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pikkuveli - little brother
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So this is interesting because entire thing is communication, and it also shows how important different threat/aggression postures are.
The first cat comes in ready for a fight. Low down, trying not to be seen, stalking/wary posture.
Second cat jumps in the air and then does the exaggerated arch. That's an absolutely terrified cat. No cool, no chill. A cat willing to fight would not have gone full arch because it's moving them out of a position where they could launch themselves at the other cat. However, a scared cat can move from this to a preemptive attack if they think the other cat is going to attack them and just moving slowly.
Realizing the second cat doesn't want a fight, the first cat comes out of the low, threatening slink quickly to roll around to say hey, whoops, they weren't here to attack, they don't want to fight either.
With similar speed and exaggeration as the arch, the second cat does the same wiggle that yes, I too have no desire to fight, look at me doing the same thing and conspicuously not attacking when you're vulnerable.
To function as a social species, you need checks and deescalation. Both cats don't have perfect information about the other cat, and they need to know that they could misread or be misread, and then adjust their behavior to fix the problem.
“Fight?”
“NO PLS”
“Oh okay look how cute I am.”
“Oh okay phew I cute too thank”
The Vampire Lestat | The Devil's Road
INTERVIEW WITH THE VAMPIRE || episode 10: "No Pain"
Hi, Maki! Do you have any cutesy/ simplistic/chibified devil's minion doodles?? These are trying times...
I didn't but i made these just for you!
they were on a double date
This time, I won’t save your life.
Daniel Molloy and the vampire Armand in 𝕴𝖓𝖙𝖊𝖗𝖛𝖎𝖊𝖜 𝖜𝖎𝖙𝖍 𝖙𝖍𝖊 𝖁𝖆𝖒𝖕𝖎𝖗𝖊 (2022) Season 1
the thing is, it’s never too late for anyone to start over except me. I’m doomed and it’s over for me
And that is my full, and heartfelt, "Armends". Your turn.
If the SAUNA was turned human, would it be just one guy or a whole group…? 🏠
I randomly remembered that I designed a fan character (Kaius) for Date Everything last summer. Still haven’t finished the game but the concept is really fun for character design practice! ☀️
Daniel and Armand have a peculiar rhythm when they speak to each other. They can converse like any other two people, but there is a noticeable pattern that emerges whenever one of them wants something from the other, or simply familiarity emerges in their dialogue. Two minds moving toward the same point in parallel.
They do not exactly finish each other’s sentences. They seem to read each other well enough though.
Armand: Let me help you finish that job. Daniel: Yeah? A: Love between vampires can be one thing, or it can be countless things. D: I will never love... A: Like Lestat and Sofia. I want to be your maker. D: Finish the thought, Armand. A: I want to give you half your life back. D: Lestat and Sofia. A: Help you walk in the sun. I knew her as Gabriella. She's Lestat's mother. D: What? A: Lestat lays with his mother.
Armand: It was wrong of Louis to enter your memories yesterday. You were invited here as a guest. Daniel: Cell phones. A: You were rude, but he crossed a line. D: Artificial intelligence crunching improbable data. A: I offer my apology... D: How do you hide from the cloud? A: On his behalf. We should probably wait for him. D: Probably. A: He'll awaken when the sun sleeps. Your cell phones make you slaves to your fetishes and data retrieval is primarily about profits, so I suspect no one at Amazon is trying to sell us blenders.
Armand’s dialogue is continuous, cumulative. Daniel, however, interrupts and redirects. His words function almost like punctuation against Armand’s longer, more structured sentences. He does not follow the path Armand takes. Instead, he jumps directly to the important point, cutting away all that is unnecessary. Daniel tends to move toward specific statements, because he demands clarity and specifics. He is impatient. Armand's language connects pieces precisely because Daniel's language separates them.
Daniel extracts. Armand explains.
Armand speaks in layers, Daniel peels the layers away.
Their rhythm creates a familiarity that borders on mind-reading, they understand the direction of each other’s thoughts, Daniel's pattern expresses this familiarity even more so. He is more active in this familiarity because his lack of words shows understanding of Armand, which is such a subconscious act for the person who lost his memories of said familiarity, but its trace lingers.
There is also distance in Daniel’s style. Daniel gives the node of the thought rather than the path that led him there. His ability to jump straight to the point is part of his emotional guardedness. He is highly observant, quick. He analyses rather than reveals.
But there is progression from season 2 to season 3. Daniel is vulnerable all the time. He is someone who needs gentleness, he is emotionally incandescent, always close to the surface, always on the verge of something breaking through.
His pattern also indicates that Daniel is closed off from Armand, he is emotionally guarded, which just brings this vulnerability to the surface. He is afraid.
They work perfectly together because Daniel identifies the missing pieces or important details and Armand gives context, history, and connection, which is surprising for his character. There is an innate predictability in the way they talk, which hints at past dm as much as everything else, but this level of subconscious intimacy is fascinating.
in the midst of capitalism, fanfiction and archive of our own are always unconditionally and endlessly free. love, joy and passion, shared among human beings, are always unconditionally and endlessly free
There's an awful trend in reading that's this CinemaSins kind of rejection of abstract concepts and suspension of disbelief, that makes people say it's bad writing when authors use descriptions that aren't immediately one to one with physical reality.
Like it's bad when a "tattoo is undulating" (as opposed to... "drawn in a wave like pattern on the skin"?), or when hair is "wet wheat from a late Summer field" (as opposed to "sort of brownish light yellow that dries lighter, but is not actual wheat stalks growing on someone's head but kind of reminiscent of the color and texture"?), or when when ice cream tastes like midnight at the fair" (as opposed to "ice cream flavour bringing back memories of undefined ice cream flavours that are individually popular but always tied to a memory of late evening at the fair ground and probably smelling vaguely like popcorn and sugar"?).
Please. We have to get back to understanding abstract descriptions that evoke feelings and memories and mental images or things we haven't experienced yet. This hyper utilitarian way of reading and judging text is killing fiction. it's robbing you of experiencing things you haven't actually personally experienced.
Not now kitten, mommy is taking her mandated union break…
Assad Zaman as Armand — Interview with the vampire 2.03