kitty car 🐱
soundonsoundonsoundon!!!!!!!

if i look back, i am lost

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Misplaced Lens Cap
The Stonewall Inn
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Doug Jones
Mike Driver
Aqua Utopia|海の底で記憶を紡ぐ
let's talk about Bridgerton tea, my ask is open

@theartofmadeline
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Today's Document
Sweet Seals For You, Always

Andulka

Origami Around
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blake kathryn
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YOU ARE THE REASON

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@aelwing
kitty car 🐱
soundonsoundonsoundon!!!!!!!
Good morning,
museums should repatriate artifacts belonging to living cultures and display reproductions instead
Good afternoon,
no one is entitled to the sacred art, tools, or costumes of another culture (save members of the culture itself) and nonsacred reproductions will serve just as well for the purposes of education and appreciation
Good evening,
having museums full of reproductions would be even cooler than having museums full of sacred artifacts because when modern craftspeople are able to replicate those artifacts, it’s usually because they still make the same items the same way today
this means that you could have description tags emphasizing that such-and-such item has been made by these people in almost the same way for hundreds of years
having museums full of beautiful reproductions takes the emphasis off of Things and places it on the People who make them, which is really as it should be
When you're a kid you just take trees for granted. Then when you get to be an adult you realize that a fully mature tree cannot be created in an amount of time that fits in a convenient landscaping timeframe for love nor money nor all the powers of science. Then you realize that people are very very very cavalier about chopping them down
Story Time:
Working in retail is really fun, and the times when major fuck-ups happen, they can be either anxiety-attack inducing, or make it possible to get through the rest of your god-awful shift with a smile depending on the customer. My all-time favorite absolute fuck-up is as follows:
This kind woman is just doing her thing. She scans her membership card from her keychain. The register beeps to acknowledge the scan. We continue as usual. Neither of us notice right away, but after I’ve scanned a few more items, I hear a very quiet, “Um,” from the lady, very polite. I look at her. She is looking at the screen of my register, blinking. I, too, look.
And lo and behold. There is a charge of over four-thousand dollars ($4,000) worth of garlic bread staring us in the face. There are no words for a minute. We’re just… in awe. How did this happen? How the hell did this happen?
She didn’t even have garlic bread in her cart.
I sputter a partial apology - I was incapable of forming actual sentences in the moment - and try to void the garlic bread. Since there was no garlic bread to scan, I try to manually remove $4,000-some from this transaction.
Well, the registers don’t like it when you try to void off more than five dollars ($5) from a transaction, so naturally it pings my manager for confirmation, but she’s not by her pager.
At this point, both myself and the lady are just… dumbfounded. She’s not even mad. I’m not even all that embarrassed. Both of us are just looking at the screen. There’s a bit of laughter, but it’s mostly just… confusion.
I have to call through the whole store for my manager on the intercom because she’s not answering. She shows up, ready to override and void it, when she too, sees what exactly is being voided.
“What… did you do?”
“I genuinely. Have literally. No. Idea.”
She voids it, and I go to finish the transaction and tell the woman her total (minus the garlic bread). My register pings. It tells me that she hasn’t scanned her membership card. Odd. I distinctly remember her doing that. The woman goes to scan her card again, and I notice that her library card is stuck to her membership card. I tell her gently, and she separates the two and scans her card.
My manager, hovering nearby still, sees this and says, “I think it mistook the barcode of her other card for garlic bread, and the remaining digits were read as the price.”
And that’s when the laughter really came over us. There were no hard feelings at all. In fact, the woman was incredibly glad that the receipt still showed the garlic bread and the voiding of. I will remember it until the end of time, my only regret in the entire situation being that I didn’t take a damn picture, because she has proof and I don’t. But I swear to God it happened.
TDLR; Library Card Charged $4,000 of Garlic Bread.
that’s just how valuable library cards are. each one is worth at least $4000 of garlic bread
A picture is worth a thousand words, a library card is worth $4000 worth of garlic bread, if we can figure out how many words the average library card can check out at once, we can probably work out a picture-to-garlic bread conversion here, too.
Now, see, this? This is beautiful.
This does not hurt anybody.
"there is no way you're not using chatgpt for at least a few things here and there no matter your stance on it" what the FUCK are you talking about
The closest experience I've ever had to discovering "the vitamin" was buying a 100% wool outfit and wearing it in the winter.
