The Vultures from Splash Mountain
April 23 2018
sarahg170194
seen from France

seen from China
seen from China
seen from United States
seen from China
seen from United States
seen from United Arab Emirates
seen from China
seen from China

seen from Australia

seen from China
seen from China
seen from China
seen from China
seen from China

seen from Philippines
seen from Malaysia

seen from China
seen from China
seen from China
The Vultures from Splash Mountain
April 23 2018
sarahg170194
Musical Tidbits (Secret Magic AU) *HeadCanon Time*
• Duo and Wufei have the best range and flexibility.
• Duo started very young when his parents were around (his mother was a vocal coach and choir director). Solo is his brother in this SM!verse as well. Music is in their blood.
• Heero was gifted a bass guitar and started composing his own tunes. Also wrote and rehearsed, "The Shooting Star She Saw" in Japanese. He sang that song at his first audition and (the group's first managers) put that song on their first album.
• Quatre grew up in Saudi Arabia and in France. One of his older sisters was working (or volunteering) at a Reggio Emilia-inspired preschool. He'd met Triton (Trowa) over there and, even at a tender age, they both shared a strong inclination to making music. So they did a rendition of "Zip-a-Dee-Doo-Dah". Got their teachers and peers clapping. During this presentation at recess, Quatre played the violin while Triton played the flute.
((sidenote: Heero! I also gave him a cousin (a few) who poke around jokes (specifically with what used to be stage presence, and later on, whether or not he's into Duo).))
• One of them is Van Fanel. Van and Heero had almost ended up in the final lineup, but Van secretly requested that he joins Escaflowne while Heero hangs out “with the other three guys” (Quatre, Duo and Wufei). It took an extra week before management discovered Trowa at a video shoot for The Get Backers... He got their business card and showed up the following day (which also surprised Quatre, since they hadn't seen each other for so long).
• Wufei - kept his singing a secret from his clan, yet was caught dancing around and drumming things. One of his cousins had found out about it and sent for him (to come to America) prior to an arranged marriage (his grandfather had also helped him escape that). Long story short, he intimidated other hopefuls at the arena, but during his tenure, Zechs and Master A. agreed that Wufei had soul in his voice, and were quite impressed with his drumming skills on the trap set (drum set).
• Trowa knows how to set up a stage, lights, props and all. He's also responsible for half of the costumes/wardrobe that the group would wear to perform; on the red carpet; at press conferences; interviews (occasionally), and so forth.
• Quatre is also adept at the keyboard, and teaches Heero piano.
• Wufei's exposure to Hip-hop culture (in the suburbs where his cousin Sheung-Fu lived) became an additional outlet. Half of the songs he wrote were inspired by rap. On rare occasions, his fellow bandmates join him. When the others discover their ability to spit rhymes in secret, Trowa admits that he's fully comfortable with it.
• Heero spends some quality time with Duo during the most complicated era within their group. Juggling life and demands with a new management team, Heero trusts Duo with his bass guitar. In exchange, Duo teaches Heero how to find his vocal passaggio.
• Trowa can also play string and percussion instruments. His favourite one is the electric guitar.
• On one rare occasion, Quatre invites the group over for games and a sleepover. They go out the following day to learn various string instruments in the violin family.
• Duo teaches Quatre and Trowa how to expand their voices. “It's the best way to survive being pop idols. The more you can manage, the better.”
• The group ends up with the following title by Rolling Stone magazine: Musical Terrorists. This has everything to do with their intellectual and emotional ability to tackle various genres, from Techno-Pop to Heavy Metal, and everything else in between. They're also known for being one of the musical sensations to expand their Fanbase - not by numbers, but through diversity.
• When Romefeller Records took away the group's musical instruments, they took advantage of the Internet and searched for songs to include in upcoming projects. The group did a cover of “Points Of Authority” by Linkin Park (led by Wufei); Quatre did covers of “Careless Whisper” and “Praying For Time” by George Michael (recommended by Duo and Heero). The G-Boys also covered “If You're Gone” by Matchbox Twenty, and “Smooth” by Santana (led by Trowa); “It's My Life” by Bon Jovi (led by Heero), and “Beautiful One” by Mary J. Blige (led by Duo). They eventually pursued other hits, such as “Livin’ On A Prayer”, “This Night”, “O Lord Of Space” and “Awaken”, by various artists and sought permission to use their favourite tunes.
@thisweekingundamwing
