occasionally subtle
Keni

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we're not kids anymore.
art blog(derogatory)

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Andulka

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@tessaradudley
messy thing just to get my thoughts down
Coffee shop AUs are the 21st century version of the pastoralist fantasy, where the gruelling work of the lower classes is reconceptualized as a simple self-sufficient way of life where romance can blossom.
Things Terry Pratchett Did
Made fun of the “unnecessarily naked/scantily clad woman,” “sacrificial virgin,” and “sexy heroine” tropes in his first two novels. The first was described as being the most powerful of her clan of dragon-riders and the nakedness was properly treated as unnecessary in a clear parody. The second turned out to be one of the more level-headed (while not well-educated) members of the party after her initial introduction, and also had a spine and knew (and got) what she wanted. The third was described as wearing sensible clothes, was pretty but not sexualized at all, and was practical and smart.
Wrote an entire novel to critique the unequal treatment of “men’s magic” versus “women’s magic” in the fantasy genre. Portrayed witches as just as if not more capable than wizards (when it comes to actually helping people, in particular), and also generally having more common sense than them. Nevertheless created a little girl character with wizard powers, and had her decide neither wizard nor witch magic was sufficient and develop a new kind of magic all her own.
Included sex workers in his worldbuilding. Made jokes about them the same way he did every other kind of person of any profession, but was also highly respectful and never critical of these jobs. Described the head of the ‘Seamstresses’ Guild as one of the most influential people in the biggest city in the world. Never showed or described in detail any sexual violence, including against these workers. In fact, made sure to say that anyone in the city who harmed a sex worker would be dealt with painfully, embarrassingly, and/or lethally by two fearsome elderly ladies. Even his more ditzy stripper character quickly smartened up and learned some true self-respect–not by quitting her job but by realizing she didn’t have to take any shit from men.
Included strong female friendships aplenty. Included female enemies who were enemies over things other than men. In general constantly passed the Bechdel Test and not only that, left it in the dust and had way more meaningful and realistic representation.
Five words: Dwarf Women Are All Trans. More words: And there’s no way to know if some of them were trans in the way we Earth humans would understand it, too, and he clearly didn’t think that sort of genitalia-based gender labeling mattered. Did not turn his trans dwarfs into a joke, but treated them simply as people–including a scientist/forensics officer in a police department, a prominent fashion designer, and the literal King of all dwarfs (who subsequently came out as Queen). Portrayed transmisogynists as unequivocally wrong, and had protagonist characters stand up for and protect their trans colleagues and friends. See also: had genderfluid characters in two of his books and at least one trans man, as well as confirming canonically that there are gay wizards, one of whom is really good at football.
One of his mainest of main characters was a blunt, bad-tempered, prideful old woman who is also good to her core. Didn’t gloss over her unfriendliness or excuse it, but made her complex and interesting and overall likeable despite all that. Also had a very amiable old lady character who also had a temper and would throw hands with anyone who’d mess with her family or best friend. In general, steel-souled old ladies, wow. Also steel-souled young girls.
Said he was incapable of writing a weak, wilting female character, and honestly I can’t think of a single one in any of his books.
Please feel free to add to this list with other Things Terry Pratchett Did because I definitely didn’t say them all!
Said amiable old lady character was also sexually active and encouraged such behavior in all people because it was Fun and not Problematic.
Had two young ladies start out as rivals and end up as friends simply because they grew up and got common sense about it all.
Portrayed the mothers of an entire race as fat and beloved.
Good good additions!
And that last one also reminded me of:
Had a fat young woman protagonist who endured fat shaming both external (which was portrayed as ridiculously stupid and unfair to her) and internal (which she later tamed and conquered). Also showed this woman as capable of healthy physical exertion, as practical and capable generally, as incredibly talented in her fields (witchcraft and singing/musical theater) and as an overall good and decent person. ALSO had this very fat woman be unironically desired by a sexy vampire.
