MARGOT ROBBIE styled by Andrew Mukama — January 26, 2026
Today's Document

Discoholic 🪩
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost

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Xuebing Du
ojovivo
Sweet Seals For You, Always

ellievsbear
PUT YOUR BEARD IN MY MOUTH

Jar Jar Binks Fan Club
noise dept.

Product Placement

roma★
One Nice Bug Per Day
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🩵 avery cochrane 🩵

❣ Chile in a Photography ❣
Noah Kahan

seen from United Kingdom
seen from Malaysia
seen from Iraq
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seen from Bangladesh
seen from United States

seen from United States
seen from United States
seen from Vietnam
seen from United Kingdom
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seen from Colombia

seen from Russia
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@witchinthemoonlight
MARGOT ROBBIE styled by Andrew Mukama — January 26, 2026
Anita "Needy" Lesnicki in JENNIFER'S BODY (2009)
The duality of Kryptonians. One was born to blend in, the other was born to cause a scene.
i really really loved how the supergirl 2026 movie subverted the 'if you kill them ur no better then them' trope, i loved that the conflict was not that he doesnt deserve to die but rather that ruthye deserves to not have to kill him, that she is just a child and should not have to carry that burden along with everything she had already been through. i really loved how kara killing him recontextulizes her actions leading up to that moment, how it becomes clear that it was never her intention to let him live, but to keep ruthye safely away from the fight.
ive always disliked the anti revenge narrative because sometime people do just do things that are unforgivable and wont be stopped by the current system, but here kara never said ruthye should forgive him, but rather that ruthye deserved to live on and it is made far more impactfull by the fact that it is in the same fight where kara accepts the suit and truly becomes supergirl. superman is the shield, supergirl is the sword, supergirl fights so girls like ruthye dont have to.
There seem to be a lot of people who don’t understand why Lobo was in the movie, so I’m just gonna say it: Lobo is who Kara is at risk of becoming.
Kara is at a crossroads, and one road leads towards Clark and one leads to Lobo. Or rather, one path leads to embracing the responsibility of the life and powers her parents gave her, and the other is continuing to drink her life away, not caring about anything or anyone but her and hers.
Lobo is immensely powerful, and the last of his planet. Just like Kara. And when we meet him, he’s passed out drunk in a bar, oblivious and uncaring of violence and exploitation around him. Just like Kara was trying to be when she first met Ruthye.
Lobo is Kara’s future if she gives up on trying to be good. Drunkenly stumbling through the galaxy not helping anyone or anything and only caring about herself. Maybe not mindlessly cruel, but not kind or good or caring of the pain of the people around her.
It’s why they both get Ruthye’s spiel, it’s why Lobo’s whole introduction mirrors what Kara was just doing demanding to know about the Brigands, it’s why they’re both “the ditz from the bar”, it’s why they both have the gag with the space suit collar.
It’s why Lobo crops up each time Ruthye and Kara are faced with choices, sometimes acting as a devil on their shoulders, sometimes just a big lurking ominous warning of their bleak future if they make the wrong choices. It’s why Lobo says “let Ruthye have her revenge”, uncaring of how the violence might haunt Ruthye for the rest of her life. He’s a big constant reminder why Kara cannot let this thirteen year old girl be consumed by violence, and of who her parents didn’t want her to be.
Lobo is Kara’s foil and shadow.
I don’t think the movie always executed this well, it could have been done better, but I don’t think it was subtle either. The parallels between Kara and Lobo are right there in every scene and always highlight the choices Kara makes to be kind, and I do wish people would take the time to actually think about them before writing Lobo’s presence off.
how it feels to become an active participant in your own life
as a child of divorce few things are as funny to me as the concept of alimony like you have to pay your ex-wife recompense for the crime of being a fail husband
via
I just love how Supergirl isn't really about the revenge or the dog or anything that goes on at all. Its about two grieving girls trying to keep going in diffrent ways and teaching each other how to survive with the weight of it all while also inspiring each other to be better people. Its about not letting your past overtake your future. Its about prioritizing yourself instead of being fuled by your trauma. Its about being good no matter what.
a book should be $5 a little drink should be $2 and museum access should be free and all hours
GENTLEMEN PREFER BLONDES 1953, dir. Howard Hawks
I truly believe being able to name the world around you is integral to animism. learn the names of plants and flowers. learn how the rocks and soil you walk over daily form. sit with the streams and rivers, learn where they flow to and from. learn the names others have given, and give them your own as well. animism is interconnectedness, and one simple step is learning the names of your neighbors
A picture I shot at ramp 27, in Salvo, NC (Cape Hatteras). This image is not AI. I was actually there to photograph the Kohler shipwreck, but instead the sun broke through the clouds just above this fisherman, so that became my focus instead. I'll make a separate post for the Kohler ship wreck.
[Getting so angry it makes my brain disease worse] people sre supposed to be nice..
the ashtrays in airplane bathrooms are a fascinating harm reduction metaphor. yes it's illegal as hell to smoke in there. yes there's a smoke detector that will snitch on you the second you light up. so why is there an ashtray? because if there weren't, your single momentary dumbass crime could kill 300 people. it is fucking vital that if someone does have a lit cigarette on a plane, they have a place to safely put it out.
Girl with a Mirror (1892) by John William Godward