Growth isnât linear.
Relapses are part of the process,
not the end of progress.
Celebrate every single small win,
practice discipline and grace,
and please, just keep going.
gosh but like we spent hundreds of years looking up at the stars and wondering âis there anybody out thereâ and hoping and guessing and imagining
because we as a species were so lonely and we wanted friends so bad, we wanted to meet other species and we wanted to talk to them and we wanted to learn from them and to stop being the only people in the universe
and we started realizing that things were maybe not going so good for usâ we got scared that we were going to blow each other up, we got scared that we were going to break our planet permanently, we got scared that in a hundred years we were all going to be dead and gone and even if there were other people out there, weâd never get to meet them
and then
we built robots?
and we gave them names and we gave them brains made out of silicon and we pretended they were people and we told them hey you wanna go exploring, and of course they did, because we had made them in our own image
and maybe in a hundred years we wonât be around any more, maybe yeah the planet will be a mess and weâll all be dead, and if other people come from the stars we wonât be around to meet them and say hi! how are you! weâre people, too! youâre not alone any more!, maybe weâll be gone
but we built robots, who have beat-up hulls and metal brains, and who have names; and if the other people come and say, who were these people? what were they like?
the robots can say, when they made us, they called us discovery; they called us curiosity; they called us explorer; they called us spirit. they must have thought that was important.
I think a lot about how in Ice Age 1 a huge theme is the slow but unstoppable advancement of the human species as they start to threaten previously unchallenged megafauna (hunting the pack of the antagonist sabertooth and killing Manny the mammothâs family) and then in all the sequels they just fuckin disappear
I think a lot about how the first movie was actually pretty somber and dark with moments of lightheartedness and comedy, about three animals who had lost their own families finding family in each other while trying to return this baby to his own familyâŠ
The first sequel, while wackier, touches on the existential dread and loneliness Manny feels at being the apparent last of his kind, his exhilaration at meeting another like him, and the question of âbe together because we want to be, or we HAVE to be?â as well as Ellie having been part of a found family herselfâŠ
âŠ.and then the franchise from then on out turns into âwacky animal hijinks.â
OKAY FOR REAL i rewatched the original ice age a little while ago for nostalgia and this movie is GOOD you guysâi literally rewatched it all over again the next day. there are a couple of key things i noticed:
1. they know how to shut up. the animals know how and when to shut up. yes, even the comic relief one. do you have any idea how important this is? yes, they play it for laughs when diego first confronts manny and they fight and then diego stops, clears his throat, and asks manny politely for the child (which was brilliant, by the way, i laughed aloud), but aside from that, when thereâs a serious moment, they let it be serious. when manny accepts the baby from the mother, when he sees the paintings of the mammoths on the cave wall, when he returns the baby to its father, these are moments where everyone is dead silent, even sid, and the music is soft and heartwrenching and the next line is rarely, if ever, a joke that undercuts the prior moment. they let these scenes linger and it really makes this feel like an emotional, somber, serious movie with fun character interactions rather than a comedy that makes cheap appeals to emotion.
2. the way they characterize manny at the beginning is SUPER interesting to me. by the end of this movie, we know manny is a big softie who was deeply wounded by the loss of his family. we as the audience donât know this yet, though, and the first time we catch a hint that thereâs something deeper going on here, itâs when manny firmly, sharply insists to sid that partners should be loyal to each other. itâs not an obnoxiously blatant âhey i have traumaâ flag, since it could be interpreted as the writers playing with the monogamy of mammoths and promiscuity of sloths, which iâm fairly certain they bring up in this movie, if not one of the others. still, though, it strikes that perfect balance of not making the Oh Frick Manny Had A Family reveal later on completely blindside us while also not telegraphing it too obviously. at the beginning, manny is clearly a loner who wants nothing to do with sid, but to avoid making him come off as a straight-up jerk, they make it abundantly clear in the introductory sequence that he has a strong moral code that he holds himself to (âI donât like animals that kill for pleasureâ). i just thought this was really well done, opening the movie with a scene that demonstrates both that manny is a complex character who comes off as cold but cares deeply (which sid basically sees straight through and i love it) and that sid is incredibly unlikable and as such nobody likes him. i didnât realize it at first, but thatâs such an interesting move. we open the movie with sid getting abandoned by his family, but then we find out how annoying he is and go âoh, well that explains it.â but then he tells manny all about how they regularly do their best to ditch him and itâs so clear that heâs just too pure and innocent to hold any malice towards them. under it all, though, itâs clear that heâs lonely, too, and has been for a while. these characters have depth, and feel like people, and every quiet moment just drives it home even more that they really donât have anyone except each other.
