supernatural s14e4 mint condition (w. davy perez)
nothing says smooth like a 5 o'clock shadow
totally normal brother stuff part 6 of ?
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supernatural s14e4 mint condition (w. davy perez)
nothing says smooth like a 5 o'clock shadow
totally normal brother stuff part 6 of ?
Dabb Era writers were the destiel dream team!
Dabb guided PLOT-CENTRAL ROMANTIC STRUCTURE VALIDATED BY EVERY PARALLEL/THEME/CHUCK-AS-CW METANARRATIVE
Berens gave us CANON DESTIEL, FANFIC GAPS, DREAMHUNTER PARALLELS, CELEBRATION OF QUEER JOY/BEING AND DECONSTRUCTION OF HETERONORMATIVITY
Glynn brought MIXXTAPE/HERE'S TO BEING RIGHT COLLABS, DEANCAS DEFYING GOD/EVERY OTHER TIMELINE TO CHOOSE EACH OTHER
Yockey schooled us on CLASSICAL QUEERCODING, RECLAMATION OF MONSTROSITY/OTHERNESS
Perez said DOMESTIEL RIGHTS THEY WATCH OLD MOVIES SAY "I LOVE YOU" AND WATCH EACH OTHER LEAVE IN THE MORNING
BuckLeming-Singer
Jeremy Adams and MegFitz with just a few eps did CANON BI!DEAN and A LOT TO DRAG ME AWAY FROM YOU
hey davy perez are you into tentacle porn, no wait don't go I just wanna talk
There is a Reservoir Dogs episode???? Plz elaborate.
Season 12, Episode 12: Stuck in the Middle (With You) is a pretty straightforward homage to Reservoir Dogs, and also just Tarantino films in general. I'll admit I'm not a huge Tarantino buff myself so I might have missed anything subtler, but the references aren't much of a deep cut. A quote, some cinematic scene echoes - diner scene, badass group walk scene, Mr. Orange gut wound plot - and the whole thing gets framed as Mary telling Ketch a story through timestamped flashbacks.
For the most part it seems like a homage episode where they are having fun with it? Honor the iconic filmmaker and get your audience to go "heyyyyy" about how that's just like this iconic scene, but not doing anything particularly juicy with it.
Except.
Well.
Ok, so the episode was written by Davy Perez (of Tombstone fame) and directed by Richard Speight Jr. (of Destiel confession scene infamy). And at the very least Speight needs to defend himself before the court for this one, because at minimum directorial crimes were committed. That bit I mentioned above about the Mr. Orange gut wound plot? Well here's the thing:
I'm assuming you know this, but the whole Mr. Orange bleeding out from a gut wound while Mr. White homoerotically cradles him is kind of a big deal. Even crucial to the reference, you might say. Like the whole "you can be as intimate and emotional as you want with your warrior's-bond good buddy as long as he's tragically dying on the battlefield" is the whole fucking point. And yet... when they make the central plot of the whole episode stabbing good buddy Cas in the gut with a slow, painful, angel-killing spear they run into a snag.
Because this is Supernatural, and Cas is not going to die at the end of the episode to wipe the slate clean of gay vibes, and also doing things like homoerotic references with Cas in S12 just draws attention to how much homoerotic shit is already there. So they cast Dean as Mr. White and then absolutely break the parallel and upend the reference in order to no-homo the homoerotic gut wound arc.
Dean barely touches him. His emotions are subdued. They put Mary in the backseat to cradle him while Dean drives. And then right as he's actively "dying" Cas looks at Dean and the camera closeups on Dean and we get an "I love you" - pointed beat, remember there are more people in the room - "I love all of you". And instead of cradling him or even just sitting next to him Dean is standing across the room with minimal reaction.
They no-homo'd this so hard that it's almost impossible not to see Destiel in the negative space. Like by choosing to make a Reservoir Dogs reference and then immediately backing away from the reference in a panic, they a) look like cowards, and b) raise the question of why Cas and Dean can't do Mr. Orange and Mr. White. Go on, viewer. Imagine what that would look like if Dean cradled Cas and held his bleeding guts in and wiped the sweat off his face while panic muttering "You're gonna be fine".
Oh.
(That's fucking right.)
devoted mitski fan and half a final showrunner bobo, that's your lot, thanks for playing. You gave us heaven can't wait, made us who we are and beat the devil then plunged us into despair but you had to go and treat Billie and Missouri like That so as you might say:
Cope 🥰
Just our lucky 7 left!! Judging from the last three rounds love for this group is high and there's little between them, but someone else must go, so let's discourse xx
Remember, it's a silly knockout poll. I'm both being extremely unserious but I am so so very serious when I say stop voting for your fav by accident 😭 so -
vote OUT your LEAST favourite spn writer
Meredith Glynn
Eric Kripke
Robbie Thompson
Ben Edlund
Davy Perez
Jeremy Carver
Steve Yockey (rip)
see results
Meredith Glynn Wanted Them to Play Desperado
Meredith Glynn wanted Desperado to play while Dean was on the mechanical bull. That visual reference to Urban Cowboy ends in a kiss.
Desperado. Why don't you come to your senses? Come down from your fences, open the gate It may be rainin', but there's a rainbow above you You better let somebody love you (Let somebody love you) You better let somebody love you Before it's too late
Thee Next Episode:
Continue to have no doubt in my mind that they fully intended to made Destiel canon after S12.
On the choice to female code Dean at the end of this episode. (x) Thank you to @spnscripthunt for the blue draft (x)
THANK GOD FOR DAVY PEREZ
I always thought that Connor and Silvia were a parallel for the incompatible love between Cas and Dean. It's right there in how the episode says they used to date by watching old movies together, and how Dean says that Cas was always there for him in season 11.
I mean, you're not wrong in noting the similarities. Sylvia does lament that she and Connor "used to date, kinda," that they "watched old movies together," that they were "just kids," and "he was always there for her." She is domineering and bosses him to do her dirty work, like Dean bosses Cas to go to Hell with Belphegor in 15x03.
It's simply another slice of Gimme Shelter you can pull out and shine a light on, with Sylvia as a dark Dean and Connor as an unsuspecting, queer-oriented Castiel. I still think Sylvia represents Amara's place in the paradigm much better, though. Amara is like a dark Dean, after all, clinging to the safety and security of the idealized childhood.
And I think your approach, should we accept it as such, would actually constitute a direct, dramatic reversal of those assumptions. It would be steeped in irony. Sylvia, the "dark Dean" in your analogy, thinks that Connor doesn't love her like that.
But we see a few episodes later (15x18) that this is not the truth for the Dean-and-Cas unit, and that Cas actually wants to live side-by-side with Dean as a pair of individuals. Dean-and-Cas get the acknowledged date motif...but they also get the full-circle, romantic, spousal love motif, because Cas returned Dean's feelings all along.