— Interview with the vampire 2.03
Fai_Ryy
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@usersylvia
— Interview with the vampire 2.03
Obsession dir. Curry Barker | 2025
people keep going “x y and z is the POINT”, that is the number one fandom criticism defensive strategy now, as if every possible interlocutor is just too staggeringly stupid to ever get it. and it’s like no i understand the point but i think 1. often the point itself is inane or uninteresting or not justified by the starting proposition or the least compelling conclusion to reach from a starting proposition 2. they are not even conveying their chosen point competently. even if i accede that is the point, is the point made WELL? separate question. you can say this till you are blue in the face, doesn’t negate either ground of criticism.
Inde Navarrette as Nikki Freeman OBSESSION (2026) Dir Curry Barker "What she really brought [to the movie] was a personality trait to the real Nikki that I did not anticipate. I wrote Nikki as this really sweet, girl next door, kind of like the dream girl of any guy. She's so sweet, she's got a heart of armour. Nikki gives money to the homeless person and you can see she's really got empathy. But what Inde brought was this, like, bro-type of sassiness to Nikki that I didn't anticipate but ended up working really well for the movie because it kind of emphasizes that Bear is totally in the friend zone." — Curry Barker for Cinema Blend [Inde] is a surprise talent. She was very reserved in rehearsal [during production]. It was very much a mystery to me what she was capable of. As a first time filmmaker you're kind of nervous about that. You're like, oh my gosh, I hope everything works out. But I remember, I think this was the first day of shooting, and it was the scene where she was kissing Bear on the bed and she flies back. I was, like; "Here we go, okay, action!" And she did it. I looked at my producer [Haley Nicole Johnson], and was said; "Okay. We've got a movie." And that's the take [that's in the movie]. We only did one take of that." — Curry Barker for Evolution of Horror [Auditioning actresses for the role of Nikki] was a really rigorous process. A lot of really talented girls came out for this. You'd either find an actress was really good at [acting out natural scenes] and just talking and all that but they couldn't get the really eerie, weird, scary stuff right. Or you'd find that they could really go weird but they weren't very naturalistic. It was [about] balance. We got very lucky in the end [finding Inde]." — Curry Barker for CBR In Studio
i love when ugly things are also erotic. that's how all of this started
SHERILYN FENN as AUDREY HORNE in TWIN PEAKS, S02E07: 'Lonely Souls'
like the thing about marimand is that you actually and i mean this very seriously cannot analyze the relationship based solely on armand’s perceptions of it, because he was a successfully groomed child whose idea of their dynamic and the power differential was seriously skewed and barely had anything in common with the way marius was treating their relationship, even in armand’s own memory. like, armand alludes to marius being his father or teacher and calls him his master obviously, but you can tell that the throughline within all of his memories is that him and marius were basically equals and that what frustrated amadeo about their romantic/sexual relationship was that marius would seemingly irrationally deny amadeo’s maturity, adulthood, manhood. like its difficult to not wince when people say see, it was consensual, amadeo thought it was fine, amadeo loved him and didnt feel exploited or abused. marius very clearly sees amadeo as a child, as HIS child, as a fundamentally immature kid who has not finished cooking yet, which he IS, and this is true of the people around them as well, who see amadeo as marius’s son, who see him as a child, always a CHILD. amadeo is frustrated to be seen this way because marius is molesting him and, to his eyes, treating him as an equal in keeping him as his lover, which to him means that he is a mature adult man, but this isnt how anyone else sees it. bianca, who is only a few years older than amadeo and IS an adult woman, calls marius on it too, how amadeo is not only a child but also essentially marius’s son, despite ALSO willingly having sex with amadeo and later on begging for a threesome with amadeo and marius. like marius just does not see amadeo as an equal or an adult, it is very clear to him that amadeo is a child, and its not something he avoids acknowledging either when it comes to how he treats him, which is like a father treating his son. sexual, familial, romantic, possessive, condescending, paternal, marius does it all, he sees amadeo as all these things at once, but never as an adult man.
it is kinda crazy how people simultaneously do a lot of loud worrying about csa and the nefarious pedophiles grooming their kids but then also do what should be seen as obvious preemptive sexual grooming on their own kids. the culture of “youre my kid” with an unsubtle undertone of possession and also the entitlement to children’s bodies that most parents have is like just. like when you make it clear to your kids that they have no right to bodily autonomy or that their upset over you touching them a certain way is inappropriate and not valid how are you going to expect that they then magically are able to say that those same feelings are suddenly valid when they’re caused by someone else? like so much of child raising involves such antagonistic and oftentimes physically violent forced access to children’s bodies often despite their active verbal nonconsent. and youre somehow unable to make the connection as to how this type of boundary stomping erodes someone’s ability to identify when your discomfort is “valid” vs “not valid” and how that would clearly leave someone incredibly vulnerable to sexual abuse
the best thing a character can be is groomed. the second best thing a character can be is, of course, a groomer
music not hitting, phone not hitting, Minecraft not hitting, food not hitting, mouth taste like blood, death comes for us all
Jenny Holzer 1983-1985 painted cast aluminum Overall 10 × 8 × 7/16 in25.40 × 20.32 × 1.11 cm
IT’S MARCH
Uh… It’s still May…
It’s august
the vampire almond
i love reading very very late at night because that’s when the lines between reality and fiction blur and everything becomes a fever dream and you can properly disappear into the pages
finally rewatching tvl and it really is lestat's masculine and sympathetic hypersexuality vs armand's embarrassing and effeminate hypersexuality huh
ASSAD ZAMAN as ARMAND in The Vampire Lestat • 1.07, The Failures