merrical ⊹ merrin's little smile while holding cal's hand

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merrical ⊹ merrin's little smile while holding cal's hand
You’re George Lucas (or Disney). After being presented with the following pitches for the next big Star Wars movie, you decide to go with:
Jack Black as the First Jedi
Cal Kestis and Merrin erotic thriller (Babygirl vibes)
Ezra dies in the first 5 minutes. Sabine Wren revenge movie.
Rey solo movie, but we changed her personality to Jinx from Arcane.
Din Djarin and Bo-Katan romcom where they just talk (Before Sunrise vibes)
Obi-Wan movie and his new sidekick is played by Kevin Hart
Prequel trilogy remake, starring Tom Holland and Zendaya as Anakin and Padme
Rogue One 2: Andor wakes up on Hoth. Don’t ask how he’s still alive.
Luke Skywalker returns but as a vampire.
Young Emperor Palpatine movie and he’s a thirst trap.
Ahsoka Tano movie, but we’re disregarding all Clone Wars/Rebels canon
Young Count Dooku, played by Seth Rogen doing his stoner shtick
Star Wars really said love is never just love, it’s always a force that either steadies you… or exposes exactly where you’re weakest.
Anakin and Padmé are what happens when love becomes possession disguised as devotion. They love each other deeply, intensely, but it’s built on fear—fear of loss, fear of change, fear of being alone again. And that fear doesn’t just sit quietly. It grows. It twists. Until love stops being something that frees you and starts becoming something you try to control. Their tragedy isn’t that they loved too much. It’s that they couldn’t trust that love to exist without clinging to it.
Han and Leia feel like the aftermath of that kind of intensity. They argue, they clash, they orbit each other like they’re constantly figuring it out in real time. But their love survives things it really shouldn’t—war, distance, loss, even the fracture of their own family. It changes shape over time, gets heavier, quieter, less cinematic. And somehow that makes it more honest. They don’t get a perfect ending. They get something real.
Obi-Wan and Satine are the embodiment of restraint. They stand on opposite sides of belief, yet understand each other more than anyone else ever does. There’s something devastating about the fact that nothing actually stops them from being together except who they’ve chosen to be. It’s love that asks, “who are you when everything is stripped away?” And both of them answer with duty, even when it costs them everything else.
Qui-Gon and Tahl feel almost like a secret the galaxy barely notices. Their connection is quiet, steady, something that exists beneath the surface rather than out in the open. And when she dies, it doesn’t explode into spectacle—it settles into him. His grief becomes part of his philosophy, part of the way he sees the Force. Like love didn’t end, it just… changed form and stayed with him.
Kanan and Hera are what happens when love is allowed to grow instead of rush. It builds through trust, through shared purpose, through the small moments in between everything else. They don’t need constant declarations. It’s in the way they stand beside each other, the way they lead together, the way they create a sense of home in a life that rarely offers one. And when loss comes, it doesn’t undo what they had. It proves how strong it was.
Cal Kestis and Merrin feel like two people who weren’t supposed to find peace, finding it anyway. Both of them come from devastation—different kinds, same weight. And instead of trying to fix each other, they just understand. There’s patience in the way they connect, like they both know how easily things can fall apart, so they choose to build something steady instead. It’s love that heals without pretending the scars aren’t there.
Ventress and Quinlan Vos are chaos that somehow becomes something honest. They meet in the middle of war, deception, and moral grayness, and still manage to see each other clearly. And what’s striking is that their love actually changes the direction of a life. Quinlan falls into darkness, loses himself completely, and it’s Ventress who pulls him back—not through rules or ideals, but through connection. And she pays for that with her life. Their story doesn’t pretend love saves everyone. It shows that sometimes it saves someone else, and that’s enough.
Rey and Ben are something else entirely—two people tied together before they even understand what that connection means. Theirs is recognition at its most intense. They see each other across distance, across conflict, across everything that tells them they should be enemies. And even when everything collapses, that bond remains. It doesn’t simplify anything. It complicates everything. But it also makes change possible.
And that’s the thing Star Wars keeps coming back to, over and over again.
Love isn’t safe here.
It doesn’t exist in peaceful conditions. It exists in war zones, in broken systems, in people who are already carrying too much. And because of that, it becomes a test.
Sometimes it becomes attachment, and that destroys you.
Sometimes it becomes partnership, and that sustains you.
Sometimes it becomes sacrifice, and that outlives you.
But every single time, it reveals who you really are.
Because in a galaxy built on destiny, prophecy, and endless conflict, the most defining choice anyone ever makes is still this—
who do you hold onto, when everything else is trying to pull you apart?
flustered cal is my favorite thing in the whole world
Sorry if I already posted this is here, I'll delete it if so
spreading my feral!merrin agenda
I understand you Merrin, I would have also waited five years for him to realize what he wants.
(¿¿¿Why all the jedi are so hot???)
arrival on jedha