styofa doing anything
h
Kiana Khansmith
art blog(derogatory)
taylor price
⁂
Keni
Andulka
Monterey Bay Aquarium
almost home
Misplaced Lens Cap
hello vonnie
ojovivo
oozey mess
❣ Chile in a Photography ❣
tannertan36
"I'm Dorothy Gale from Kansas"
@theartofmadeline
sheepfilms
roma★
seen from United States
seen from Türkiye
seen from France
seen from Türkiye
seen from Austria
seen from United Kingdom
seen from T1
seen from United States
seen from Poland
seen from United States
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seen from United States
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seen from Maldives
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seen from Türkiye
@veganandy
Pdf of The Question of Palestine by Edward Said
This is seriously one of the most important landmark writings on palestine and I recommend especially people who feel like they don’t have a full grasp on history and context in the area to read it. As far as I remember it’s a very easy read too
People, Charlotte Ager
Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.
hahaha it wouldn't tho, sorry 💀
Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):
Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.
Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself
Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.
Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.
Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)
Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.
If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:
(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).
The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.
And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.
So what can we do?
We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.
For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.
I'm absolutely on board with learning some self-reliance in the webcomics arena. Remember when Tapas included a grab for the right of first refusal in their general terms of service? Yeah. I'm 100% on with you on trying to manage your stuff yourself.
ANYWAY.
@nattosoup, @respheal and I wrote an blog post about this years ago, when Project Wonderful still existed. It has been a long time, and the landscape has changed, so please bear with me as I provide some updated information.
(See also: the archive of the FreeJeeves page. There's a wealth of information here, including some ways to make your comic website more mobile friendly.)
Please visit these resources and see if any appeal to you. They're a mix of materials that are like textbooks, as well as free courses. Some links may require signing up.
I am not affiliated with any of these websites.
1. Learn HTML + CSS
HTML and CSS are the foundation of every page. You don't need internet access to build an HTML page -- you can do it all from your computer at home. But you do need some basic knowledge to get started. If you can format a tumblr post or ever feel adventurous enough to poke at tumblr's themes, you can learn HTML.
https://www.w3schools.com/
https://developer.mozilla.org/en-US/docs/Web
https://www.codecademy.com/learn/learn-html
https://web.dev/learn/design
https://www.freecodecamp.org/learn/2022/responsive-web-design/
https://www.theodinproject.com/paths/foundations/courses/foundations
Once you learn how to build your website, and have a place you want to upload it? You might want to learn about FTP, which is the file transfer protocol. This lets you upload files to your webhost. If you need an FTP client, Filezilla is absolutely free and works Windows, Mac, and Debian flavors of Linux. (important note: Download the Filezilla client. Don't download Filezilla server unless you know what you're doing.)
2. Where to Post your Webcomic
Here, I'm focusing on places that let you customize your layout and allow for some freedom.
In that old blog post, I mention different types of hosting. We're going to focus on "shared" hosting, which is usually fairly inexpensive on a month-to-month basis and requires almost no knowledge of the server. For a webcomic, you do not need to use AWS, buy a VPS, or rent a dedicated server. That'll be overkill for most folks. If you're at that level, you should know what you're doing.
2.1 Existing Services
Existing services can change their rules or go offline at any time with no notice to the user. Please keep this in mind.
https://comicfury.com/ - Free, Requires HTML knowledge. Has Templates that you can customize when you build your site, but also some documentation on their forum.
https://www.tumblr.com/ - Free, might require HTML knowledge. Simple Webcomic Theme: https://www.tumblr.com/theme/39018 Baidi Webcomic Theme: https://www.tumblr.com/theme/40103 If you do this, I would recommend setting up a dedicated secondary blog for your comic.
https://www.theduckwebcomics.com/ - Also free. I have no idea where the theme documentation is without having to log in, so... I'm only linking this because it exists and people still use it.
https://neocities.org/ - Free hosting? Yay! When I was a kid, we had free websites through Geocities and Angelfire, and this is much like that. Rarebit template for comics: https://rarebit.neocities.org/
2.2 Self-Hosting with a Content Management System (CMS)
I cannot recommend any webhosts right now, but I can recommend software you can use for posting webcomics, if you feel like getting into the weeds way more than basic HTML/CSS will allow.
These will require the ability to read documentation and follow instructions, as well as basic knowledge in how to upload/edit files using FTP. Your webhost will have documentation if you need access to it.
At the end of the day, a webcomic is basically a blog, so most blogging software can be modified to make it work for this purpose.
If you require technical support for these options, please visit the websites for these tools.
Also, please remember support the developers if you can. Making tools for webcomics is largely a project of love (...sometimes spite), but many are discontinued because the devs become tired, burnt out, or simply lack the energy and finances to do so. It takes a lot of spoons and energy in general to provide technical support, especially when so much knowledge has been lost.
