Pick 3 traits from “Strengths” and 3 from “Weaknesses” and build a character. (These are broad categories. Traits included in “Strengths” can be brought to extremes and positives can be found in the “weaknesses”)
Strengths:
Adventurous
Altruistic
Analytical
Artistic
Athletic
Calm and practical
Charismatic and inspiring
Charming
Clever
Compassionate
Creative
Curious
Decisive
Determined
Disciplined
Emotional Intelligence
Excellent communicator
Excellent people skills
Great in a crisis
High self confidence
Honest
Imaginative and original
Independent
Open minded
Passionate
Quick witted
Reliable and patient
Responsible
Spontaneous
Strategic thinker
Strong willed
Supportive
Team oriented
Thoughtful
Trustworthy
Warm and sensitive
Wise
Weakness
Absent minded
Accident prone
Aggressive
Argumentative
Arrogant
Bad sense of direction
Bossy
Chaotic
Clueless in romance
Cold and ruthless
Comes on too strong
Condescending
Conforms to others wishes
Controlling
Cynical
Defiant
Dependent
Difficulty expressing emotions
Low self esteem
Greedy
Shy
Impatient
Impractical
Impulsive
Insensitive
Intolerant
Judgmental
Naïve
Reluctant to change
Shallow
Short sighted
Stubborn
Tries too hard to please everyone
Trouble working with others
Vague
Wasteful
Weak leadership skills
✧･ﾟ: *✧･ﾟ:* Word of The Day *:･ﾟ✧*:･ﾟ✧
Boswell (n. English, 18th century): A person who accompanies another and records their life.
“That’s why it’s hard to make friends when you’re older,” she said. “Friendship is rude.”
Her friend’s eyes widened. “What?”
“Think about it! When we’re kids we decide who we like and stick by them no matter what. As adults, we’re taught to be polite.
But, friendship is an imposition— at least, I want it to be. Call me after nine o’clock. Don’t think you’ll ever wear out your welcome. Overshare, show up at my door, go to the grocery store with me so we can waste another hour chatting.
We’ll never be friends if we spend all of our energy trying not to bother each other.”
“If autism isn’t caused by environmental factors and is natural why didn’t we ever see it in the past?”
We did, except it wasn’t called autism it was called “Little Jonathan is a r*tarded halfwit who bangs his head on things and can’t speak so we’re taking him into the middle of the cold dark forest and leaving him there to die.”
Or “little Jonathan doesn’t talk but does a good job herding the sheep, contributes to the community in his own way, and is, all around, a decent guy.” That happened a lot, too, especially before the 19th century.
“Oh little Sionnat has obviously been taken by the fairies and they’ve left us a Changeling Child who knows too much, and asks strange questions, and uses words she shouldn’t know, and watches everything with her big dark eyes, clearly a Fairy Child and not a Human Like Us.”
The Myth of the Changeling child, a human baby apparently replaced at a young age by a toddler who “suddenly” acts “strange and fey” is an almost textbook depiction of autistic children.
To this day, “autism warrior mommies” talk about autism “stealing” their “sweet normal child” and have this idea of “getting their real baby back” which (in the face of modern science) indicates how the human psyche actually does deal with finding out their kid acts unlike what they expected.
Given this evidence, and how common we now know autism actually is, the Changeling myth is almost definitely the result of people’s confusion at the development of autistic children.
I think it’s worth noting that many like me, who are diagnosed with ASD now, would probably have been seen as just a bit odd in centuries past. I’m only a little bit autistic; I can pass for neurotypical for short periods if I work really hard at it. I have a lack of talent in social situations, and I’m prone to sensory overload or you might notice me stimming.
But here’s the thing: life is louder, brighter and more intense and confusing than it has ever been. I live on the edge of London and I rarely go into the centre of town because it’s too overwhelming. If I went back in time and lived on a farm somewhere, would anyone even notice there was anything odd about me? No police sirens, no crowded streets that go on for miles and miles, no flickery electric lights. Working on a farm has a clear routine. I’d be a badass at spinning cloth or churning butter because I find endless repetition soothing rather than boring.
I’m not trying to romanticise the past because I know it was hard, dirty work with a constant risk of premature death. I don’t actually want to be a 16th century farmer! What I’m saying is that disability exists in the context of the environment. Our environment isn’t making people autistic in the sense of some chemical causing brain damage. But we have created a modern environment which is hostile to autistic people in many ways, which effectively makes us more disabled. When you make people more disabled, you start to see more people struggling, failing at school because they’re overwhelmed, freaking out at the sound of electric hand dryers and so on. And suddenly it looks like there’s millions more autistic people than existed before.