3. DIEGO! we stan. i think itâs really interesting how instead of just throwing these characters into the world together, the writers make it clear that they had other people, before, but those people either were toxic and ditched them (sidâs family), were toxic and needed to be ditched (diegoâs pack), or were loving but torn away by circumstance (mannyâs family). i dunno, it just adds a really interesting layer of depth here. but anyway, diegoâs arc was just really well done. heâs only there to get the kid, and though he does start to enjoy himself, he still has his mission. but when manny risks his life to save diegoâs and sid makes that comment pointing it out, you can SEE how he starts to linger, starts to dread, the guilt builds up until he TELLS THEM. thatâs so important! he tells them!!! thereâs no stupid, âliar revealedâ plotline where they figure out that heâs been tricking them because he comes clean himself, without provocation or pressure, and they do eventually forgive him and thatâs SO important. diego wasnât being honest with them, was living a lie and planning to betray them, and he made the incredibly difficult decision to stop in his tracks and come clean on his own terms because he knew it was the right thing to do. there were So Many Ways the writers could have handled that reveal, but to have diego just stop, think, change his mind, and confess was SO GOOD. also the dynamic between the three of them was just really, really great. iâm so emotionally attached to these early-2000âČs CGI creatures okay.
4. speaking of which, this movie is surprisingly good-looking. like it came out in 2002. that is IMPRESSIVE. mannyâs fur holds up shockingly well and my suspension of disbelief was never fricked up by poorly rendered CGI graphics. props to blue sky, man.
5. okay point five is lowkey the whole reason for this rant because itâs a really really cool point i only noticed on my second watch through: the parallelism. why does diego have to kidnap this baby? because his packâs leader (soto, apparently) wants to eat it alive as revenge for the humans killing half of his own. why does manny want to rescue this baby? because he, too, is a parent who lost a child and doesnât want the humans to go through that. but, wait, hang on a minute, how did he lose his child? oh, yeah, the humans killed it and his wife right in front of him. both soto and manny lost most of the people they care about to the humansâthese humans, specifically, since they seem to be the only community in the areaâbut where soto swears revenge, manny doesnât want them to go through what he went through, even though this very act could be what perpetuates that. and they acknowledge it in the movie. diego mentions how this baby is gonna grow up to hunt them and sid counters that maybe the fact that they saved it means it will remember their kindness and things will change. but the whole movie carries the somber atmosphere of a tragedy because, as someone else mentioned above, the humans are steadily encroaching and all of these creatures are going to go extinct, and this one act of kindness may not have the intended effect and may soon be lost to the uncaring tides of history, but that doesnât make it any less worth it. manny isnât doing this to try and make a statement or change the humansâ behavior, he just wants to prevent them from going through what he did. calling this story one of âbreaking the cycle of violenceâ cheapens it, i feel, because the humans are hunting the mammoths, not out of malice, but out of necessity for furs and meat and bone and tusk. itâs nothing personalâtheyâre predators. but still, manny seeks them out to return their baby to them. and when the babyâs father is raising his spear at manny when heâs trying to return it, you can just see that look in mannyâs eyes, that heâs begging this human to understand, but heâs prepared to get speared if it means this kid gets to be with his father and MY HEART, YOU GUYS.
