hi !!!
could i just request randomly pulling up the shirt of
(im wanting the little blurbs thag you do that are just *chefs kiss* with like peter p, steve, tony, venom, etc etc)
just to look at their abs, lit the only reason.
totally oki if not have a great day :)
marvel men in.. !!
their gf loves their abs !!
🏷 @mavixgirl , @luna-kait
📎 men featured : logan howlett, worst wolverine, wade wilson, origins! wade wilson, remy lebeau, kurt wagner, eddie brock (& venom!!), steve rogers, tony stark, peter parker, thor odinson, johnny storm, peter quill.
LOGAN HOWLETT
You’re mid-argument. Something about him leaving his dog tags on the nightstand again, something about the smell of cigar smoke clinging to your favorite sweater. He’s doing the thing where he just growls instead of using words, arms crossed over his broad chest, looking like a man carved from angry marble.
You are trying to be mad. You really are.
But then your eyes drift down. To the hem of his worn, grey henley. To the way it’s riding up just a fraction of an inch above the waist of his jeans.
“and you never listen, and you just—Logan, hold still.”
He stops mid-snarl. “What?”
You don’t answer. You just walk forward, grab the damp, frayed cotton, and yank it straight up to his collarbone.
Silence.
For a full three seconds, he just stares down at you. Then at your hands on his shirt. Then at your face, which is currently doing a very poor job of hiding the fact that you are openly ogling the geography of his abdomen. The map of scars. The ridges of muscle that look like they were carved by a very angry, very horny god.
“…The hell you doin’?” he finally asks, voice dropping an octave.
“Checking for injuries,” you lie, voice barely a squeak.
He catches your chin with two fingers, tilts your face up. His eyes are unreadable, but the corner of his mouth twitches. “Bub. I heal.”
“Then I’m checking for… symmetry.”
He stares at you for another long, agonizing moment. Then he sighs, the kind of sigh that carries the weight of a century of suffering. He gently pulls his shirt down, but not before you catch the faintest hint of a blush creeping up his neck.
“You’re a menace,” he mutters, turning back to the argument. But now he’s holding his coffee mug a little lower. And the next time he crosses his arms, he makes sure the shirt rides up just a little more. For the sake of symmetry.
WORST WOLVERINE
You find him on the couch. It’s 2 PM. He’s wearing nothing but a pair of Wade’s hot pink sweatpants (they were the only clean ones), a stained white tank top that has seen better centuries, and an expression of profound, feral exhaustion. Dogpool is licking his own foot on the floor. Blind Al is somewhere in the kitchen, loudly trying to microwave a fork.
You are supposed to be bringing him a beer. You do bring him the beer. But as you lean over to set it on the coffee table, your gaze snags on the hem of that tank top.
It’s already barely there. But you want more.
So you do it. You just grab the thin, greasy fabric and hoist it up to his armpits.
He doesn’t move. Doesn’t blink. Just stares at you with those dead, tired eyes. His torso is a mess—a spectacular, horrifying, fascinating mess. Hair, scars, the memory of a thousand deaths. You could count his ribs if you wanted to, but you’re too busy looking at the way the muscles in his obliques twitch.
“…You done?” he asks, voice like gravel being dragged over broken glass.
“No,” you whisper.
He sighs. It’s the sigh of a man who has seen the multiverse crumble and found that this (his girlfriend ogling his post-apocalyptic abs) is the final indignity.
“You’re as bad as the red one.”
“I’m worse,” you admit, not letting go of the shirt.
WADE WILSON
You don’t even get to pull the shirt up. You barely reach for it.
One second your fingers are brushing the hem of his faded, chimichanga-stained t-shirt. The next, he has exploded out of it. The shirt is in tatters on the floor. He is standing in the middle of the living room, arms spread wide, wearing nothing but a pair of unicorn-print boxers and a triumphant grin.
“BABY! Why didn’t you SAY so?!” he bellows, striking a bodybuilder pose. “These bad boys have been DYING for a curtain call! Say hello to the lads! Upper management! The twins! The abdominal ambassadors!”
You blink. “I was just going to-”
“Shhhh.” He presses a finger to your lips. “No talking. Only looking. Feast your eyes, my little goblin. Feast upon the glistening, scar-riddled, perfectly-healed-from-forty-seven-stab-wounds terrain of TRUE LOVE.”
He then proceeds to do a full, unironic, unhinged strip tease to Celine Dion’s “My Heart Will Go On” on his phone speaker. He flexes. He points at each individual ab (he counts nine, there are four). He makes the muscle dance. He asks you if you want to “leave a tip in the tip jar” while gesturing vaguely below the belt.
