Just bought games of thrones season 6 ... you know what I'm doing all night .. #gameofthrones #season6 #hbo, #motherofdragons #dotraki #emmaclark
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Just bought games of thrones season 6 ... you know what I'm doing all night .. #gameofthrones #season6 #hbo, #motherofdragons #dotraki #emmaclark
Going Dark (Emma Clark)
The power went out,
And something in my constitution snapped.
I did not feel the rupture
The snap and crack of breaking bone
But more did I come up gasping for air
A sprain on a limb far removed from your lungs
That somehow knocks the wind right out of you.
The water came thick and fast through my eyes
Expressing the heaviness that weighed on my soul
Not broken but strained
Feeling powerless.
Just like the lightbulbs.
The power went out,
I dug out a match,
And lit a candle.
Buffalo Bill Museum and Grave (Emma Clark)
Buffalo Bill Museum and Grave at Atlas Obscura
Exhibit Floorplan
William "Buffalo Bill" Cody: A Present Day Photo Hunt
Remember to tag your photos @warehousewildwest
Courtesy of Flickr:
Image from page 64 of "Steel rails; their history, properties, strength and manufacture, with notes on the principles of rolling stock and track design" (1913) by Internet Archive Book Images
Image from page 7 of "Thrilling lives of Buffalo Bill, Col. Wm. F. Cody, last of the great scouts and Pawnee Bill, Major Gordon W. Lillie (Pawnee Bill) white chief of the Pawnees" (1911) by Internet Archive Book Images
Borough (Emma Clark)
In Manhattan you search for pockets of air
Chin tucked, shoulders guarded as you power walk
From subway to subway, searching for a respite
From the crush of bodies that are Midtown crazed.
Underground, sly metallic sculptures hide
Unnoticed by those who move too fast to see
Anything but the skin on the tip of their nose.
When you take a long enough pause to look
Up in the sky,
You notice
The clever brick, an ornate clock tower,
Or the glamor of a time when theatres were palaces
And we were all fit for stepping out on the town
Filled with awe and wonder.
I like Brooklyn because it lets me breathe.
I wrap myself around the ephemeral, translucent gauze
Of our living room curtains, searching for peace,
Soaking in the mottled daylight rays
That don’t make it into my basement abode.
The living room window lets in the early daylight hours,
Counteracting my odd hours and restless spirit
Filling me with the light and shadow of the natural sun.
I hide in bathrooms a lot.
I’m consistently surprised by the dinginess and the graffiti,
The claustrophobia of the stalls.
The fluorescents provide a utilitarian counterpoint
To the hustle and bustle and clamor outside
Or the essence of being among the stacks.
I give pause to my weariness,
Shimmying out of my jeans
Folding strips of paper on the toilet seat
More haphazardly than I used to do.
This city is full of beautiful facades but it’s stressful.
I carve out my own pockets of space to let out my breath.
Horror Vacui (Emma Clark)
"Nature abhors a vacuum." The acting teacher spoke metaphorically, conjuring Aristotle to illustrate that you can strip away the stuff, but never will you be left without something to fill your body and your being as your being fills the boards. In a theatre, such space as we have endowed with magic, consecrated with our spirit if not the spirits of spirits past, the lights are never off. Even in the blackness there is energy, there is intent. Perchance a ghost light is just a light source electric, for endowing each object with special magic in a space already hallowed in every fiber of its mundane creation would seem to me indulgent. To turn off that light is to attune your eyes and ears to the echoes of every word spoken, every silence pointed, every step taken, and every honest and dishonest thing that ever came across. To turn off that light is to remind your body and your nerves and your breath what latent energy feels like, what being jettisoned from one portal of reality and back feels like. To turn off that light is to allow the space a moment of preparation for its next act of creation, to exist in every portal of time that it has heretofore manifested, to remind ourselves that our minds have never needed illumination to truly see. To turn off that light is to clear some space for everything that will inevitably come rushing in, to remove human sight and allow for everything that exists beyond. It would be dark, to our eyes, and silent, to our ears, but it would clamor, and crackle, and ring, and pulse with all that it has been and all that it could be.