6. FOUND FAMILY FOUND FAMILY like i know found family isnât really all that hard to come by, but this movie is REALLY explicit about it in a good way! they make the distinction between a packâa group who wants you for what you can do for themâand a herdâa group who regularly looks out to see what they can do for you. and a saber-tooth tiger leaves his PACK to join this HERD! and they joke that this is the weirdest herd theyâve ever seen, but a carnivore has just joined a herd and that makes me feel SO MANY FEELINGS
ultimately, ice age is a movie about choices. mannyâs choice to return this kid to its parents, even though he lost his own kid to those very parents, diegoâs choice to come clean about his betrayal and his choice to join a herd even though heâs a carnivore, manny making the choice to risk his life to save diego, diego making the choice to return the favor, and all three of them making the choice to not give up hope that they can find a new family again after losing what they had before. this is a movie in which characters are more than the way they were born, are more than the circumstances of their lives, are more than what happens to them. they make choices and their choices matter and they choose to be kind, even when they have absolutely nothing to gain from it and everything to lose from it.
You know what? I believe that you can finish your writing project. I believe you can update your fic. I believe you can work on your WIP. I don't care if you think it's cringy or bad. I don't care if we've never met or interacted in our whole lives. I believe in you. Keep going - you've got this.
I think that there is some sort of unspoken fairy godparent thing where you see this, realize that you forgot your meds, and rebagel it because if you forgot someone else must have. And in our turn we all take care of each other, even if we donât know it.
Since birth you could see a counter above peopleâs heads. It doesnât count down to their death. It goes up and down randomly. Youâre desperate to find out what it means.
You learn that other people canât see the counter when youâre around five, and ask your mother what it means because hers just dropped suddenly to three and you donât know why.
She looks confused, the number slowly ticking up and down, and asks what game youâre playing. She seems distracted, and now youâre confused too, because youâve been telling people their numbers for years.
You canât see your own, not even in a mirror, and the fact that everyone gave you different answers wasnât all that odd since you couldnât see a pattern in how their numbers changed.
It does explain why you sometimes got answers in the millions though, when you never saw anyone else with a number higher than a few hundred. And here youâd thought you were special.
Youâre more circumspect when asking if other people see them after that year, because while your mom was nice, the kids on the playground werenât. You had to pretend it was a game, and they were stupid for not playing along.
You reach your teen years, get really into all those romantic ideas about a countdown to death, and it makes you scared of watching the counters drop for a few years.
But you comfort yourself that itâs clearly not a countdown, every time a friend hits one, or zero. It goes up and down, by jumps and starts, and seems so random.
Of course you become obsessed with math. You watch your one friend, a girl with yellow hair whose number jumps more and faster than anyone youâve ever met. You track the numbers, log them for days and weeks, and try to find an equation to explain them.
Thereâs nothing, of course. Even when you think you see a pattern, it breaks in a matter of hours.
You look for the slowest changer instead, factor in the time between switches, and itâs still no good. Youâre an irredeemable nerd now, but you need to know.
You get yourself a scholarship, pursue calculus and theoretical math, and your fellow students are almost as passionate as you. But none of them can see the numbers, none of them have the mystery youâve never solved.
The scholarship doesnât fully cover the cost of textbooks, so you take a job as a barista nearby. Thatâs interesting, because you see so many people all at once and can do more little studies of the numbers.
The answer definitely isnât âtime since last mealâ, or âlast cup of coffeeâ.
The presence of such a large and diverse sample lets you spot new things you hadnât considered before too; you always knew most peoplesâ counters changed at different speeds, but youâve never seen anyone consistent before.
Thereâs a kid with green hair and piercings all up both ears and brows, and their number is never lower than twenty. Theyâre never rude, but theyâre loud in spite of themselves, and you find yourself liking to see them.
A control for your experiments, a regular and reliable face.
Thereâs an old man who sits in the back whose number never changes and who never speaks. He hands you a napkin with a coffee order every time, and some of your coworkers are scared touching the napkins will make you sick.
You arenât. The old man might be homeless or might not be; none of you actually know. He sits bundled in coats all through the summer, always has the same red scarf, always has the same seven sat above his head.
Youâve never seen him sat or napping in the street, but heâs never pulled out a key and you havenât followed him to see if he goes to a home.
