Unmute !
Im so glad you have eachother
That king can sing
I hope heās not embarrassed because damn
Sade Olutola

pixel skylines
Cosimo Galluzzi
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izzy's playlists!
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we're not kids anymore.
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romaā
EXPECTATIONS

if i look back, i am lost
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official daine visual archive

shark vs the universe

Product Placement
𩵠avery cochrane š©µ
let's talk about Bridgerton tea, my ask is open
noise dept.

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@anham1rak
Unmute !
Im so glad you have eachother
That king can sing
I hope heās not embarrassed because damn
In the land of Cazberag, a new journey begins
A note of reminder, this work is completely fictional, from its history to religion
I hate you all.
@mjn-air
yes
Yes
YES
HELL YES
Best one everšā¤ļøšš¼šµš¤
We have underestimated the comedic genius of the elderly when presented with technology
say it george!!
Kitten sounds
who wants to see my favorite statue
yes you do. it's a bulgarian statue called "the dragons in love" and it's a statue of 2 dragons and they're in love
love wins
#THERE HE IS!
Hmmm, sounds like something clickbait would say. *does not click*
Anatolian shepherd dog puppy in training
they live with the herd and the herd accepts them as part of the herd, just,Ā āthatās our Dave, heās a bit strange but we love him, knew him when he was just a lamb you knowā and the dog just lives among them as one of them but then if a wolf or somethin comes along the herd is likeĀ āO Reely? Have you met our Daveā and the wolf gets to make the acquaintance of Dave, 200 lbs of teeth and muscle who believes the wolf is there to kill his actual family and is pretty upset about it.Ā
that is the difference between a shepherd guarding dog and a shepherd herding dog. Herding dogs are NOT part of the herd, they use modified hunting techniques to bully the herd into moving where they are meant to go. They are built for speed and agility, often as small as 35 to 45 lbs, and are absolutely no match for a wolf. Plus, the herd doesnāt trust them, is suspicious of them, which is how the herding works
arthur knows there is something to be said of the way a man wears his scars.
his father wears his, an angry silver cord right above his eyebrow, with defiant pride. time and time again, he has seen a visiting noble alight their gaze on the mar, and his father's bellicose stare in return, a silent war between them. i have survived this, the king would say without words. i will survive you.
on his father's men, a constellation of pink, raised flesh-- a rope of gnarled skin on sir bedivere's left arm from the slice of a blade; a thick, white tear in the fabric of ector's neck. when arthur's young, he sits by fires and listens to the tales of bandits, beasts, and brethren who leave the marks on the warriors who arthur loves.
and, in time, they come to arthur. a snaking vine on arthur's right hip. a thin slice along his left bicep. none of them grow angry and purple the way he's seen after the battle dust settles. he's lucky, in that regard, that all his settle into the skin like they belong there. a man who wears his scars not without pride, but whose scars wear him with the same reverence.
his new knights collect them with the same wonder arthur first collected his. a memory of a battle well fought. a time where death reached out its hand and missed. i have survived this. i will survive you.
but they never come to merlin.
at first, when he's young and naive to all the things merlin has done for him, it stands to reason that merlin is never scarred. he doesn't do anything. later, when the truth outs, arthur knows that was as foolish a thought as trusting his father blindly.
merlin fights alongside him, now, in their older years. he watches as blade lunges, as arrow pierces, as spear aims-- and yet, merlin walks away from battle without a scratch. surely, arthur thinks, merlin has just been lucky. maybe his scars are like arthur's-- not quite as visible as his father's, as his men's. hidden underneath cloth and armour.
merlin shares his battlefield, his kingdom, and-- on the luckiest night of arthur's life-- decides to share his bed, too.
it's after arthur has run his hands over every inch merlin will allow him that he realises. not once, in the fog of their union, did arthur's fingers ever stumble over raised skin, divots or grooves.
"what's wrong?" merlin asks, his voice quiet, his lips pressed to where their hands are joined. "tell me if you're about to kick me out of your bed, at least, so i can figure out how i am going to walk after all that."
it's a joke to mask how scared merlin must feel. this is a new development, though one as easy as breath, as predictable as the sun rising in the sky. arthur will tell him that later. for now, though--
"you promised," he whispers into merlin's neck, "to keep nothing more from me."
merlin frowns, his brows drawn together. "i haven't? i mean, if you're talking about my affections, surely we can both admit that yours were the more hidden--"
arthur places a hand over the groove of a lower rib. "here," he says, "is where you were almost run through by bandits, a few seasons ago." his fingers trail down to a hip. "here, you intervened in my fight with some beast or another, and i had to watch gaius give you stitches. and here--"
merlin stops his hand, sucks in a breath. "arthur."
"did you use magic to heal?" arthur finds he isn't angry, not in the way he expects. "i understand, merlin. you had to explain away so much; it would make sense--"