Not only was I not freezing anymore, I was not sweating and overheating either. The horrible sensory nightmare of winter clothes disappeared.
In particular, I bought a pair of wool pants. They were a thrifted pair of fancy dress pants like you would wear at an important office job, and they were easily the most comfortable pair of winter-appropriate pants i'd ever worn. I wore them Every Single Day.
From that point on I realized a lot of my clothes were making me feel bad, and the common thread was polyester. Especially polyester blends.
It's a trap because the polyester clothes are the ones that always feel sooooo silky soft when they are in the store, whereas cotton, linen and wool can feel comparatively rough and scratchy. But when actually wearing them for hours throughout the day, it's the natural fibers that feel more comfortable.
Maybe the secret to sensory comfort is not about the presence of softness, but the absence of overloading sensations. Or maybe the sensory stress and agony is not triggered by texture of the fabric, but by how it breathes and regulates temperature.
Then there's the problem of clothing life span: polyester blends, no matter how soft they seem at first, become rough and scratchy and covered in hard, itchy pills after wearing them 10 or 20 times, whether or not they have been tumble-dried or even washed at all. (I tested it!) Linen and cotton become softer and more comfy the more you wear them, polyester but ESPECIALLY polyester blends become a constant stressor. Polyester blend t-shirts I used to love for their softness now feel bristly and irritating.
So now I'm trying to change my wardrobe to as many natural fibers as possible, and the more natural fiber clothes i have the more I realize that the plastic fibers stress me out. It's so easy to overheat or freeze in them and they're always degrading and becoming less comfortable and it sucks.
So this was mentioned in the notes (and I mentioned it there, too), but I know that sometimes those just don't get read. So here I will mention other natural fabrics.
Alpaca- my all time favorite. It is both warmer and lighter than wool, and if you have allergic reactions to wool, as I do, this is a great substitute. Alpaca socks are so great.
Cotton- the common fabric. Good for shirts, underthings, socks, pants, you name it. Good at wicking moisture and letting skin breathe, but can also be woven into warmer items such as sweaters. Good all around fabric. Can be strong and used for heavy duty clothing as well as delicate clothes.
Linen- the original warm weather fabric. The more it is washed, the softer it gets. Fabulous in the heat. Use it for bed sheets in the summer and you will never be hot in bed again. It can be used to make shirts, pants, shorts, and underthings.
Silk- great for warm and cool weather. Cool in the heat, warm in the cold, and beautiful no matter what. Can be made as a washable fabric, but usually hand wash or dry clean. Will wear like iron. If you treat it right, you can have silk for 20 years or more. Gloves, socks, underthings, shirts, pants, dresses, jackets, you name it.
Hemp- less well known but a great fabric. Resists mold like you would not believe! Used to make sails for sailing ships, as well as ropes during the age of sail. It was stronger than cotton when wet and would last longer due to the no molding thing. Less water intensive to grow than cotton, with many of the same properties of both linen and cotton. Can be used to make bed sheets, bath towels, shirts, underthings, pants, socks, pretty much anything.
Cashmere- Super luxurious! It is the shed hair of the Cashmere and pashmina goats. Usually made into sweaters, scarves, hats, gloves , and shawls. Super warm and soft. Hand wash or dry clean.
Angora- Also super luxurious. The shed fur of the angora rabbit. Can be used to make sweaters, hats, gloves, shawls, socks, and shawls. Warm, soft, and fluffy.
Mohair- The fur/hair from angora or mohair goats. Used to make sweaters, socks, gloves, hats, scarves, and shawls. Soft and warm.
There are also natural blends. These include (but are not limited to, and are not a complete list): cotton/wool, cotton/linen, cotton/silk, linen/silk, wool/silk, alpaca/wool, cashmere/wool, mohair/wool, etc.
Other natural fibers can include camel, yak, and other animal hair that is shed or clipped and then spun into yarn. Some are more available in certain areas of the world than others. I did not include bamboo due to the massive amount of chemical processing that it takes to extract the fibers. I also did not include lotus silk, byssus silk (sea silk), or any other experimental animal silk (such as the golden orb weaver spider silk) that has been made/created.
Natural fibers cost more to harvest, process, spin, and weave. They can be more difficult to color evenly, because like any natural material they have flaws and variations. This makes them more expensive to work with, which makes the clothing more expensive to produce and sell. But the items produced will last longer (theoretically), will feel better against the skin, and will be better for you in the long run for both you and the planet than clothing yourself in plastic. Microplastics will rub off on your skin, washing away in the washing machines and getting into the water supply. As the fabrics break down, they will become not only rougher against the skin, but also more difficult to mend and patch, limiting their wear life. But because they are plastics, they won't decompose and break down, continuing to pollute the environment unless they can be recycled.
