#fabi meta

[thirst-trap-theory]

VENCEMOS!!!!

[little-hag]

･⭏ intro post 🎀 ꜜ

〈❀› Welcome to my little corner of the internet, I'm Fabi. I'm 23, on the autistic spectrum. This blog is my digital blanket fort, like a safe, SFW space to share my little thoughts, experiences, and creations. I'm Brazilian, so English isn't my first language, then sorry for any grammar mistakes 𑁯♡ 〈❀› Here, you'll find agere fanfics, fluffs, gentle moodboards, and soft prompts. I love anime and the comfort of plushies. When I'm small, my favorite comfort characters are my OC, Lenore Blackwell, and Sofia Falcone, from The Batman saga. I’m in vet college, so I adore animals and sometimes share updates about my daily life. ˚ ₊⊹ 〈❀› I’d love to chat and make friends. I don’t do private roleplay or sexual content on this blog, also don't take requests for art. Please remember to keep this space safe, respectful, and SFW. Thank you for visiting my cozy corner. ೃ

(🩷) Masterpost ̖́-

(🌸) My side blog ̖́-

(🧠) My AO3 ̖́-

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[thirst-trap-theory]

VENCEMOS MAIS UM!!!!

[thirst-trap-theory]

──── A quick guide to reading Batman comics 🦇

⤷ ゛I think that many who know the character or his mythology have already wanted to read Batman comics. But how to read it? Where to start? So, I decided to make this list to try to help with this, since I myself have struggled to keep up with the stories, and still do sometimes. Therefore, I sought to separate the hero's main publications in order of event in Bruce Wayne's life, after the Crisis arc. It starts with the most accepted origin of the character, Batman: Year One, with a 25-year-old Bruce.

Batman: Year One - The most accepted origin of Batman

Batman: Shaman - Period before and after Batman: Year One

Batman and the Monster Men - Hugo Strange first arises

Batman and the Mad Monk - Continuation of the previous story

Batman: Four of a Kind - Poison Ivy, Riddler and Scarecrow first arises

Batman: Prey - Batman investigates Night Scourge, confrontation with Hugo Strange

Batman: Terror - Batman is hunted by literally everyone

Batman: Gothic - A famous Grant Morrison's Batman tale

Batman: The Man Who Laughs - The infamous Joker and his most accepted origin

Batman: Venom - Batman becomes addicted to the drug Venom

Batman: Snow - Mr Freeze first arises

Batman: Year Two - Batman vs. the Reaper

Batman: Full Circle - Continuation of previous story

Batman: Night Cries - A tense and remarkable story of Batman

Batman: The Long Halloween - Batman's famous detective story, where Two-Face arises

Batman: Dark Victory - Origin of Robin Dick Grayson and confrontation with Two-Face

There are many, many more important publications after this, such as The Killing Joke, Batman: Wrath, Arkham Asylum: A Serious House, and much more. However, the objective of this list is to provide just a quick introduction to this universe, so that it can encourage new readers to search for other stories and medias.

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Kitchen Rebellion of Food Wars🌿🍚

➥ At its core, Shokugeki No Soma (Food Wars) is a rebellion story. A parable of resilience through craft. The whole architecture of Tōtsuki Academy mirrors an aristocracy: a place where food, that is something deeply human, communal, and born from necessity, is transformed into a status symbol, a gatekeeping tool. In this gilded world, cuisine isn’t about survival or celebration of life; it’s about power, lineage, and control.

When Sōma walks in, as someone scrappy, stubborn, the son of a diner cook, he carries a philosophy of food that spits in the face of that aristocracy. His food is alive, messy, unpretentious, honest. His mere existence is a threat because he represents a different mythology: one where skill, heart, and grit outweigh inherited prestige.

Also, Sōma’s struggle is mirrored in the immigrant characters: Akira’s refined use of spices born from a "lower" place (a spice shop, not a Michelin-starred kitchen), the Aldini brothers with their Italian roots asserting themselves in a Japanese culinary institution, Ryo's rough upbringing honing seafood expertise with raw ferocity. Each of them carries not just a culinary technique, but the story of survival against a system that devalues them until they can no longer be ignored.