Also your first addition made me want to say that Terry Pratchett’s writing is generally “sex positive” in that sex is portrayed as something healthy that a lot of people like to do, that can be fun and funny and that isn’t shameful but simply a part of life for those people. Without writing anything gratuitous, lurid, objectifying, or pitying, he made it clear that some of his characters have sex while others haven’t and don’t want to, and that both groups are Just People doing Things People Do. Plus it’s fun to look for all the silly innuendo puns, of which Nanny Ogg (the aforementioned nice old lady) is the ultimate maste—mistress.
A forever fave.
SNL Weekend Update: May 18th 2019, Leslie Jones on the new abortion laws
Co-sign.
Accurately-titled novels - part 1
(Part 2)
Writers’ HQ
Oh snap!
holy fuck.
Bless.
Please reblog if you think that “they/them/theirs” is a valid set of pronouns.
Seeing as I use them, I’d be a hypocrite if I didn’t
Different
“You’re…different. I’ve never met a girl like you.”
She stares at him, hands stilling over her sword. “What?”
“All the girls in my village are so boring,” he says. “So focused on finding husbands that they don’t bother learning about the world.”
“Girls in your village aren’t allowed to own property or vote,” she says, somewhat incredulous.
He winces at her tone. Need she be so harsh? “Well…it’s not like they’ve ever needed to, we’re a very progressive village and I always vote in favor of their needs. You’re not like that though, you fight for your rights yourself.”
“They are fighting for their rights,” she says. She sets down her sharpening stone, a frown stretching across her face. “No voting, no property, no wages of their own to purchase necessities. Besides finding a kind husband, what else do you think they can do to find a good future?”
“Th-they could leave,” he says. He did not expect the conversation to go this way. He expected her to blush like she had when he complimented her sword skills. He finds himself oddly defensive. “The men in my village aren’t slavers. The girls can leave any time.”
She snorts. “On foot? Your village is a hard, three day ride from the nearest city and that’s by horseback. And, even if they made it, what skills do they have? What references? The risk is too high for any woman to leave, that’s as good as trapping them. The fact that it takes me holding a sword for your opinion of women to change just shows how small-minded you are.”
He bristles, unable to refute her. “Look, I was just trying to pay you a compliment! There’s no need to attack me.”
“Trust me,” she says, standing when he moves to loom over her. They’re of near equal height and, if he was trying to intimidate her, he fails. “You’ll know it when I’m attacking you. This isn’t it.”
He doesn’t seem to hear her, flustered to be seeing her eye-to-eye. “Furthermore, I think I’d know what sort of girls I grew up with! They’re timid and lack a desire to explore the world.”
“The world you created for them doesn’t take long to explore,” she says. Her sword is bare in her hand. “Marry or descend into poverty. Bear an heir or be cast into poverty. Behave or be thrown into poverty. I was there for a week and figured it out. But,” she continues, looking him up and down, “maybe I shouldn’t be so quick to judge. After all, you’ve lived there your whole life and you still haven’t figured it out.”
He splutters. “That’s not–there are other options–”
“When the revolution is done,” she says, coldly, “and your people are forced to give women rights, see how many stay and how many leave. See how many suddenly discover their wander-lust. See how many end up like me.”
She leaves him there and stalks off to the edge of camp. She leaves him there with his mouth opening and closing, and heart pounding in his chest.
She leaves him there with the unsettling realization that he doesn’t want the women in his village to end up being like her, so different and strong. Because, if they did, where would he be? Where would his home be?
It’s an upsetting realization to have, mid-revolution. No chance to back out now.
and i oop-
Boost this. Malicious fucking compliance y'all. Tie up their legal system with tens of thousands of cases. Burn their state government’s cash on this issue. Force them to play by the Nth degree of this idiotic rule.
Why do people listen to the advice of those wannabe ‘writers’. I mean they are not even published?
Excuse you? People can still give out valuable writing advice even if they are not published. Besides, not being published does not mean someone is a bad writer.
Explain?
I assume by being “published” you mean through a publisher and not through self-publishing. Most publishers are for-profit. Meaning they want to make money. However, they don’t like taking chances and spend money on publishing a book that might not sell well. No matter how good of a writer you are, the chances of hearing “Sorry, there is no market for your book”, are extremely high unless you have something to show for it:
Followers on social media, success of your self-published book, email subscribers, website traffic, etc. Anything that shows the publisher that your book will sell increases your chances of being published dramatically. Many times, writers are approached by the publisher!