Natural fabrics, in comparison, will become softer over time. They can be repaired more easily as they get holes or tears because the fabric will not have pieces break off like plastic will. It can be easily recycled, and will eventually decompose (which is why archaeologists rarely find clothing and textiles at dig sites), causing little to no damage to the environment. Rarely will a person be allergic to a natural fabric (WOOL! Argh!!!), and when they are, there is usually a protein, emollient, or fabric composition which can be a factor and can (usually) be mitigated, unlike with a synthetic fiber.
Don't get me wrong, synthetic fibers have their place and they have become very useful for certain things. But, we live in a time of fast fashion and high consumerism fueled by synthetic fabrics and exploited labor. Being conscientious of what your clothing is made of, what natural fabrics can do, how long they can last, and why and when you should wear them is a good way to start cutting down on waste while helping your body feel better. And you may find that by limiting the amount of synthetic materials you put on or near your body, that certain things might start to clear up (acne, rashes, etc.).
I know there is much more about fashion and fabrics out there, and I am 100% certain that there is someone out there MUCH more knowledgeable than me. But this is just some information I had and info dumped.
natural fibers knowledge!
I'm a fiber nerd for similar reasons to you, headspace. If you'll humor me, I have a few unsolicited suggestions for looking for natural fibers in thrift stores (other than looking at the tags, naturally, but also since I don't always trust the tags, since fabric fraud or mislabeling isn't uncommon, and tags can be missing or hard to find).
Bast fibers like linen and hemp usually have a fair number of slubs and are usually woven for durability, because lightweight knits tend to unravel near the slubs just around the same time that the wear level starts to get Perfect.
If you're running through the racks and find a nice hand, remember that synthetics tend to absorb water poorly. Holding the fabric for just a moment and then rubbing the fingers together usually tells me if the moisture was absorbed, or if my hands are still sticky. Fabric softener and dry cleaning can fool me sometimes.
Same as the above, synthetics tend to reflect heat. If a fabric feels soft to the hand, hold onto it a moment. Silk and wool warm up slowly, but synthetics feel "warm" almost immediately. Plant fibers also warm pretty quickly in the hand, but will still absorb water.
Silk and wool are HEAVY on the thread level. A tightly woven silk jacket is way heavier than a poly or nylon one of similar thread gauge.
And although your assessments are largely excellent, pyroteknich, I have a few nits to pick:
Cotton gets WET and holds 36x its own weight in water, compared to ~6x for bast fibers and a little more for wool and silk. When it's wet, the water clogs the gaps in the clothes and prevents airflow. I mention this because I live in a humid subtropical area and sweat basically doesn't evaporate. Cotton means a swampy underside, or all-over-side if you're working hard enough or get caught in the rain. A notable exception to this is very loose and billowy clothing like gauzy skirts. I generally avoid cotton entirely because of its water-holding capacity.
Silk does wear like iron unless it gets wet, then it's very weak and abrades easily. Normal activities in my area will cause sweat to build up and that moisture will shred silks. Again, the solution is loose and billowy, and being choosy about which fabrics during particular times of year. I tend toward bast fibers in the warmer months and silks in the cooler ones. Reconstituted cellulose fibers like "bamboo", ramie, rayon, and so on have similarly poor durability when wet. Silk also stains very easily and HATES being in the sun to dry or for too long period, as UV light breaks it down, just something to be aware of.
And also unsolicited, I would like to share a few tips I've picked up for keeping natural fibers in good shape so they can get to that delightful broken-in level. We have very, very soft water in my area, so your mileage may vary.
If not handwashing, a top-loading washer, filled up completely with cold water, is pretty close to handwashing, on delicate settings.
Most of the time, "dry clean only" is a bunch of nonsense, except with suits or dresses made with water-soluble interfacing. People washed these pieces for how many centuries before dry cleaning existed? Yeah. Unfortunately, I don't know an easy way to find out if interfacings are water-soluble, except to give the piece a wash. I've restored dozens of stinky natural-fiber pieces that were discarded because the original owner's dry cleaning didn't remove the water-soluble odors, and I "restored" them just by giving them a nice wash. Sometimes a pair of suit pants or a jacket will start poking out the plastic interfacing after the wash, so yknow. Caveat washor.
