How to Dragon, Tumblr Edition, part 1.
Keni
todays bird
let's talk about Bridgerton tea, my ask is open

ellievsbear
Aqua Utopia|海の底で記憶を紡ぐ
styofa doing anything

roma★

★

PR's Tumblrdome
Claire Keane

No title available
art blog(derogatory)

tannertan36

Janaina Medeiros

#extradirty
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH
Three Goblin Art

祝日 / Permanent Vacation
Xuebing Du

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from Singapore

seen from Türkiye

seen from Japan
seen from United States
seen from Canada

seen from Canada
seen from United States
seen from Russia
seen from Brazil
@arcmka-blog
How to Dragon, Tumblr Edition, part 1.
how to draw arms ? ?
holy fuck
holy fuck is right… but… does it work with legs???
yes !!
but how much extend
^^^^^^^^^^
I NEARLY CHOKED
ENJFDFNFATFVFDF
finally. i can be accurate
This is too fucking great to not reblog
I give it MASCLES
BIG MACHO
LMAOOOOOO
Okay but for anyone who legit wants to know how to calculate it correctly:
The elbow joint on average rests a couple inches higher than the navel, so if you measure how long the distance is from the middle of the shoulder to that point then you have the length of the upper and fore arms!
So if anyone’s wondering about legs too, the simplest rule of thumb is that the length from the top of the leg to the knee is equal to the distance between the top of the leg and the bottom of the pectorals:
And I wanna stress that when i say “top of the leg” i’m not talking about the crotch (please don’t flag me tumblr it’s an anatomical term) i’m talking about the point where the femur connects to the pelvis, which is higher up on the hips:
It’s easier to see what I’m talking about in this photo of a man squatting:
So yeah if you use that measurement when using this technique you should get fairly realistically proportioned legs:
But remember! messing with proportions is an important and fun part of character design! Know the rules first so you can then break them however you please!
HOW THE HELL DID I FIND THIS POST OMG
Marvel and Netflix: Please Continue "The Spectacular Spider-Man", "The Avengers: Earth's Mightiest Heroes", etc.
Marvel: Spectacular Spider-Man Season 3
I know this series was ages ago but it was one of the best series of spider man.The Story was amazing so there is petition to start over if anyone of you think like me then please sign the petition and share it !!! thank you
We got to 100,000 VIEWS on youtube!!! Snag and Rawhide dressed all fancy for the occasion to say THANK YOU for watching!
More updates and progression on the way! Check out the trailer if you haven’t!
I can’t believe it. Thank you, guys so much for sharing it. 💖
Save The Blogs!
Okay, folks. So. Tumblr’s jumped the shark in a big way, and I’m not even just talking about indiscriminately blocking all “adult” content on a platform that IS, in fact, primarily 18+.
Many blogs, like the wonderful @blackkatmagic , that are not especially NSFW have vanished.
(And I for one LIKE being able to go to curated porn blogs run by actual people and have a chance of finding stuff to my taste, it was one of the things that kept me on this hellsite, but that’s another issue entirely.)
I know lots of people are talking about migrating, but none of us are sure to where yet. Pillowfort seems to be an option, some people are talking about Twitter. But for now, it’s a mess, and even if we knew where we were going, it’s often a huge process, and a lot of us have stuff on tumblr that ONLY exists there. One possible quick solution to save your blogs, both NSFW and personal, is to import it to WordPress. I found this solution through from frantic googling on how to save an entire blog, text posts an all. There are several apps for downloading all the pictures from a tumblr, (Plently for Windows, but only a few paid ones for mac, of which Tumbelog Picture Downloader is working for me so far) but this is the only solution I’ve seen so far that allows you to save EVERYTHING. I downloaded my NSFW blog in like 10 min. My regular blog, which is significantly larger, is in the process of importing, but I don’t anticipate any problems. I will, of course, update you if I have any.
This tutorial I found worked really easily. http://quickguide (.) tumblr (.) com/post/39780378703/backing-up-your-tumblr-blog-to-wordpress
I put parenthesis around the .’s like we’re back in FF-Hell, just in case tumblr’s new thing about outgoing links kicks in. You know what to do. To break it down, just in case:
Sign up for a WordPress.com account at wordpress (.) com/start You’ll have to create an account, with your email, a username, and a password. They should send you a confirmation email immediately, check it, activate it, and you’re good to go. On the site, it will ask you for a site name. That page asks you a bunch of other information too, but you only have to fill out the site name.
