I cant go to my local libary anymore because last year when I stopped by a librarian was reading a book I wrote under a pen name years ago. This book sold under 10k copies and I've literally only heard people talk about this book online *if* I went looking for it so I went up to them and tried to start a conversation like "oh hey I've heard of that book is it good?" Like hoping for some real feedback and she goes "yeah I love reading things by queer writers" and in a moment of terror I was like "oh but- hold on, I thought the author was some old hetero white guy?!" A thing I thought because I used my own dead grandpa's picture for the author pic because grandpa never had internet. I fake looked it up and was like "yeah if he was queer its not public?" And without looking up this absolute unit goes "oh the author bio is obviously fake. I'd bet my left leg the author is a west coast millennial non-binary queer who has never lived on the east coast." And then proceeded to rattle off a dozen linguistic flourishes that are specfic to the pacific northwest that are in the book and several that are nearly ubiquitous in the state where I said my pen name lives that are somehow completely absent from the book.
So you know. Got read for fifth and didn't even find out if she liked it.
Having experienced a lot of it in my 20s, I think some of the worst, pettiest, most straight up this-is-just-bullying-you're-passing-off-as-praxis incidences of Queer Infighting endemic to young people can be best understood as attempts to exercise power by people with very little power.
Like you're 22, you're queer, you've just become a Marxist, the scope of World Suck is overwhelming and you have $30 in your bank account. What can you do to feel like you have any power? Well, you can try to get your frenemy cancelled for cosplaying a character from a problematic show. You can write a public callout post over someone's obviously friendly use of a slur you don't think they technically have the right to reclaim. Doing this stuff can make you feel like you have power and your actions have an impact. Unfortunately the impact in question is a negative impact on other marginalized people. But that often takes some maturity and self-reflection to notice.
I'm reminded of this post from 2017. To paraphrase, OP took part in community service via their university and part of that was cleaning the bathrooms at the local homeless community centre, which would frequently get trashed, not because the homeless people using them disrespected the work of the people cleaning them but because they had so little control over other things that happened in their lives, and the bathroom was something they could affect.
This, too, is a trashed bathroom; young queer people living through hell and having precious little control over their circumstances or the world in which they exist can affect something by using the language of social justice as a cudgel on their would-be allies, as well as getting a brief feeling of power over someone else by doing it.
It's not worth it. Don't trash your community bathrooms.
I explained the concept of "blorbo from my shows" to my 71 year old immigrant grandfather because I referenced it in passing and I thought nothing of it, until today when he said "I think I'll watch peaky blinders tonight and see my blorbo from my shows" referring, of course, to Cillian Murphy playing Tommy Shelby
English isn't his first language so he's not super in touch with modern slang, so I've been accidentally teaching him to talk like a tumblr user. His favorite thing to say lately is "me when I'm a little hater" when he's like talking shit about the neighbor's son
I explained the “x before gta6” meme to my immigrant father and he, in turn, explained to me how back in his day in Romania, they had the same type of joke, except instead of it being gta6, it was about the imminent death of a singer named Gică Petrescu, who everyone was continuously shocked by because he refused to die. Every time a momentous event happened people would say, in essence: “This happened and Gică Petrescu hasn’t even died yet?!?”
So. He understood the gta6 meme immediately because they apparently had the same thing in Romania when he was young, except way, way more morbid
For the uninitiated, you write [sic]—literally "this" or "so" in latin—to indicate that you haven't altered the wording or spelling. While it can be used to preserve a joke misspelling (aminals) or indicate that you know it looks weird (the Toronto Maple Leafs), it is also the most biting three letters that you can throw at a motherfucker who should know better.
“I’m afraid of getting cancer from the cadmium in my painting supplies” I’m not 😌 I love you cadmium yellow. I love you vermillion red. I love you uranium orange, haven’t worked with you but I love you nevertheless. Most of all I love you arsenic green.
Shout out to my mom who explains my transition as "Having a daughterpillar turn into a Boyterfly". It doesn't erase the fact I was an adorable little girl, and also affirms my gender now. I love my mother.
i think the most upsetting thing about american-flavor puritanism is how fucking patronizing it is. it's 2026 but the whole world still has to deal with a cultural hegemony grown from the gnarled vestiges of victorian-era paternalism. tax-paying adults with passports and the right to vote are treated like wayward children because of the antiquated idea that authorities must protect the weak minds of the unwashed masses from depravity and corruption. the average american can send a fellow citizen to the chair, but they can't piss in a ditch without being declared an outlaw. american entertainment media is saturated with sex, but you can't talk about it online without getting your account suspended. it's such blatant censorship at a universal scale, but because sexual content is framed as inherently dangerous, this restriction on basic adult autonomy, this blanket denial of moral and intellectual adulthood, can be reframed as protection, an expression of care, a moral duty. "won't someone think of the children!" I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN! I AM A GROWN MAN!
thank god that the video game that features slow motion animations of graphic gunshot wounds and is rated 18+ has a profanity filter in single player offline mode. thank you for protecting this 33 year old mind from the corrupting influence that is a horse named apple slut
A comic about book bans, ppl's continued dismissiveness of asexuality, and ppl's lack of understanding around what it means to be queer, and why they should be worried about book bannings.