Even if handwashing, strongly alkaline detergents or high heat will cause protein-based fibers like wools and silks to denature and degrade rapidly during the abrasion of washing. Vinegar will help, and mild curd soaps are best. If only washing wools, a little liquid lanolin mixed well with hot water and curd soap prior to adding to the wash water will help restore the fibers, making the garment more water-repellent, stronger, and more durable. Small amounts of detergents can be used to boost the efficacy of the wash if there is a lot of oil in the laundry soils.
Inversely, plant fibers prefer hot water and can withstand alkaline detergents well, making washing soda and borax viable additions, but hot water will often cause stains to set. I like to help remove the alkalines from the fabric by using vinegar in the rinse. Machine drying, even on "air dry" settings, will still cause static buildup in the fibers, making them slightly water-repellent and for myself, an extremely unpleasant sensory experience. I try to line-dry everything, which is difficult when showers and storms are unpredictable and frequent, and the humidity is 70%+ most days during the hottest part of the day. Still worth it, and indoor line-dry is an option.
Wools and silks are magnets for carpet beetles and clothes moths. When I'm storing clothes for the season, I wash them, gently lanolize the wools, make sure they're 100% dry, then heat up an oven with a baking stone to 200F (90C), line a metal sheet pan with parchment paper, cut the oven, and then leave the clothes in the oven for 30min to kill any eggs. Then I wrap them tightly with plastic bags and put them in plastic bins for storage, and I've never had a problem with insects since. I got the idea from bedbug treatments.
I hope that fellow sufferers from fast fashion and the electrostatic nightmare that is synthetic clothing can get a little something out of the years I've been working on this. I have pieces I've been wearing regularly for 15 years using these techniques.
MORE NATURAL FIBERS KNOWLEDGE
everyone on replies is terrified of this fact but i just think it's so sweet and heartwarming. she's holding our hand and leading us somewhere secret and we're both giggling like kids. i love her
let’s travel through the vast unknown with mama
Space chickens
Posts like this are why I'll never leave Tumblr
This whole fuckin scene lmao
There are multiple chapters that are set in hospitals where the characters are attempting to recover from injuries that never fully heal. I must once again stress that my experience in WWI was perfectly normal.
There is a giant horrible mudplain full of unrecoverable and perfectly preserved dead bodies that the characters have to walk through in a land where the air is poisoned gas, and on a compLETELY UNRELATED NOTE: WWI WAS TOTALLY FINE AND NORMAL!!
Uh??? Tolkien did not claim that???
"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."
He talked about how WWI affected his writing all the time, he was not in denial for how it affected??? Am I missing something????
https://www.tolkiensociety.org/blog/2017/09/tolkien-as-war-novelist-another-way-of-dealing-with-trauma-through-writing/
what Tolkien was adamant about, which has been confusing people for several decades now, is that he wasn't writing about World War Two
He was also very clear that he was not writing allegory. Now, some people are not very clear on what allegory means. "Allegory" and "symbols" are not the same thing. Allegory is a type of symbolism, but there are a lot of ways of doing symbolism that aren't allegory ... and a lot of people are kind of fuzzy on that. The way allegory is most commonly used in literary and religious analysis is that there is a direct, almost 1:1 correspondence between the literary figure and what it is standing in for.
So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.
Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.
Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.
So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.
So people read Tolkien's insistence that he didn't write allegory, and take that to mean that he's saying there isn't symbolic and thematic references. And that isn't what he meant! And also, we focus so much on the thematic references to WWI and Christianity, and we miss most of the other references, which makes it seem like Tolkien's only drawing on WWI, when he's actually doing something more complex.
Not to post about The Mummy (1999) in 2026, but I mean if I am gonna then it's going to be on tumblr now isn't it?
Anyway do you think the writers realized that their sequel retcon of making Evie the reincarnation of the skeevy pharaoh's daughter in an effort to up the villainy factor of Imhotep and Ankh Su Namun also implies that it's, uh, pretty likely that Evie's past incarnation is the reason Imhotep became an apocalyptic undead horror in the first place?