Interestingly, Dyslexia is less common in non-english speaking countries. And almost unheard of in countries that use some sort of pictograms for lettering (e.g. Chinese and Japanese).
For adults, the appeal is Sir Patrick Stewart doing a kid’s educational bit in full Shakespearean dress and style; there’s a delightful cognitive dissonance between the very serious presentation and the very simple content.
For very small children, it’s educational: this is the letter “B”; here’s how it’s shaped; here’s some words you know that start with it. Oh, and here’s a word you may not be familiar with that starts with it, so you can recognize that it’s the sound that matters, and not whatever other connection you made between the other two words.
For older kids: you’ve probably heard that “to be or not to be?” speech, or at least part of it, so you can enjoy some of the parody the adults are watching. Also, here’s how to describe how a letter is made - how to teach young siblings who don’t read yet, how to explain both the shape and the sound.
For kids with dyslexia: here’s how you differentiate a “B” from a P or D or E. You may have to go slowly and look carefully at the exact shapes that make up the whole, but there are differences and you can learn to recognize them.
For teens or young college students: In addition to whichever parts of those are relevant to you, here’s what Shakespearean acting sounds like. Here’s how to enunciate clearly and slowly, so your audience can understand terms they may not recognize and still follow the gist of what you’re saying. If you’re reading Shakespeare in school, try sounding it out like this and see if that helps it make sense.
For new RenFaire workers: Here’s how to pronounce “zounds.”
Since I refuse to be normal about this show, here's a general outline of what MY iteration of Mummies Alive, which I have creatively given the subtitle of "Reanimated" because I am hilarious.
Some General Plot Notes:
I'm keeping the designs because they slap and the general tone because I love that good 90s cheese, but I'm rewriting for a more cohesive story and more accurate myth references. Basically, I'm letting my Egyptology fixation run wild.
I give a justification for Scarab's name being...uh...Scarab! Erasing a person's name is like a big deal in ancient Egypt! We see this most famously with Hatsheput and her successor/nephew (I think) who tried to literally chisel her name off of every structure in Egypt to erase the memory of her. This is what Amenhotep does to Scarab except MORE (because he's the Pharaoh and has that kind of power both spiritually and politically). As in Scarab's original name gets power-washed out of reality itself and even people who knew Scarab before (like the Mummies) don't remember what his name used to be and just call him "Scarab." Personally, I find this fitting given that Scarab is a man who has misplaced aspirations of grandeur and having his name and memory super turbo erased from even memory itself would be an excellent fuck you from Amenhotep.
And on the note of Scarab, I justify his scarab beetle theme with the idea that Scarab stole power from Khepri in ancient times, the sign of that manifesting as the scarab-shaped mark/tattoo we see on his back in the show. This is what gives him the power to create life-sized shabti in the volumes he does and is a vital component to his plan for using the Pharaoh's spirit to grant himself immortality. In ancient times, Scarab used the power he stole from Khepri to rob Rapses of his Ka (aka, his life force, killing the poor boy) and then using that stolen ka as like...an appetizer, which consequently gave him enough power to survive most of his three thousand five hundred year living entombment. From there, Khepri's power served as emergency life support for Scarab until Harris Stone cracked the seal of his tomb (given that Khepri is notably the god of resurrection, so it stands to reason that Khepri's power could do that). Scarab then ate Stone's Ren (and possibly the rest of his soul) because he had lost his godsdamned mind in that tomb, which allowed Scarab to not only regain his sanity, but subsume Stone's identity and buy himself some more time.
Similarly, the Mummies are also powered by Khepri! You see, Khepri noticed Scarab stealing some of his power but was unable to directly interfere to take it back because he's part of Ra and Ra is busy 24/7 unfortunately. So when Rapses is reborn and Scarab tries to hunt the boy down again, Khepri sends a little of his power the Mummies' way to call them back from the Field of Reeds to redeem their lifetime's greatest failure. Hence their battle cry/incantation "With the Strength of Ra," because in this case, they literally were given power by Ra himself.