I'll add smth here cos I learned after posting this on IG that people still aren't entirely understanding how scary and dangerous this is. Ppl kept saying to me 'I can still buy your book in shops though' or 'Its okay, I'll order your book into my library!'
I dont give af about my book lol No one outside of Ace ppl ever read it, its yearly sales don't even cover a month of expenses for me.
The thing you should all be concerned about is that a totally benign unheard of book about someone's every day life is being banned. And those laws listed above are passing through US government right now. One of those laws would make it so that any teacher/librarian in the US could lose their job/go to prison for simply sharing 'ideology'- and I don't mean only lgbtq folk, these laws are attacking black history, civil rights history, disability rep in books. Just talking about these things will now legally be considered a 'dangerous ideology'.
And once that's set into law, the US government has backing via law to go ahead and say 'if these books aren't legally allowed in schools, then they shouldn't be allowed in shops, either.' And from there it sets up a great argument for 'The dangerous content in these books is lawfully being removed from public, shouldn't we be lawfully removing the people living out/promoting this ideology too?'
I can see why ppl don't fully understand how dangerous book bannings are, if they're not familiar with the history of fascism. If you're interested, there are plenty of graphic novels that share this history via first hand accounts- Maus, Persepolis, Banned Book Club.
But guess what? You're on limited time to get these via libraries...cos all three of these books are on banned lists too, and they got nothing to do with lgbtq rep, and everything to do with warning ppl about fascism.
And the US government knows it can get away with this, because they are passing these laws as we speak and barely anyone is doing anything about it or talking about it. I've been trying to talk about it for years and no one does anything except say to me 'don't worry, I'll buy your book!' or say its a badge of honour that I have a banned book.
So I'll emphasise once more. If you live in the USA, PLEASE CONTACT YOUR REP ABOUT THESE LAWS!
theres bikes around the city you can rent but you have to use an app that needs your drivers license. theres buses that drive right to your destination, but if you dont have change you need the app. you can wash your car here if you sign into the app. you can go to the bathroom here you just have to unlock it with the app that needs your location on. you can order at this restaurant if you scan the code and download the app. im losing my freaking mind
I'm going to start calling this crap "hostile web design." It's the internet version of hostile architecture. Designed to keep out people who can't or won't pay, results in less accessibility for disabled users.
HOWEVER! There is a solution.
Go to https://bugmenot.com/ and enter the URL of the site you're trying to access that's demanding a login. In most cases, you'll get a list of usernames and passwords you can use to log in.
Does no one realize how racist this assumption can be? Most LLMs are trained heavily on Commonwealth and other standardized English corpora, yet now when people from Commonwealth countries naturally write in polished English, others immediately say it “sounds AI-generated.”
I fear this is the beginning of a really awful trend that will make it even harder for non-white writers to get published.
Got curious, so I went and read it myself. The AI accusation is completely absurd to me. The story is small scale, personal, laden with metaphor, and clearly draws heavily from the writer's cultural history. It's not conventionally told, but the ideas set up in the beginning are woven throughout the narrative nicely - nothing is extraneous, no threads are dropped, and it ends on a thoughtful and somewhat poetic note that explores its core themes. Unless I'm sorely mistaken, this is not kind of writing AI generally produces (at least not without significant human intervention - at which point who cares?)
The idea that it's AI generated because of a couple difficult-to-parse similes (in a piece that employs flowery simile multiple times per paragraph) is so insidious. Oh I'm sorry, this Trinidadian writer's piece exploring the cultural intersections of the Carribean and Indian diasporas on the island wasn't instantly understandable to me, an ignorant anglophone reader - so therefore he must be a fraud? Ridiculous, and in my opinion clearly racist.
first off the bat, "ai detection tools" are certainly worthless vaporware. i am fully agreed on this point. like hagiomoto, i also worry about the weaponization of AI accusations against authors of color, especially ones writing in englishes other than american or british english.
that said, these posts have the absolute wrong end of the stick. first of all, the very first to call this story out were -- understandably, because they were the ones most closely watching the commonwealth prize regional winners -- Black and caribbean writers and poets, like chiemeziem everest udochukwu and previous commonwealth prize winner and fellow trinidadian kevin jared hosain.
