Year 2 Module 2 Part 2

This is the blog/site used to document my final project. The pinned post has a list of contents with tags that you can press to go look through them to make browsing my work easier and more streamlined. If anything will need explaining I will do so in specific posts.

[kevinsyear2finalproject]

TABLE OF CONTENTS

Here is a table of contents for the blog, to make it easier to navigate.

Simply click on the tag/hashtag (#) to see the post/posts about said tag. The tags can either be manually search for in the search tab on the blog, or simply clicked on under this post.

BRIEF ANALYSIS:

Brief Breakdown (Explaining the conversation where I was given the brief) : #briefbreakdown

Brief Analysis (analysing the brief): #briefanalysis

DESIGN PROCESS:

King design process : #designprocess & #kingdesign

Camila design process : #designprocess & #camiladesign

Luz design process : #designprocess & #luzdesign

Amity design process: #designprocess & #amitydesign

Gus design process: #designprocess & #gusdesign

Willow design process: #designprocess & #willowdesign

Belos design process: #designprocess & #belosdesign

Eda design process: #designprocess & #edadesign

Kikimora design process: #designprocess & #kikimoradesign

Adrian design process: #designprocess & #adriandesign

Vitimir design process: #designprocess & #vitimirdesign

[kevinsyear2finalproject]

Design Process: Vitimir

Vitimir is one of the Coven Heads just like Adrian. However, unlike Adrian, there is little known about them. This is because unlike Adrian or Kikimora, Vitimir never got to star in his own episode (this is the case with alot of the coven heads.). Hence, everything known about Vitimir is taken from a few instances of being seen in the show.

Vitimir is the Coven Head of the Potion Coven specifically. Vitimir's design is pretty androgynous, hence it allows me to play with the clothes more, especially as it appears they are a demon or part demon. One interesting aspect with Vitimir is that they are seen to breath some sort of toxin, with their mouth that appears melted. This explains why the keep their mouth covered in their design. I wanted to try to keep this aspect within the design.

Vitimir concepts were pretty simple. One being a more "scientist" type of outfit, another being casual and his hair covering his eyes instead of clothing covering his eyes. and the final being a casual outfit with more fluffy hair. Tali decided on the Scientist outfit with the fluffy hair, hence, onwards I went!

Vitimir has originally a very dull green-grey coloured skin, to teh point it looks jsut grey. I decided to make it more clearly green to try and liven them a bit. I made the accents (the gloves, belt and buttons) a yellow, as the Potion Coven's colour is yellow. I was going to make the main colour of the outfit a similar purple to Adrian's hair to make it black, however I ended up choosing a more pink-ish purple instead, to keep the warmth.

Once Tali saw him she was very happy, saying that he is "slaying" . ("Slaying" is slang used online to describe someone looking good.)

[kevinsyear2finalproject]

Design Process: Adrian

Adrian is one of the Coven Heads in The Owl House. The Coven Heads are the leaders in each section of magic, Adrian being the Head of the Illusion Coven. Adrian has the unique trait of having a tail, implying that he is half-demon, or that it is simply a decoration. Adrian is most known to be the "dramatic gay man" archetype from different media.

considering the many different ways that Adrian could be dressed, and that his work attire doesn't really given any leads, I had to use my imagination more than with the others. I decided upon some concepts of a more feminine outfit, an outfit that is a mix of feminine and masculine, and a drag-queen outfit design. The idea to make a drag-queen design is because Adrian is the one that Tali wants to play the Genie during the balcony scene, and because the fluff on his shoulders reminded me of the type of fluff seen on some dresses/ coats.

Tali chose the outfit from the first concept, and the hair from the second, which was just a short ponytail. Hence, Tali decided that Adrian shall be a drag queen.

I don't have much to say for the outfits themself, aside from maybe clarifying that the second one's pants, are meant to have a flowy fabric like seen in the reference.

The design is simple, a dress with a side cut and a pattern on the bust, some fluff, high heel boots, the tail, and gloves. however I can't lie, the colours were more difficult to pick than I expected. I wanted originally to use a sort of black for the fluff, gloves and shoes. However, then I remembered that Adrian's hair is black, hence that would mean that nearly the entire design would be one colour which I did not want. So instead, I made the gloves and heels a lighter blue, and the orbs around the tail and ponytail a golden-yellow for contrast.

Tali was very happy with the result, that made me very happy since I thought very hard about the colours.