Whether heâs unhoused or not, youâre not about to treat him like a plague rat. Heâs just quiet, and for all you know heâs fully mute.
You talk slowly and clearly back, making sure your mouth is easy to follow because you canât be sure he can hear you in the first place. He watches your lips instead of your eyes, never replies, but always pays in exact change, and then puts the exact same tip in the jar.
One day, on a whim, you join a sign language club at university. It takes some practice to get the signs down, and you have to ask for some specific phrases, but a week later you try wishing him a good day in ASL.
His eyes light up, a tremulous smile half hidden in the scarf. He doesnât sign back, but you know the secret now. He just doesnât have much to say, but he was happy you made the effort.
His number is eight now.
You wondered if it might have been changing all along and you just didnât notice, but it doesnât go back down. Or up any further.
You have the strongest feeling you are that number eight, but you canât prove it. It didnât change while you were watching, or while he was in the store.
You take statistics class, get permission from your manager to run out a few projects at work. Things like two tip jars, each with a different sign and a note behind them explaining the project.
That gets much more results than a single tip jar, as you expected, people are firm in their opinions and pick sides quickly.
The other baristas insist on keeping the two jar method even once youâve gotten an A on your findings. Theyâre for competing sports teams on game days, music genres over the summer when the concerts come through, silly things like âcake or pieâ when nothing more serious is going on.
Thereâs no correlation between the counters and how much people donate, or which side they choose.
You donât realize that other people donât have your memory for numbers and faces until you comment that your dear regular always donates to the jar on the left. Your coworker looks surprised and asks how you know.
Apparently other people donât really keep numbers in their heads, but itâs second nature to you by now. You donât always have time to grab the notepad you used to track them in.
University is interesting, and you find your way to chaos theory, which is fun in so many ways. One thing you do notice is that the numbers of your professors are almost always in motion, ticking up and down by tens at a time.
It doesnât match the attendance sheets, you checked, with some excuses from your statistics class. Youâre taking a seemingly random array of math specialties, but they all help each other.
The puzzle continues, all through your degrees (two full masters, and neither of them help). You learn to think of the world, of numbers, in a different way. You leave the cafe, move on to a couple of think tank positions.
Youâve never found anyone else who can see the numbers either. Thatâs okay though; you donât want to just be given the answer anymore. This is a challenge now, a test of your worth, a constant companion.
Crunching numbers, applying analytics for work is good practice and keeps you sharp, but it isnât your passion. Your passion is the mystery, but now you have access to the kinds of computers you can start running a broader analysis on.
You have decades of data now, and you feed it all in after work. Set the machines analyzing, using as much information about each person as you have, looking for variables.
It runs for months, but youâre not exactly surprised by the results; you need more data. No correlation detected.
Itâs still a disappointment, and for a few days you feel down. You stop thinking about the counters. Just focus on your work, doing your job, making a play at socializing and reminding yourself you have a life outside your quest.
Kind of.
And then one day youâre in a coffee shop, grabbing a hit on your way to morning classes, and the cashier is a real sweet looking kid with earnest brown eyes and neatly tied back cornrows.
He looks conflicted as you make your order, youâve been coming here since he started but youâve never really talked. He takes your order, takes your money, and you move back.
Youâre expecting someone else to bring you the drink, but he switches out and leans over the counter to give you the cup and cookie you definitely didnât order. Youâre confused; you didnât pay for it, thereâs no promotion.
He gives you a small empathetic smile.
âYou look like you need it. YourâŠ. UhâŠ. Your colourâs washed out,â he says in a hurry, clearly expecting you to think nothing of it, but your heart stops.
He doesnât mean your face. You know that. If anything, your natural tan has gotten darker now that you spend more time outside. Just. Sitting in the park. Pretending youâre not thinking about the numbers.
But the way he says it, the furtive glances, the way you suddenly realize heâs been looking just a little above your face almost every time you see him.
You donât grab his hand, even though you desperately want to. Heâs already turning, rushing back to work, and you need to know.