I have had this conversation with many of my writer friends, and some of them think this is unfair. What you often see is famous people writing a mediocre book and using their fame to have it become a best-seller. Except I don’t think it’s unfair. It’s business. As a writer, you are your own business. Many writers seem to forget this fact!
Let’s take Lang Leav as an example. You might have heard of her as she was dominating the poetry section on Tumblr in ‘13 and ‘14. She amassed many followers on Tumblr by sharing her poetry. She then self-published her book ‘Love & Misadventure” and promoted it on Tumblr.
“How did you get published?
I self-published my first book, Love & Misadventure. As soon as it was listed for sale, my book began to top best-seller charts and caught the attention of two literary agents in New York. I signed up with Writers House and was promptly offered a publishing deal by Andrews McMeel.” (source)
My honest opinion about her work is that it’s poetry for the masses and that she is not necessarily an astounding or great poet. However, her first book has 38,943 ratings on Goodreads (source)
Key to success? Posting her work online, good branding, nice poetry, building a loyal following.
Let’s take fifty shades for example. (YES)
E.L. James used to write twilight fanfiction. Many people loved her Twilight fanfiction so a publisher called The Writer’s Coffee House contacted her, they changed all the names in her work, and the rest is history.
I hope this explains it a little. Publishers mitigate the risk of their investment not being profitable by publishing books that have a high chance of being successful. There are many great, unpublished writers out there sharing valuable advice. Those people not being published has more to do with them not knowing how to increase their chances of being published, rather than being a bad writer.
Currently on a bus from Nice to Paris. It’s a 13 hour drive so I am going to dump a lot of information for people who want to sell a book right now or ten years from now. The sooner you start using this strategy, the more successful you will be.
First of all, if you have a lot of reach (audience), meaning that you have a few thousands of followers on social media, and a publisher contacts you, you always want to ask them if you can self-publish first! Always! If they refuse, you really want to think twice about signing their contract. Why? Because publishers are using your followers to sell your own book to. Self-publishing gives you around ~70% profits. Publishers often offer you a contract giving you 20%. Shady af. I don’t like that shit and I so often see small authors being used like that. Yes, publishers do help with editing etc., but depending on your reach, it’s up to you to decide if hiring an editor yourself isn’t a much better option. So, always SELL to your own fans first self-published if you can. THEN, if the publisher thinks your book has potential beyond your followers, work with them and sign the contract. Don’t let them profit off your fanbase and then leave you hanging.
If you are going to write a book, you need to talk about it! A lot. At least 6 months in advance. Preferably two years. You need to build up some anticipation among your followers. You need people to be aware of it and WANT it. It’s like a book. You don’t just tell your readers the plot in 5 sentences and that’s the book. You need to build up the story. And then BOOM, Karen just turned page 170 and she doesn’t know what’s coming for her, but she’s gonna be shook and love it. Same with promoting your book. Nobody is gonna give a shit if you say: “oh hi, you didn’t know but I wrote a book. You can buy it here”. You gotta talk about it long before you publish it.
Chances are, you don’t have a following at all. In this day and age, social media is all the hype. There is this misconception that you need millions of followers to make a living online. Not true. Let me introduce you to 1,000 True Fans, an article written by Kevin Kelly in 2008. Read it. It’s eye-opening and practical!
“A creator, such as an artist, musician, photographer, craftsperson, performer, animator, designer, videomaker, or author – in other words, anyone producing works of art – needs to acquire only 1,000 True Fans to make a living.”
How to get 1000 fans as a writer (also works for artists)
Your main focus should be on creating content and growing your reach (audience). Focus on building an email list and a simple website. Why an email list? For the same reasons everyone else always asks for your email when you sign up for something: so they can reach you.
Many content creators struggle with two things: algorithms and platforms dying. Instagram’s algorithm makes it so that if someone doesn’t hit ‘like’ on your content for a while, your content gets pushed all the way to the bottom of their feed. Why? Because IG wants you to stay on their app as long as possible and thus shows people the content they interact with the most first. The second reason is, at some point people are not going to use their Myspace, Tumblr, Wattpad, or Instagram account anymore. Someone might have a million followers on Myspace, but right now, if they update their profile, maybe a thousand people will see it if they are lucky. So, how do you keep reaching the people who followed you in the first place? EMAIL.
