* ~ . * ~. *~.

Blah blah blah

[cosmicanger]

[cupofmeat]

"Mangosteen", Fumi Koike.

[visuls]

This image shows the changing arcs of the sun throughout the year. The smallest arc at the bottom marks the winter solstice, and the largest one at the top the summer solstice. The band in the middle is the 'equinox'.

[lajoiedefrancoise]

Breathless (1983)

[noisepuppy]

I asked if this was an art installation and a Danish person said "no this is quite a serious impedance"

[othersystems]

[polkadotmotmot]

Sally Michel Avery - Cat Lover, 1978 - Oil on canvas

[365filmsbyauroranocte]

À ma soeur (Catherine Breillat, 2001)

[chic-a-gigot]

Le Petit écho de la mode, no. 10, vol. 10, 11 mars 1888, Paris. 3. Papillons en tapisserie. Brun moyen, foncé, très foncé. Jaune très clair, clair, moyen, foncé, très foncé. Rouge moyen, foncé, très foncé. Bleu clair, moyen, foncé. Beige très clair, clair, foncé. Ville de Paris / Bibliothèque Forney

[webrelic]

Sarah Hinckley

[oxalidee]

[casadabiqueira]

Fort Lauderdale, Florida

Joel Meyerowitz, 1977

[pagewoman]

Sheepdogs enjoying the sunshine

by James Rebanks

[saeta-obscura]

Gina Adams (American, b. 1965)

[ymutate]

Alex Colville

Seven Crows, 1980

[arthistoryfeed]

Sayan-Altai petroglyphs. Various animal and symbolic figures. The source of this drawing is the book Ancient Nomads in the Center of Asia, written by Soviet archaeologist Aleksandr Danilovich Grach (А. Д. Грач) and published in Moscow in 1980 by Nauka Publishing House.

According to the Russian notes beneath the image I’ve shared, these petroglyph copies are listed as being compiled from specific archaeological sites in Tuva, including Churuk-Maldyg-Khaya, Övür, Mugur-Sargol, and Kuylug-Khem. Most of the drawings were gathered from M.A. Devlet’s systematic research.

The Sayan-Altai petroglyphs aren’t the product of a single culture or era. Over thousands of years, successive communities have left their marks on the very same rocks. In the words of archaeologist Marina Kilunovskaya, each newly arrived civilization marked its presence here–and it didn’t destroy the works of its predecessors.

#archaeology #petroglyphs #altai

[nemfrog]

Attraction and Repulsion. Modern views of electricity. 1892.

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