Although I wish I could make the gloves and boots black of course, I'm very satisfied with the piece.

[kevinsyear2finalproject]

Design Process: Kikimora

Kikimora is one of the other main antagonists in the show. She is seen as the Emperor's advisor/right hand. Kikimora is a demon with a unique design that isn't seen much within the show, where her hair are two hands. She also, aside from having two-toned eyes, has heterochromia. Kikimora is also implied to have an umplesant home life with controlling parents within the show.

As Kikimora is always seen in her work attire (which looks rather uncomfortable) I decided that outfits that are more comfortable and loose, as in the fanfic, the parade is meant to be a special event of celebration, hence an outfit that is more special, more allowing for movement would be fitted best. Especially as Kikimora runs towards the Castle door in the fanfic.

The concepts were simple, the main focus i had was in the potential with Kikimora's hair being made of hands. Tali ended up chosing the third design, hence Kikimora gets a comfortable outfit and a hand-bun.

Originally I struggled with the colours for the design, as aside from her hair and skin, Kikimora isn't associated with any colours. I was originally considering cooler colours for the clothes, but as I was colouring , I realised the hair being the main cooler colours, made a nice visual point in the design, as it directs the focus to Kikimora's face.

Tali was happy with the result, and requested no changes.

There are no real things I'd want to change.

[kevinsyear2finalproject]

Design Process: Eda

Eda is known in the show to be the caretaker of Luz while Luz is in the Demon Realm. Eda is portrayed as chaotic, uncaring about the laws, flawed but caring.Eda is most often associated with the colour red as it is the colour of her dress throughout the show.

Eda's moodboard was made to give her a partly fancy outfit, one that would still make her look mystical in a way.

I finished the concepts and asked for which Tali prefered. They asked for the hairstyle in the first concept, and the outfit from the third.

Hence, off I went once again on my long journey of finishing the design and reference with it.

I made the dress red in a similar style to her main outfit, as I believe it's very iconic. I gave her purple gloves and heels meant to look as if they are black. And her hair colour are simply adjusted versions of her render to fit the style.

I sent the full thing while also sending concepts for other characters, hence I sadly am unable to show the screenshot in full. However Tali was happy with it.

I overall really am happy with the finished piece.

[kevinsyear2finalproject]

Design Process: Emperor Belos

Emperor Belos is the main antagonist of the show, but not in the fanfic. He is Camila's lover within the fic.

As within this part of the fanfic there are no changes to his outfit, I decided to instead to simply make a simple, front-facing reference sheet converting him to the chosen style.

The process was simple since there was such few colours. Just made the white into a light yellow, made the yellows a warm saturated golden-yellow. Made the brown a warm red and the blacks into purple. Easy-peasy!

Tali liked the final version, and made me go "Awhhh :] " mentally due to their compliment haha.

[kevinsyear2finalproject]

Design Process: Willow

Willow is a friend of Luz. She is known for her strong plant magic, having a falling out with Amity, being into sports, and is often associated with the colours green and yellow.

I wanted to try putting Willow in a dress, as we don't typically see her in a dress (we only really see her wear one in the Grom episode mentioned in Luz' post). I also believed that she would look really cute in a dress.

Some of the concepts were more simple, some more fancy. I also made one with pants/shorts incase Tali prefered Willow to wear pants.

Talisman said she prefers the third design, hence off I went to finalise it!

As mentioned in the Gus design post, I sent both at the same time. Tali said she loves both.

The original design had quiet dull yellows, and two shades of green for the clothes that looked queit similar. In the original I also used a dark green for the hair and shoes to stand-in for her black hair.

The adjusted for Willow are more extreme than Gus'. As I used a purple to stand-in for black here, and made the shoes greem. including of course that the two greens are lighter,more saturated and more clearly different shades of green

Despite the colour changes being a little drastic, Tali still really liked how Willow turned out, it made me happy, as I was worried that the purple hair would be disliked.

[kevinsyear2finalproject]

Design Process: Gus

Gus is one of Luz' friends from the show. He is known for being asocciated with the magic of Illusions, being fasinated by humanity and also the colour of light blue.

For the moodboard for Gus, I wanted to put him a more casual look. Gus is very into anything human, as he is the leader of the "Human Appriciation Club" at his school. Because of this, I decided that casual human clothes would fit him best. I also took references of different male textured hairstyles, as I wanted to include that aspect of him, as he is the only POC within the show that has clearly textured hair.