Email is fantastic for two reasons:
There are no algorithms. People see your email based on the time you sent it.
People do not change their email as much as they do social media.
So, if you ever shoutout your book or art store, you are guaranteed that everyone on your email list sees it.
I recommend MailChimp for sending batch emails. It’s free for up to 1,200 email subscribers, and that’s plenty for small businesses.
But how do you get people to sign up for your email list? Well, there are a million ways to that, but first, we need our website and we need to actually reach people!
Let’s first focus on reaching people
Create a social media account on each platform that makes sense to you. Opt for the same username everywhere to strengthen your brand. Then post your content to each and every single one of these platforms, but add in a call to action. Write a personal caption on Instagram, or write things in the tags on Tumblr. The best advice I can give to writers on Tumblr is to reblog writing prompts and write a story and include a ‘READ MORE’.
Many people don’t like to make the commitment to read something long without knowing what it’s about. A writing prompt is the perfect intro and increases the number of people reading your story.
By including a ‘read more’ people have to visit your Tumblr blog. Have a nice bio, and end your story with something personal and a call to action, this skyrockets the number of followers you will get.
Now the problem is: getting people to reblog your story. You could try DMing bigger blogs, but chances of them reblogging your story are slim. DM your followers instead and ask them to reblog your story if they want. If you don’t have followers, go through a tag of your choosing. Filter on ‘recent’ and DM those. You need to hustle a bit. It doesn’t matter if you wrote the story today or two years ago. If you think it’s good content, then you can self-promote it until it gains traction.
For Instagram: Never use popular tags. Avoid them like the plague. I would even go as far as to not use tags at all. But if you use them, only choose niche tags. Why? Bots. There are so many of them. You NEVER want bots following you on Instagram. Every time you post something new, your post gets ‘tested’ in batches of followers. 20% (this is not proven, but I feel pretty confident about this number) out of the first few people who see your post need to like it, or else Instagram stops pushing your content out to more people. Bots never like your posts. If your post fares well and stays above the 20% it gets pushed out to more people, and it will eventually land on the explore page. I don’t have much experience using tags, but if you use them, make sure bots do not target them.
Post your content everywhere. Writing on Wattpad. Art on DeviantArt etc., and always link to your website! All your socials must link to your website, this is key to build your email list.
Also, quick tip for IG, if you want to grow really fast, make sure your content is well received. Most of your post should have a like/follower rate of 20%. In the beginning, the increase in followers is barely noticeable. But once you have 1k followers, it snowballs! Furthermore, some Instagram pages, often businesses, have a terrible like/follower ratio. Less than 1% of their followers like their content. Why do they even bother with Instagram? Only a small portion of their followers see their content since so few people like it, and so it doesn’t get pushed to the feeds of the rest of their followers. Why do they bother? Email. Many businesses, big or small, use their Instagram account as a funnel to get email subscribers. Email is always more important to a business than followers for email lasts much longer and isn’t subject to algorithms, except the spam filter. However, if you are on Instagram as an artist or writer, strive for both: high engagement and collecting emails.
Now that you are having your email list, website, and your social media accounts are growing, it is time to promote your newsletter (email list) beyond the links to your website on social media. We are striving for 1k email subscribers. It’s not a lot. My advice is to message all your followers. Copy paste the same message asking them if they want to subscribe. Make it personal. I want to know who the artist or writer is. I always enjoy someone’s content more if I know the person behind it. I want to know who you are.
But, at this point, you might be wondering: why would people subscribe to my email list? What to send emails about in the first place? Think long and hard, put yourself in your follower’s shoes. If you asked me:
If you are a writer, I would love to have some bonus material send to my inbox.
Updates about your WIP.
An occasional blog post about your life.
Early bird discount on your book when it comes out.
If you are an artist:
I would love to know about the art process and what inspires you.
Read your blog and learn more about you.
Know when you are open for commissions again.