I don't even mean that she's the reason the medjai probably knew that more people than just Ankh Su Namun murdered the pharaoh, though there is that, but like... the reason Imhotep become the titular Mummy and not just a very dead high priest, is because the ancient medjai executed him by sealing him alive inside a sarcophagus with flesh-eating scarabs and doing (presumably) a bunch of other stuff to ensure that he would be locked in eternal agony, which as a side-effect also guaranteed that if he ever got out he'd be... y'know. Still occupying his corpse and able to muster up high level dark magic and create sand storms and shit?
The first movie keeps it fairly ambiguous as to who gave the order for Imhotep to get the Curséd Revenant spa special, but like, it probably wasn't actually the medjai themselves who just up and chose it. They knew what it entailed and that it would mean that countless generations of them would have to guard this one tomb to make sure no one ever let Imhotep out, which just sounds impractical, to be honest. Especially when there are many other ways to fuck Imhotep's afterlife over and just be rid of him, even with torturing him a lot before he actually dies. This is Egyptian mythology (loosely), just deleting the sonofabitch would be an option. They could even still bury him alive if they want!
However, 'torture him for all eternity' does sound like the kind of shortsighted sentence that someone who really cared about the murdered pharaoh might ask for. Especially someone who might, additionally, feel some degree of guilt (perhaps for losing the deciding match on who would bodyguard their dad to one of his future murderers?) and be lashing out without much foresight to the whole "btw if we can't successfully guard this one tomb forever then we're all fucked" loophole. Like a rich person with a very skewed concept of scale and the practical requirements of tomb-guarding, for instance.
So yeah I think Nefertiri is the one who had the medjai curse Imhotep, which is the reason Imhotep becomes a Problem later, and also the reason why Evie is the one who has to release him (accidentally) and then resolve the issue (on purpose) and why Nefertiri got locked into a reincarnation cycle instead of just moving on to her own afterlife too. The ancient Egyptian gods were like, yeah nah, and yeeted her back to the world to live out countless lives until Imhotep's soul was either pacified or destroyed.
But also I'm pretty sure that layer of storytelling wasn't intentional. Whoops.
For a city to be walkable. It must also be sittable.
#every time I read this phrase the same thing happens#I read it as shittable and go wait that can't be right#oh right they were talking about public benches that makes more sense#but public bathrooms available without fees should also be a thing tho#cities should definitely be shittable#it happens EVERY SINGLE TIME
it must also be shittable
Fuck hostile architecture, I want unhostile architecture. I want benches to be designed to be as easy as possible to sleep on. I want little places for pigeons to nest to be purposefully put on buildings. I want people designing public spaces to think about what they'd be like to skateboard on. I want "Please loiter" signs. I want people to be kind. I want...
We need cities that do not resent the fact that people live in them
We need cities that
do not resent the fact that
people live in them
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
Polynesians did also rely on a form of a physical map called a stick chart, illustrating the specific wave and swell patterns surrounding different island chains. These were particularly helpful during cloudy conditions when the sun and stars were less useful. To navigate the Marshall Islands, the Marshallese represented ocean swell patterns using parts of coconut fronds and shells as islands. Like a subway map, they don’t so much represent distances as they do relationships. The complex and decorative stick charts were often only understood by the person who made them. They were memorised before a voyage by the pilot who would lie on the floor of a canoe to get a sense of swell movement and often lead a squadron of 15 or more boats.
sometimes I am just amazed at how my ancestors managed to navigate the entire Pacific Ocean with these. knowledge that was nearly lost and is being re-learned.
AH! I'd heard of these, but this is the first time I've come across pictures.
Sleepy boys 💤
idk if this is a young fan thing or new fandom culture but some of yall think fics are abandoned way too quickly. a few months or a year or two is not unusual to go without a fic update. sometimes fics take longer to write, other times writers have rl events, or maybe there's multiple fics and one gets more priority. there are tons of reasons for fics not to be updated every week or every month. it also isn't uncommon for people to come back and update fics after a number of years—ive read updates that took five, or ten years. people's lives change, but they still want to tell their stories. personally, i never consider a fic abandoned unless the author has said so; though if it's been a few years i manage my expectations. but a last update being a year ago is... generally not a sign that a writer has abandoned their fic
That! Exactly that!!! Writers have lives and writing is hard! It takes time. Stop assuming fics are abandoned!
Original fic usually goes through this same process before being commercially published. Readers just don't know that bc they aren't receiving it in bite-size chunks online. Large periods of stagnant writing are historically just another Monday for most writers.
This☝️.
Random thing for people to consider is that since Laika is the saint of one way trips should Felicette be known as the saint of safe landings since she did make it back to the ground safely