NOTE: "lmk" is short for "let me know" .

After showing Tali the concepts, they chose the middle design for me to complete.

The original colours for Gus were very muted, the clothing being different cool colours with his skin and hair being warm to contrast.

I shared the result with Tali at the same time as sharing the finished one for Willow (she will get her own post of course) . Tali said she likes the designs, and the contrast between Gus' skin/hair and clothes.

Here is the adjusted version of the design. the main differences are the shades of the colours (including simplifying the pants a little) and making Gus' hair slightly more star/flower shaped.

Although I am unsure how clear it is, Gus is meant to be wearing sandals for shoes. I don't tend to draw shoe soles unless I deem it an important part of the design.

When showing Tali the finished design, Discord was not working on my end. And as I wanted to ensure the design is okay, I decided to message Tali on Tumblr directly. They said they like the final design for Gus, which made me very happy, as I loved the small adjustments I did.

[kevinsyear2finalproject]

Design Process: Amity

Again, just like Luz , Gus and Willow, Amity was design in the previous style first, and later was adjusted. However, thankfully Luz is the only one that I lost the concepts of.

Here is the moodboard I made for her on Milanote. For her, I wanted her to be more masculine, as she is always portrayed as feminine in the show, hence I believed a change of pace would be nice. However I was unsure exactly how to go about it.

I did the colours on one of them to show an example of possible colours. She said she loved them, and asked just for a pattern on either the overalls or sweater.

I decided the overalls would be a better place, not only to match with Luz' design, but to not clutter the upper part of the design too much.

Amity was pretty easy to adjust her colours and style. I didn't want to cover all of the overalls in the pattern to avoid clutter.

Talisman was very happy with Amity.

The main thing I wish I did differently was change the shape of the un-dyed part of her hair, but that is a small issue so it won't cause a problem.

[kevinsyear2finalproject]

Design Process: Luz

Luz and a few others (Amity, Gus and Willow) were originally designed before the stype was decided, hence sadly I have neither the original concepts for Luz, nor the timelapse for the original reference.

However, I have the Milanote moodboard I made for her.

The concept was simple. Luz is presented as dressing androgynously within the show, hence I wanted to convey that within the design. Within the show there is a more formal outfit in the episode where Luz goes to Grom (The Demon Realm's version of Prom) and wears a skirt, suit top and blazer with her hair swept back.

This inspired me to do something similar, but more masculine instead. As a sort of symbolism, as in the Grom episode, it is considered a good time for Luz, as it is the moment we find out Amity has feelings for Luz and planned to confess during the Grom.

However during the parade in the Fanfic, it is a bad time for Luz, as she finds out her mom is now married to a man she considers pure evil/

Here was the original final product. I used mainly Luz' render for the colours. I made her wear wide high-waist pants, and a stripped shirt that is meant to be similar to her original purple. Her hair is meant to be her regular hair, except just stylised to be textured.

And here is Luz with the colours adjusted to the chosen style.

Overall I love how cosy and warm it turned out. I mainly wish the stripes on her were a little more visible.

Tali also really liked how she turned out. I was originally worried that the purple outline would look odd considering how saturated it is, but thankfully it looks fine.

[kevinsyear2finalproject]

Design Process: Camila

Camila is the main star of the comic pages, hence I'm very glad that Tali gave me some ideas to go off of, including examples of the basic theme they want by using a character creator to do so.

They gave a general example of how they wish for Camila to look, and specified they wish for the dress to be like a Disney princess' , and specifically to be yellow.

After I got the information from Tali, I begun composing a moodboard using Milanote. I brought in different outfit and textured hair references that I found on Pintrest, and Camila's casual render.

I tried to find references for dresses that were unique, fun, pretty, and that could give me an idea to go off of, as I dislike outright copying a reference 1 to 1.

When it came to hair I tried to find one's that are fitting, not only Camila's personality, but the ocassion within the comic pages.

The concept designs took from multiple aspects, meshing the outfits and hair references. Talisman was really happy with them, and decided on going forward with the third one. Hence, off I went to do the full reference so that I could ask for any tweaks.

As Tali wished for the dress to be yellow, I decided upon golden yellow for it to feel more graceful and warm. I added a small orange gradient at the bottom of the dress to give it some flare. Camila also has a jacket of sorts in said design. It is meant to replicate the robe in the upper right references, and the jacket that Camila is seen wearing within the show. Under the jacket is the under-part of Camila's dress. It is meant to look like the type of cover-up that Eda's dress has, as both take place of being Luz' caretaker within the show. As I wanted to add some cooler colours to the outfit, I decided to make the belt and under-part a purple, to give the illusion that the purple is darker than the rest of the dress as the line art is a fairly saturated purple.

