In Wigan, Its As Good As Gravy @38ravensand39crows - Tumblr Blog

“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-

saturnisfilledwithbees

To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate

infectiouspiss

trans people don't need to hear your justifications for still enjoying harry potter in 2026 stop looking for forgiveness where you're not going to get it

infectiouspiss

if i walk into your house and see harry potter stuff, i'm just gonna assume you're a transphobe. no amount of "i got it from a charity shop" can save you from the fact that you value those books enough to display them in your home.

you can't just put the work of someone who's currently trying to eradicate trans people on display without being questioned about it, especially if you claim to care about us.

same goes for your social media, if you're willing to keep putting jkr's work on a podium and proudly talking about it, then it's simply logical to believe that you don't care about other people. it's selfish if i'm being honest, to think that your comfort matters more than the lives of millions.

infectiouspiss

and to the trans people saying that they're "reclaiming harry potter for the trans community"

no you're not, you can't do that while jkr and her neo nazi friends are currently trying to kill you. you need to let go or else your own community won't be happy to help you when our collective rights are stripped further away.

infectiouspiss

trans children in the uk are killing themselves because of the things jkr has done.

children are dead. children who should be happy and free to be themselves are fucking dead because jkr has used her immense wealth and social power to change laws specifically to harm trans people. if you really think that your fucking "comfort characters" are more important than the lives of children then you should say that with your full chest. go on. tell the entire world that you don't give a fuck about dead kids. that you don't have an ounce of empathy in your disgusting shrivelled heart, because you still have your shitty fucking books and your garbage movies. your comfort matters more than anything, doesn't it? maybe jkr will tell you you're one of the good ones, wouldn't that be nice?

spaceshipsandpurpledrank

zigdirty

We're not leaving this gem to languish in the comments:

byjove

When the average heterosexual family man complains about his family not respecting him, it is almost always because there is absolutely nothing about him to respect and he has made no effort to connect with any of them and he considers the slightest pushback or lack of affection a sign of ‘disrespect’. When the average heterosexual family woman complains about her family not respecting her, it’s usually because her 14 year old son keeps calling her a bitch and throwing things at her while her husband laughs. The difference is so fucking stark.

korbly

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this took me an hour (well spent)

original post by @metallicat5678

derrickwildsun-deactivated20250

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

sci-fantasy

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

transhuman-priestess

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.

ebookporn

starryhoundbloo

Shout out to my mom who explains my transition as "Having a daughterpillar turn into a Boyterfly". It doesn't erase the fact I was an adorable little girl, and also affirms my gender now. I love my mother.

64mpg

i don’t know how people care about sports but it’s okay

iamoutofideas

it’s really not.

64mpg

i’m tired of pretending it’s okay. we have to kill them

sergle

ok so this would be my vision for the cigarette cake x

theehorsepusssy

pangur-and-grim

Authors, agents, publishers: every part of the industry is seeing the strain of five years of escalating anti-LGBTQ censorship.

pangur-and-grim

if you'd like to show support, here are some upcoming queer books:

When Life Gives You Corpses is a brilliant YA about a cursed praying mantis who falls for a young witch. Yield Under Great Persuasion is a raunchy, but surprisingly sweet story about two men repairing their relationship. Fabulous Bodies is a horror story about a queer rockstar rising from the dead.

This is Where the Future Bleeds is a fantasy set in a vividly imagined land, where two women (who happen to kiss) are the key to healing the broken sky. You're No Better is a story about a teen struggling in the shadow of his murderous parent. Oil on Canvas is about a woman who finds disturbing paintings in the home of her dead mother.

and then here's a list of 26 queer books by Black authors set to publish this year, and a 10 upcoming books by trans authors. if you want to fight back against queer censorship, use your wallet! or (if that's not an option) you can contact your local library and ask them to stock a copy.

penelopepennington

In addition: looking for indie publishers and queer bookshops is a great way to find and support queer authors and stories of so many infinite varieties! (The following suggestions are based on my UK-centric knowledge)

(Some) Queer Presses:

Lurid Editions are "a publishing project committed to intentional and conscientious acts of archival repair". They are "attentive to how marginalised histories are forgotten and remembered, [and] hungry to rediscover overlooked queer books". They've just received funding from Arts Council England to engage queer readers in a project to contribute to the archive!

Cipher Press "We’re really keen on the idea that queer and minority stories are for everybody, and we want to make our books – and the stories they tell - accessible to all" (what an amazing mission statement!)

Anamot Press "Anamot [Անամոթ] means shameless in Armenian. ⁣⁣Anamot Press publishes poetry and prose on intersecting experiences of gender, sexuality, race, migration, class, belonging and loss - with no shame."

(Some) Queer Bookshops

Queer Lit Oh man, I remember when this was just a tiny little shop, and now they're the biggest LGBT+ bookshop in Europe! They do amazing work in donating books about being trans to schools and parliament! They have a pay-it-forward board that will make you sob with its notes of love and support. (You can tell I wish I still lived nearby)

Lighthouse For Scottish friends - "a queer-owned and woman led independent community bookshop. We are an unapologetically activist, intersectional, feminist, antiracist, lgbtq+ community space"

Gay's The Word The OG Queer bookshop in the UK. One day I will make my pilgrimage!!

This really is just a tiny snapshot of all the amazing work of celebration and resistance that's being done for Queer literature at the moment. We live in frightening times, but I promise there is still lots of love and joy and hope out there in spaces like these. Support them in whatever way you can!!