âWait,â you call as quietly as you can, and he stops. Glances back.
Thereâs something in those brown eyes now, a wariness and a kind of squashed down hope you know youâre showing too.
Wetting your lips you try and work out how to ask. What to say. It isnât numbers, clearly. But youâve never known your own number, always desperately wondered, and if thereâs even a tiny chanceâŠ
âWhat⊠what colour was I?â You ask quietly, and he takes a quick glance around.
Itâs not busy. You came after the rush, not wanting to be overwhelmed by counters you just canât figure out.
He gives you a thoughtful look, from that spot on your forehead down to your eyes, still guarded but hoping.
âBlue,â he says softly, coming back to lean on the counter, âbut it was very bright. Cyan, almost glowing. Youâre⊠more grey now. Powder blue.â
You take a moment trying to think about the difference, then pull your phone up to look. He stifles a chuckle, then pulls himself up. Looks at you cautiously, hopefully.
âYou donât see them, do you?â He asks softly, watching you examine the two colours. It snaps you back and you look up, a small smile on your face.
âNot colours. I see counters. Not like, death counters,â you add quickly when he looks suddenly alarmed, wondering how to make it seem reassuring. âThey go up and down and Iâve spent my whole life trying to work out what theyâre for, but itâs definitely not that.â
You pause for a moment, looking at him with a slight frown on your face. His isnât especially high or low, and he did tell you what he saw.
âYours is forty-six,â you tell him softly, and stifle a laugh when it promptly changes. âFifty-two.â
It seems to settle him a little, his eyes tracking your face, noting where youâre looking. You meet his eyes again.
âDo you know what the colours mean?â You ask softly, and he gives an awkward shrug.
âNot really. Just⊠never seems to be a good thing when theyâre fading. Most people stay in one colour but change hue and saturation.â
Theyâre not terms youâre super familiar with, youâre not an artist, but you know in your heart that this is it. Your big break. A second data point.
All you have to do is not scare him away.
âI finally finished running a full computer analysis on all the counters Iâve seen,â you admit softly, gaze slipping down to the free cookie. âIt didnât find anything.â
He makes a soft, sympathetic noise, and the first smile youâve actually felt since tugs at your lips. You give him a hopeful look.
âIf you wouldnât mind⊠you could email me the colours you see, and I could add them to the dataset? No names or anything, justâŠâ and suddenly you realize that this project is creepy as hell, and super invasive, and he looks surprised and you should definitely leave.
This time he calls you back, glancing around the mostly empty store. And he quietly tells you the colours he sees above each head, and you note that along with their counters.
Youâre already thinking of possible connections, maybe something in the precise wavelength of light, itâs wonderful that heâs so specific and knows so many colour names.
Heâs an art student. Of course he is. And he agrees to help, if you come in at the end of the day he can finish out his shift and tell you all the colours he sees of the people still there.
Finally, finally, you have some help. Someone who understands, even if they donât see what you do. And sure, youâve got about fifteen years of life over him, but you always wanted a little brother.
He gawks at your work laptop when you bring it in; itâs big enough that it looks a century out of date, but thatâs because you built it yourself to run like a supercomputer. Its fans roar like engines when you boot it up, and you have a whole gaggle of fascinated baristas by the time closing comes.
It canât handle the full scope of the data set, but it connects on a private VPN to the big computer at work and can handle chunks at a time.
And convert video to 3D, but that was just to see if you could.
Your friendâs name is Dillan, and you give him yours because itâs not his fault you donât wear a name tag. Heâs got a good head for data analysis, and you know if his art doesnât pan out heâll do well anyway.
His art is wonderful though; reminiscent of time-lapses of cityscapes lit in blurred headlights and neon, but you know each soft line of colour is a person. He does smaller spaces too, a room, a corner of the park.
Portraits sometimes, peoples faces painted in the shades of their colour as it changes. Itâs almost perfectly photorealistic, and you know heâs a prodigy in the same way you are.
You hope he can make the art he loves forever, even when heâs frustrated that a piece isnât coming out quite right.
