HEY EVERYONE I've been doing a bunch of captions lately :-)
Almost all of SimplySnaps' stream supercuts are done! Only the latest has no CC
And everything from Reject Convenience in 2025 is done :) wowee!
cherry valley forever
untitled

tannertan36
Fai_Ryy

roma★
trying on a metaphor

@theartofmadeline

titsay

❣ Chile in a Photography ❣
official daine visual archive
🩵 avery cochrane 🩵

Discoholic 🪩
todays bird

gracie abrams
Claire Keane

pixel skylines
macklin celebrini has autism
$LAYYYTER

if i look back, i am lost
Aqua Utopia|海の底で記憶を紡ぐ
seen from Türkiye
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@ain-person
HEY EVERYONE I've been doing a bunch of captions lately :-)
Almost all of SimplySnaps' stream supercuts are done! Only the latest has no CC
And everything from Reject Convenience in 2025 is done :) wowee!
How I think I’m writing: Using eye contact, or lack thereof, to display emotions such as intimacy, shock, denial, or nervousness.
How I’m actually writing: She looked at me, and I looked away. I tried to look back, but she was already looking at the sky. “Look,” she sighs, looking back at me for a split second. “I don’t know how to say this.” We looked at each other and time stopped, but then she looked her lookers at something else to look at, looking tired.
Did I just employ the "Treat Them Like You are A Kindergarten Teacher Again" method with my insurance company today? I surely did. Did it work? Probably better than intended because I made an actual doctor feel contrite.
So, my insurance has been trying to not cover my SNRI because it is new on the market and no generic available yet, so pricey.
I apply for a refill and the request gets locked for review. Again. For the 3rd time.
This time I call and immediately ask to speak to the actual doctor making these clinical decisions. Very politely. Must be a slow day because they allow it.
ME: [Teacher voice] I'm calling in regards to the SNRI you have placed a lock on. Why was this decision made?
DOC: Well, there are dozens of other medications on the market in that tier, and far cheaper for you and [insurer]. We have sent a request to your doctor to consider alternatives.
ME: I am aware of that. So, can you do me a HUGE favor and look up my prescription history really quickly and tell me how many SSRIs and SNRIs were only filled once in 2022 for me, showing they were poorly tolerated?
DOC: It looks like eight.
ME: Great job! Now, can you please look at my genetic test for psychiatric drug tolerance and tell me how many medications are listed in the safe category?
DOC: Two.
ME: Awesome! Now, can you tell me what type that other drug is that I'm not taking?
DOC: Yeah, totally, it's an MAOI.
ME: That's correct, you're really knowledgeable! Should I be taking something as dangerous as an MAOI with my other medications, or even just in general?
DOC: It's contraindicated for sure.
ME: It is! So true! So, last question since you've been incredibly smart and helpful. Is it less expensive for [insurer] to pay out for the medication knowing they already get a huge manufacturer discount anyway, or is it more expensive for them to pay for me to need potentially long-term inpatient psychiatric care?
DOC: I'll clear the code, ma'am and flag it as medically necessary. I'm sorry about this.
ME: I appreciate you SO MUCH. You have a great day now.
WALGREENS PHARMACY TECH WITH 5 NOSE RINGS AND PURPLE HAIR STARING AT ME: ........... OKAY! It'll be ready in five minutes. You wanna come work here?
Kill them with kindness
BUT KILL THEM
it’s amazing how women are able to navigate crowded rooms without ever touching a palm to a man’s lower back
grape leaf galaxy - acrylic on canvas
i know how to make art……….. i LIKE making art………. making art is fun……………. i feel fulfilled when i make art……………………..
on the topic of disabled characters, though, i think a LOT of artists give characters mobility aids that their character wouldn't actually benefit from using.
i'm sort of having a mild brain fog moment rn so i can't fully articulate what i'm on about, but i think a lot of able-bodied artists view things like canes and crutches as interchangeable. and they often don't know enough about the wide range of mobility aids to make an informed decision about what their character might actually use based on their disability
i also think that aids like walkers and rollators are sort of viewed as "cringe" on some level, and many people view them to be "just for old people," so many artists will opt for giving a character who has full-body pain and fatigue a cane (which, in many cases, can potentially WORSEN full-body pain) instead. and a lot of people don't realize that most wheelchair users are able to walk, so they don't consider it an option for characters with chronic pain
idk it's kind of frustrating. i've genuinely never, ever seen a character that uses a rollator before. not once. i cannot name a single one. i know of multiple ocs who are described to have full-body pain, dizziness, and fatigue that are drawn as cane users and are never shown with wheelchairs or walkers, though