Get updates about your art store.
Obviously, not everyone is going to sign up for your email list. But try your best to make something special. The goal is to:
Build an email list. You will always reach those people. No algorithms or platforms dying (unless email dies, but not in the foreseeable future)
You can build a relationship with your email subscribers. This is important. By reading about your life, I will become more invested in your writing or art.
You are not selling the cheapest shoes or pens in the world. You sell art and books. Build a relationship with your audience!
I am against using extra incentives that have nothing to do with what you do to have people subscribe to your list. If you do giveaways, then make sure it’s something you sell yourself. Don’t give away a bunch of books you didn’t write or a laptop. You will get people signing up because they want the laptop, not because they are interested in you. Instead, as an artist, do a commission giveaway (people who want your art will sign up) or give a discount for your Esty shop etc., Writers: out of the people who sign up, one person can give you a prompt for a short story, for example. Or give away your book if you have already written one!
(By the way, I see some artists doing amazingly well with commissions on Tumblr already! My advice would be, if you want to keep doing this for a long time, go start your website and email asap. So that ‘if’ Tumblr dies, (at this point I am not sure if it’s even possible for this site to die) you can still reach your audience and keep doing commissions.)
Prioritize your website and email list over your Patreon
Patreon is great. As a creator I love it. However, when does someone become a Patron? For me: first, the rewards need to be good. But second, I need to care about you as a person. You can’t promote everything at the same time. It’s best to focus on one thing for a period of time. I suggest you first build up relationships with your email subscribers, so they get to know you better and give an f, then plug your Patreon.
Email subscribers are more likely to become Patrons compared to the rest of your audience because they already showed you they want to hear more from you by signing up to your newsletter/email list.
You get to collect VALUABLE email addresses first. Those are easier to obtain then having someone become a Patron. People need to pay to become a Patron, your newsletter is free.
This might look a bit counterproductive to some of you. After all, you want to go from A (content) to B ($$$) as fast as possible. But I highly recommend you implement this extra step if Patreon is one of your sources of income. You will end up with more Patrons.
Starting a website and collecting emails
You need a domain name. Preferably a .com. Name it after yourself or your brand/store. There are many ways to go about starting your website.
Here are three:
Bluehost: Bluehost uses WordPress. Take the cheapest package. You don’t need more than that yet. Might be difficult to set up for computer illiterate folks. Though GEN Y and Z should have no problems with it.
FastComet: Also uses WordPress. They claim to be the fastest. Might be hard to set up but it’s very cheap.
Wix: You probably have heard of this one. I suggest you choose the Combo package. It’s free to use, but you do want to upgrade in order to get rid of the blabla.wixsite.com at the end of your domain name. Also, do not buy straight away. They send you a ‘50% discount’ by email after you created a website within 2-14 days. Easiest to use in my opinion.
There are plenty of others out there, but these I have used and are reputable. Feel free to add your hosts to this post.
For email marketing automatization I recommend MailChimp. There are many options, but MailChimp is by far one of the most used and has therefore many one-click-install website integrations, making it is easy to set up. By the way, sending 2-4 emails a month to your list is more than enough.
Hope this helps some of you out. It’s simple but not easy. Also, give it time. You don’t get 1000 email subscribers overnight. The sooner you start the better. And, yeh, you have to put in some time and energy. In my opinion, it’s worth it. Spend 90% of your time creating, the other 10% doing the less fun stuff. If you want to increase your chances of success, being published etc, this is a good way to start. My advice would be: Don’t rely on being discovered or going viral. Rather, increase your chances of being discovered or going viral by strengthening your foundation for success.
Reading material
https://optinmonster.com/email-marketing-vs-social-media-performance-2016-2019-statistics/
https://www.lyfemarketing.com/blog/why-email-marketing/
https://kk.org/thetechnium/1000-true-fans/
https://www.theme-junkie.com/add-read-more-link-tumblr-post/
I just finished reading the first link of the reading material and what stood out is that email is seven times more likely to convert someone into a customer than social media! That’s insane! Thank you, dear person, for posting this. Going to make a website this weekend!