011: Song of the South (1946)
I will be presenting today the most interesting piece of Disney film I got to see so far. A really controversial movie even today, Song of the South is the sweet and joyful movie that insulted black history and culture. Let's get to that.
Synopsis: During a stay at his grandmother's plantation, 7-year old Johnny meets and befriends Uncle Remus, a worker on the plantation and a man full of tales about Br'er Rabbit, Br'er Fox and Br'er Bear. Johnny will learn important life lessons from Uncle Remus' stories and how to apply them in his life.
Song of the South has a charming story, likable characters, a believable story and nice musical numbers, but of course the film isn't known for those characteristics, but for its controversial setting. At first glance it might seem that Song of the South takes place in a plantation with slaves, and that all black characters, such as Uncle Remus, are said slaves. But in the film's defense, Song of the South is set during the Reconstruction Era, the period right after the abolition of slavery. In other words, the black characters aren't slaves but paid workers. Of course, this isn't clear in the film as I also believed the characters were slaves, really happy slaves who really liked what they were doing. I think the problem lays in representation.
See, other than the unclear setting of the film, there are two rather important things in the film that are misrepresented and might be offensive. Some see the character of Uncle Remus and the other black characters to be stereotypical, which I also have mixed feelings about, but I'm ambiguous if it's just lazy character creation or real racism. The second thing is the one that really offends me though, it's the relations between the black and white characters of the film. Even if slavery was abolished during the Reconstruction Era, there was still discrimination and racism. I simply cannot believe black people being considered as family by white people during Reconstruction Era, especially if it's set in the south. Even if I have to admit it's not impossible, it's still misrepresentation: of course Disney surely wanted the movie to be family-friendly and not include any racism into the film, but it still insulting to black history, I hate the fact that they completely ignore this.
Other than that, like said above, the film is good. Teaches morals about right and wrong, has adorable kid characters, and Uncle Remus is such an enjoyable fellow. Plus, you surely have heard the infamous song, Zip-a-Dee-Doo-Dah. The film also mixes live-action and animation, much like The Three Cabelleros did, but this time it is used to tell the stories of Br’er Rabbit, which are great. Of course the film’s controversy has to be took into account, but I just can’t take away how good the film is.
End note: In the end my feelings for the film are the same for the new Captain America/Avengers films: I hate the fact that they completely removed Hitler from the Marvel Cinematic Universe, that he never existed, and instead replaced him with Red Skull and Hydra, I hate that they changed that part of history from their films to fit a broader audience whilst not offending anyone. That ignorance might work for the MCU, but in Song of the South it just comes off as offensive. It pisses me off, sure, but it doesn't remove what the movie did accomplish, and in our case it's a pretty good film. I know I didn't talk much about the film's quality, but it's only because all it it is a nice film. Nothing exceptional was accomplished, it only has a nice story, nice lessons, and nice characters. The animated parts are good, the character of Br'er Rabbit is really fun to see outsmart and trick Br'er Fox and Br'er Bear, and it holds a nice moral of what you can't make up in muscle, make it up with wits. I recommend this film as it can be enjoyable for a fair share of us, I suppose that if you are a fan of Disney you should watch this film, of course you have to look pass its controversial elements but I still believe it to be a good film.
Star Rating: 3/5
Zip-A-Dee-Doo-Dah by Matthew Cooper Via Flickr: For whatever reason I’ve never done this shot that shows off the entire end scene to Splash Mountain. I probably thought the ones I shot previously weren’t good enough, but this one from our trip in March makes the cut. My new dark ride slayer, the Nikon 28 1.4, continues to blow me away with the images I capture with it. The rendering is absolutely impeccable, and I find the focal length is perfect for Disney dark rides. Having shot both the Nikon 24 1.4 and Nikon 35 1.4 in the past (along with some Sigma variants) I often found 24 to be slightly too wide and 35 often too tight for the scene. The 28mm focal length seems to hit the spot time and time again. Highly, highly recommended.
Bob B. Soxx & the Blue Jeans — “Zip-a-Dee-Doo-Dah”, 1962
The Blue Jeans consisted of Darlene Love and Fanita James singing background vocals.