The Amulets are going to be Important Plot Points in my Season 2 as not only are they juiced by Khepri's power, but they're originally finely crafted magic items that each bear the blessing of an Egyptian deity. Ja-Kal's is Horus (obviously), Rath's is Wadjet, Armon's is Khnum, and Nefer-Tina's is Sekhmet (because really that makes more sense given Nefer-Tina's occupation as a warrior in service to the Pharaoh as Bastet seems to be more home-oriented) that gave them special abilities reflecting their patron deities. These powers are separate from the armor and weapons they wield in the modern day, which were gifts from Ra of the Dawn (aka, Khepri) as part of their revival. After season 1, the Mummies will be set on a quest to renew/re-earn the blessings of their patron gods so that their Amulets keep functioning properly. There's also going to be a bunch of others floating around that pop up for Plot Reasons.
Season 1 will be largely made up of the original episodes (though some of the original episodes will be in Season 2) and will be used to establish the world, the characters, mechanics and whatnot. Season 1 will also be largely defined by Presley's "refusal of the call" stage in his hero's journey, culminating in a two part finale where Presley can deny the truth of his situation no longer. Remember the eclipse in episode 4? That's a big part of my season 1 finale, as is that incredibly underutilized time Scarab impersonated Amenhotep.
Season 2 will have a few of the original episodes sprinkled in but will largely be my own original concepts. This season will be defined by Presley stepping into his role as Pharaoh and going around to get the favor and support of various gods in the pantheon. This will also be where the bulk of the Amulet Plot Line will be. The season finale's final battle will be set up as a mirror of the Season 1 finale but meant to showcase how far Presley has come from the defenseless kid he was in the first season.
Season 3 will be Scarab's third act breakdown and descent into madness as he stoops to consorting to Apep, the Chaos Serpent (also known more commonly as Apophis). Still noodling on what this will look like story-wise, but it's looking like it will feature a lot of the more primordial-leaning gods (Nuhn, Geb, Nut, etc) that were just casually dropped in the original series.
Walter, Elaine, and Amanda will also have larger roles! Walter will be experiencing most of the Mummy Nonsense from jump, serving the narrative role of being Presley's "non-chosen sidekick/best friend". Elaine, meanwhile, does not conveniently lose her memories and elbows her way into the plot (after learning an important lesson about the sanctity of secrets in situations where exposing the truth would put innocent people in danger). Hiding the Mummy Nonsense from Amanda will be a more deliberate effort for the first season as she will be investigating the events of the first episode to discover what really happened to her exhibit (and not conveniently oblivious to the Nonsense going on around her son), finding out the truth in the second season and helping from there to actively fight Scarab.
I'm also keeping Kimas because this is MY STORY and I WILL KEEP MY LITTLE GREMLIN SON IF I WANT!
The Original Episodes: What Will Stay, What Will Change, What Will Go
The Keep Category (i.e. These episodes will largely be unchanged except for some pacing and story details)
"Ra, Ra, Ra, Ra"; "The Bird Mummy of Alcatraz"; "Body Slam"; "The Egyp-Tsu Kid"; "Missing Ja-Kal"
The Change Category (i.e. episodes that will remain the same on core concept and story but the execution will be changed)
"Sleepwalking Like an Egyptian"; "Pack to the Future"; "Good Bye Mr. Cheops"; "Dead Man Walking"; "Miscast"; "Ghouls' Gold"; "Pepped With Good Intention"; "Object of His Affections"; "My Dad the Hero"; "Family Feud Parts 1 - 3"
The Scrap Category (i.e. episodes that are either "completely scrapped" or "scrapped for parts," the latter will be bolded)
"Kid Scarab"; "Dr. Jekyl & Mr. Huxley"; "The Gift of Geb"; "High Nuhn"; "Water, Water, Everywhere"; "Honey I Shrunk the Mummies"; "Who's Who?"; "We've Got One"; "Show Me the Mummy"; "Sleight of Hand"; "Tempting Offer"
The Overhaul Category (i.e. the "Change" category but on steroids)
"Paws"; "The Curse of Sekhmet"; "Loss of Face"; "The Prince & The Presley"; "Dog Bites Mummy"; "Reunion"; "The Face in the Mirror"; "A Dark & Shrieky Night"; "Monster Truck Mania"; "Tree O'Clock Rock"; "True Believer"; "Desert Chic"
The Undecided Category (i.e. episodes that I haven't decided what to do with yet)
"Married to the Geb"; "Eye of the Beholder"
Character Profiles: The Mummies
Ja-Kal:
Amenhotep's second cousin, a hunter he holds in high regard for his loyalty and general level-headedness, as well as his skill with a bow. He lived a humble but comfortable life with his wife, Tia, when Ja-Kal was asked by Amenhotep to lead the Prince's personal guard. When asked, Amenhotep said he wanted his son to be surrounded by people Amenhotep knew he could trust with the boy's safety.