Then you have to give your site a URL. If you’re lucky, your tumblr URL is still available, if not you’ll have to come up with another one, sorry.
It will tell you if that option is still available for free.
Then it will ask you to pick a plan. Free is really good enough, I swear.
Now you’re set up! You can import your tumblr! The only differences from the linked tutorial are that the Import button is now on the first level menu, not in tools.
Hit Import, then you have to follow the link for “other importers” at the bottom, to find the option for Tumblr.
Then you’ll have to sign in with tumblr, using your normal tumblr credentials. You’ll be redirected there automatically. You’ll have to allow Wordpress permissions on your blog.
Then your blogs, including all your sideblogs, will show up in wordpress.
Hit import, wait a WHILE depending on the size of your blog, and you’re done!
ALSO!!
I made my NSFW blog private for now, since I don’t know WP’s policy on NSFW.
This means that to access it, someone has to have an account and request access. But hey, part of our problem on this hellsite has been people going places they aren’t wanted, so I don’t personally see this as a bad thing. They can send a request from the landing site on your blog, you get an email, click a link in the email, and PRESTO, they have access. To make it private, go to Settings > Reading > Site Visibility. Go back and check, it took me changing the setting twice for it to actually stick. tl;dr, you can import your entire blog to wordpress in just a few steps. I’m going to tag the hell out of this, in no particular order. PLEASE reblog this and spread the word so people know it’s an option. If you’re having trouble, PM me, and I’m happy to help.
@gallusrostromegalus @kaciart @lena221bee @deadcatwithaflamethrower
@norcumi @deandraws @morn-art, @thebisexualmandalorian @kristsune @marloviandevil @punsbulletsandpointythings @protagonistically @cris-art @elfda @fish-ghost @godtierwonder @heartslogos @haekass @iesika @incogneat-oh @itispossibleihaveissues @jaegervega @jhaernyl @the-last-hair-bender @kleine-aster @latenightcornerstore @lectorel @medievalpoc @mgnemesi @me-ya-ri @myurbandream @peskylilcritter @cywscross ,@cheshiresense @varevare @victoriousscarf @whatsmeantobe @swpromptsandasks @gabriel4sam @stonefreeak @brighteyedbadwolf @pumpkin-lith @puzzleshipper @suzukiblu @myurbandream @lacefedora @jademerien
There are a whole bunch more, but that’s a start. Please reblog the hell out of this, so people are aware of this one simple option.
For people asking how to backup thier blog
I absolutely hate that it’s come to this, but reblogging for everyone’s sake at this point
I m reblogging it!!!!!
Friendly reminder to all working artists or (especially) aspiring artists.
If a client says they can’t afford to pay you but you’ll get good exposure, one of two things is happening:
1. They are lying. They can afford to pay you, but they are choosing not to. They will pay the printer to print the books, they will pay the mail service to deliver them, and you’d better believe they’re going to pay themselves for sending you an email explaining that they can’t afford to pay you. They think you are a sucker, and if you take the job you’ll be telling them they are right.
2. They are not lying. They have zero budget, no audience and no real distribution system. They’ll still be paying the printer and mail service because people who work in those professions don’t work for free just because someone promises them a recommendation. But they aren’t paying themselves, they’re running on an incredibly small margin, and there’s a good chance they won’t exist as a corporate entity in a few years. Publishing your work with them will give you less exposure than putting it on tumblr or Instagram for free would. It will never lead to a paying job.
If a client starts ranting about the “short-sightedness” of artists, or otherwise complains about artists in general in their opening offer to you, run. Run as fast as you would run if a blind date spent the whole of dinner ranting about how horrible your entire gender is. Yes, there are doubtlessly clients who’ve been screwed over by artists in the past, but the ones who complain about artists in general will not respect you, they will not treat you well.
Working for free does not prove that you are passionate about something. It proves that you do not need to be paid for your work. How many doctors went into medicine because they are passionate about saving lives? Do you think any of them are asked to perform heart surgery for free?
