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Cultural Insights of Our Own: Lessons From a Newly Decoded Digital Archive
Interplanetary Journal of Cultural Studies Volume 16, Issue 3, Pages 322-340
Abstract
The recently decoded Internet Archive includes the digital artifact called “Archive of Our Own” (AO3) from early third millennium Earth. AO3 is unusually well backed up and therefore is presumed to contain some of the most significant -- perhaps even sacred -- texts of the time. In this paper we present our preliminary analysis of AO3 metadata, including new insights about the literature, gender and sexuality, religion, and scientific understanding of this historical era:
I. LITERATURE. We describe the cultural centrality of figures such as the Winchesters and Reader. We explore how they featured heavily in every dominant literature genre of the era, including Fluff, Angst, Hurt/Comfort, and Oral Sex.
II. GENDER AND SEXUALITY. We review the overwhelming evidence that male-male relationships were the most culturally significant sexual and romantic relationships, but we also show that it was a culture with an unusually broad set of sexual and gender roles. In particular, we highlight the unusual tripartite conceptualization of gender as including alpha, beta, and omega roles; we note the apparent prejudice against betas, illustrated in the prevalence of “no beta we die like men” and similar protest slogans.
III. RELIGION. We describe a newly discovered religious taboo: doves were a common sacrificial animal of the time, but they were forbidden from being eaten.
IV. SCIENCE. Finally, we present new insight about alternate universes. While previous scholars hypothesized that the scientists of Earth may have developed a correct early theory of the multiverse by the late second millennium, our analysis of AO3 presents evidence to the contrary. As late as the early third millennium, prevailing theories postulated highly specific universes, such as a universe in which everyone is in high school, or a universe contained within a coffee shop.
Taken together, these historical insights show that further investigation is warranted into the valuable documents stored within AO3, perhaps even going beyond the metadata to examine the full texts.
How does it never occur to Valancy that a man who had never touched any of his dad's money until he used $15,000 of it to buy her a pearl necklace might... possibly... actually love her??? I just feel like there's kind of a little bit of a clue there? Indeed, how did it not occur sooner to Barney that he loved her?
But I had one friend—or thought I had. A clever, bookish chap—a bit of a writer. That was a bond between us—I had some secret aspirations along that line. He was older than I was—I looked up to him and worshipped him. For a year I was happier than I’d ever been. Then—a burlesque sketch came out in the college magazine—a mordant thing, ridiculing Dad’s remedies. The names were changed, of course, but everybody knew what and who was meant. Oh, it was clever—damnably so—and witty. McGill rocked with laughter over it. I found out he had written it.
Not to put down platonic bonds and how those breakups can rock you as bad or worse than romantic ones, but the reading of Barney as queer and in love with this friend who betrayed him (maybe not realizing the kinds of feelings he had for the other man)...it definitely IS intriguing. Especially when contextualizing it with his anger when Valancy still can't believe that he's in love with her.
Ok I am ashamed I hadn’t thought of this reading before, but I kind of love it? I always read this as LLM’s fixation on kindred spirit friendships getting flipped and subverted - Barney wants what Anne and Diana had in AoGG, but he’s a man and furthermore, he’s a rich man in Canada‘s most prestigious college so there is a lot to get in the way of making that kind of connection. The people around him don’t care as much about being their authentic selves as finding a position in society, and that position necessarily have to be higher than someone.
But early 20th century is full of the kind of Brideshead Revisited intense male friendships that toe the line between romantic and platonic in a way that’s kind of fascinating to me- and I do think that liminal weirdness really fits with Barney and his position in society and how he feels, especially, about his position in society. Like… He can’t even have a friend? He feels that there’s something weird and clingy and inherently wrong with him that forbids him from making sincere friendships even? Even though what he wants is perhaps a little bit different from what everyone around him would call friendship - but he doesn’t have the vocabulary or our kind of contemporary knowledge of sexuality to understand what he wants specifically let alone why he wants it.
Plus, I think it kind of fits with how his relationship with Valancy progresses. Its friendship for him at first and then its love— and the relationship with her heals both the friendship breakup and the romantic breakup.
TOTAL SOLAR ECLIPSE l APRIL 2024
ALFREDO JUÁREZ | RAMI ASTRO | JOSHUA INTINI | KENDALL RUST | DERAN HALL | KUZCOKHANDA | TREVOR MAHLMANN | OTHINGSTODO | NASA | STEVEN RATNIK
The Muppet Movie (1979) dir. James Frawley
Blue Castle Book Club: Doc Redfern
I was a bit taken aback this week to find that there are some folks in the TBCBC who don't like the Doc Redfern reveal - because I think it's so integral to the story, for multiple reasons.