Wordpress + Toochecke - Great for webtoon-style comics, rather than graphic novel style comics. If you don't want the theme, the Toocheke companion tool can be used for making any theme a comic theme. Requires PHP and MySQL.
Wordpress + Manga+Press - Works with some of the default themes for Wordpress. Documentation is a little sparse right now.
Grawlix - A webcomic dedicated Content Management System, now maintained by folks who want the software to continue to exist. Requires PHP and MySQL.
ComicControl. - Created by Hiveworks' developer, available to download for free. Requires PHP and MySQL.
3. Promote your Webcomic
Let's assume you know about social media, and skip right to some other resources:
ComicAd Network - You can put ads on your website OR you can put out ads and get the word out on other webcomic sites.
Piperka - I'm not sure how much this is used anymore, but you used to be able to list your comics for people to find it.
Archive Binge - This functions as an aggregator tool, letting readers track comic updates and keep your place on one website.
TopWebComics - It's a toplist -- which basically, you get your readers to vote for your comic to boost your ranking. (They can vote for others, too!)
Link to your comics and make it possible for people to link back! A lot of people forget -- link exchanges and sharing content you like? Unequivocally a win-win for everyone, and it's good for SEO. I actually built a banner display script that you can look over and reuse, if you wanted to make a webring or something.
@bogleech as a seasoned webcomic maker do you have insight on this?
Hosting a webcomic is free and almost effortless actually. My multi gigabyte 22 year old website is now hosted for $5 a month on neocities, but the free neocities also gives you enough space to host hundreds of comic pages and more.
The html I use is less complicated than what many of you used to do for your custom Tumblr profiles, or what kids used to do for their neopets lookups. I made one simple template to my liking and all I do to update is copy that template again, then manually alter the links as needed.
For a typical webcomic that would mean you're only updating the links to the comic page and navigation buttons, then adding a link to the new page in some master "archive" page.
I can just upload a template myself when I get home later, or alternatively, you can save any of my pages off bogleech.com as a .html file, open it up in a text editor and see how it's laid out. If you change it all around to your own content you don't have to credit me, since it's bare bones universal css code anyway.
Okay, here's a silly thing I made for everybody who knows absolutely, positively zero HTML:
Click this link to see a very dumb comic all about how to download the page and use it for your OWN comic.
HOW SIMPLE IS IT??? So simple, the entire guide could really just be this single panel:
.....But I include other ultra basic instructions on how to do this, beginning with how to save the webpage at all. If you don't understand html/css, you don't have to worry about anything other than the six pieces of text I circled there in red. Just keep reusing that page and changing those things to whatever you need them to be. There is no software you need for this to work, no additional coding or resources other than having a place to upload it to, and certainly no "glitches" you need to fear other than typoing your own links. It's the most bare bones it could possibly be but once you're used to it you can look up how to change background colors, add links and other basics. And like I said, neocities will give you the space to upload hundreds of such pages at no cost, or as little as $5-10 monthly if you think you can cover that and you want to upload tens of thousands of such pages. With that basic plan my own website has somewhere around 65,000 image files on it. (You can also modify the same template to make other kinds of posts. Articles, whatever you want!)
HERE'S ADDITIONAL STUFF YOU DON'T HAVE TO DO IF YOU DON'T WANT TO BUT IT DOES MAKE A WEBSITE MORE WEBSITIER
that last code by itself:
<meta HTTP-EQUIV="REFRESH" content="0; url=yourwebsite.com">
THIS IS WHY when you go to bogleech.com/pokemon/ you go to the very newest pokemon review! Because my site's /pokemon/ folder has an "index.html" file with just that line of code! When I put up a new review, I change the code in the index file to take you there!
the idea that dressed boring/plain means a person is boring is well... uh. ok. i'm going to be nice. some of us don't live in outfit world.