secondly, OP (and many, many people in the notes) correctly describes a phenomenon -- the way in which AI writing can resemble styles of writing common in nations that were formerly colonized by the UK -- almost certainly in reference to marcus olang's essay I'm Kenyan. I Don't Write Like ChatGPT. ChatGPT Writes Like Me. but this phenomenon has absolutely nothing to do with jamir nazir's piece. the similarities olang' draws between kenyan english and chatgpt are strict structure, the use of specific sayings, and a propensity to use 'wow words' --
The third, and perhaps most important commandment, was that of structure. An essay had to be a perfect edifice. The introduction was the foundation, the body was the walls, and the conclusion was the roof, neatly summarising the moral of the story and, if you were clever, circling back to the introductory proverb to create a satisfying, if predictable, loop. We were taught to build our paragraphs around a strong topic sentence. We were taught the sin of the sentence fragment and the virtue of the compound-complex sentence.
whatever you might think of "the serpent in the grove", i think it is extremely safe to say that this very much does not describe it.
and now i want to get onto the reblog, which really truly bothers me because of the ways it is unintentionally closing ranks around the profoundly racist and imperialist set of pre-approved conceptions of 'postcolonial literature'. because frankly, the serpent in the grove is not thoughtful or complex--it is barely coherent, in very obvious ways. everyone who has written about it has pulled all the same quotes, but here's a few of the nonsense metaphors to illustrate:
A man who had cleared brush like a conscience
Hard living lays itself on a man like wet sacking; it never asks permission
Coffee and cocoa leaned wild on a slope that wanted either rain in teeth or none at all
She had the kind of walking that made benches become men
(this sort of bluntly failed similie is incredibly characteristic of ai creative writing by the by, far more than any of the elements olang' complains about being accused over, which mostly show up in technical/conversational AI material. @nostalgebraist calls it the "eyeball kick". my favourite exmaple i've seen over the years is “the moon was truly mother-of-pearl, the white of the sea, rubbed smooth by the groins of drowned brides.”)
what it is, however, is essentially an intense pastiche of all the frankly racist tropes of "prestige postcolonial literature". i mean, look at what judge sharma taylor said about it:
Jamir Nazir’s language is sublime—precise yet richly evocative—conjuring vivid, lush imagery with remarkable economy. Through sharp sensory detail, he renders the Grove as a living presence, where labour, landscape, and memory are intimately entwined. Polished and confident, this is a story with a melodic voice that lingers long after the final line. Jamir Nazir’s prose pulses with a voice of restraint and quiet authority—a beautifully told and assured piece of storytelling.
writing from the global periphery, from the caribbean or africa or south east asia or latin america, is always "rich", it is always "sensory," "lush", it is always "about landscape and memory", it is always "melodic." these are exhausted tropes that have been used to describe basically all literature from ex-colonies for the last 50 years, regardless of what they're actually like
latin american writers and critics like sylvia molloy and jorge volpi have talked about the "choke-chain" of 'magical realism', this titanic sweeping label that gets applied to anything coming out of latin america, something that for a long time sreved as a measuring stick to evaluate Real Prestigious Worthwhile Latin American Literature.
there is a commonality there, and that is that literature from The Third World is meant to be about the Land, about the Peoples, about the Personal Struggles, about the Rich Fantastical Vibrant Melody History Memory--this is a mold that has been imposed first by the european and usamerican literary establishments and from there internalized and adopted in literary scenes around the world. volpi criticizes the picture of latin america that the "magical realism" wants to push onto all latin american ltierature as one of "irrationality [...] a lack of reason".
incomprehensibility--the very reaction in the reblog of "oh, i don't understand this, it must be some Cultural Element i'm not understanding" is treated as a de facto mark of authenticity. it's the mass exoticization of this literature, treating it as some endlessly mysterious Other whose incomprehensiblity gives the white literary world a look into the Mysterious Foreign Mind
and it is genuinely really frustrating after years of authors from the global periphery (and in various diaspora, because this type of ritualized Authenticty Signalling is a huge feature of prestige diaspora literature and the subject of the exact same ongoing fierce internal debate, e.g. this piece or this one) trying to escape these stifling tropes, these exotifying expectations, to have a story that--AI or not (and i don't think the 'not' is very likely)--thoughtlessly and mechanistically repeats them, drowning itself in florid incoherence, get this kind of defense from people who earnestly think they are being anti-racist.
i leave off with a couple of good pieces on the story itself and its reception:
Can we say that between the prize and the story and Jamir Nazir, there is something perverse and disrespectful to other writers, because it
The Granta controversy surrounding a Commonwealth Prize-winning story tells us less about AI than about the enduring metropolitan expectatio
not all of us can live in fantasy 100% the time like i see some people on here do and it's refreshing to learn something new. its been philosophy, essays, and history for me and i feel much more at home on planet Earth for it knowing that people have been struggling and wishing similarly for millenia.
its not that fiction doesnt have its place, its important and healthy to exercise the imagination, but non-fiction can do so much to boost and supplement that. if not for yourself, for your art or for the people you're around
this version of the post doesnt seem to be getting much traction but this is arguably the most important reason why we should be reading nonfiction in addition to fiction
stormborns
dededos
izzy806
tangentwithtanner
snowghoul
