Testing out how the masterplan, community clusters, and individual units can physically breathe, float, and function together in the lagoon
@feststudio5-26
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Testing out how the masterplan, community clusters, and individual units can physically breathe, float, and function together in the lagoon
@feststudio5-26
INTERIOR DESIGN INSPIRATION
The Hat Chooses. 🧙♂️✨
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Design Process: Emperor Belos
Emperor Belos is the main antagonist of the show, but not in the fanfic. He is Camila's lover within the fic.
As within this part of the fanfic there are no changes to his outfit, I decided to instead to simply make a simple, front-facing reference sheet converting him to the chosen style.
The process was simple since there was such few colours. Just made the white into a light yellow, made the yellows a warm saturated golden-yellow. Made the brown a warm red and the blacks into purple. Easy-peasy!
Tali liked the final version, and made me go "Awhhh :] " mentally due to their compliment haha.
signal // NOISE — cassette test run (x20)
Delivery this morning: the first physical batch of signal // NOISE cassettes arrived — and they feel like the album finally has a body.
Black/white sandwich shells: Side A = white (signal) / Side B = black (noise). Same tape, two readings. Flip it and the system reconfigures.
What I love about this run is how the concept isn’t printed on afterwards — it’s baked into the object language:
On-body printing (terminal typography, dashed boxes, tiny system labels)
“DIGITAL LEFT << / ANALOGUE RIGHT >>” mapped onto the cassette itself
Track titles as data artifacts (0x… strings, misreads, caption faults, drift notes)
A blunt strapline hiding in plain sight: Input ≠ Comprehension
A typed “ABOUT THIS ALBUM” insert that finally says the quiet part out loud: visual-first listening, one ear gone digital (CI), one ear staying analogue (HA), captions arriving late — AI + field recordings used as prosthetics, not replacements.
And yeah — the J-card still carries that little contradiction I’m fond of: “// analogue only / no digital release” …while the inside quietly lists a digital appendix (bonus tracks + signal scrolls). A format arguing with itself. On brand.
Medieval Star Wars: Luke Skywalker - Pilot Kit
A small video to show a bit of the design similarities, as I'm trying to keep colors and characteristics of each design in mind while turning them Medieval
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Couture vs Haute Couture: Understanding the Difference in High Fashion
There’s a moment in fashion where clothing stops being just clothing and becomes something closer to sculpture, memory, and identity all at once. That space is where the words couture and haute couture often get used, sometimes interchangeably. But they actually live in very different worlds, even if they overlap aesthetically.
Couture is the broader idea. Haute couture is the rare, protected peak of it.
Couture: the art of custom creation
Couture refers to clothing that is made-to-order and tailored specifically for an individual body. It’s personal, intentional, and usually involves a high level of craftsmanship.
Think of couture as:
Clothing designed around one person instead of mass production
Garments that involve fittings, adjustments, and hand-finishing
A space where design and craftsmanship matter more than speed or scale
Couture can exist in many places around the world. A designer in a small studio creating custom gowns for clients is working in couture. A luxury brand offering bespoke tailoring is also working in couture. It’s a concept, not a certification.
What matters most in couture is intimacy. The garment is built with a specific body in mind, not a standardized size chart.
Haute Couture: the protected world of high fashion
Haute couture is couture, but with strict rules, official recognition, and a deep connection to Parisian fashion history.
The term is legally protected in France and regulated by the Chambre Syndicale de la Haute Couture. Only fashion houses that meet specific requirements are allowed to use it.
To be considered haute couture, a fashion house typically must:
Design made-to-order garments for private clients
Maintain an atelier in Paris with highly skilled artisans
Present two official collections per year (spring/summer and fall/winter)
Include multiple fittings per garment, often taking hundreds of hours to complete
Employ specialized craftsmanship like hand embroidery, featherwork, and sculptural tailoring
Haute couture is not just clothing. It is fashion as performance, architecture, and art object.
It is extremely rare, extremely expensive, and deeply tied to tradition.
Haute couture houses often include names like Chanel, Dior, Schiaparelli, and Valentino.
Couture vs Haute Couture: the real difference
The easiest way to understand the difference is this:
Couture is a method Haute couture is an institution
Couture:
Any custom-made, high craftsmanship clothing
Not regulated or legally protected
Can exist anywhere in the world
Varies widely in quality, scale, and exclusivity
Haute couture:
A legally defined category of fashion in France
Only granted to select fashion houses
Requires strict production standards and Paris-based ateliers
Represents the highest level of craftsmanship in the industry
Another way to feel it emotionally:
Couture feels personal, like a garment made for you
Haute couture feels ceremonial, like wearing a piece of living fashion history
Why it matters in modern fashion
Even though most people will never wear haute couture, its influence is everywhere. Ready-to-wear fashion, red carpet gowns, editorial shoots, and even bridal design borrow heavily from couture techniques.
Couture keeps craftsmanship alive. Haute couture preserves it at its highest possible level.
So when you hear the word couture, think: custom, crafted, intimate.
When you hear haute couture, think: rare, regulated, and the absolute peak of fashion artistry.