And then there's Erina, the heiress of this corrupt legacy. She's almost tragic: gifted with the "God's Tongue" but trapped by her father’s suffocating ideology. Her arc is a quiet revolution, it's not against lack of privilege, but against the poison of too much privilege, the kind that amputates love and creativity from excellence. This way, Tōtsuki is a pressure cooker of ideologies, like traditionalism vs. innovation, elitism vs. meritocracy, passion vs. profit, it all with food as the medium of rebellion, so the concept of "taste" itself becomes a metaphor for class and identity throughout the series.

The Central Arc (with Azami's coup) makes all this explicit: Azami dreams of a culinary totalitarianism, where only the "perfect" elite dishes are allowed to exist. It’s an annihilation of individuality, culture, risk, the soul of food itself. Against him stand the rebels, many of whom (like Sōma) have already known exclusion, hunger, ridicule. Their fight is to preserve multiplicity, imperfection, and passion.

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Laios & Senshi: Non-Stereotypical Masculinity in Dungeon Meshi 🐲🍳🧂

I think Laios and Senshi are such underrated examples of what masculinity could be, not the puffed-up, loud and performative version, but something more quiet, curious, and connected.

✦ Listen me, I'm just saying:

Laios isn’t hyper-muscular or brooding. Instead, he’s a little chubby, wide-eyed, and deeply excited to cook literal monsters. He’s genuinely passionate, even when it gets weird. He’s silly but never foolish, obsessed but still capable of growth. And when he misses the emotional mark (like getting carried away with cooking at the wrong moment), the story lets him reflect. He listens, and he changes. This way, he tries to learn as a leader.

And Senshi? He bonds with aquatic horses. He’s a warrior and a cook. He sews frog costumes and enjoys it. He learns from Chilchuck and Chilchuck with him. He cries over the griffin, and no one mocks him for it. When he’s struggling, the others gather around, not to fix him, but to feel with him. It’s masculinity built on respect and empathy.

They sew frog suits and cook weird things. They save each other, literally and emotionally. And when about through it all, they’re allowed to be men without being rigid about it. They have different perspectives, they make mistakes, but they listen and learn from each other. That’s the kind of brotherhood that heals.

And can we talk about how their interactions with women, like Marcille and Falin, these are refreshingly free of hypersexualization or pressured of romantic tension? The women often save them. And it’s treated as normal. Because it should be.

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🪻 Agnes & Ralph as a Lavender Marriage Symbol

A lavender marriage refers to a type of marriage that was historically arranged between two individuals of the opposite sex, but where one or both partners were actually queer (gay, lesbian, or bisexual). The term "lavender" is used to evoke the idea of queerness, as lavender has long been associated with LGBTQ+ culture and symbolism, though the term itself was coined in the early-to-mid 20th century. And Agatha is cannon sapphic, and Ralph existence in Westview erases suspicion, just like real lavender marriages did.

So Ralph, being a fake husband, played for sitcom illusion, as a code for Agatha’s own queer narrative makes sense. It from just “campy” to coded grief and survival. Agatha’s magic being purple, the lavender flower associations, the forced domesticity in Wanda’s illusion, all collapse into this quiet scream of reality. 💜

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↳ ┊Rewatching The Batman, I noticed something: Carmine Falcone touches Selina’s cheek in the Iceberg Lounge the exact same way he touches Sofia’s cheek in his office on his birthday. Yeah, the same night she’s arrested for his crimes. Same gesture. Same man. But the world around them couldn’t be more different.

⌖ Selina’s Scene (Cold, Urban, Disconnected): In the club, we have neon blues and icy whites, an urban palette, as cold as the move. The moment happens in some shadowed corner, a space that feels public, yet isolating. Selina seems quiet, tense and uncomfortable with his touch, intrusive. The setting mirrors her relationship with Carmine, it's distant and unfamiliar. She's in his world, but don't belong here.

⌖ Sofia’s Scene (Warm, Intimate, Illusory): In Carmine’s office, we’re in his personal place. The light is low, warm amber, old-world, almost nostalgic. Sofia enters with a birthday gift, still trying to love him, still clinging to the story she’s been told her whole life, even with the evidences screaming otherwise, because a gold cage is still a cage. In this moment, she believes she is loved because she needs to.

⌖ Similarity: Whether intentional or not, the Reevesverse is already drawing a visual map of two daughters shaped by the same man who never truly cared about them. Selina is his abandoned child and Sofia is his 'loyal' one, both are properties to him, the gesture just ownership.