Tali was very satisfied and requested no changes.

Overall:

I am very happy with the design. I think it looks nice and isn't too much on the eyes.

The main thing I am unhappy with is the coat. I believe I made it look too casual. I believe a pattern or changing the shape of the collar would've done a lot to help with that.

I also believe I should've added a crown, or atleast a tiara to the design. As Camila is the new Empress, it would make sense for her to have one.

[kevinsyear2finalproject]

Design Process: King

(NOTE: King is not the design I did first. I will explain later why I am documenting/reflecting on it first)

I begun the designing process for King by first trying to see if I could come up with anything design wise that I think would work for it. Anything that inspired me to come up with different looks. Hence I turned to some of my favourite shows.

On the inspiration page I put for King on my Milanote, I included different references from Gravity Falls and My Little Pony. I chose these as I wanted to keep the simplicity that King's design has, hence I believed the minimal changes that these designs had fit best.

Looking at it now, I definitely could have looked for more references. I was sadly limited to my knowledge from the shows I have seen, as I was unsure what to even search for when describing the designs, as it is a unique genre within cartoons that I believe deserve more attention.

When making the different concepts for King, I decided to also use different styles. This is because over the course of time I spent making the other concept designs, I have been experimenting with my style alot. Both colour and line art wise. Hence I decided I would include the other styles so that Talisman can also choose which they would prefer.

Description of each style:

1: a "Kawaii" chibi style. A style that uses for the most part pastel colours, and doesn't use black. Instead using often a purple instead. Also ,like in most chibi styles, features are simplified, such as the eyes, hands and feet.

2: a monochrome slightly "textured" style. A style using the original character's render's tones to colour in the flat colours, and used a brush with a default Clip Studio texture for the line art.

3: a sketch-y warm style. The colours are simply the same as the render but with a warm overtone, and the brush used is one made to replicate the calligraphy pen from Toonboom Storyboard Pro.

4: A scratch-y style. A style meant to be a little more grogy, meant to look very scratch-y and rough. Used only the basic render colours on this one.

I do wish I tried to experiment more with how I actually drew the character, however I still like the final result. I mainly wish I spent more time on each of the examples, as a few look like I didn't try much.

I asked Tali which design, and which style she prefers. I specified I can mix parts of styles just like the designs. Talisman decided she likes the first one the most, both art style wise and design wise.

To expand upon the chosen style:

It is a style often found within japanese or japanese inspired art. It is often used for either cute art or to be a contrast to something more graphic. The type that has contrast, is often call "candy-gore" as the colours of the piece make the guts/blood look like candy.

Some examples of the inspirations I used when using the style:

This example is a more stylised version of the style, as most often the "candy" style focuses on more pastel/lighter less saturated colours.

These two examples are from "sir fluff" on Youtube.

The last two examples are from "ladynkno" on Twitter/X.

After the concepts for both the design and style was confirmed, I then moved on to do the full reference sheet of the concept design.

I had to turn the final timelapse into a GIF, apologies.

I decided to make the reference sheet a simple one, as I am not making an animation, I believe a full turn around won't be needed. Hence I decided simply the from and back alongside the colours would be fine enough.

I overall like how it turned out, however I wish I spent more time on the back of the skull and the back-view of the tail as it looks a little wonky to me.

Talisman is happy with the final result, which made me very happy. They love how fluffy King turned out.

Overall I'm happy with how the design turned out. I do wish I played with the proportions a bit as King is a small character.

For the whole process of this I used only :

Clip Studio Paint EX for drawing (and recording the timelapse)

Google for gathering references

Milanote for collecting my references all in one place

Youtube and Twitter for style references.

[kevinsyear2finalproject]

Brief Analysis

Here is the brief analysis. I will first show the brief once more as a whole, and then analyse it bit by bit. (screenshots to be left from left image to the right)

WHO? My client is my peer/friend that I know as Talisman. Their real name will be kept anonymous. They are a fanfic writer, and AU creator. Tali is in many fandoms and enjoys plenty of media, such as Disney villians, The Owl House, and The Amazing Digital Circus. (and many more of course)

For this project they wish to focus on The Owl House, more specifically on their AU fanfic, which features a parody of Aladdin's 'Prince Ali'. In said parody, the Coven Head characters from The Owl House take place of the Genie, Camila (the main character's mother) take's place of prince Ali, and the main character trio of the show take place of Jafar. In this scene there is a parade to reveal to the people of Boiling Isles the Emperor's new wife.