Out of the three twists, it's the one that's surprising.
Valancy's heart - I don't go generally go into a comedy/romance novel expecting the protagonist to die, and even if I did, there have been so many references to the improvement in Valancy's health since she left the oppressions of the house in Deerwood - readers may not know exactly how this is going to be resolved, but we're expecting it to be resolved.
Barney is John Foster - Could LMM have foreshadowed this any harder? By this point in the book, I feel like dream-Barney being hit on the head with a rolling pin. We've had Expected Revelation One, I'm bracing myself for Expected Revelation Two, when...
Doc Redfern is a real person, and is Barney's dad - I thought LMM was going to zig, and she zags! This is such a great twist. It's fully earned - Doc Redfern has been a prominent, recurring presence in the story so far - but it's been so deftly camouflaged as just a running gag of the world-building.
To be sure, there is the moment in which we learn that a) Valancy voluntarily purchased for Barney a liniment she herself had previously described as "Horrid, sticky stuff!" with "the vilest smell of any liniment I ever saw" (Why would you do that, Valancy? Were you seriously going to offer to rub it on the back of the husband you're deeply in love with, after years of having to do exactly that for Cousin Stickles? Urghhh no) and b) Barney hates Redfern's Liniment so much he actually speaks harshly to her for once. If you stop and think about it, that moment is so weird that it's clearly signposting something, but the momentum of the narrative at that point is all about the passing seasons bringing us to the end of Valancy's year, so it's easy to miss it.
It's a classic comedy trope.
The son or daughter rebelling against their parents/society by falling for someone in disguise - who ultimately is revealed to be exactly the kind of person of whom their parent/society would approve - is a classic trope, seen in everything from (IIRC) Roman New Comedy to Gidget. The beauty of the trope, in terms of appealing to a broad audience, is that it allows for portrayal of rebellion against social structures, while affirming (or at least not seriously threatening) those structures in the end.
Hence, the hilarity of the Stirlings having to wrap their heads around the fact that, as a direct result of flouting all the clan's rules and strictures and expectations, Valancy has managed to outdo them all in having "fulfilled the highest Stirling aspiration, “marrying money.”" Chef's kiss.
It introduces (very necessary) conflict.
Before Doc Redfern shows up, Valancy's plan was to go back to the island and explain Dr. Trent's mix-up to Barney. Barney's plan (mild spoiler) was to go back to the island and explain his epiphany to Valancy. The stage was set for them to have some great communication as a couple but as a climax to the story? Yawn.
By showing up at the absolute worst moment, with the worst emotional intelligence imaginable (finds out his son spent $15,000 on a necklace; is then genuinely perplexed to find out Barney is living with a woman; immediately tells his new daughter-in-law that her husband used to be deeply in love with someone else who is now available), Doc Redfern:
injects necessary conflict into the structure of the story's conclusion
heightens the stakes for Valancy in her fear that Barney will think she's tricked him into a relationship
propels Valancy into discovering the John Foster twist in such a way that it has (surprise!) a completely unexpected lack of impact on her John-Foster-fangirl self
lays the groundwork for the coming revelation of Barney's issues with his family (and his mirroring of Valancy in his damage from those)
It's a breath of fresh air.
Muskoka is lovely, and so are Barney and Valancy, but even the Club was getting bored with the last few chapters before the train showed up. Doc Redfern and Henry and the glorious purple car all bring the larger outside world crashing into the story with a vengeance, and not a moment too soon. They are all delightful and must be protected.
So...fancasting.
So, let's forget about budget when fancasting Doc Redfern. This is an actor who needs to be able to play "profoundly embarrassing" and also "deeply lovable." If I had a time machine, I might think about Miss Congeniality-era William Shatner, but since I come at this from a standpoint of "Who would be the Canadian actor I would cast today?" I'm going with Enrico Colantoni.
blue castle book notes
CHAPTER THIRTY-SIX
Valancy, who had spent so many happy wakeful hours of night lying by that window, now paid the price of them all in this one night of misery.
VALANCY, JUST ROLL OVER AND TALK TO HIM FOR. GOD’S. SAKE.
One of them was of Barney taunting her with having tricked him. In her dream she lost her temper and struck him violently on the head with her rolling-pin. He proved to be made of glass and shivered into splinters all over the floor. She woke with a cry of horror - a gasp of relief - a short laugh over the absurdity of her dream - a miserable sickening recollection of what had happened.
Very realistic. And tragically funny. And also - ‘shivered into splinters’ rather than ‘shattered’? 10/10 excellent writing.
