unfortunately, deeply incorrect?
This mummy, and the coffin it was in, were bought by Henry Salt in the 1820s from an Egyptian seller, which he later sold to the museum in 1835. Given the nature of its arrival, and the complete lack of x-ray ability or Egyptological knowledge (the field of study really only got going in the 1820s when we deciphered hieroglyphs) it was assumed that the coffin, belonging to a woman named Mutemmenu, and the mummy were the same burial.
That's not accurate.
The coffin, styled female and lists her occupation as 'Chantress of Amun' dates to the New Kingdom (c.1200 BCE) and the mummy found within it dates to the Roman Period (anywhere from 30 BCE to 646 CE). This makes the mummy *at least* 1200 years younger than the coffin they were brought in with and therefore doesn't not belong to the mummy. Occurrences like this are relatively common. This is mostly because when these coffins were excavated antiquities dealers just shoved random mummies into random decent looking coffins so they could be sold as one lot. The other option is for the Romans to have reused (again not uncommon) a coffin from an older period and since Hieroglyphs had fallen out of use...no one could read it to say 'hey that coffin belongs to a woman.'
So that's the coffin issue sorted.
Lets move onto the 'breasts', tattoos, and jewellery. I fully understand why people think they're breasts. They look like them, I won't lie to you. Unfortunately, that's not what they are. The 2014 CT scans showed that this individual had a lot of excess skin that before mummification would have meant that the individual was fat. They also had significant tooth decay on one side of their face. Where do you think the embamlers packed out the mummy with extra padding to make them seem more like they did while they were alive? The face, the stomach, and the chest. They're not 'breasts' they're fat rolls. In Ancient Egypt, being fat was a sign of wealth and good fortune. It meant that you had an abundance of food, so officials would often depict themselves with fat rolls and the men with what look like breasts to indicate to people that they were well off. It does not indicate an individual's gender. As the book says, this practice stems right from the Old Kingdom through to the Roman period. It's more common in the Roman period, but I would also state that this is likely a bias in the record as we have more Roman mummies survive than most other periods. It cannot be taken as absolute fact because we're missing data.
Tattoos and jewellery? Well, those, it appears, were taken by the 1830s museum staff, the 1960s scan, and apparently most people in the notes of this post as being exclusively female. Even the OP of the tweet this is taken from seems to take this as a given. Which is deeply strange, because in what world are you guys expecting gender progressiveness from academics in the 1960s? Seriously. You're not even praticing it yourselves because you've defaulted 'male sexed body with jewellery and flower tattoos cannot be male because those things are for girls.' Can you hear yourselves? You rag on archeologists and museums for 'omg they were roommates' and here you are defaulting to 'jewellery and flowers are for girls.' Please.
The 1830s academics did the same thing. They saw the jewellery, 'breasts', 'tattoos' and female coffin and presumed (not being able to read the coffin which said 'Chantress') that the person inside was a woman, and a dancer. In the 1960s, when they x-rayed the body and determined the skeleton was sexed male, they didn't really update any other information so the 'dancer' part was left in. Truth is, we simply don't know who this person was or their occupation. The strapping has been found on some dancers, but it's not exclusive to dancers since it's found on other mummies too. Dancer has simply been assigned to this person based on that and the 'tattoos'. This individual is also covered in gold leaf, marking them out as a high status individual. Dancers were not high status individuals and were certainly not buried with their skin covered in gold leaf. It is important to understand that while the strapping may appear to match dancers from earlier periods, we're talking about 1200 years between those depictions and this mummy. That's like saying someone today wearing something similar to someone from 825 CE have the same occupation despite the fact that there is a huge amount of cultural and societal change between the two. It's not enough to identify anything other than 'might be the fashion of this period', and certainly not enough to pinpoint someone's gender identity. They may have been a dancer, but we cannot prove this and dancing is not a female only occupation.
Tattoos and jewellery were not a female only items. Men wore jewellery in Ancient Egypt and this practice didn't end with Roman occupation. Tattoos were also for both genders (Egyptian definion of gender not modern) and the lotus flower is a symbol of rebirth, it's not consigned to one gender but an extremely important symbol connected with Egyptian mythology. A lot of early research, I won't lie, was extremely biased. It labelled tattoos as for dancers and sex workers only, which reflected the views of tattoos in wider society. A lot of people even today believe that tattoos mean you should be shunned. Thus it was assumed that only women had tattoos. In fact, I can find a paper from 2003 that boldly claims that no male mummies have tattoos (citing a 1988 paper)...then cites several examples of male mummies having tattoos. That's a level of head/desk someone should have caught, because the paper I link for 'tattoos for both genders' shows them from the Pre-Dynastic period (c.6210 BCE - 3100 BCE) on both genders. We also have very few mummies from the Old Kingdom through to the New Kingdom because mummification was still developing, so we don't exactly have a wide data set to say 'men don't have tattoos' thus, I'd take this claim with an extreme pinch of salt since we have examples. I would also state that the caveat is that most tattoos are found on Nubian dancers in one Meroitic cemetery. Something something, sample size.
Fun thing, after that little segue, the mummy doesn't have tattoos. The 'tattoos' are the painted lotus flowers on the linen above the knees that's covering the mummy. Which, at this point, if they're solely on the mummy coverings (we can't check the physical body without unwrapping and we're not doing that) they're more likely to be rebirth symbols and not literal tattoos. Thus taking us even further away from the 'only dancers have tattoos' assumption. The face is painted on too, including side burns and a beard which are what those dark marks are along the side of the cheeks.