No one will ever pay $50 for something if they can get something similar for $5. When you charge next to nothing for art that you’ve worked for hours on, art that required years of training to create, you are telling your client that it is worth next to nothing. They will remember that the next time they want to hire an artist.
People who are looking to exploit artists know that artists are hard on themselves. They know that most artists don’t think their work is good enough to charge top dollar. They know that artists have been told from the first day they started taking their art seriously as a career that they’ll never make any money off it, that it’s not a real job, that it has no value to society. They know how to push artists’ insecurities about their profession in order to convince them that that demanding fair compensation is unrealistic and uncooperative.
If you’re just desperate for a job in the arts, any job in the arts, give yourself a job. Start a webcomic, or give yourself illustration assignments that you post on social media regularly, create work for a gallery show even if you don’t have one yet, or make a book. Give yourself a job. If you’re going to work for free, you may as well be working for yourself, setting your own hours and following your own interests. Having original art with original characters and ideas in your portfolio, and making sure your art is visible online will get the attention of publishers who are actually looking to hire people for good jobs. Drawing a shitty comic for a defunct publisher based on someone else’s shitty ideas will not.
Protect yourself, because no one else will. Protect yourself, because no one else will. There are people lining up around the block to exploit you. Protect yourself because no one else will.
Thought of You-Ryan Woodward
Soooo beautiful!!!!
Ok so, since Tumblr is being an over protective Christian mother int he worse possible ‘Carrie’ sort of way, I’m going to ask that ya’ll reblog and spread the word about your favorite writers and artists again. Likes are nice, but reblogging is way better. And with the way things are and tags and searches being literally nonexistence, we need you so much! I know activity has gone way, way down for me and other writers and artists, and now, it’s gotten so much worse. Tumblr has literally fucked up being able to search for anything at all. Your reblogs mater and are so important. If you want to keep seeing content from us, please, for the love of god, reblog. I hate asking this, but it means the world to me to be able to keep creating here. If Tumblr keeps fucking up then a lot of your fvaorite artists and writers may move elsewhere. Hopefully Tumblr will get everyone back to working order soon, but for now, YOU are the most important thing to us creators.
Reblogging
What are your thoughts on including fanart in your portfolio while applying to studios? I'm currently working on my portfolio and have a lot of fanart pieces I'm proud of but I'm worried about the etiquette of including it.
So I wrote a whole thread about this on twitter, actually! I’ll recount it here:
“so to clarify: #fanartgotmepaid doesn’t mean “fanart guarantees you a job,” nor does it mean “you can’t get a job without fanart.” #fanartgotmepaid just means that fanart isn’t always a Scarlet Letter that immediately colors a potential employer’s opinion of you.
I like to think that the personal art you do can be roughly broken down into three motivations: Conception, Self-Improvement, and Enjoyment (take this with a grain of salt! there are other motivations – commercial, vindictive, goofabouts – I’m just focusing on the heavy hitters):
Conception, meaning “I have a specific creative vision I need to commit to paper.” Concept, idea, composition, style, what have you.
Self-Improvement, meaning “I want to better myself by practicing or taking on a challenge.” Trying that new brush, studying folds, etc.
And finally Enjoyment, meaning “I physically/emotionally enjoy the process of making art, and choose to do it because it’s fun/therapeutic.”
Art fulfills each of these to varying degrees; sometimes a piece can be all three at once, but it doesn’t have to. That’s up to the artist. Fanart will almost always include some degree of Enjoyment. We make fanart because we love a thing, because it provides a familiar framework. For example, here are some pieces of fanart I’ve done that are PURELY for Enjoyment:
…These aren’t going to win me any awards, they aren’t going to get me any jobs! But they’re good, they’re fun, and I’m glad I did them (and not to mention, any art is better than no art! Like playing a cover of a song, drawing fanart is still building artistic muscle memory).