Was given the Falcon Amulet of Horus as a sign of the Pharaoh's trust and favor. The Amulet expanded upon his already impressive skills as a hunter by endowing Ja-Kal with intuitive knowledge of his environment and the terrain as well as the power to see in total darkness.
He's duty-driven and loyal, but also longs to be a good father and husband, though he struggles to find a balance between his duty to the Pharaoh and his duty to his wife. In fact, when his son was born about a year before Scarab carried out his scheme, Ja-Kal nearly resigned from his post as the leader of the Prince's guard so that he could devote his full attention and energy to his family, because Ja-Kal knew that between his family and the Prince, the Prince was bound to take precedence and he didn't want to do that to his wife and son. Tia convinced him otherwise.
Ja-Kal still somehow equates all of his life advice to hunting metaphors.
Ja-Kal has a younger brother, Arakh, with whom he has a tense relationship. Between the two, Ja-Kal always had an easier time finding success and Arakh grew to resent Ja-Kal for it.
Rath:
A scientist, swordsman, and mage all in one, and immensely proud of that fact. Initially, he was brought on to be Prince Rapses' tutor when the boy was about five. Even after he became an official guardian, Rath's primary role in Prince Rapses' life was that of a tutor, though after the incident that led to Rath becoming a guardian, he was permitted by Amenhotep to school Rapses in the art of magic.
Rath proved himself an effective guardian when a mystic threat posed a danger to Rapses and Rath disposed of it by his own skill. As a symbol of his position, he was given the Cobra Amulet of Wadjet, which gives him a venomous bite and the ability to temporarily transform his head into that of a cobra (you know, that thing he does like...once, in episode one).
Rath is kind of arrogant but smart enough that he almost earns the right to be that smug. He lords it over his fellow guardians and adults but still demonstrates a great deal of patience with those under his tutelage. While Rath is a genius and he knows it, he also understands that there is much more for him to learn. The biggest difference between the canon!Rath and the one I will write is that Rath will not be as dismissive of new advances in sciences.
Before Rath was the Prince's tutor and guard, he was a research partner with Chantra, a sorceress whose skill with magic easily matched his own. Together they devised a powerful new method of spell casting that could draw power from gods and living souls directly and without incantation or permission. Rath was more interested in this concept in the theoretical, whereas Chantra always pushed to apply it despite its dangerous and heretical nature when used straight.
Armon:
The first to be part of Rapses' personal guard, Armon was a renowned warrior who served Amenhotep in one of his many campaigns to Nubia, even losing his right arm defending him. Up until Rapses' birth, Armon was part of Amenhotep's personal guard and they were even on friendly terms. There are some stories that say that Armon was one of the first people the Pharaoh let hold his newborn son, which only lend credence to the rumors of Armon and Amenhotep's close friendship.
Unique to the other guardians, Armon was given the Ram Amulet of Khnum following his discharge from the Pharaoh's army and acceptance into the Pharaoh's personal guard (and later into the Prince's). This was done as a way for Armon's valorous actions in defense of his Pharaoh to be honored. The Ram Amulet allows Armon to walk freely over all terrain, including water.
As a warrior, Armon is an exceptional fighter with or without his right arm. He's skilled in wielding all sorts of weapons but Armon truly excels in hand-to-hand combat due to his raw strength and his skill in wielding that same strength, even against opponents stronger or larger than he is.
Compared to Rath, Armon is not especially book smart, but he's by no means stupid. More academic subjects go over his head sometimes, but out of all the guardians, Armon understands and reads people the best, spotting things others might miss or asking questions that may have been overlooked. (Armon was the first to grow suspicious of Scarab, sensing his ill-intent and underlying resentment towards the Pharaoh)
Armon's love of food stems from being the son of a royal chef and he has a long mental list of recipes he learned from his mother (who is said royal chef).
Nefertina:
(I'm not opposed to changing her name because the "tina" bit really feels like Western writers trying to signal to the Western audience that she's a woman. I haven't figured an alternative out yet, so I'll continue calling her "Nefertina")
Now, in my telling, Nefertina never hid her gender because as it turns out, ancient Egypt wasn't quite as sexist as modern interpretations might portray (this isn't to say that it was free of sexism entirely, as women were barred from certain professions, like being a soldier and posts of great and overt political power, but it wasn't as restrictive as we might imagine). Still, Nefertina was a bit of a stand out because women weren't warriors in any capacity, but she was more interested in chariot driving than combat anyway, so that didn't bother her much. Given my research, it's pretty doubtful that women were barred point blank from driving chariots (though the Pharaoh's chariot specifically may have been a stretch for anyone other than the Queen, but sources are unclear). Still, regardless of whether or not she was allowed to do the things she wanted, Nefertina was no push over and had plenty of fighting spirit.
