do you think the person who created fan fiction knows the sheer number of lives they've changed

#extradirty
Monterey Bay Aquarium

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ojovivo
almost home
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Today's Document

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Love Begins
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h
Sweet Seals For You, Always

pixel skylines

shark vs the universe

Origami Around
Noah Kahan
The Stonewall Inn
seen from India
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@thedancingbarmaid
do you think the person who created fan fiction knows the sheer number of lives they've changed
willing to bet money that “no, go back” is the least-pressed button in the history of the internet
The titans bust a cult (or a gang of wannabe wizards) performing an unknown ritual. Raven takes on the lead wizard, casting a spell to counter whatever they’re trying to do. In the middle of the fight, beast boy accidentally crosses the villains’ spell circle and the the 2 clashing magics while in animal form.
Long story short, until they can find a way to fix this, beast boy is technically raven’s familiar for awhile
(He can still take human form, but any of his animal forms are considered fit for the job)
Gar: *dramatically* I can't believe I have to wear this collar now!
Raven: I don't know how many more times I have to reiterate that no, you don't have to wear a collar. Where did you get that. Why is it coordinated to your outfit.
Gar: *still dramatically, basically ignoring her* Such is my fate! Bound forever to a half-demoness witch!
Raven: Again, I'm working on it. The main issue is that a significant amount of the magic in the binding spell isn't mine and I don't want to risk hurting either of us by just blasting it with psychic energ--
Gar: *dramatically throwing himself on the couch* Bound! Forever!
Raven: ...you're into this, aren't you?
How it feels to be a multishipper
I feel like the robin-slade complex (is that the right word?) like robin obsessing over not becoming slade and crashing out whenever he's compared to slade is so random.
he doesn’t know slade. he didn't even know who he was at the start of the season so constantly getting angry whenever a comparison is made actually makes no sense. he doesn't even know how bad slade is because slade hasn't even done anything bad (so to speak).
compare it to something like invincible and mark's fear of becoming his father. that makes sense. mark saw first hand the destruction his father caused and the significant amount of people he killed. they're both viltrumites with the same powers. it makes sense that he's freaked out about becoming his dad; he has seen how bad his dad is and there's an actual possibility of him becoming his dad (not really though because mark is too much of a softie but you get the gist).
and to add to it, robin has never actually seen slade be bad. whenever anyone says he's acting like slade when he's being aggressive it doesn't even make sense because slade is almost never aggressive. he's basically always calm. so again it makes no sense.
the point is robin constantly getting his panties into a twist at every comparison to slade makes no actual sense, at least in season 1. if it happened in later seasons, then I'd say it makes sense, but for season 1 it doesn't.
am I the only one who thinks the whole slade and robin rivalry is annoying? like whenever they fight and slade wins it doesn't feel like a well deserved win because of the large difference in their age, height, weight and skill level. like any time slade beats robin, it's not really a moment he should celebrate, all he did was beat a child who's smaller than him. every time he even says he expected robin to be better or that robin isn't as good as him, it's like "yeah of course this literal CHILD isn't as good as you, you've been fighting since he was in fucking diapers!!" even when he threatens to destroy the other titans. you're threatening to kill other children? it's just weird to me.
This episode fucked me up
You know those kittens who shake because they’re not physically used to being alive, but people will joke it’s because they can’t handle the emotional/mental weight of being alive?
That’s me. I can’t handle the weight of being alive. Not in a way that I’ll hurt myself or anything, just in the way where I have anxiety and can’t handle the reality of the future, change and death. I forget life isn’t all about tomfoolery. It’s all too real, I don’t know how people can do it.
⚠️ Thanatophobia/fear of dying/death anxiety:
I can’t stand looking upon my few loved ones and thinking they’re going to DIE and not live forever; I can’t stand thinking that my perception will just stop. Like whatever I’m experiencing will just GO. I never want to die; I’d rather burn in Hell forever. I can’t wrap my head around or accept it. What do you mean they’re just gone? It can’t all go. Please… I can’t handle it; I can’t. I want to live forever; I don’t care how much it hurts. I know the pain and I can take it. I just can’t stop existing. Let me rot in a cell forever and ever as long as I can perceive it. I need my reality to exist. I need to exist. I can’t…
Penelope is not a feminist. Penelope is a capitalist. She's a businesswoman. She can be a feminist character, as in, a character who is a well rounded woman with agency and power and flaws that we can uphold as good representation of a full woman, without being a feminist herself. When people claim Penelope is a feminist, they do so partly because of her intersection with Eloise, and partly because she makes her own money. But I think the truth is that Penelope really isn't interested in pursuing or fighting for the rights of women. Which is why her speech to Colin in their wedding fight felt so jarring. Penelope never used Whistledown to uplift women or give them more power. She was never a scholar of feminist study.