"it's a glamour," merlin admits in the space between his words.
arthur frowns. "a glamour."
merlin can only nod.
arthur knows what the word means, sort of, from the magical instruction and history merlin has given him in the time past their-- arthur's-- new found knowledge of their bond. but glamours, as merlin had explained, are oft for the use of enchantment, so as to make one's romantic interest view them as beautiful--
oh.
he rolls merlin onto his back.
"show me." it is a plea more than a command. it is not from merlin's king, but rather, arthur hopes, his heart.
merlin sighs. his eyes glow gold.
like roots spreading through the earth, a tide rippling over sand, his appearance changes. angry pink gnarls. fine, silver cuts. the faint shadow of where a burn once sat. they litter merlin's pale skin, old and new, in places arthur never could have imagined.
he knows his face must show something that makes merlin turn away from him. with a shaking hand, he turns merlin's chin back to him.
"tell me one thing," arthur says. it is a command, now. "were these all for me?"
there is no air in the room as merlin nods.
slowly, arthur draws in breath. he leans down, then, and presses his lips to one at the base of merlin's neck.
"then," he starts, shakily, "this is mine." another kiss, to his ribs, the puckered flesh of a sword wound. "this is mine." to his wrist, where chains must have sat at the behest of his father. "this is mine," and he's choking up, now.
merlin's trembling underneath him, a quaking branch in the wind. arthur spreads his fingers over merlin's heart, takes its beat in his palm, and looks him in his eyes.
"i will love everything you show me," arthur breathes, a promise, "because it is mine."
"as am i," merlin promises back. "as am i."
oftentimes, i see merlin as blue. it's kind of a logical conclusion, seeing as that is a colour he is often dressed in throughout the show, and we have the "blue and red" contrast of merlin and arthur that kind of lends itself to that interpretation.
but i was thinking.
the official colours of the pendragon crest, and thereby the official colours of camelot, are red and gold.
arthur is red. we know this pretty apparently from his costuming-- red tunics, red cape, red necklace. but we're diving into metaphor, here, and within the framework of the show-- of arthur and merlin being two sides of the same coin, opposites and yet one whole-- arthur as red becomes even more apparent.
because red is a colour steeped in history, here, of victory, of war, of nobility. roman soldiers would paint their bodies red after a victory on the battlefield. in medieval history, red was often a royal colour because of its obvious association with blood-- specifically, the blood of christ (which is why cardinals wear red), and was worn by royalty to represent the divine right of kings. charlemagne, notably, wore red shoes at his coronation and painted his palace red. (of course, charlemagne was some 300 years post the time of arthur, but it still stands to reason that the iconography of red didn't change that radically in that time period). and, of course, if we're following arthuriana, arthur was the one who made y Ddraig Goch, the red dragon, his battle standard. (but then we go into the fact that bbc merlin is an anglicized version of a welsh piece of folklore, so of course the pendragon dragon is gold instead, but I am not going that route right now. maybe later. bear with me.)
but even just outside of red's historical context, red's symbolic meaning (which, of course, can't completely be divorced from its historical context, but i digress) is purely arthur. love, passion, fire, blood, courage, sacrifice, arthur, arthur, arthur.
it's interesting, then, that someone who is supposed to be the literal, physical embodiment of his kingdom (the king as a symbolic vessel for that which he rules) is not seen to be coded with both of its colours. sure, arthur wears the crest on several pieces of his clothing-- his gauntlets, his cape. but we never see arthur in just gold. he obviously favours red, as all the pendragons do (morgana's literal favour to sir owain, in the episode with tristan de bois, is red).
enter merlin.
we never see merlin wear gold, either. merlin isn't one to wear jewelry (gods know i would pay to see it), and for a servant to be dressed in gold would be. Well.
but merlin's magic is gold.
we see this, very literally, every time he performs magic. his eyes flash gold. it would be kind of a moot point if the idea that eyes flashing gold were a universal character trait amongst magic users in the show, but it isn't. first that comes to mind is the episode with sophia and the sidhe, whose magic turns their eyes red. several magic users throughout the show use magic without their eyes changing colour-- nimueh is one.
so it's not a consistent trait of those who use magic. magic doesn't universally turn your eyes gold within this narrative framework. but it does to merlin, because his magic is gold. and because merlin is magic, and his magic is so intrinsically unique to him and is unparalleled, it serves to reason that merlin is gold.
and, well.
the pendragon crest is mostly red-- and, if arthur is red, then camelot is red-- but its dragon, the heart of the crest, is gold.
and, well. if gold is merlin, and merlin is magic, and gold is magic--
there is, after all, magic in the heart of camelot.
My Merlin (+Colin) paintings of 2021! This is probably my last post before Christmas, so Happy Holidays to those who celebrate ā¤ļø
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