Valancy knew, as people sometimes know things - inescapably, without being told - that he was not in the house or Bluebeard’s Chamber. There was a curious silence in the living room. A silence with something uncanny about it. The old clock had stopped. Barney must have forgotten to wind it up, something he had never done before.
OH THIS PARAGRAPH. IT HAS LAYERS.
So, knowing Barney’s gone is an intuitive thing - which, in itself, is possible and believable. Then it is revealed that it is also a literal physical thing - not just that it’s ‘too quiet’, but that it literally is too quiet. Because the clock has stopped. Because Barney was too distraught to wind it up.
On the metaphorical level?
BECAUSE HE’S TRYING TO STOP TIME. TRYING TO PREVENT THE YEAR FROM PASSING. TRYING TO STOP VALANCY DYING. HE DOESN’T WANT TIME TO CONTINUE. HE TRIED TO STOP IT. UNCONSCIOUSLY. OR CONSCIOUSLY. WHICHEVER. THEY’RE BOTH FINE.
*screams*
Yet the curious numbness that pervaded her being was in a way worse than pain. It was as if something in her had died.
This very very accurately describes how I feel when I’m dealing with shock or grief (or both).
She must know.
Great chapter ending.
RESPONSIBILITY FOR YOURSELF MEANS THAT YOU DON’T FALL FOR SHALLOW AND EASY SOLUTIONS
ADRIENNE RICH
Rebecca Solnit
Wrote a thing for that 250th birthday trying, first of all, to refuse to define the USA as one thing rather than many. E pluribus unum all the way home. Here it is:
The United States of America is a truck that has driven into a ditch. The United States of America is a program that has been hacked. The United States of America is … so many things, horrific and magnificent, good and evil, promising and cursed, as it approaches its quarter-millennium mark. I say it as though the US was one thing, but it is a thousand things.
It is the masked ICE agent shooting Renee Good as she stood up for immigrants, but it is also Good herself and the immigrants, and the streets of Minneapolis and their Dakota and Ojibwe Indigenous past – and present and future. The US before 1865 was slaveowners, but it was also the enslaved and the abolitionists.
The US is the KKK and the ACLU and the NAACP, right-to-life terrorists and Planned Parenthood security guards. It is Chevron and Exxon and one of the world’s first environmental organizations, the Sierra Club, founded in San Francisco in 1892, and the thousands of environmental, environmental justice and climate groups right now. It is its contradictions, its conflicts.
It is 340 million people, including almost 2 million prisoners, a population larger than 12 US states (which has long made me think that prison can be imagined as the 51st state, one with virtually no representation).
It is a country where guns outnumber people, and a country that produced nonviolent resistance’s most lyrical advocate, Martin Luther King Jr, who was shot on a balcony of a motel in Memphis.
King is said to have come out to the balcony of the motel to greet the jazz musician Ben Branch, whose rendition of the song Precious Lord King loved. It is the country that gave the world jazz and blue jeans and atom bombs and the birth control pill; it is its best and its worst people and products.
At its heart the US has always been an experiment, an argument, and a question with countless answers, which is to say it was never and will never be one thing, even if it has one federal government that is currently a catastrophic crime scene. It is tempting to make the current White House a metaphor for the country.
Currently, one-third of the people’s house built under Roosevelt has been wrecked and carted away, leaving an open wound visible in aerial photographs, its rose garden built up by Jacqueline Kennedy has been paved over, its lawn recently covered with a glitzy Thunderdome gladiatorial arena in which toxic masculinity would fight itself.
But he is not the country. The United States is the 77 million adult citizens who voted for him, the 75 million who voted for Harris, and the nearly 90 million who didn’t vote, and it’s also all the children, noncitizens, prisoners and former prisoners who are not part of that voting population.
It is the land itself from the maple and birch forests of the north-east to the glaciers of Alaska to the tropical rainforests of Hawaii, with a lot of prairie, swamp and desert in between. That land was here in various configuration not for millions but billions of years before 1776, and it will be here long after the US has ceased to exist, because cease it must at some point, and so must the human race.
The US is the desert tortoises who have been ambling through versions of the Mojave deserts of what is now California, Nevada and Arizona for 60m years and the people who strove to create the protected lands in which they may survive a little longer.
But the question at hand is the US at 250 and its possible futures. One thing about this wildly diverse country’s future is certain: it will become a non-white majority country in a couple of decades, and there is nothing that Stephen Miller and the other white nationalists can do about it.
Earlier this year, I was struck by the valiant, idealistic, dedicated young people who one after the other came into the spotlight. We only came to know Renee Good, 37, shot on 7 January, and Alex Pretti, also 37, shot on 24 January, through their willingness to face death for what they believed in and who they believed matters.
