You can tell a lot about a person by entering their mind palace and encountering their greatest fears and darkest hopes in a labyrinth reflective of their subconscious thoughts.

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@anavoli
You can tell a lot about a person by entering their mind palace and encountering their greatest fears and darkest hopes in a labyrinth reflective of their subconscious thoughts.
Real thing that changed how i write: I started asking "what does this character think is wrong with them" and separately "what is actually wrong with them." Those two things are almost never the same. She thinks she's too much. She's actually terrified of being too little. He thinks he's bad at commitment. He's actually just never met someone he trusted enough. The gap between their diagnosis of themselves and the real thing, that's your character arc right there. you don't have to explain it. just write both.
I feel like a very important part of worldbuilding for any universe with a magic system is asking yourself ‘how would people use this to do crime?’
*takes the hand of a period drama writer gently* A queen consort is not a queen regnant. A dowager queen is not a queen regnant either.
There is very little intrinsic institutional power in queenship. The power a consort, dowager, or queen mother has depends mostly on how much the reigning sovereign (usually a man) is willing to grant her. Needing a queen to serve as regent is exceptionally rare, and the regent is more often a male relative.
I know this is a bit of a bummer. I'm sorry.
For clarity:
Queen regnant: woman who rules in her own right, not on behalf of someone else.
Regent: Someone who temporarily assumes the powers of the monarch on account of the monarch being too young or too incapacitated to govern.
Queen consort: Woman who is married to the monarch.
Dowager queen: Woman who was married to the monarch. The monarch is dead, and she is owed support as his widow.
Queen mother: Woman who is the mother of the monarch. Usually the dowager queen, though there are exceptions if there isn't a straight line of succession.
i'm sorry but a lot of you guys need to be writing short stories.
"[x story type] but what if-" short story. come on man you should know that if your story is easily blurbed down to "interesting thing happens" that is not going to sustain a reader for 400-600 pages. a book is where you write an actual narrative, not a cool idea that came to you in the shower last night.
there's nothing wrong with writing a short story! there are lots of good short stories that revolve around Interesting Ideas. What if I was my own mother. What if fish people were real and also (evil) living in massachusetts. What if you were your own worst enemy, literally. lots of good short stories there, all at just the right length for a cool idea. no one is going to go see the feature-length adaptation of William Wilson though, because that's it. unless you add in a tragic backstory and a love interest and so on and unfortunately there are a lot of novels and movies running around out there that clearly were meant to be a short story before someone took them and stretched them to a silly length.
your short story doesn't even have to be short! herman melville wrote over 100 pages of a guy who hated his job so much he died of being a hater the end. good show, herman. thank you
novellas exist. you can write one. please. it's necessary for the land to survive
@justaflyintooka "The Shadow Over Innsmouth", by H.P. Lovecraft
You guys should also be reading short stories, they're like a lovely cool bottle of mineral water if mineral water was concentrated fucked-uppedness.
I know it’s perfectly reasonable but the amount of crying in grocery store parking lots I’ve done this year is, frankly, ridiculous
you can kinda tell when a writer has spent a lot of time around kids bc they avoid most of the pitfalls that come with writing children. namely, not giving them a too cutesy or twee voice but making them sound more like extremely weird little adults. kids playing pretend will almost never cutely slot into some romantic scenario for the adults' benefit bc the adults are usually too busy cleaning up or wondering what the fuck is wrong with their child. kids also have surprisingly stringent hangups ranging from very petty grievances to downright chauvinist gender roles, more often than not the result of a tragic education but sometimes far surpassing what they were taught in intensity. what im saying is there's nothing inherently wrong with treating fictional kids as stock characters but it's always quite nice to see when they aren't
It's extremely common for very young children to suddenly say something extremely cogent and articulate, that's jarringly inconsistent with their normal speech. This is usually something that they heard an adult say recently. A kid will spend ten minutes telling you a story about how they fought a wolf yesterday using simple sentences of fifty cent words, then nibble a snack, wrinkle their nose and say something like "I feel like Mum was overenthusiastic with the salt today, and not for the first time either" before going back to their clumsy story. (They do understand what they're saying when they do this. Kids' communication is usually held back by their vocabulary and pronunciation, not their understanding.)
Young kids are also a lot more socially aware than people give them credit for. Young children are perfectly aware that adults don't take them seriously. They know when their parents don't actually like them. They listen and remember when adults talk about them while they're in the room. Kids will develop basic abilities to charm etc. from babyhood and will begin experimenting with social norms and concepts of deception, appropriate information, and acceptable language and attitudes in toddlerhood. By the time a kid is five or six, they have solid social strategies for relating to adults and separate ones fr relating to their peers, that they'll continue to refine for the rest of their lives. They will also say completely off the wall shit because they don't have the context to know what is and isn't considered super fucked up yet.