Me in the shower thinking about my wife: i think one of the big reasons why het culture "wifey/hubby" "his/hers" "tiaras/mustaches" matching sets other than the cis binarism of it all is that it reveals the thought process behind heteropatriarchy wherein ideal love is a product of inversion; two puzzle pieces that fit together but are separate and made functional solely by the utility of their differences. Heteropatriarchal love retroactively redefines a person as a half of a whole, their functions and idiosyncrasies only valuable when curtailed by another's. But more than that, heteropatriarchal love is so divided. My "hers" towel and your "his." Married on a friday because saturdays are for the boys. Your woodsmoke-scented deodorant and my lavender. We cant possibly hope to understand each other and that's what lends our partnership value, somehow. But the love i cherish--the love that nurtures me--is inextricability. Not the teeth of your personality spinning the cogs of mine but the blend and blur of our edges together. The further in the tide rolls the better. The love that nurtures me is accepting everything about you into my life even if i dont feel the same way about it that you do. Its a becoming. Becoming you, becoming myself, becoming us, again and again. There are no puzzle pieces to snap together, and im no more or less of anything with or without you. But no matter what happens i carry you with me now. Even in the small ways like how we wear each others jackets and deodorant and hats. I wear your mannerisms, and your jokes. I have your interests. You have my music taste. We subsume and consume one another. We explore each other by exploring ourselves and vice versa. The process of loving you is a mapping of a vast expanse and it is the creation itself of that expanse, ad infinitum. Loving you is a fluidity of the self. I try out new ways of living through you. I see through your eyes. My life doubles by virture of sharing it with you. We finish each others sentences and joke that were the same person but its truer than we have the language to describe. My selfhood blurs into yours; Im not half of a whole, but together we are a whole. You could draw a straight line from one end of me to the other end of you, no breaks. And why shouldnt we travel that line? Step inside my head and get comfy. Mi casa es su casa. Youre me and im you.
What comes out of my mouth when she walks into the room: id let you wear my skin if i could
Is it just me or should prisoners work for free....? You're in prison because you committed crimes, some of them incredibly heinous and disturbing..... Why should we pay you for manual labor whilst in prison?
Because if you’re forced to do labour for free, that makes you an actual fucking slave.
Prisoners are human.
Humans have rights that must not be infringed upon.
A country where they can put you in a for-profit prison, charge taxpayers to house and feed you, while also using your sweatshop labor to produce and market "made in america" goods, has an incentive to criminalize and incarcerate their population.
The colourful Oma forest (Bizkaia), painted by Basque artist Agustín Ibarrola between 1982 and 1985.
Pic sources: 1, 2, 3 & 4
“Capitalist innovation” is publicly funded. Only the profits are privatized.
Graphic by Fuck Capitalism 2020
“The less you eat, drink and buy books; the less you go to the theatre, the dance hall, the public house; the less you think, love, theorise, sing, paint, fence, etc., the more you save – the greater becomes your treasure which neither moths nor rust will devour – your capital. The less you are, the less you express your own life, the more you have, i.e., the greater is your alienated life, the greater is the store of your estranged being. Everything which the political economist takes from you in life and in humanity, he replaces for you in money and in wealth.”
— Marx - Human Requirements 1844
the black book of communism explained
so after making this meme about death under communism to stir the pot as usual for my blog, I saw one of the leftists that got pissed at me argue communism DID kill 100 million people but it was marxism-leninism and they're an anarchist so they don't support the communism that killed 100 million people.
let's get started. there are people of all political views that know the 100 million statistic is bullshit, including the people who contributed to the book themselves. for anyone who doesn't know, the idea that communism killed exactly 100 million people comes from 'the black book of communism', the anticommunist version of the 'black book', a book made by the jewish antifascist committee detailing the crimes of nazis. guess what? in the black book of communism, nazis and their collaborators are counted as victims of communism again and again (jsyk there are lots of instances of antisemitism in the black book of communism screenshotted here if you want to avoid that). aside from actual nazis, the black book of communism carelessly counts other deaths from war and natural disasters. it is the equivalent of taking the death toll of a war a capitalist nation is involved in and claiming all those dead are victims of capitalism--which could actually make more sense given the profit motive behind war. but with all this said, were there people killed by communists for political reasons? yes. is this justifiable? well, in order to defend a communist revolution against much more wealthy and powerful capitalist countries doing anything in their power to stop it, including infiltration, there will logically be casualties directly related to maintaining communism. anyone who claims a communist revolution can succeeed without some level of suppression is a liar, unless we teleport to a word without capitalist, imperialist nations who will leave an endless trail of blood if it means "stopping the spread of communism". reality isn't always great. you must ask yourself what you would do and what should've been done instead, because you can't run from history forever, and in order to have a revolution with positive results, you must learn from the best and worst, and not be afraid to reveal the truth.
i think i'm just afraid that if i dig deep then there will be nothing remarkable about me, or if there is, i won't know what to do with it. silly fears. i wish i knew what to do with my hands. sleeping is so easy.
don’t like this anymore! “unremarkableness” barely even a word. who cares. i wasn’t born to be remarkable, and neither were you, none of us were. we weren’t born for anything. it just happened. in the grand scheme, nobody and nothing will ever be remarkable. we will live and die and be forgotten. but who cares about the grand scheme! you’re not the universe, the cosmos. you won’t be here to witness your non-consequence to the everything. to you, you are all of it! you were given a gift- subjectivity. with that gift, you can feel. love and hate and fear and hope. you can build something the cosmos can’t: a perspective. you will experience, you will fall in love, you will fail, and learn, and at the end of it, you will have been a whole person with a whole life that no one else will have ever been able to have. none of that has anything to do with being remarkable. it has everything to do with you allowing yourself to live, to try, to act. trying is terrifying. and is worth everything.
