Hiiii :D
Finally got an artisti invite on VGen, please help me get verified :D
Check out ArtdeSorsa's commissions and portfolio! | Hi, I'm Sorsa. My commissions are open, feel free to contact me :) ...

Andulka

⁂
i don't do bad sauce passes
No title available
tumblr dot com

Discoholic 🪩
trying on a metaphor

Origami Around
Not today Justin

tannertan36
🪼
taylor price

oozey mess
noise dept.

Kaledo Art
AnasAbdin
Claire Keane

JBB: An Artblog!
YOU ARE THE REASON
Game of Thrones Daily
seen from United States
seen from T1

seen from Malaysia
seen from Malaysia
seen from Poland

seen from Türkiye

seen from United Kingdom

seen from United States

seen from Türkiye

seen from Türkiye
seen from United Kingdom

seen from Spain
seen from United Kingdom

seen from Russia

seen from Türkiye

seen from Brazil
seen from Netherlands

seen from Germany

seen from United States

seen from T1
@trotyiegyed
Hiiii :D
Finally got an artisti invite on VGen, please help me get verified :D
Check out ArtdeSorsa's commissions and portfolio! | Hi, I'm Sorsa. My commissions are open, feel free to contact me :) ...
We can't live like this
the productivity creatures
Son of the White Mare / Fehérlófia (1981) dir. Marcell Jankovics
Important rules for the "age verification" era of the internet that we're living in:
1. Do not do age verification.
2. If you have to do age verification, cheat. Do not under any circumstances give them your real ID.
The tool presents users with a 3D model they can then manipulate to, the creator says, bypass Discord's age verification system.
Oh no I dropped my link, what a horrible thing! Sure hope this doesn't get reblogged until it reaches users from the UK and Brazil!
And remember to not make a second account just to test out what works best when verifying your identity
A reminder that we still dont support Age Verification bullshit.
Paywall removed here
Aaand here's the link to the project's Github.
A verified tool that works on any potato computer that will let you bypass discord verification - promptpirate-x/discord-id-bypass-tool
[C] Forum Signature Type 3 - Nickel Cat
Chibi Flat Color Forum Signature TYPE 3. Dragon: Nickel Cat Figure Owner: Alskasaur [ GET YOUR ORDER HERE! - Vgen ]
Everyone has been reblogging my adult Aang redraws, so here's a proper rendition of him. Appreciate y'all! <3
I am sorry. I have done you evil, and I cannot undo it. No. Unicorns are in the world again. No sorrow will live in me as long as that joy, save one. And I thank you for that part, too.
THE LAST UNICORN 1982・dir. Arthur Rankin Jr. & Jules Bass
honestly id be lying if i said i wasnt a big fan of this
reblog to be eaten by this thing
Pro hag, anti ai
I hate the cosmetic surgery industry for so many reasons I really do. But the line between cosmetic and medically necessary plastic surgeries is as a cloud, and we cannot sacrifice bodily autonomy for bans so. We need to dismantle white supremacy and the patriarchy in order to effectively tackle the issue. I should be able to get elective top surgery without medicalising my transness you get?
I had a breast reduction when I was 16. I was so top heavy that my back had started spasming badly by the time I was 12, if I hadn’t been able to get my reduction, I would’ve been in more extreme pain for much longer. The relief was almost instant. Just one example of medically necessary plastic surgery, in case people aren’t sure what that looks like.
Medically necessary plastic surgery also includes removing excess skin when someone loses a lot of weight: skin folds can become infected. Burn victims’ skin grafts, those are plastic surgery too. The field covers a lot more than people think.
Harold Gillies, now considered to be the father of modern plastic surgery, developed most of his techniques (many of which are still in use today) specifically to reconstruct the faces of men who'd been injured in WW1.
Advances in weaponry meant that, for the first time, men were coming home from war with literally half their faces blown off, on a regular basis. This was not only traumatic— there were cases of men cancelling engagements or being afraid to see their families, because of their disfigurements— but also caused problems with every day tasks like speaking and eating, in which your face plays a pretty key role.
Gillies arranged for a whole ward, and later a hospital, to be dedicated to the treatment of these men, and took steps to ensure that all soldiers who received these kinds of injuries on the battlefield would be sent to him directly. He developed methods for applying skin grafts so that larger portions of the face could be repaired.
He continued his work treating wounded soldiers throughout WW1 and WW2, and when both wars were ended— just in case he hadn't done enough to establish himself as a full on hero— he was then approached by a medical student named Michael Dillon, a trans man, and was able to use the same techniques he'd developed to reconstruct the penises of wounded soldiers to give him a phalloplasty. The first one ever performed on a trans man. He even diagnosed the guy with a condition to explain the frequent operations, so as to avoid outing him.
Dillon later wrote a book about trans-ness, which inspired Roberta Cowell, who became the first British transwoman to get a vaginoplasty, also performed by Gillies.
In both cases, the techniques he developed were still being used in similar operations decades later. Gillies himself stated that he wanted no publicity for performing these operations, saying that "If it gives real happiness, that is the most that any surgeon or medicine can give.”
I think the harm of denying people the right to control their own bodies is so, so much worse than the risk of people regretting the decisions they make. Regretting something you decided to do is a much healthier pain than the pain of regretting that you didn't get to have a choice.
listen to me. this is my final message to you. when you are at your lowest a fictional guy will come to you and when that happens you must start putting them in situations. this is the meaning of life.
THE ARISTOCATS (1970), dir Wolfgang Reitherman