By the end of it, you are crying with laughter, curled up on the floor. He takes this as a win, scoops you up, and carries you to the bedroom, whispering, “I knew my degenerative muscle disorder would pay off one day.”
You never did get to pull the shirt up. You didn’t need to. He pre-emptively detonated it.
ORIGINS! WADE WILSON
This Wade is smooth. Dangerously smooth. You two are sparring (lightly) when you trip him—not hard—and he lets you pin him just to see what you’ll do.
You lift his shirt.
He doesn’t flinch. He grins. “Checking for wounds, or checking for weapons?”
“weapons,” you say, eyes on the perfect V-line.
“Plot twist,” he murmurs, voice dropping an octave. “the only weapon I’m hiding is right—"
You slap your hand over his mouth. “Finish that sentence and I’m leaving.”
He shuts up and lets you look. He even does a little half-crunch so the lighting shifts. But the second your fingers drift too low, he catches your hand, kisses your knuckles, and flips you effortlessly.
Now he’s on top. His shirt is still up. “Your turn to show me something.”
“I don’t have abs like that.”
“Did I say abs?” He grins, all teeth. “I said ‘something.’”
REMY LEBEAU
You’re sitting on his lap in a booth at some dimly lit New Orleans bar. He’s in the middle of a truly insufferable poker story. You’re bored. So you lift his shirt.
He doesn’t stop talking. He just smirks.
“—and den de man, he say, ‘Gambit, you cheat,’ and I say, ‘Monsieur, I never cheat at cards. Only at love.’ Ah, chère, you likin’ what you see, non?”
You nod, transfixed. His skin is warm. There’s a fine trail of hair below his navel.
He finally looks down, still smirking, and flicks a playing card from his sleeve. He tucks it under his own shirt, right above his hip bone. “Find dat one, and you get a prize.”
You spend the next hour with your hand up his shirt, searching for a card that keeps changing positions via kinetic energy. The bar loves it. He loves it. By the end, you’ve forgotten the card entirely and are just holding his waist.
He kisses your forehead. “You cute when you focused.”
“You’re impossible.”
“Oui.” He pulls his shirt down. Then up again. Then down. Then up. “But you ain’t complainin’.”
KURT WAGNER
You are both in the X-Mansion’s library. It’s late. Rain is pattering against the windows. Kurt is reading a battered copy of The Three Musketeers in German, his tail curled contentedly around your ankle. He’s wearing a soft, black long-sleeved shirt that fits him like a second skin.
You’re not reading. You’re watching the way the fabric pulls across his shoulders. The way his biceps flex every time he turns a page. The way his tail flicks.
You lose the battle.
You lean over, grab the hem of his shirt, and yank it up to his chin.
He yelps. Actually yelps. The book goes flying. He bamfs—teleports—out of your grasp and reappears on the other side of the room, clinging to the ceiling like a startled cat, his shirt still bunched up around his neck, his golden eyes wide.
“Mein Gott!” he gasps, a flush spreading across his blue-furred cheeks. “What-why- schatz!”
You are laughing so hard you can’t breathe. He’s still on the ceiling, tail lashing, looking like a very confused, very sexy gargoyle. His abdomen is a work of art. Lean, powerful, dusted with the same velvety blue fur as the rest of him.
“I just wanted to see,” you wheeze.
He drops down from the ceiling in a puff of sulfur, landing in front of you with his shirt still askew. He looks at you, really looks at you, and his embarrassment melts into something softer. Something warmer.
“You could have asked,” he says, his accent thickening. He takes your hand and presses it to his stomach, right over his navel. The fur is incredibly soft. “You never have to steal what is already yours.”
EDDIE BROCK (& VENOM!)
You come home to find Eddie in the kitchen, hunched over a tub of tater tots, looking like a man who has made several poor life choices. He’s wearing a faded Newsies sweatshirt (don’t ask) and sweatpants.
You don’t even say hello. You just walk up, grab the hem of the sweatshirt, and hoist it up.
Eddie freezes, a tater tot halfway to his mouth. His stomach is… well. It’s not a six-pack. It’s a soft, solid, eat-a-whole-pizza-and-still-look-good kind of stomach. A little hair. A little scar from that time he got impaled by a symbiote hater. It’s perfect.
Before either of you can speak, a black tendril shoots out of Eddie’s chest and gently pushes the sweatshirt back down.
“No,” Venom’s voice growls, low and possessive. “Ours. Only WE get to look.”
“Venom, dude, they’re my girlfriend,” Eddie says, still not moving.
“Then WE will look at HER. Not at US.”
Another tendril wraps around you, and before you know it, your shirt is being torn off of you by a very insistent alien goo monster. Eddie chokes on his tater tot. You shriek.