Remy from Rattatoullie says gay rights!
please put some respect on patton oswalt’s name
This is my favourite Lenin Picture like
He Knew
I look like Jesus, so they say But Mr. Jesus is very far away Now you’re the only one here who can tell me if it’s true That you love me and I love me
@sephbeams
okay i just had a bad epiphany but corporate interest’s influence on the internet is going to become so much stronger now that generations that are internet naturalized have grown up and starting working as “social media consultants”. advertising is going to become so much more subtle, manipulate your behavior to a greater extent, and completely pervade every aspect of our lives the more we rely on the internet for everything from entertainment to social validation.
what im saying is its scary that corporate twitter accounts are getting good at twitter. to have the same avenue a human would to express themself. its like, an extreme anthromorphism of a brand, and that brand representing a corporate interest, and successfully passing itself off as a sentient entity on twitter, thats really weird to me.
like this is so fucked up. it doesnt immediately read as an advertisement, conceptually it executes the levels of irony and deconstruction that usually make for successful memes in this genre or whatever. its almost subverting itself, but ultimately it still succeeds as an advertisement. it makes me sick. for every misfire of corporations trying to relate (pepsi protest commercial), theres another company getting better at it
okay but like my thing about this is… who is actually eating at these places because shit like this? yeah it’s funny but i never go to wendy’s because a meme, if i go to wendy’s it’s because i want a gross burger and a frosty, same with taco bell and mcdonald’s and wherever the fuck.
i really think that you’re blowing this out of proportion and having very little faith in people’s ability to decide what they want for themselves. it’s just not that deep.
It’s not about the effectiveness of the ads in question, but their complete omnipresence in every aspect and moment of life, and how bizarre and sophisticated the mechanations of advertising have become. If people don’t call attention to these things, they become normal.
The effectiveness of marketing isnt one-to-one, like, “ad says burger is good, I think burger is good, I eat burger.” That was 50 years ago. Y'all, since then these multi-million dollar corporations have been hiring psychologists and sociologists and anthropologists to study how best to get under consumer skin and theyve figured out it’s not about making you WANT a burger,
It’s about creating a Brand Identity - an anthropomorphized personality that your brain fits into an established schema (system of thought) so it’s easier to just drop into the background of your everyday life. It’s not about making you want a burger, it’s about making it so, when you DO want a burger, the first place you think of is Wendy’s, because their ads have made you think about them five time already that day. And most importantly, it’s about making sure you dont realize how often they make you think about them, so you don’t resent how pervasive they’ve become. They do that by tricking your brain into thinking of them as just another human-like personality. Your Funny Meme Friend Wendy’s. Wine Aunt World Market. Woke Jock Nike. Even your Endearingly Unhip Uncle Geico.
(hey also if you want dozens of terrifying examples of what I mean, just type ‘brand identity schema’ into Google like I just did and take a gander at all those scholarly articles discussing how best to acquire consumers, like we’re a fucking commodity)
one time i said i didn’t like the wendys twitter and got called classist for hating retail employees
this shit works. it makes people like Brands. gets under their skin and in to their minds. when i said i didnt like the wendys twitter i personally offended people that viewed wendys as a friend, that viewed the wendys social media manager as a friendly individual that they respected.
the wendys social media manager is not your friend. they don’t even really exist. there’s no one person that writes the tweets for wendys. there’s a team of 20 something year olds that casually observe the latest meme trends and crank out mspaint memes because they know they’ll get retweeted if the memes are relevant.
they trick you in to thinking that Wendys is a hip friendly young person, and they manipulate you in to thinking that disliking marketing is somehow a “problematic” “un-woke” thing to do.
and it works.
install ublock origin. on mobile, block every promoted tweet you see. don’t let them convince you that this shit is normal.
I just wanna say, not only was I extremely correct in my paranoid regarding these posts, but it’s actually gotten way fucking worse already
I’m just going to be blunt about it; America’s depression epidemic is a direct result of the all-encompassing alienation we experience under late stage capitalism, and now private interests are attempting to recuperate the general public’s feelings of hopelessness and despair into marketing material, the spectacle in effect recuperating our despair and making it appear that the powers that be are on our side. That we are being watched over by boardrooms with loving grace, despite the fact that they are part and parcel with the forces of economy that has driven so many people to not see any hope in their lives. By recuperating the public discourse about the root of endemic depression, the status quo is able to trivialize it and sterilize it before before safely incorporating it back into mainstream society. Not only are we unable to strike against our enemy, most of us can’t even see them for what they are, and the rest of us can’t even speak to the truth of what they are capable of.
Pay attention to little bizarre happenings like these, they betray the rest of the iceberg