it's also sort of sad? i've been diagnosed since i was twelve years old, and i only heard of rollators LAST YEAR. and that was only because i saw one irl and immediately asked what it was. i wonder how many disabled people out there don't even know it's an option solely because they're completely underrepresented online and in media
if you're a creative with a disabled oc, PLEASEEE check out this link. it's a very nice and detailed guide for telling which mobility aids suit someone's needs best. it's incredibly important to make the right choice for your character! mobility aids tell you a LOT about someone's lived experience. picking the right one will communicate to your audience #1 what your character goes through #2 that you UNDERSTAND what your character goes through!
Roksana Bajda (Polish, d.o.b. unknown) - Herd (2026)
Wow, amazing job Lily! No one will find that walnut now!
I love Solarpunk so fucking much. It’s the most late 2010s ass genre humanly possible. A genre consisting entirely of Pinterest concept art boards and a yogurt commercial. Aggressively political with no actual political stance or statement other than “climate change is bad.” genuinely incredible levels of sucking
Solarpunk started out as a concept of imagining a sustainable future without capitalism cooked up by Brazilian anarchists, to my understanding. (There's a whole timeline I found here if anyone wants to flip through it.) Something of a humanist/naturalist contrast from transhumanist and singularity/"rationalist" views of the future. And, of course, contrast from the gritty dark hypercorporate crapsack worlds of cyberpunk. A few novels were written, but overall the literary movement fizzled out because it turns out writing compelling stories in utopian settings with solely interpersonal conflict is pretty hard, actually.
From there the political aspect of it got picked up by climate doomerist types who pushed it as an antidote to the impending apocalypse. Alas, being fanatically worried about climate change seems to have fallen out of fashion since COVID for whatever reason. I believe a lot of these people have moved on to walkable urbanism and anti-AI movements.
And the aesthetic side of it started off with a particularly influential Tumblr post from 2014 that had quite a few neat ideas. All of those were sanded down over time into a vision of skyscrapers with moss and solar panels, coupled with some recycled cottagecore material and a bunch of Ghibli screencaps.
And then Chobani comes in and makes a yogurt commercial that's just futurist luxury automated cottagecore in a Ghibli aesthetic, complete with some vague handwaves at a spunky DIY attitude and a whole bunch of small-scale renewable electric generators. And from there the movement, whatever it was, merged with "Frutiger Aero" and completely fell apart into bland nothingness.
I suspect the Brazilian anarchist sci-fi writers who were hoping for some kind of cultural counterpart to thinking that Isaac Asimov's "The Last Question" was literally going to come true are rather disappointed in this turn of events.
It turns out that praxis leading to solarpunk future and solarpunk presence is million skills with million names and acquiring and practicing these skills don't look particularly like solarpunk aesthetic. It looks punk. But to give it a distinct visual language, both consistent and recognizable at a glance, you need to put a strictly aesthetic effort on top of everything else.
Praxis itself? It looks like disability activism. It looks like attending local town council meetings. It looks like diving into super specific debate on local law requirements on water-permeable surfaces percentage. It looks like keeping in contact with local priest to snoothly distribute furniture from well-off middle class finishing renovation to 18yo orphans ageing out of the system. It looks like negotating with local cultural activity center how to organise half-illegal craft workshops because paperwork for fully legal ones excludes the most neglected demographic. It looks like lobbying for health insurance to put "replacing batteries in the implant surgery" on the list of covered medical services, so people don't need to surgically replace whole implants. It looks like million other specific things.
People who got inspired by solarpunk tend to spend some time looking at art, then turn around, ask "okay but what can be done now that I can engage with" and then go do it. And then what they do stops looking like solarpunk aesthetic.
Of course there's also that thing that before Covid, lots of climate collapse containment issues were literally "we know that business-as-usual is cheapest short-term but can we focus on how it's killing us long-term". Covid era showed that business-as-usual is unsustainable now, mid-term and short-term and today and yesterday; and also that goverments can simply decide to act and it create tangible effects. Suddenly, it wasn't "solar would be better if your gas import was ever endangered", it's "we build all the solar for yesterday because we cannot afford keeping to gas". Creating inspiring narratives is optional when cost of business-as-usual is visible to naked eye. Lots of people who used to share inspiring pictures of solar on background of green hills either went to install solar and negotiate specifics of grid inclusion, or moved on to the next issue.