There isnât an easy answer, even with his help and your new data sets. It takes years, with monthly meetings first in his coffee shop, and then at the library when he moves on.
You help with any homework that involves math, and once with a sympathetic shoulder and gentle advice when a TA is trying to drive his grades down. You know first hand how unforgiving the education system is to kids of colour, but you also remember how older students protected you.
Thereâs channels to report, if you know for sure they wonât take the TAâs side. Thereâs evidence gathering, witnesses, making sure you arenât alone with them.
His family is far away, his parents unable to stand in his corner, so you pose as a distant cousin when he decides to make the complaint. Having an adult there, especially one with your qualifications, cuts the whole process off at the knees.
Seeing the TAâs eyes widen as you walk in in your best suit sends a little thrill through the kid in you who once sat in Dillanâs seat. Their counter jumps three times during the meeting, and this time youâre certain itâs not a good sign for them.
With the evidence Dillan and his friends have collected, the TA loses their position and gets a month of mandatory bias training. It might not change them, but you donât care.
Dillan bounces like heâs walking on the moon as you leave, his own counter ticking steadily higher in a way youâre just as sure canât be bad. His counter ticks up and down for the next few days, seemingly at random, and while he doesnât know his own colour any more than you can see your counter, something in your heart tells you heâs a bright sunshine yellow.
His parents are a little concerned, of course. You meet at Dillanâs graduation, especially since youâve got him an intern position at your work to keep him on his feet while he looks for work he actually loves.
Theyâre grateful, a pair of large Black men whose whole stance is a challenge for you to comment. Youâre half expecting a shovel talk of some kind, and ready for it, when Dillan leans in eagerly and whispers that youâre the one who sees the numbers.
His fatherâs eyes soften, though his dad is still wary. You tell them both their own numbers, the only way you can try and prove it.
His fatherâs younger sister saw the numbers, you learn, and your heart stops all over again.
Someone else. A third person.
But she died long ago, and youâre startled to learn that she saw decimals. You never thought about it, never really wondered, but your counters are always whole numbers.
Dillanâs father doesnât know all of the details, but he seems to feel better speaking about her. She never knew what the numbers were either, and he doesnât know if she ever recorded them, but it fills you with relief.
Youâd stopped looking for anyone else.
Told yourself you didnât want to just be given the answer.
Liked being the only one to solve the puzzle.
But now that itâs possible, that you really know there are other people, first one and now two and who knows how many more?
It settles around your shoulders like a blanket, and Dillan is grinning at you in a way that tells you something has happened to your colour. Youâll add it to the dataset later.
No one else in Dillanâs family really see anything, on either side, but thatâs okay. You have a goal now, and Dillan finally convinces you to do the one thing youâve always avoided.
His dadâs a web designer. You spend about a month together, the two of you and occasionally Dillan when he isnât painting, working out how to pose the invitation. What to show, how to format the site, how to filter out the false replies that always kept you from trying before.
Dillan does a bunch of art for the site too, pictures of what he sees that you can hardly believe arenât just photos of people with a small circle of colour just around the hairline.
Pictures of what you see, the plain white numbers floating just above their heads. Gifs that show the way they change, the number ticking up and down like those old fashioned flap cards they used to roll through at ballgames before LED screens replaced the analog.
Itâs always been funny to you, how archaic your counters are. Outdated before you were born, and the only reason you know the flip cards existed is because your mother showed you when you tried to explain what you saw.
But the white numbers fold themselves in half to show the new number unfolding down just like that, and Dillan laughs about it with you while you make the gif.
You spend long minutes with Dillan and his dad once itâs all ready, just looking at the button thatâll send the whole thing live.
Are you ready?
Thereâs a new email address just for this, but you know itâll keep all three of you busy if enough people find the site. Thereâll be people making fun of you, just like when you were little, and people pretending to feel special.
But there might be someone else too, someone as lost and confused as you were. What else might others see? Shapes? Scribbly lines that get more and more jagged like your counter climbs?
You canât even imagine it, and it steals the breath from your lungs.