@elizxa-beth you really should! I think your art is amazing. A friend of mine from college does this. She has ~3k followers on Instagram and only ~400 email subcribers. She gets 90% of her comissions through email. About 12 a month! And that’s a lot since she charges anywhere from $75 to $200 for a comission. You could do the same! (:
I think I will! Thank you <3
So I created my own website with Wix today and here are some tips for anyone who wants to start a website using Wix:
1. Let Wix build a website for your first with ADI. Play around with it and publish your website. Then edit it again. Go to ‘site’ and select ‘Go to Wix editor.’ Now you have full control over how your website looks. 2. There is a small learning curve. It might be complicated in the very beginning but don’t give up. Get some snacks and work on your website. It’s actually fun. It took me around 3 hours to create mine.
3. Wix has a built-in email sign up form and email marketing tool called ‘Shoutout’. So you don’t need mailchimp. You can still connect mailchimp to Wix if you prefer.
4. Do wait with upgrading your website until they send you the 50% discount coupon to your email.
5. Signing up for Wix is free. If you upgrade you get a free domain as well!
This is solid advice, but OP forgot to mention the two most important reasons as to why you should have your own website and create an email list. 1) a dot com domain without [.tumblr].com or [.blogger].com in front of it looks professional and conveys trust. 2) You own the website and email list. Tumblr and Instagram accounts are being deleted left and right without warning. Even some creators on Patreon have gotten there accounts banned for no reason at all other than staff messing around. No one can delete your website and email list. You have full ownership.
PSA: you are allowed to reblog this super long post to help out artists and writers!
This is some great advice
“Publishers often offer you a contract giving you 20%“
20%?!?!?!? That’s hilarious.Try 9%. Or 6%.
trad-pub is all about the advances, baybey. Sometimes that’s the only money you see.
Watch: The most wonderful moment of joy came when he entered a Nazi guard bungalow.
We are the last generation who can hear from these survivors directly. Do not take that lightly. Do not waste that opportunity. Do not forget your freedom isn’t infinitely guarenteed. And do not, do not, let it happen again.
Really truly, watch the video, reblog it. Teaching about the holocaust is so necessary for our generation before it slips under the rug and people forget about it.
//icb i have to make a psa but if you’re not jewish and you’re seeing posts about yom hashoah, holocaust remembrance day, and you start to froth about ‘but not only jews died–’. stop. nobody is saying only jews were targeted. there’s a separate day–international holocaust remembrance day–for *all* victims of the shoah. today, however, is specifically for jews to process our grief, trauma, history. so maybe let us do that.
nonjews feel free to reblog.
For Yom HaShoah, I visited illuminatethepast.org and lit a candle for Yankel Gershtein, a Ukrainian student, murdered at 19.
I lit a candle for Mosze Scharfing, born 1922, in Krakow, Poland. Age at the time of Mosze’s death is unknown. z"l
I commemorated Zalman Rajtapfel (of blessed memory): born in 1924 in Chmelnik, Poland, Zalman died in the Holocaust, aged 18
The two types of fantasy writers
1. Feverishly calculating the body mass of your dragon species, spent 5 hours last night researching the origins of steel, losing sleep over horseshoes, 20 tabs open, should a cockatrice be warm-blooded?, will die if they don’t immediately figure out when honeybees were first domesticated
2.
I’m type #1, fyi
just a reminder:
a black girl character growing her hair out long breaks more stereotypes than a black girl character having short hair
a black girl character getting to be soft and fragile breaks more stereotypes than a black girl character being strong all the time
a black girl character being protected and comforted by others breaks more stereotypes than a black girl character having no one to look out for her but herself
a black girl character being considered pretty or cute by other characters breaks more stereotypes than a black girl character being considered unattractive
not everything that is empowering for white girls is empowering for black girls
the sexism we face overlaps, but it is not the same
not everything that is empowering for white girls is empowering for black girls
the sexism we face overlaps, but it is not the same
Jewish lifehack: before you start your pesach cleaning, refill a bean bag chair—inevitably spilling foam pellets all over and forcing you to spend a bunch of time hunting them down and vacuuming them up from under every other piece of furniture in your house. Since you’ve already started cleaning, you may as well keep going, right?