NOW, let’s talk about fanart that gets you hired. Compared to the above, what is it about some fanart that gets the attention of employers? Generally, employers are hiring you for what YOU bring to the table. If fanart is the hook, your particular vision is what reels them in. No one ever got a job just because they drew a Sailor Moon that one time. You get jobs because you treat fanart as a tool in your toolbox. Are you redesigning characters? Interpreting them through a compelling stylistic lens? Rendering them in a fresh way? That’s your vision.
So here are some examples of my fanart that HAS gotten the attention of employers, with some rough notes on why I think they stand out:
The reason I was hired for Bioshock wasn’t because of Disney princesses: I was hired because of my eye for historical costume design. You aren’t hired for fanart, you aren’t hired for the hook: You’re hired for your vision. You’re hired for what keeps them interested.
If you want to draw fanart purely for Enjoyment, that is completely rad and fine! Appreciating an IP by way of creation is pretty amazing. And if you want to use fanart to pursue a professional career, find a way to balance that Enjoyment with Conception and Self-Improvement!
Long story short: do fanart or don’t, live your bliss, and maybe analyze your motivations for making art once every blue moon. And for the love of god, maybe don’t make blanket statements condemning entire swaths of professional and amateur artists? Just spitballin’.
threw together a quick little narrated video showing the Photoshop layer breakdown for my Valentina piece! It’s actually a pretty simple process when you get down to it 👌🏼
Late last year I wanted to start a series of short tutorials called Tip Jar, as a way of saying thanks to my fans and giving back to my patrons. This is the first of the series I have made, showing my technique on quickly filling in lineart so you can get to painting without coloring outside the lines faster.
Someday I hope to turn these into video tutorials when I have the income and the time, but for now I hope that I will be able to share useful tips in this infographic format.
Full tutorial image
Support me on Patreon
This is exactly how I do my flats.
This is how I do my flats! Really quick and easy!
Worth sharing because this is exaaaaactly how I do my flats! I get this question all the time when I post my process videos, and this explains it far more succinctly than I ever could. :)
This a worth sharing
7 Animation Books by Women That Every Animator Should Read/Own
After my previous post I had a request for animation books written by women, which is an excellent request from @furrama. I went through my library and did a quick search for some more recommendations. Sadly there aren’t many compared to all the books written by men, but they are still fantastic. Thanks, @furrama for the suggestion!
The Animation Bible by Maureen Furniss
The Animation Bible is the first book any aspiring animator will want to own—and with increasingly affordable tools for digital animation and the vast forum of the Internet for free distribution, animation is becoming more popular than ever. Animation authority Maureen Furniss covers every aspect of production, from finding a concept, choosing a medium, and creating characters all the way to getting the end result screened and distributed. In addition to traditional cel animation, Furniss also examines direct filmmaking, stop-motion animation, and Flash, as well as early motion devices and toys that produce animated images, all with case studies illustrating the successes and difficulties experienced by professional animators. Furniss goes beyond the image on the screen, discussing visual storytelling, sound design, and how to schedule, budget, and pitch an animated film.
Animated Storytelling: Simple Steps For Creating Animation and Motion Graphics by Liz Blazer
Animation is a limitless medium for telling stories. Artists can create worlds, defy gravity, flip from factual to fantasy, and transport audiences to places they never imagined. The challenge is having the discipline to reel it in and be intentional about your storytelling choices. This book shows you how.
In Animated Storytelling, you’ll learn how to create memorable stories using animation and motion graphics by following 10 simple guidelines that take you through the stages of concept development, pre-production, storyboarding, and design. Award-winning animator Liz Blazer uses clear examples and easy-to-follow exercises to provide you with the instruction, encouragement, and tools you need to get your designs moving.
