ojovivo

Love Begins

#extradirty

Product Placement
he wasn't even looking at me and he found me

Kaledo Art

shark vs the universe
One Nice Bug Per Day
trying on a metaphor

祝日 / Permanent Vacation
Xuebing Du
KIROKAZE
taylor price

Janaina Medeiros
Lint Roller? I Barely Know Her
wallacepolsom

blake kathryn

No title available
NASA

⁂
seen from Canada

seen from Argentina

seen from United States
seen from Canada

seen from Egypt
seen from United States
seen from United States

seen from United States
seen from United States
seen from United Kingdom

seen from Türkiye

seen from Australia

seen from Malaysia

seen from T1
seen from Malaysia
seen from Denmark

seen from Australia

seen from Germany

seen from Australia
seen from China
@whatevsies
"Mangosteen", Fumi Koike.
This image shows the changing arcs of the sun throughout the year. The smallest arc at the bottom marks the winter solstice, and the largest one at the top the summer solstice. The band in the middle is the 'equinox'.
Breathless (1983)
I asked if this was an art installation and a Danish person said "no this is quite a serious impedance"
Sally Michel Avery - Cat Lover, 1978 - Oil on canvas
À ma soeur (Catherine Breillat, 2001)
Le Petit écho de la mode, no. 10, vol. 10, 11 mars 1888, Paris. 3. Papillons en tapisserie. Brun moyen, foncé, très foncé. Jaune très clair, clair, moyen, foncé, très foncé. Rouge moyen, foncé, très foncé. Bleu clair, moyen, foncé. Beige très clair, clair, foncé. Ville de Paris / Bibliothèque Forney
Sarah Hinckley
Fort Lauderdale, Florida
Joel Meyerowitz, 1977
Sheepdogs enjoying the sunshine
by James Rebanks
Gina Adams (American, b. 1965)
Alex Colville
Seven Crows, 1980
Sayan-Altai petroglyphs. Various animal and symbolic figures. The source of this drawing is the book Ancient Nomads in the Center of Asia, written by Soviet archaeologist Aleksandr Danilovich Grach (А. Д. Грач) and published in Moscow in 1980 by Nauka Publishing House.
According to the Russian notes beneath the image I’ve shared, these petroglyph copies are listed as being compiled from specific archaeological sites in Tuva, including Churuk-Maldyg-Khaya, Övür, Mugur-Sargol, and Kuylug-Khem. Most of the drawings were gathered from M.A. Devlet’s systematic research.
The Sayan-Altai petroglyphs aren’t the product of a single culture or era. Over thousands of years, successive communities have left their marks on the very same rocks. In the words of archaeologist Marina Kilunovskaya, each newly arrived civilization marked its presence here–and it didn’t destroy the works of its predecessors.
#archaeology #petroglyphs #altai
Attraction and Repulsion. Modern views of electricity. 1892.
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