By the time a kid is eight or nine, their main difference from adults is in experience, interests, and ability for long-term focus. An eight year old can think as intelligently and coherently as a thirty year old, they just have less experience and information to draw from, and are likely interested in very different things. They're also likely still slightly hamstrung by vocabulary and literacy, though much less so than a younger kid.
Teens will behave like adults who have little power (a teen is often at the mercy of their parents and the state and rarely taken seriously, which is extremely frustrating) and who are high stress and mid-crisis, because they're going through a transitory period where their bodies and moods are changing and are having to constantly learn and adjust; a fourteen year old in a stable situation will act pretty much like a thirty year old with an oppressive boss who's just left a tumultuous relationship.
Fanfic authors: READ THE WHOLE FUCKING PAGE
THIS IS ONE OF THE MOST IMPORTANT AND VALUABLE LESSONS YOU CAN LEARN AS A WRITER. I SAY THIS AS A READER AND A PROFESSIONAL GENRE EDITOR.
This page btw is taken from Robert McKee’s “Story”, a book that’s taught in some film schools
Your wife changes her hair color every season and her personality adjusts slightly. You’re secretly only in love with Autumn wife. She just came home sporting her Winter color.
it’s my fault. it’s just that when we met it was autumn; her red-orange hair and crackling laughter. there’s a little spooky in her, a lot of play. and what a better time for falling?
i didn’t realize it for the first few years - something shifting, something so subtle. the winter makes us all cold, the summer makes us all a little out of our minds. i just loved her, because she was incredible, and i was the luckiest person alive.
it’s just that i realized that spring came with sudden bursts of cold. it’s just that summer frequently raged in with fire sprouting from her lips. it’s just that winter was the worst of all, her eyes dead. it’s just that autumn loves me different; throws herself into it without the clingy sweat of summer. i used to love that summer girl, you know? i loved how wild she was, the way in summer she took every risk she could. but i carried her home drunk one too many times, cleaned up one too many of the messes she made for no reason than to enjoy the sensation of burning. and winter was worse; the shutdown, the isolation. how she became distant, a blizzard, caught up in her own head, unable to tell me what was wrong and unable to think i actually wanted to listen.
she comes home, her hair bleached white. a dark smile on her lips. the shadowy parts of her are back. they loom like icicles overhead. she kisses me with her body held at a distance, a peck on my cheek that feels like an iceberg. she makes polite conversation and we go to bed early, our bodies untouching.
it is a lonely season, i think on the ninth day of this. winter is cold. winter is known for the death of things. when i look at her, i see the girl i fell for, inhabited by an alien. she was the first women i loved so much i felt it would kill me. i can’t leave. when i wake her up with my crying, she tells me to shush and go back to sleep. she’s different like this, quiet, doesn’t eat.
three days later i stare at myself in the mirror. i wonder if it’s me. if the fat on my body or something in my face or the wrinkles and she doesn’t love me. i try prettier lingerie, lean cuisine, i try different hair, more makeup, try harder. it doesn’t work. she looks at me the same; that empty gaze that neither loves nor condemns my actions.
somewhere in februrary i lose it. we’re fighting again, from car to restaurant to car to home again. we fight about stupid things, small things; i tell her i feel she doesn’t love me, she says i’m not listening. the circle goes around and around, old pain peeling back, new pain unhealing. i sleep on the couch.
i wake up when i hear her crying, white hair around her all messed up. the kind of sobbing that only comes at two in the morning, heavy and thick and hurting. my winter girl. my heart is breaking. she looks up at me like i’m her anchor. “i’m sorry i’m like this,” she says. and i start saying, it’s okay i’m here we’re married, but she just shakes her head and says, “I know this isn’t the real me.”
i hold her cold hand. she stares at the blankets. “i am different in winter,” she whispers, “i know i am and i’m sorry.” she looks at me. “why do you think i dye my hair? cut it off? get rid of the old me?”
i tell her it’s okay. we’re together and it’s okay, and then she whispers, “i’m sorry you married four of me.”
we lay there like that, her head on my chest. she falls asleep. i stare at the ceiling, thinking of the way she sounded when she was crying. how i helped put her in that pain. how i promised in sickness and in health and everything in between.
the next day i spend at the library. there aren’t enough books on how to love someone with seasonal affective disorder so i make my own, notes and pages and little ideas on post-its. and i take a deep breath and make myself a promise.
she comes home to her favorite dinner and we kiss and she’s uneasy but that’s okay. the next day i bring home flowers and the next day she finds little love notes in her pockets. i love her quiet, the way winter demands, understand her sex drive is faltering; spend more time just cuddling. we drink wine and we kiss and some part of her starts relaxing.