Whether your goal is to create exciting shorts for film festivals, effective messaging for broadcast or online, or simply to gain a deeper understanding of the medium, Animated Storytelling simplifies the process of creating clear and engaging stories for animation and motion graphics so you can get started easily.
In Animated Storytelling, you’ll learn how to:
Write a creative brief for your project
Find and communicate your story’s big idea
Create a tight story using linear and nonlinear story structures
Use color to clarify and enrich your story
Define the rules for your animated world, and commit to them
Ease into the challenging task of animation
Make the work you want to be hired to do
Share your work with the world!
Animation Unleashed: 100 Principles Every Animator, Comic Book Writer, Filmmaker, Video Artist, and Game Developer Should Know by Ellen Bessen
Make your animation say what you want it to say. Animation’s potential as a powerful tool for communication is just beginning to be understood. This book reveals key principles, useful for both professionals and beginners, which will help you harness the full power of this exciting and ever expanding medium.
Living Life inside the Lines: Tales from the Golden Age of Animation by Martha Sigall
Martha Sigall worked with all the classic cartoon characters-Bugs Bunny, Daffy Duck, Tom & Jerry, Droopy Dawg, Beany & Cecil, Tweety, and Porky Pig-and the madcap artists who created them-Chuck Jones, Tex Avery, Bob Clampett, Frank Tashlin, Friz Freleng, William Hanna and Joseph Barbera, Bill Melendez, and Ben (Bugs) Hardaway.
As a teenager Sigall became an apprentice painter working in the Golden Age of Hollywood at the Leon Schlesinger studio, making $12.75 per week coloring animation cels that would introduce Bugs Bunny and Elmer Fudd to the world. She recounts her wild and wonderful experiences with the Warner Bros. cartoon crew, working and laughing all day with the animators, partying all night with the Looney Tunesgang on the bowling and baseball teams, and participating in weekend scavenger hunts. She was president of the in-house “Looney Tunes Club,” co-wrote the company gossip column, and performed in the company’s theatrical troupe.
After World War II, Martha joined MGM Animation (Tom & Jerry, Tex Avery) in Culver City as an assistant in the camera room and later freelanced her ink and paint services, creating art for many classic features, shorts, commercials, and TV series-including Garfield, Peanuts, and The Pink Panther.
Written with warmth, humor, and a touch of nostalgia, this is a rarely told story of what it was like to be a part of a team of artists who were creating masterpieces of animation. Martha recalls her lifelong friendships with writer Michael Maltese, animators Ben Washam, Ken Harris, Herman Cohen, Paul Smith, Bob Matz, and many others. She writes of her experiences of being a woman in a male-dominated industry, particularly during the war years when she was one of the first women camera operators in the industry.
Lovely Ladies of Animation by Lorelay Bové
The beautiful minds of six extremely successful women artists in the entertainment industry present Lovely: Ladies of Animation. The history of art in animation has had many female heroes; this elite group is continuing the tradition and building upon it. Featuring the first published personal works by Lorelay Bové, Lisa Keene, and Claire Keane along with the works of previously published Mingjue Helen Chen, Brittney Lee and Victoria Ying, LOVELY is an indispensible addition to the library of anyone interested in animation. With a variety of styles, from graphic works to realistic portraits, these images will inspire and delight the viewer with each turn of the page.
Ink & Paint: The Women of Walt Disney’s Animation by Mindy Johnson
From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets. With calligraphic precision and Rembrandtesque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now. Walt Disney’s pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many “firsts” for women within the entertainment industry along the way. Focusing on talent, Disney sought female story specialists and concept artists to expand the scope and sensibility of his storytelling. Upon establishing the first animation-training program for women, ink pens were traded for pencils as ladies made their way into the male-laden halls of animation. World War II further opened roles traditionally held by men, and women quickly progressed into virtually every discipline within animation production. Disney’s later development of the Xerox process and eventual digital evolution once again placed women at the forefront of technological advancements applied to animated storytelling. In her latest landmark book, Ink & Paint: The Women of Walt Disney’s Animation, author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments, and tea. From the earliest black-and-white Alice Comedies to the advent of CAPS and digital animation, meet the pioneering women who brought handrendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation.