The target audience for this project are fans of the character Camila who wish for her to get more love within the story, while for the main character (Luz) to face the concequences of her actions.

There are no stakeholders or collaborators. As this is niether a company/charity project, but more so a fun project to illustrate a part of Talisman's fanfic, which they post on the internet for free, as most do with their fanfics. However, although there is no collaborators or stakeholders, I am still expected to follow the brief given, alongside with the guidelines/requests of my client, alongside presenting the scenes in a proper manner that reflect the written work well.

Although I am not doing animation for this brief, I am making multiple character design/outfit concepts, and making comic pages. These will all be reviewed and approved by Talisman.

WHAT?

The overall purpose of the project is to visualise the written work of Talisman, in which the purpose of her work is to give Camila the love, attention and to give Luz the consequences they both deserve from both the show, and the fans of The Owl House.

The key message meant to portray to the audience is that in this universe, Camila is being loved by the Emperor, while Luz suffers her consequences after she decides to stay in the Demon Realm, abandoning her mother. Which all lead to Luz being upset that her mother is now the Empress of the Emperor.

The general genre/theme of the comic pages will be comedy, as they feature a few of the most comedic scenes from the 'Prince Ali' song. Although there are no specified art styles requested in the brief, later on a style is decided between me and Tali, as I wanted to ensure I gave them a result they would be happy with. There will be a more in-depth explaination later on.

The deliverables expected are 2-3 comic pages, using the guidelines for the panels that were given, in portrait format for the pages. I am expected to use the fanfic/google doc provided as a reference. Otherwise, there were no deliverable requirements specified.

There are no technical requirements specified. Due to this, I will be using my default drawing program (Clip Studio Paint EX) , which is also made for comic art. Hence, I can use one of the presets made by Clip Studio for this project (In this case the A4 preset for simplicities sake), however I will ensure to have the resolution be at the minimum 300-350, however I will use the 600-1200 dpi that the program recommends.

The brief recommends using the guidelines, the google document/fanfic for the comic itself, and use dollmaker images Talisman made of how they imagine Camila and the animal she would be riding on to look.

(Said images below)

However I was told I am allowed to go wild with the designs/outfits, which I find very exciting.

I do not have many restrictions to work with, the main one being the panel guidelines and of course the fanfic that the pages will be based on.

WHY?

The reason this is needed is quiet simple, I was commissioned by Talisman for this project as they wish to visualise some of the fun parts of the extra chapter of their fanfic that features the 'Prince Ali' song. They view the project, and fanfic as a whole to be needed as they believe the character Camila needs to have more content showing her love online, especially ones where the writing cares about her, alongside content normalising giving Luz consequences.

The target audience is important as the people who care for Camila and wish to see consequences for Luz, are in the minority of the Owl House fandom. As most of the fanbase villianises Camila and treats Luz as an angel, despite her abandoning her mother, being trouble at school (as she brought a live snake into class and was planning to set off fireworks inside the school) and treating the demon realm and enhabitants of said realm, including her friends, more so as just characters from her comic book.

The specific theme of Luz having the consequence of abandoning her mother, leading to Camila marrying the Emperor is there not only to add to the few pieces of media that give love to the character of Camila, and critise Luz, but to also potentially have other fans of The Owl House realise the faults of Luz, and learn to enjoy Camila. The specific genre of comedy in the comic is due to ,as Tali puts it, "TOH mixed with Aladdin's humour is funny" . Hence, keeping said comedy in the comic is important.

The constraints I was given are important as they are basically the essencials of how Talisman envisions the comic pages, which I would prefer to follow to the best of my ability, to ensure she is satisfied.

HOW?

I will try my best to interpret the brief faithfully yet creatively. I will do this by trying to go out of my comfort zone, and try to design looks for each character, fitting the occasion within the pages and the character's personality. I will look for inspirations on sites like pintrest and different reference accounts on Twitter/X. Alongside that I will try to ensure the comic pages/panels look like the guides/what was requested for each one.

For the designs/art, aside from what I said above, I will ensure to feature the main colours associated with each character to the best of my ability. (Eda= Red , Luz= Purple , Willow=Green ect) For the pages I will still attempt some unique spin while trying to still keep within what I was asked.