She felt how their society stifled her, but she didn't have feminist criticisms of that society. In many ways, she escaped from beneath the thumb: she makes her own funds, has her own pursuits, and saw getting a husband in S3 as a way of securing her freedom. But even that felt strange and forced, because Penelope was ALWAYS interested in marrying for love. She loves dances and society and the pomp of it all. She's a romantic. She was never in full agreement with Eloise in fighting for women in general to have opportunities outside of marriage, because for Penelope, she's fine with marriage being the expectation. S3 just shoehorned in that she wanted a husband for the sake of freedom from her mother as a plot device to push her and Colin together faster.
In the same way that Penelope had a friendship with Gen, who is a working woman, without being part of the working class herself, Penelope has a friendship with Eloise, who is a feminist, without being part of the feminist movement or ideology. Penelope didn't use Whistledown for feminist purposes, she used it for personal and capitalistic purposes. Whistledown was her voice and her means of making money, it was her craft and her hobby. She didn't care to use it as a way to give voice to the voiceless or disseminate feminist ideology. Whilst gossip CAN be used to provide information to women so they could navigate the world more safely and with knowledge, that wasn't her pursuit, either.
That's also why Eloise's opinion on Whistledown changes in S2. In S1, she's enamored by the idea of Whistledown: it is proof that a woman can find power in society without having to marry, hope for Eloise that she could escape patriarchy's clutches. But by S2, she's displeased because she starts asking herself 'and what is she doing with it?'. Eloise sees that Lady Whistledown, though she achieves freedom that other women in their world don't have, falls in step with patriarchy in the same way that their society does. It's not a feminist publication. That's why Eloise starts pursuing other avenues to explore her feminism, and is so eager to find herself in feminist discussions with working class people. It's the first time she has an audience and connection with people who are also interested in women's rights. She didn't find that with Penelope because Penelope isn't interested in women's rights as a collective.
And I do kind of wish that the show acknowledged that instead of trying to retcon it. The feminist speeches from and to Penelope in S3 didn't land right because they had no real foundation. Portia's whole 'women don't have dreams, they have husbands' thing was used to make the audience sympathize with Penelope to keep LW and frame it as a feminist pursuit. And in many ways, it is! Women making their own money IS feminist. Just like divorce and abortion! But Penelope herself is not a feminist, so her qualms with it are not that ALL women should be able to make a living, but that SHE has made a living, and she did it through Whistledown. That's also why her fight with Colin after the wedding breakfast feels so hollow. She falls back on 'you wouldn't understand because you aren't a woman', when she never felt much kinship with women as a whole, regardless.
I think it all kind of got framed weirdly and got very murky. Colin wasn't asking Penelope to give up LW because he's her husband and wants to lord his opinion and will over her because she's his wife and thus his property. None of his concerns were because she was making her own funds or was an independent woman (sure, he was insecure about what he could provide for her if she didn't need him, but that's not why he was against LW continuing). They had just been threatened by the Queen of England at their wedding reception because she was pissed at LW and on the pursuit. Penelope framing it as a feminist issue felt tone deaf. The writers turned it into a feminist concern when it wasn't. The overarching narrative, women should get to have careers and money of their own, IS feminist, but Penelope getting pushback about Lady Whistledown specifically and wanting to hold onto it is NOT feminist. Does that makes sense? Even if she is a woman and LW is her career, it's not BECAUSE she's a woman with a career that Colin had concerns.
I know that's a bit of a quibble and getting into the weeds of things, but people attributing Penelope as being a feminist with feminist pursuits, as I see them do sometimes, just doesn't hold water. Penelope is a woman who's narrative can be interpreted as feminist, but she herself is not a feminist. Eloise is a feminist. Arguably, she's the only feminist main character we have. Eloise fights for the rights of women. Imperfectly, but still. Penelope fights for the rights of womAn, singular. Namely, herself. And that's okay. This isn't a criticism of Penelope.
Not every female character should be or is a feminist. But feminism is a specific political ideology, and Penelope just doesn't subscribe to it.
yelena: why does it smell like updog in here?
walker: what's updog?
yelena: nothing much how about you?
walker: wha- oh! oh that's funny
- bucky walks in -
walker: hey bucky, why does it smell like updog in here?
bucky: ...i don't know, why?
walker: nothing mu- goddamn it bucky
Snotlout: She’s a ten, but she has a kid.
Hiccup: Okay, um…
Snotlout: Specifically a son.
Hiccup: …Are you talking about my mom?
Snotlout: Yeah.
i’d rather write fanfics of my childhood crushes than write a book with its own plot. i’m such a chud 💔🥀
is he… yknow (yes)
MM GOT A HAPPY ENDING
you can tell a character is loved when their fans constantly wish immense physical and psychological harm on them
Spider-Man fanfic writers AND the canon writers