That's a beard. It's not the best beard, but it's a very artistic interpretation of side burns.
Likely immitating something like this, which is backed up by the CT scan showing the mummy has short hair on the head and face. It also shows one of their teeth has fallen out and is resting at the front of their mouth, which is pretty cool.
The final thing I want to address is the 'pink' skirt or kilt that was found on the mummy at the time it was accessioned into the BM catalogue. It's not mentioned above, I know that, but it is mentioned in other articles about this mummy. This hasn't survived, so I can't look at it and say what type of garment it was. I don't even want to take 'pink' as the definite colour as we're talking about a c.2000 year old piece of clothing that absolutely will have faded with that amount of time having passed. I would also discourage 'oh they're wearing pink they must be...' because no we're not doing that c'mon people.
So, in summary: this mummy is likely male. I won't say for definite because, we genuinely can never say for certain how someone's gender was presented and new information could become apparrent in the future that changes this, but as of right now there is nothing to say this person had changed their gender presentation. As far as I'm aware with current research, we have no clear way of identifying individuals who transgressed Egyptian gender roles. Their gender roles are much different to ours, and we simply don't have the language or understanding to find them yet. We will, I'm sure of it, but as of right now we just don't have enough information on what the Egyptians classed as 'going against gender roles' to make these calls. In the case of this individual, they have facial hair painted on the mummy and seemingly still on the face of the mummy itself that is in the style men wore at the time. They have fat rolls that have been formed after death that are culturally like those depicted on high status male individuals, and since the mummy has gold leaf on the skin we know this individual is high status. Jewellery is gender neutral in the ancient world, so I'm absolutely not assigning a female gender just because this person has faux bangles. Tattoos? Well the mummy doesn't have them, they're merely painted on the knees and are a known symbol of rebirth not a female only thing. In all, there is nothing to suggest that this individual wanted to be presented as having a different gender. Assuming so based on your modern understanding of what constitutes markers of gender is damaging, and you could be assigning a lived experience to this person without ever understanding how gender was constructed in the time they lived. Based on my knowledge of Egyptian gender presentation, and the evidence I've presented above, this person didn't do anything out of the ordinary for 'male' presentation, thus the skeleton sex identification does not contradict this.
Couple of quibbles that do not change your analysis otherwise. Too many other bits of evidence, context, and important lessons aren't changed by this, but: Skeletal structure is notoriously inaccurate for sexing human beings. With a well preserved mummy, convention is that it can be up to 90% accurate, yes, but that's still a huge margin of error there. 10% chance of being wrong is a high chance. There is no trait in a skeleton that is exclusively found in "males" or in "females". (Putting those in quotes because, Ew!) Now, if there was enough soft tissue preserved, one would think that the CT scan or X-Ray might pick up the configuration of genitals. And that might be more reliable. It is a mummy, after all. Also, human cis men have breasts. Their mammary glands are latent and undeveloped, but the tissue is there ready to be activated by estrogen. And in fat cis men, that estrogen is often present, and the result is called gynecomastia ("woman-like breasts"). There is absolutely no good reason not to call them breasts. Especially when they are enlarged. "Fat rolls" is a weird and inaccurate term for what they are. People are too precious about this in a way that really just results in misogyny, transmisogyny, and dyadic-centric sexism.
You’re right!
Sexing skeletons is an incredibly tricky business and is liable to change given new techniques or technologies as they become available. The skeleton in this case was identified to belong to a woman when first discovered solely based on the jewellery, skirt (though it could be a kilt), and the fact that the coffin was made for a woman. When the body was reexamined in the 1960s they discovered that the body more than likely belonged to that of a man and was likely in the wrong coffin (something that happens very regularly in Ancient Egypt). Subsequent studies have not changed this, but there is always the possibility that this body does belong to a woman and we’re all wrong. There are no certainties with this sort of thing unless you have a good deal of contextual evidence. But we wouldn’t necessarily be able to tell the “genital configuration” through scanning.
Many things happen during mummification and one of those things is uhh…shrinkage. This makes it nigh on impossible to see on CT scans. Even mummies were sure of the identity on (those of pharaohs) the actual presence of an identifiable phallus is extremely hot and miss. For most of the kings we can’t actually see it at all!
I’m aware cis men can have breasts and I’m very aware of gynecomastia. But when I say “fat rolls” I am talking about a very specific detail that the Egyptians culturally used. I’ll show some images of what I mean:
Both of these images show the “fat rolls” because they’re not just breasts, they breasts with fat rolls underneath. This is what they’re referred to colloquially in my discipline and since I was doing scicomm and can’t verify independently that this is the condition this person has, I chose to use the more appropriate term for dealing with a lay audience. It was nothing to do with being precious, I was simply explaining an Egyptian art convention in simple terms.
Hi there! I hope I don't pester you with this ask, but I was just wondering- do you have anything you'd wanna draw for Angron or Jaghatai? I just dunno if you get asks for them or not, just curious!
It's time to be sad.It's time for pre butcher's nails Angron!! I felt he deserved it since no one is asked for him directly yet, and I love him to pieces!!(。・´д`・。)