Dillan steals the mouse and hits the button for you, then runs away with it so you canât panic and undo it. His dad laughs until tears run down his cheeks as you do indeed panic, leaping up to chase your little brother.
But itâs done now, and you can breathe again.
You still donât know the answer. You know that at the end of it all, Dillanâs colours may have nothing at all to do with your counters.
But youâre not alone.
You saw your shadow in this sweet, funny kid, reached out the way you wish someone had reached for you, and now youâve both reached out to the whole world.
Itâll be a pain in the ass sorting it all out, but you have work friends who can make you a program to filter the openly aggressive messages.
Because somewhere in the world, thereâs a five year old kid who was just told no one else sees the world the way they do, and theyâll be able to see that itâs not true. Theyâre not alone. Someone will help them solve the mystery.
Youâre no closer to the answer than you were as a fresh graduate yourself, canât imagine what it could be.
But it turns out you were wrong, back when you were the fresh graduate who wanted to solve the world all alone. Answers arenât as important as not being alone.
i donât know where the notion that if you donât give big bucks to an artist then youâre not really supporting them came from, but when people say even a tiny bit of monetary support saves an artist, itâs not for the aesthetic or the gesture of it all. iâve been able to have actual drinking water on days iâve been incredibly broke simply because someone bought a brush pack for 2 euros. in the most actual, literal way i could possibly convey this: the SMALLEST amount counts. in practice counts. people-get-to-eat-today counts. especially in this age of everyone and their mother being out to deplatform artists. thereâs value in the tiniest of ways
#donât get me started on how sharing peopleâs works helps bring in the money down the line even if all you did was reblog something#a little bit goes a long way#that is all
"Stop saying 15 year olds with weird interests are cringe, they're 15" this is true however you should also stop saying adults with weird interests are cringe because who gives a shit
I want to share some wisdom from my high school art teacher.
In my AP Art class, there was a girl who was just starting to experiment with mixed media. At this point she was still playing around, trying to decide what direction she wanted to go with her portfolio. So one critique day, she brought in an abstract canvas with some rhinestone highlights and painted and real peacock feathers. She loved sparkles and peacock feathers so she thought sheâd try introducing them a *little*. And after everyone had given some input, the teacher gave her his advice, VERY roughly paraphrased here:
âSo hereâs the thing⊠I do not like this style. These are just elements that do not speak to me personally, but I see that you like them, and youâre doing interesting things with them.
âMy biggest critique is, I only merely *dislike* this piece. I want you to make me HATE it. Go crazy with the things that you like. Donât hold back trying to make it palatable to people like me. Because I am NEVER going to like it. And if the audience does not like it, it should drive them crazy seeing how much YOU love it.â
Her portfolio was chock full of neon colors and glitter and rhinestones and splashes of peacock feathers and it was a delight. Our teacher despised every piece lol, but she got great marks and I think even won some awards. And more importantly, she was happy and proud of the results. Because she didnât limit herself by trying to appeal to people who were never going to enjoy what she enjoyed.
Takeaway here: be as cringe as you want. Donât limit yourself based on other pplâs tastes. Theyâre not you, and you are incredible đ
Honestly as a blind person Iâm so tired of seeing fictional blind characters who donât use white canes or other guides. âThey have special powers so they know whatâs around themâ or âtheyâre confident enough to not need a guideâ are common tropes, and Iâm tired.
Are people scared that using a white cane will make their blind character seem weak? They canât use a cane because theyâre so special that they already know whatâs around them, and other blind people who use guides are inferior because theyâre not special?
Iâm tired. Give your blind characters white canes and other guides. Let them hold onto their friends, let them have guide dogs. Donât make white cane users feel ostracized for not being âstrong enoughâ to go without.
Another thing that pisses me off is when a sighted character comes up with the fantasy equivalent of braille and teaches it to the blind character. Braille was invented by Louis Braille, a blind man, in 1824. The blind character should be the one coming up with it.
Sydney people! I am looking for volunteers to help me with my PhD research looking at cognition and brains in bees; both native stingless bees and honeybees.
No prior experience is needed, just I love for bees.
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