Okay so more thoughts on the Jinu-sized elephant at the end of the movie;
(And like I get that tonally, the movie as is can't really support addressing the hundreds/thousands of dead people but like... *why did you have your main love interest kill hundreds/thousands of people if you weren't actually going to do anything with it*)
And like, the movie explicitly states that missing persons have doubled or tripled during the time the Saja Boys were active.
And that's before an entire train of people "go missing"
And those people are still going to be missing after the movie.
And I can't imagine that Rumi's feelings towards Jinu are going to be any kind of simple once she's removed from the immediate emergency of imminent demon invasion and has to see grieving families on the news and on social media and the vigils for the victims and the inevitable conspiracy theories about the government/foreigners trafficking people
One part of her wanting Jinu back and another part, seeing a mother passing out flyers about her missing children (they were on the subway heading to school, please, her son had a Huntr/x hoodie), wondering if he deserves another shot at life
(Everyone else got one life, why did he deserve more?)
There's also the fact that during the climax, Rumi interrupts him in the middle of feeding tens of thousands of people, including Mira and Zoey, to Gwi Ma. If she'd arrived even two minutes later, everybody in that stadium (including her partners) would have died. He sacrifices himself for her, but she was only ever in danger because he summoned Gwi Ma to the surface in the first place.
It's like, he threw himself on a grenade for her. But he was the one who disassembled the anti-grenade shield (after she asked him for help reinforcing it), pulled the pin, and threw it at a crowd of people he knew it was her duty to protect.
Rumi told Jinu that hope is a choice. The corollary is therefore also true - abandoning hope is a choice, and that's the choice Jinu made after Gwi Ma threatened him. How much does him choosing hope again at the very literal last second make up for that?
(There was good in him, but that good did not drive him to act as he watched thousands die from his actions - he only considered doing something after she asked. It did not stop him from hurting her, publicly, in the worst way he could. It did not stop him from leading tens of thousands to their deaths - but it did drive him to act once she joined that number.)
(He was the first person to make her feel accepted, but he could not accept himself, and his self-hatred had a body count of people Rumi had a duty to protect.)
The missing accountability starts with Rumi tbh, you don't even need to get as far as Jinu.
Eg I've seen exactly one fic that attempts to tackle the train specifically, but I had to bail out when it posited that, actually, Huntr/x valued each other's lives more than the Honmoon or their duty or any number of strangers' lives, so if they failed that duty in the course of protecting themselves that was okay, it was human and fair and what the other two would want, and the narrative seemed to think this was reasonable and cathartic for a team of actual superheroes, and not a sign that either Celine or the Honmoon has incredibly stupid and irresponsible taste in champions.
(Honestly that Us First vibe is an extremely common take in general, in my experience - that "if gold might hurt Rumi we quit right now, we choose her over the world immediately and without hesitation or guilt" sort of True Love declaration.
Which, in the actual canon, Celine arguably did. Zoemira demonstrably did not.)
Which I guess makes some sense, because those people on the train died because Rumi was more worried about herself than her duty, so if you want to say that it was okay, by the end of the fic, the only option is to agree that that priority is okay. But I would love to see an examination that actually grapples with the reality that it was not, actually, okay, and they all do just have to find a way to live with that ugly fact.
Honestly, I think saying that "those people on the train died because Rumi was more worried about herself than her duty" is a bit harsh. I view it more like, those people on the train died because Rumi was off her game due to a personal crisis, which is still an abject failure but doesn't carry the implication that it was a choice she made.
That said, Rumi does go straight from the train scene to singing Free with Jinu, which is all about herself and him. She's doing it because she thinks it'll get him to help turn the Honmoon gold and once its gold there will be no more demon incursions and no more train incidents but if you step back and look at the context of the tragedy that just happened, it comes across as really callous.
And yeah, people in fandom have a really strong bias towards protagonists / main characters and generally do not give duty or the lives of the general populace much weight or importance. See in this fandom how many people concluded that Rumi went to Celine because she was already suicidal all along rather than her looking at how she was damaging the Honmoon and deciding that her life was an acceptable loss if it meant saving the shield keeping everyone else safe. (See also Fire Emblem Three Houses, where a character starts a bloody revolution in order to overthrow a violent feudal system in favor of a more egalitarian society and two thirds of the fandom decided she was Evil Incarnate because in the course of this she kills nobles with names and faces.)
Well, it's a little less harsh in the context of the fic in question, which (being polytrix rather than rujinu and not giving any consideration to the idea that Hunters might be heroic people) also posits that Rumi's interest in Jinu was primarily about her own fear that the Golden Honmoon might hurt her, rather than care/attraction for him as a person or believing he could help the mission or a genuine desire to help a person who was suffering.
But, for what it's worth, while I agree it's way too harsh, I don't actually think it's especially inaccurate; she didn't choose to fuck up on the train, but the fuckup on the train is a direct result of her choices.
ie, Hunters know they need harmony to do their jobs, and Rumi is continually sabotaging Takedown, acting weird about the Saja boys, sneaking off, and refusing to explain any of it. All conscious decisions on her part that are guaranteed to cause conflict, that she can see are already causing conflict. But admitting to Zoemira that she's talking to Jinu (and trying to turn him and that it's making her question what they know about demons) comes with the risk of losing the selfish comfort she's getting from her meetings with him.
(How selfish depends on what ratio you think her motivation is, between altruistic compassion/belief that turning him is genuinely their best chance/desire to be understood/pure horny on main, but the selfish reasons are there in some amount.)
Which is a good thing, IMO, tbh. It means that Rumi letting her shame and fear do the driving, instead of her principles or her common sense, has caused real harm to the people around her, not just her, which is the whole dang point of the movie! If the worst pain she's in any way accountable for in the entire story is lying to Zoemira, if we're only being asked to show her compassion and forgiveness for being a perfect victim who was only ever scared and hurt, I think it undercuts the message.


