“Better,” Venom rumbles, apparently satisfied with the view. “Now we are even. We will keep the sweatshirt down. You will keep YOUR shirt up. This is the new rule.”
Eddie buries his face in his hands. “This is not the new rule.”
“VOTE.” One tendril raises Eddie’s hand. Another raises an invisible one for Venom. “Two against one. New rule passes.”
You are now sitting on the couch on your bra, eating tater tots, while Eddie pretends to not be staring. You consider this an absolute win.
STEVE ROGERS
You’re in the kitchen of the Avengers Tower. Steve is making breakfast: pancakes from scratch, because of course he is. He’s wearing a soft, cream-colored henley and an apron that says “Kiss the Cook.” You have never wanted to kiss a cook more in your entire life.
He flips a pancake. His forearm flexes. The henley strains across his back.
You crack.
You walk up behind him, wrap your arms around his waist, and yank his shirt up.
He doesn’t react violently. He’s Steve. He just freezes, pancake flipper in hand, and looks down at your hands splayed across his bare stomach. His body is a monument. A tribute to the pinnacle of human (superhuman) achievement. Every muscle is defined, even after years of retirement. There’s a light dusting of blond hair below his navel. You could cry.
“Sweetheart,” he says, his voice that low, patient, dangerous captain’s voice. “What are you doing?”
“Admiring American history,” you whisper.
He turns off the stove. Slowly. Deliberately.
“We are in a common area. With cameras. That Tony definitely watches.”
“I wanted to see your abs.”
He opens his mouth. Closes it. Rubs the back of his neck. “You… you see them every day. When I change.”
“Not up close.”
He looks left. Right. Then, very quickly, he lifts his own shirt for exactly 1.7 seconds—then drops it. “There. Satisfied?”
“No. That was a crime.”
“You know,” he says, and there’s a hint of a smile tugging at his perfect lips, “in my day, a lady would simply ask to see a gentleman’s torso.”
“In my day,” you retort, “we just took what we wanted.”
“If I let you look for five seconds, will you stop doing this in transited areas of the Tower?”
“Deal.”
He lifts his shirt. You stare. He counts down from five out loud, but he goes slower on the “two.” And when he says “one,” he doesn’t let go.
You end up with your hands on his waist, him holding his own shirt up like a gentleman, for nearly a minute. Sam walks in. Sam walks back out.
Steve buries his face in your hair. “I am never going to hear the end of this.”
“Worth it.”
TONY STARK
You are in his workshop. He’s under a car (one of his classic convertibles) wearing a grease-stained band t-shirt and jeans that hang low on his hips. DUM-E is handing him wrenches. He is muttering about torque ratios.
You crouch down, slide a hand under the car to grab at the plank he's laying on and tug it out, and before he can say “Friday, what the hell,” you grab his shirt and yank it up to his neck.
Tony blinks. He’s on his back, covered in grease, and his girlfriend is now straddling his thighs, staring at his stomach like it’s the last slice of pizza on earth.
“...Okay,” he says slowly. “I’ve been in a lot of situations. Hostage situations. Space situations. That one time in Budapest with a goat. This is… new.”
“Shut up, Tony.”
“I’m not complaining!” He holds up his greasy hands in surrender. “I’m just saying, most people buy me a drink first. You went straight for the home run. I respect it. I’m a little scared, but I respect it.”
You run your fingers down the middle. He shivers. Actually shivers.
“Friday,” he whispers, “cancel my three o’clock.”
“You don’t have a three o’clock, boss.”
“Then cancel my existence. I’m busy.”
He pulls you down on top of him, shirt still up, and kisses you until you taste like motor oil and twenty-year-old guilt. When you finally come up for air, he’s grinning like the man who has everything, and just found out he gets to keep it.
PETER PARKER
He is hanging upside down from the ceiling. Because he’s Peter Parker, and he cannot just sit on a couch like a normal person. He’s wearing a ratty old t-shirt that says “I ❤️ NY” and has a small hole in the armpit.
You walk under him. He grins, upside-down, all big brown eyes and messy hair. “Hey, my lov—”
You grab his shirt. You pull it up (or is it down?).
It slides down all the way to his chin, revealing his entire torso. And oh no. Oh no. He’s lean. He’s wiry. He’s got that swimmer’s build, all long muscle and narrow hips, and a faint trail of dark hair that makes you want to do things that would make your Catholic grandmother faint.
His face, already upside-down, goes nuclear red. “Whoa! Whoa, whoa, whoa-!”
He tries to flip off the ceiling, but he’s so flustered he miscalculates and falls directly on top of you. You both crash to the floor in a tangle of limbs. His shirt is now down. He is now on top of you. He is very warm.
