The Good, The Bad, & The Ugly: Brooklyn 99
• incredibly charming cast
• lots of chemistry between each of the cast members
• solid representation of many different types of people with different priorities, styles, and personalities
• it is very difficult to write an overarching separating° of characters in a sitcom that relies heavily on cast interactions. The prison and undercover episodes suffered from Jake/Rosa/Holt being separated from the cast, whose interactions made the episodes endearing.
° some other examples of this include My Name Is Earl's prison & coma episodes and Amy's promotion in SuperStore. In both of these examples, main characters have a life change that separates them from their robust casts.
• they make many arguments that slow change is the most realistic type of change within preexisting systems. Which is fair. But in your ambition to portray a more optimistic law enforcement system, why not envision an ambitious revision of the system that you acknowledge, is deeply flawed?
• S1 Rosa is the most violent cop in the precinct, S8 Rosa is used as a voice person against the violence of the police system, but completely fails to acknowledge her own actions. Additionally, she continues to work alongside the cops, just without the title.
As someone who is not pro-police, the least I can say is that I am not the target audience for the appeals they make to the audience's faith in police improvement. However, I am generally a big fan of Michael Schur's sitcoms, and I am a huge fan of the workplace sitcom genre. As a workplace sitcom, Brooklyn 99 generally utilizes its strong cast of comedic actors to tell interesting stories about their interoffice shenanigans. However, I believe that the setting being a police precinct sours the overall messaging of the show.