Central idea of solarpunk aesthetic was to give people tools to imagine sustainable future; to create visual and narrative shorthands allowing people to engage with vision of non-apocalyptic future.
Central idea of solarpunk philosophy is that apocalypse is anything but inevitable and the main challenge isn't lack of means and tools, but widespread cultural pessimism. You cannot change anything if you believe change is impossible. Therefore, for change to be possible, you need to envision the world that can be changed.
Basically, if solarpunk art convinced anyone that there is achievable alternative to doom, it have already succeeded.
You absolutely can merge in one all the issues ever discussed in context of exploring how sustainable climate-proofed non-capitalistic world can work and how it can be achieved, with the attempt to design a distinctive and consistent visual language for it.
And you absolutely can blame whichever aspect of that merged entity for the fact that detailed fact-based solutions are difficult to derive from visual language or using visual design tools.
You can! Totally! You're just going to sound silly.
tumblr keeps giving me these ads with straight up porn in them (like, nude dickriding) and while idgaf about seeing porn I really am like, exhausted by the double edged swords of "terms of service" and "advertising".
I can't post images that show too much of my stomach, because notable body fat trips whatever alarms are up in tumblr HQ. but advertisers can show me skinny white girls bouncing on it all day long bc like, they're advertisers.
we live in advertising world. companies have more rights to "expression" in public than individuals. once you notice it you won't stop seeing it. you have a moral duty to resist it.
getting tired of these kinds of responses. "you're only seeing porn because you look at porn and the ads are connected to your data huehuehuehue" like it's some kind of gotcha.
I am a sex worker - a porn creator. Yes, I spend a lot of time on porn sites! sometimes for work, sometimes for pleasure. I'm not embarrassed to admit it. Do you think I should be? I'm on testosterone, sometimes I jerk off four times a day. Get over it.
When I said "idgaf about seeing porn" I meant it! What I DO care about is the fact that I as a user and a worker cannot post my creative labour on this website, but that advertisers can show me whatever they want, including AI generated Attractive People doing my job. The implication that they're doing this with the use of tracking cookies makes it worse, actually. I don't like living under surveillance. Do you think it's funny? Or do you think that was part of the problem I was trying to talk about from the start?
The parking attendant paused by the double-length bay. Intended for mobile homes and cars with trailers, it was currently occupied by a sleeping dragon.
No parts of it extended beyond the lines, and the paper ticket was clearly displayed, impaled on a horn.
The parking attendant moved on.
I was going to just queue it for later but then it stuck in my brain, and I decided to make it everyone's problem
The Ghost of Christmas Past shows up and you’re like, “Ohhhhh for fuck’s sake,” but you’re in your childhood bedroom so it’s kind of on you. The ghost seems offended. She crosses her arms. She looks like you used to, with the pigtails.
“No way,” you say. “Don’t start.”
“I am the—”
“The Ghost of Christmas Past, I know, I know.” Because she looks like you, and it’s Christmas Eve, so what else. Your parents used to read you the story every year. Even when you were old enough to read on your own, it was better in your dad’s voice.
“You came home for your parents,” the ghost says, solemn. “It’s time to tell them.”
“No, like, ‘when you’re ready’?”
“You are ready,” she says, “or you wouldn’t have come back.”
Which is so stupid, because you weren’t on the moon, you were at college, and it’s only been two months of shots, you don’t even have a mustache. “Fucking leave me alone,” you say, so she does the ghost thing and takes you to a ten-years-ago Christmas. The living room. Your parents. Your fledgling self on the carpet with your stocking, the one you can’t look at anymore because when you were a baby your parents patiently hand-stitched the fucking name.
“Maybe they’ll make you a new one,” says the ghost.
“You don’t know that.” Bullshit ghost powers.
“You were happier back then. When they knew you.”
“Everyone was happier back then. It was, like, 2008.”
“There was a recession,” says the ghost.
“Shut up! Shut up!” You turn over in bed. For a second you expect to roll onto child-self-you curled up next to you. Probably crush the life out of her. You got good at that. It’s her bed, her room, pink covers, cat posters.