A New History of Animation by Maureen Furniss
A brand-new, comprehensive history of world animation
A New History of Animation guides readers through the history and context of animation from around the world. The book assumes no prior knowledge of the subject and explains all the key technical concepts, filling a gap in the market for a complete and well-researched animation history textbook that can be used by teachers in trade schools and universities worldwide, as well as by readers interested in the story of this evolving medium.
Topics covered include: early cinema and the foundations of the animation industry; animation as modern art and the emergence of the major studios; animation during wartime; stop-motion; new audiences for animation, in advertising, television, and games; animation from Eastern Europe; short films; computer-generated animation; international animation from Japan and elsewhere; and animation as an art form.
The internet could change next week, and not in a good way
You may have heard about the efforts in Europe to reform copyright law. The debate has been ongoing in the European Parliament for months. If approved next week, these new regulations would require us to automatically filter and block content that you upload without meaningful consideration of your right to free expression.
We respect the copyrights and trademarks of others, and we take all reports seriously to ensure that your creative expression is protected. We make this clear in our Community Guidelines. There’s already a legal framework that works and is fair: Today we take down posts and media that contain allegedly infringing content when we receive a valid DMCA (Digital Millennium Copyright Act) takedown request. We also provide clear-cut ways for people to fight back if they believe their removed content was not a true violation. These instances are monitored and reported and live in our biannual transparency report.
The suggestion to use automated filters for issues of copyright is short-sighted at best and harmful at worst. Automated filters are unable to determine whether a use should be considered “fair use” under the law and are unable to determine whether a use is authorized by a license agreement. They are unable to distinguish legitimate parody, satire, or even your own personal pictures that could be matched with similar photographs that have been protected by someone else. We don’t believe that technology should replace human judgment. Tumblr is and always has been a place for creative expression, and these new regulations would only make it harder for you to express yourself with the freedom and clarity you do so now.
If you access Tumblr from Europe and want to act, you can find more information on saveyourinternet.eu.
Please reblog this as much as you reblogged the posts about Net Neutrality.
If Article 13 is approved, European People might be basically banned from uploading any fan content.
You won’t get new fanfics from people in Europe.
You won’t get new gifs from people in Europe.
You won’t get new fanart from people in Europe.
Because they’ll be automatically filtered and blocked!
We might leave Tumblr and other fandom pages.
And if we’re getting all our content blocked?
You might lose some of your favourite followers/mutuals.
You might not get to read the rest of that fic you’re dying to read - simply because the writer lives in the wrong country.
So do whatever you can to help us stop this.
Reblog this.
CONTACT YOUR REPRESENTATIVES TO TELL THEM YOU DON’T WANT ARTICLE 13 TO BE APPROVED IF YOU’RE EUROPEAN! DO IT VIA THE HOMEPAGE
Tuesday Tips — Long Lines : one way to bring a pose “together” and simplify it in many ways, is to forgo the small choppy lines and go for long uninterrupted lines that move through the figure and connect its parts more seamlessly. Push strokes to their absolute limit instead of breaking it down too soon. You can always go back and make it more complicated if you like. Overall, long lines bring a kind of unity to most poses. -Norm @grizandnorm #tuesdaytips #100tuesdaytips #longlines #arttutorial #arttips
today was not so productive day for me i was very tired so still i have to keep the streak up so here is a drawing !!! i mean a digital one!!!