Initially Nefertina was a lady-in-waiting to the Queen, but gained favor from the Pharaoh after she successfully defended the Queen and a three-year-old Prince Rapses from an attempted assassination with little more than a footstool and a hair pin, giving the Queen time to escape with her son and raise the alarm. As a reward for her courage, Nefertina was given the chance to take up a position in the Prince's personal guard, gaining the Lion Amulet of Sekhmet as a sign of favor, and unilateral permission to drive whatever chariots she wanted whenever she wanted.
Nefertina is a talented tactician who uses her environment and cunning to her advantage while also using pure strength and blunt tactics. However, her youth and inexperience compared to the other guardians often leads Nefertina to take a "brawler approach" over a strategic one even though she does have the talent for it. She's something of a wild card, as likely to use a clever trick with her environment as she is to pick up the nearest blunt (or sharp) object and go to town.
Nefertina is hot-headed and passionate. She often feels she needs to earn her place/prove herself amongst her older male comrades and this can lead her to get a bit defensive in the face of judgement. Which is a little silly when put against the fact that Nefertina regularly serves as Ja-Kal's second in command (and also as his lancer from a meta-narrative perspective), filling in for the leader in blue when he's unavailable.
So, essentially, the order in which the Mummies joined the Prince's personal guard goes as follows: Armon, Ja-Kal, Nefertina, Rath.
---
Next post will be an episode-by-episode guide for what my seasons will look like. I'll probably only do Seasons 1 and 2 for now because Season 3 is still largely blank, but I will welcome any questions on this :)
this is like. GENUINELY the best edit i've ever seen in my life. full stop. let me reiterate: not just the best severance edit. THE best edit. the creator doesn't have a tumblr that i can find but i simply had to share.
the face you make when you're about the update the autopsy report
I dunno what it is, but the smug ass taunting faces of ace attorney sprites made me wanna do them specifically, like i HAD to draw them. Especially so luz can hold glyphs in hers and amity can do this very specific pose with abomination goo.
drawing the palisman was kinda fun with this one, like the reason i'm keeping them out of staff form for these is because they'd be way more fun to include in sprites this way
it's so BOUNCY and FUN, even without words you can tell what moves each Pokemon is uses (Girafargig going for a Stomp, Butterfree using Sleep Powder/Gust) as well as visually showing how Quagsire is immune to electricity so Pikachu has to improvise, the personality/attitudes of each Pokemon really shines (Cyndaquil kinda just yawning like "OK, I'm awake, let's go" before immediately being able to shove off the Mankey, and then letting loose a big Flamethrower like it's nothing, just so casual), this is just a Battle for fun they aren't trying to knock out each other's entire teams so Ash and Lisa are happy to just have a tie at the end, the Pokemon use the environment of the playground as they Battle, both Trainers cheer and cuddle with their Pokemon through it all... it really is BEAUTIFUL
Just to add on to this sentiment, Lisa's not exactly a major character in the film right? This battle happens with her just kinda crossing paths with Ash and co, and then she leads them to the town where all the eventful stuff is actually happening. And yet despite that, they take the time here to clearly show her own attitude and that she has her own relationships with her pokemon. The specific ways she gets excited when they're doing well and disappointed when they lose their part of the fight, it really gives the impression that she's someone with just as full and eventful a journey as Ash has had.
They are called sundown towns and there are a LOT of them in the US.
https://sundown.tougaloo.edu/sundowntowns.php
This website has a clickable map where you can see suspected and confirmed sundown towns by state, as well as information about whether these attitudes are historical or current.
The homepage of Dr. James W. Loewen, author of Lies My Teacher Told Me, Lies Across America, and Sundown Towns.
My obligatory addition to this every time it crosses my dash, because I know the link is definitely missing ones in my own (northern) state and there are some in this thread not on the above link either - thread by LeVar Burton with a LOT of replies from people naming the sundown towns near them:
I love how Pomni immediately closes up when Jax asks how she’s getting on because he’s that much of an asshole that normal conversation with him is absurd