“I- you—why- my abs?!” he squeaks, his voice cracking like he’s fifteen again. “You wanted to see my- I have- they’re not even- they’re just-muscles!”
“Nice muscles,” you say, reaching up to poke one.
He makes a sound like a deflating balloon. “Oh my God. Oh my God, you’re touching them.”
“That’s generally what happens, yeah.”
He buries his face in your shoulder, ears burning red. But he doesn’t pull his shirt down. And he doesn’t get off you. And after a minute, you feel him mumble into your neck: “…do you want to see the back too?”
You have never loved anyone more.
THOR ODINSON
You are in New Asgard. Thor is on the couch, wearing a flannel shirt (sleeves rolled up, of course), eating a bowl of popcorn the size of your head. He’s in his “comfortable” era, softer around the edges, happier, more him.
You climb into his lap, because you fit there now. He grins, that big, golden, sunshine-in-human-form grin. “Hello, my love! Would you like some popcorn? I have also procured-"
You grab his flannel. You pull it open. Buttons fly everywhere. The shirt hangs off his shoulders, revealing his broad, glorious chest. He’s not as cut as he used to be. There’s a softness there now, a layer of warmth over the godly muscle. It is, objectively, the most attractive thing you have ever seen.
Thor freezes, a piece of popcorn halfway to his mouth. Then he looks down at his exposed torso, then at you, then back at his torso.
“…Did you just… de-shirt me?”
“Button-de-shirted you,” you correct. “And yes.”
He considers this for a moment. Then he puts the popcorn down, leans back slightly, and spreads his arms wide on the back on the couch. His smile turns slow, warm, and devastating.
“You know,” he says, his voice dropping to that low, register-rattling rumble, “on Asgard, it is customary to ask before one disrobes a prince.”
“On Midgard,” you reply, “we do what we want.”
He laughs a full, booming laugh that shakes the couch, and pulls you against his bare chest. He is so warm. So soft. So impossibly huge.
“Then by all means,” he murmurs against your hair, “take what you want, little mortal.”
You stay there for hours. The popcorn gets cold. Neither of you moves.
JOHNNY STORM
You are in the middle of a fight. A real one. He forgot your anniversary. You are screaming. He is deflecting. The Human Torch is currently being verbally immolated by his very angry girlfriend.
“and you said you would remember this time, Johnny, you promised!"
“Babe, I’m sorry, I was fighting a Mole Man—”
“THERE IS ALWAYS A MOLE MAN!”
You are so angry. So furious. Your blood is boiling. And then your eyes drop to his waist. He’s wearing his Fantastic Four uniform, the blue and black one, and the top is slightly untucked from his bottoms.
You grab it. You yank it up.
Johnny stops mid-sentence. His abs are obscene. A perfect, chiseled, airbrushed-by-the-gods six-pack that looks like it was designed in a lab specifically to make you forget why you were mad.
You stare.
He stares at you staring.
“…Are we still fighting?” he asks cautiously.
“I don’t know,” you whisper. “I forgot.”
His cocky grin returns. Slow. Smug. Infuriating. “So my abs just… saved the day?”
“Don’t push it.”
“I’m not pushing anything. You’re the one who pulled up my shirt in the middle of a screaming match.”
You drop the shirt. It falls back down. You immediately pull it back up again.
He throws his head back and laughs, bright and loud and Johnny. “Oh, you’ve got it bad, sweetheart.”
“Shut up and take off the rest of the suit.”
“Yes, ma’am.”
PETER QUILL
You are on the Benatar. In space. There’s a nebula outside the window. It’s very romantic. Peter is trying to impress you by playing Come and Get Your Love on his Zune and doing a stupid little dance.
He’s wearing his iconic red leather jacket, a grey t-shirt underneath, and that stupid, gorgeous, annoyingly charming smirk.
You walk up to him. He thinks you’re going to dance with him. He holds out his hand.
Instead, you grab his t-shirt and yank it straight up to his chin.
The music stops. Peter looks down. There’s a faint line of hair from his navel down. He’s suddenly blushing all the way to his ears.
“…Okay,” he says slowly. “I was not expecting that.”
“What were you expecting?”
“I dunno. A slow dance? A compliment about my eyes for once? Not-not a surprise shirt-ectomy!”
You run a finger down his sternum. He shivers violently.
“Dude,” he whispers. “My nipples are out.”
“I’m aware.”
He looks at you. You look at him. The nebula glows purple outside the window. The song is still playing, forgotten.
“…You wanna see the rest?” he asks, his voice cracking slightly.
“Peter Quill, are you offering to strip?”
“I’m offering to negotiate.”