But another young person came into power on New Year’s Day of 2026, while they were still alive, Zohran Mamdani, age 34. He beat the odds and the status quo and all the money behind Andrew Cuomo (who’s been accused of sexual assault), to become mayor – the city’s first Muslim mayor – of this country’s biggest city as he spoke up for all the marginalized and minority populations that make New York City what it is.
On 8 February, despite rightwing outcries, Bad Bunny, age 32, took the Super Bowl stage and put on a half-time show that was a celebration – in Spanish – of his beloved Puerto Rico, of the musical traditions that converge in his songs, and the huge spectacle he staged was striking for the range of its performers, and for his insistence on his version of America, a generous joyous multilingual one, an America in which anyone can dance with anyone else.
Later that month, Oakland’s own Alysa Liu, daughter of a refugee from China, won the figure-skating gold at the Olympics with a performance whose freedom and joy cast a shadow over virtually all other figure skating before her victory on 19 February.
She had dropped out of the sport, refusing to be another one of those young women who are managed and controlled, and then returned on her own terms. As she skated out of the arena after a stunning performance, she shouted: “That’s what I’m fucking talking about,” as she laughed joyously.
These were not typical Americans, but like the 8 million people who showed up for the No Kings demonstration on 28 March, they were Americans. No Kings was unprecedented in sheer size as well as in how the protests took place in every single congressional district in the country. I said the US is a perpetual question; these lives and these performances were demonstrations of the answers some of us have given and some of us have cheered.
I do not believe that Trump will destroy the US, but he has badly broken it, and what comes after has to include consequences for the criminals and a massive cleanup operation. There will be no return to how things were, and we must go ahead by fixing what allowed this destruction to happen.
In the end, I come back to Abraham Lincoln at the battlefield and burial grounds of Gettysburg: “It is for us the living, rather, to be dedicated here to the unfinished work … that this nation, under God, shall have a new birth of freedom – and that government of the people, by the people, for the people, shall not perish from the earth.”
That is in one sense an ideal never yet realized, in the other a moral north toward which this country at its best has been pointing for those 250 years
[Guardian]
Follow the money behind America's data center boom. Track 2,300+ projects, PAC spending, and the politicians who sign off on it.
Reasons for hope: Lots of amazing people did a ton of work to make this fantastic, fully interactive resource available - because no matter how bleak things seem, there are millions, and millions of people doing everything they can to protect both the world and their own communities.
You can use this to view and subscribe to updates, project statuses, and for at least some of them even whole dossiers. This is an amazing resource, I highly recommend checking it out
Have a listen to my choral setting of text post memes that originated right here on tumblr!
My piece, Copypasta (performed here by the First Readings Project) is in three movements and uses these texts:
Spiders Georg by @reallyreallyreallytrying
Hot Plum by @utopians
I Think That's Beutiful by @nerdgul
Sheet music is available here.
(If your choir performs this piece, please let me know!)
If you like Widow's Bay and would like more funny/spooky New England mysteries to fill your time, Headless: A Sleepy Hollow Story has all the same vibes and is free on YouTube or Tubi.
reblog if you too are bi and confused or support others’ right to be bi and confused
Gracie the giraffe is described as having rounded ears. She went missing from a ranch in Real County.
im crying dude
Yeehaw yall. Gracie is on the run.
To answer some common questions in the tags:
1. How do you lose a Giraffe? She apparently scaled a cliff that served as part of the enclosure (which the other giraffes in the herd had shown no interest in climbing.)
2. Well it should be easier to find her, she's a whole ass giraffe? Yeah, you'd think, but Texas ranches are fuckin huge. The man has apparently hired a helicopter and several drones to aide the search, but no luck yet. She's been seen on some game cameras on the nearby ranches though. But she's sneaky.
3. Why does a random guy in Texas have a herd of giraffes? Because it's Texas and we have basically no exotic animal regulations. No really. If you have enough land out in the hill country, you can just own stuff. It's fuckin nuts.
"Dracula: A Feminist Revenge Fantasy, Really" at San Francisco Playhouse
There's still one more weekend to go see this show, which I attended on Father's Day with my family and really enjoyed.
Disclaimer: I have never read Dracula, as it's well outside my usual genres. My knowledge of it is pretty much exclusively what I've absorbed from people posting during Dracula Daily on Tumblr, so I can't say how faithful it was to the book overall; I don't even know how the book ends. I have not read it mainly because I know it would be too scary for me. But I can handle things on stage that I can't handle on screen or on the page, so I decided to give this adaptation a shot, and I'm really glad I did.