the truth is there is no loving someone out of their mental illness. the truth is that you can love someone in despite of it; love them loud enough to give them an excuse to believe they can make their way out of it.
and i learn. i remember the rebirth of spring, when she starts thawing. we kiss and have picnics in pretty dresses. i remember her joy at little birds and her rain dancing. i fall in love with the flowers in her cheeks and the little bursts of cleaning. i fall in love with summer’s slow walks and milkshakes and shouting to music playing too loud on the speakers. i fall in love with her dancing, with the sunfire energy. and when winter comes; i am ready. i remember that snow used to look pretty. i fall in love with the hearth of her, with the holiday, with the slow smile that spreads across her face so shyly. i fall in love with how she looks in boots and mittens and every day i find another reason to love her the way she deserves - they way i always should have.
she comes home with her white hair and dark smile and a package in her hands. i ask to see what it is and that small shy grin comes creeping out. it’s a sunlamp packed in with medication. she looks at me with those wide eyes and that beautiful winter blush. “i’m trying to get better,” she whispers, “i promise.”
recovery doesn’t look immediate. sometimes it isn’t neat. i can’t say we never fight or that we’re suddenly complete. but each day, that tiny girl’s strength gives me another reason. i love her. i love her while she tames the roller coaster of spring; i love her for reigning in the summer storms; i love her for taking her winter and trying to be warm. it is hard, because everything worth it is hard. she spreads out her autumn leaves; mixes the best parts of her into everything. learns to take winter’s silence for a moment before yelling in summer. learns to take autumn’s spice and give it to spring. we are both learning.
one day she comes home and her hair is different, but it’s a style i don’t know. i kiss it and tell her that she’s beautiful and the inside of me swells like a flood. i’m so glad that she’s mine. every part of her. the whole. i am the luckiest person on earth. and i always have been. but she’s hugging me and saying, “thank you for helping me,” and i can’t explain why i’m crying.
this is what love is; not always an emotion but rather your actions. the choices we make when we realize our lives would be empty if the other was absent. this is what love is: letting them grow, helping them find their way in out of the cold. this is what love is: sometimes it takes work to see how the thing you planted together actually grows.
this is what love looks like in an autumn girl: it is winter and she glows.
I’m actually sobbing jesus christ
me trying to explain how chinese names work for non-chinese writers: look its very simple. you must NEVER EVER EVER refer to anyone by their last name OR first name ALONE. this is a cardinal sin and will have you laughed out of the rednote comment section. The sequence is SURNAME FIRST NAME, and it is SACROSANCT. unless you're writing dialogue from the 21st century, then most people can refer to your character by their first name in conversation. but only if it's a two-character name. if the name is one character long, the surname HAS to be added, otherwise it sounds Weird. also this only works for dialogue, the narration must ALWAYS use the full name. that is, unless, mayhaps, you're writing about the classical-to-medival period, then historians will sometimes refer to people by their single-character given name. or the person in question will use their single-character name in the third person during a conversation. they will just throw that in when vibes are correct. also, in premodern china, its very common for women to be named shit like "Big [surname of father] or Little [surname of father]" based on birth order and this is the rare instance where the name goes before the surname. look its very self-explanatory, when in doubt you just need to go with your gut. now tune in tomorrow where i explain how courtesy names work--
Tragedy alignment chart. Feel free to use, but please reblog if you do.
No amount of knowing I’ll see you again makes the next potentially 60 years of missing you any easier.
Folks, friends, y’all…. esk*mo is a slur. I understand a lot of people don’t know that, I don’t want to be a dick about it, but I’ve been seeing it in fics. Wanna write “esk*mo kisses”? Just say “nuzzled noses” or something.
I’m not here to call anybody out, it’s been in multiple fics, I’m not vague posting. This is just a psa. 👍🏻
If you could help me spread awareness about this by reblogging, I’d really appreciate it.
I’ve had this post on insta saved for sometime ❤️
[Text Description: “Hey! Reminder: Eskimo is a slur. It means ‘snow eaters’ in Cree and is a slur against Inuit . Also don’t use ‘Eskimo kisses’. It’s called Kunik. It is a greeting mostly used for family… Kunik was how I’d greet my mom and grandmother as a small child.” /TD]
Rebloging for the awareness and especially for the alternative words
And so people who are just learning this now know the proper usage: “Inuit” is plural. The singular is “Inuk”, as in “he is an Inuk”
Nikolay Punin, from a diary entry featured in The Diaries of Nikolay Punin: 1904 - 1953
you were gone so fast our last dinner is still on my credit card