To ensure the designs look nice, I will make them look suited for a parade, but still fitting the character's personality. For example Amity could be more dressed in a more Tomboy way, as we see she does sports in the show, hence I believe it'd fit. Alongside that, Luz could be dressed more androgynous as that is how Luz is often dressed within the show.

I will manage the process by starting with the designs first, as I believe it is an important step to the project. After the concepts would be done, I'll show them to Tali as I make each design. And after approval and changing up some things if requested, I will make a final reference sheet including the colour palette, front and back of the character, and name for anyone marking so it will be easier to tell who is who.

I will meet the technical and deliverable specifications by keeping track of all my files and work using folders, and attempt at doing a checklist. I will also ensure to reference/look back at my previous posts whenever I forget either the technical or deliverable specifications that were given to me.

The way I will attempt to tackle the constraint of the page guidelines that I was given, is by ensuring each panel is properly spaced and attempting different sketches for each panel, to ensure the one I go with Talisman will be happy with.

WHEN?

The final deadline for the submission of this project is 26th of June 2026.

I will attempt to have the research, concept and finished designs done by the end of May 2026, potentially also reflections for each design. If I will be successful in this, I can hopefully spend June working on the comic pages themselves including documenting the process, and then finally do the final evaluation. However if I will have to do some or all of the reflections for the designs in June too, I believe it will be do-able.

At the minimum the Research, Concept & Finished designs to be finished by the end of May, but also Reflections for each design if possible. The production and post production phases of the comic pages themselves should be done by June 26th. This includes the pages themselves, reflections for them and the final evaluation.

I will review my work as I complete each step, including requesting Tali's opinion on concept sketches, on if there's anything to be changed or added, alongside opinion on the pages and panels to see if they wish anything to change, and do so as they request. As not only is that required of me for this project/module, but also it is important for me to do so as they are my client.

[kevinsyear2finalproject]

Brief Breakdown

As the client for this project is a peer/friend of mine, we tend to not talk very professionally, and often using abriviations and in way/including words and terms that will be best explained. Hence before analysing the brief, I will explain everything and everything said in the screenshots, one by one.

Here is the first screenshot. The client (my close friend Talisman, who I will refer to as 'Tali' or 'Talisman' for simplicities sake.) is giving me the basics of the brief. However as they haven't exactly written out a brief before, I ended up asking for a little extra information and clarified a few things about what they need to write to ensure I have a clear brief to base the work off, and to analyse.

In the second screenshot, Tali explains she is not very well versed about comics, hence gives me pretty much no limitations or restrictions. She simply asks that I colour the text like in the beginning of their fanfic. (FANFIC: A fanfic is a written work based on a piece of media, most often based outside the canon of the media made for the creator's and fandom's enjoyment. Fanfics are a large part of fandom culture online) . She also explains her AU (alternative Universe) and the basics of simply "why" she wishes for me to do the comics.

Here Talisman is explaining what she meant with the "beginning of the fanfic". The two of us are going back and forth, as I got a little confused. She is also showing me the dialouge that she wished for me to reference.

Here is the fourth screenshot. Tali started explaining the panels and general way she envisions ways to be placed. The one above is ,as said by Tali, the near end of the "Prince Ali" song where Jafar slams the door to stop Aladdin from entering the palace.

Here Tali explains how they would like the panels to look/what to have within them. Explaining them one by one. They also sent a GIF to explain one of the panels.

Here Talisman ,aside from doing a rough breakdown of how they wish the layout to look, also did doodles to basically show how they wish for the panels to look. This is very helpful, as it allows me to know what they wish to be the vocal point in each panel. This visual is for the balcony scene with the Genie from the song, in this case the Coven Head characters from the Owl House take place of the Genie. I also express my excitement using a GIF of Mabel from Gravity Falls as one of my favourite characters were featured in the sketch.

Here (aside from a small joke about one of the panels) I ensure to tell Talisman that I will be asking for her opinion and approval for each concept design, final design and comic page process. I also asked about what Tali would like for the beginning of the fic page, as I mentioned I do not mind doing an extra one, as I originally thought I'd have to do multiple pages for each scene. However they clarify that I do not have to do said scene.

And for the final screenshot, Talisman simply reiterates that I do not have to do the beginning, and explaining that the single pages were made with me inmind, which I greatly appriciate.