“This is so stupid, this Dickens thing,” you say. “I’m not even Christian anymore.”
“Tell your parents that second,” the ghost suggests.
“Oh my fucking God I’m not telling them anything can’t you go bother Jeff Bezos.”
“I’m just doing my job,” says the ghost, and vanishes.
#
The Ghost of Christmas Present has an acne problem. As soon as you open your eyes you say, “Oh my God,” and they say, “Hi,” and you say, “You better not be the fucking Ghost of Christmas Present,” and the Ghost of Christmas Present says, “I am.”
Which you knew.
“Why me?” you say, pink comforter bunched around your waist. “I didn’t do anything. Scrooge was mean to orphans.”
The Ghost of Christmas Present shrugs. “It’s the job.”
“Are you gonna show me my parents now?”
That makes them look kind of embarrassed.
“Well, don’t,” you say. If your parents are talking in the other room, huddled up conferencing with the lights off, you can’t hear it over the heater buzz. But you can guess what they’re saying: you went to school with a shitty pixie cut and worse eyeliner, and you came back with a real haircut and a permanent frown and a bunch of new friends you play sentence Twister to avoid pronouning. “I know they’re nice people, I got it. I’m just not ready.”
“It’s just—you’re kind of waiting for them to ask?” says the Ghost of Christmas Present. They scratch their face, where they have spectral sideburns coming in. “Your dad thinks you have a head cold. ‘Cause of your voice. But your mom’s starting to get it.”
You pull the covers over your head. “Cool, awesome, didn’t ask.”
“She isn’t going to ask,” the ghost says. “She wants you to tell her.”
You stick your middle finger out from underneath the covers. When you check, the room is empty again.
#
The Ghost of Christmas Future doesn’t say anything. Just looks at you. You look back. You probably have bedhead. You fixed your daytime wardrobe but your pajamas are still lacy and purple.
“How come you’re a man?” you say.
He says, “I think you know.”
“Fucking—go away.”
“I have something to show you first.”
“Are we going to the goddamn graveyard?”
He doesn’t say anything but then you’re in the goddamn graveyard. Together. Looking at your headstone. The dates are close enough together to make you kind of sick.
“They went with the full name,” you say.
The ghost nods.
“Not even the nickname. My nice gender neutral nickname.”
The ghost shrugs. You kind of want to throw something at him but you’re just looking at it now. Chiseled in marble. Immovable. What’s that thing bigots on the internet say, about someone digging up your jawbone two hundred years from now? You always wanted to think you wouldn’t care.
The Ghost of Christmas Future’s pretty quiet. This is the part where Scrooge goes full breakdown. Tears, begging, promises.
“I’m not gonna cry on you,” you say.
“Okay.”
So neutral. “Man, what do you want me to say?”
“Nothing,” says the ghost. “I think you’re there.”
You can’t stop looking at the headstone. “God fucking damnit shit. You promise they’ll be cool?”
“Nothing’s promised,” the ghost says. He gestures at the graveyard. “Except for this.”
“Awesome.” Cryptic cliche philosophical ghost bullshit. Yada yada. Death and taxes. Not with that name on your headstone, though. Not with that name on your tax forms, either.
You turn to tell him that and then you’re blinking in bed. There’s still one glow-in-the-dark star stuck to your ceiling where the glue never wore out. You put those up like ten years ago. Maybe longer. The light in the room says it’s morning. You swing your lacy-pajama legs over the side of the bed and go to ruin Christmas.
The problem with studying the deep ocean is that humans need light to look at things, the depths of the ocean are extremely dark, and what lives there is accustomed to spending most of its time in that darkness. So when we go down there with submersibles and turn on Big Lights to see, we invariably and dramatically alter what's going on, in the same way that it's generally difficult to observe the natural behaviors of terrestrial animals if you whip out a megaphone and shout HEY GUYS WHAT ARE YOU DOING at them first.
A humble snubnose eelpout on its way to the whale fall buffet when some nearby humans give it a quick, unintrusive study:
I put this in the comments but feel it needs a reblog- Check out some of Dr Edith Widder’s work on light in the deep sea! Among other things, she used the bioluminescence of stoplight fish to deduce wavelengths which most deep sea animals can’t perceive and used that to create light filters to be able to film with minimal disturbance! And that’s how we got 25 minutes of giant squid footage!!!!
@eddieintheocean
Invasive species versus a second, stronger invasive species
Australia did this at one point, intentionally releasing cats into the bush in an attempt to control the invasive rabbit population. Now we have invasive feral cats as well as invasive rabbits👌
A third, even stronger invasive species will surely do the trick
The invasive foxes aren't doing the trick