This is totally just about dragons
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@asynchronouscommunication
This is totally just about dragons
this site is actually insane and so amazing for anyone who reads historical cnovels and wants to understand historical context
you can find things like: * this map of chang'an when it was the capital of the tang dynasty
or * this reference on the various measurements and units, their conversions to more widely known western units, and their regional/dynastic variations or * this list of sayings related to marriage
etc etc etc
Shiftshaper
Day 1 of infiltrating the crew.
One of them got too far from the group. Paralysed him and took his form.
Returned to the ship. Everyone keeps asking me where my pants are.
Day 2 of infiltrating the crew.
We have taken off. I have explained that one of the 'native lichens' made me allergic to pants. The rest of the crew seems to accept this.
Day 3 of infiltrating the crew.
I have been helping out around the ship while learning its secrets. And also trying to figure out where my quarters are supposed to be. Got it right fourth time. Managed to talk my way out of three awkward encounters.
Fourth one, not so much. I think I'm dating Crewman Eloise now.
Day 4 of infiltrating the crew.
Brought Eloise some breakfast and used my cunning skills to pump her for information.
So successful that I contrived to bring everyone else breakfast. I am a genius.
Day 5 of infiltrating the crew.
The captain keeps asking for Crewman Vitsie. They are obviously incompetent and lazy and have not responded. Captain sounds very irate. Perhaps I should find Vitsie and eat him to improve crew morale.
Day 6 of infiltrating the crew.
... I'm Crewman Vitsie. Got yelled at by the captain. Grovelled handsomely and explained that I am incompetent and lazy. I think I got away with it.
Day 7 of infiltrating the crew.
Space pirates. Why is it always space pirates?
Replicated one of them, infiltrated the ship, ate their captain. Very greasy.
Swapped back to my Vitsie disguise and pretended I snuck on board and shot the captain.
Luckily nobody asked about why I now weigh 50% more
Day 8 of infiltrating the crew.
Captain mentioned he knew I was a shiftshaper. Now hiding in an airduct. I'm not crying. That's... just... OK I might be crying. Eloise was going to put on a movie and I was really looking forward to it.
Day 9 of infiltrating the crew.
Captain has been yelling into an airvent for the last hour. They say they figured it out immediately.
Turns out Vitsie was an asshole, and they just liked me better.
NGL, feeling kind of proud.
Captain says since I saved the ship from greasy space pirates, they'll call it even if I promise not to eat any more crew.
Asked if that includes Robins from Engineering. Captains says Robins included because he's the only one who knows how to fix the toilets.
This is reasonable.
Day 10 of infiltrating the crew.
Watched "The Thing" with Eloise. Didn't sleep all night. That was terrifying!
"I can't believe humans would hunt the thylacine to extinction, humans are fundamentally evil" Hey, did you know that extinction was long thought to be impossible, and within 50 years of humans realizing that extinction via overhunting was a possibility it practically stopped happening? Did you know that humans are so desperate to prevent more losses that they're funneling millions of collective hours and billions of euros into helping other species? Hours and euros that could be spent on humans, and species on whom humanity's own survival does not depend? Did you know that due to an accidental introduction of rats, the Lord Howe Island stick insect population was brought down to 24 individuals and now there are tens of thousands of them?
This bug. This bug that, to most humans, is utterly useless, relatively gross, and completely foreign. Humans saved it because humans do not want to cause another extinction ever again if they can avoid it.
So every year, my aquarium does a captive lobster hatchery project (hence all the loblings). The reason weāre doing it is because in the wild, loblings only have a 1 in 25,000 chance of surviving their larval phase. Theyāre plankton as babies and everything eats them. Additionally, as the Gulf of Maine warms, they are having even lower survival rates because the blooms of copepods they feed on as babies are happening earlier in the year, and theyāre missing it.
Obviously, the goal of this experiment is to grow the lobsters until theyāre big enough to settle to the seabed and then release them, because they have a much higher likelihood of surviving to adulthood when theyāre able to hide. Ideally, captive lobster hatcheries can boost the wild population and keep things stable, so we donāt have a major crash in a decade or two.
The first year we tried this was pretty bad. We had a lot of eggs, but very few babies. It turned out that the CO2 levels in the building spiked as more guests visited throughout the summer, and that settled into the water and threw off the pH and caused a chemical reaction that prevented a lot of the eggs from hatching. I think we ended up releasing three baby lobsters (which is still better than their wild survival rate but not great).
The second year was a little better. We added a de-gasser to the aquarium and got a ton of larval lobsters, but right as they were settling to the bottom we had a disease outbreak that killed most of them. We ended up releasing four babies at the end of the season.
But this year? Oh boy. We have so many lobsters that we had to release the first round early (usually we wait till September or October so guests can see them). We just released a total of FIVE HUNDRED AND TWENTY FIVE baby lobsters, and we still have over a hundred who havenāt settled to the bottom yet. I genuinely donāt even have words to explain how cool this is. OVER FIVE HUNDRED. We just added hundreds of lobsters to the wild population that wouldnāt have been there otherwise.
Conservation is so fucken sick
I love Solarpunk so fucking much. Itās the most late 2010s ass genre humanly possible. A genre consisting entirely of Pinterest concept art boards and a yogurt commercial. Aggressively political with no actual political stance or statement other than āclimate change is bad.ā genuinely incredible levels of sucking
Solarpunk started out as a concept of imagining a sustainable future without capitalism cooked up by Brazilian anarchists, to my understanding. (There's a whole timeline I found here if anyone wants to flip through it.) Something of a humanist/naturalist contrast from transhumanist and singularity/"rationalist" views of the future. And, of course, contrast from the gritty dark hypercorporate crapsack worlds of cyberpunk. A few novels were written, but overall the literary movement fizzled out because it turns out writing compelling stories in utopian settings with solely interpersonal conflict is pretty hard, actually.
From there the political aspect of it got picked up by climate doomerist types who pushed it as an antidote to the impending apocalypse. Alas, being fanatically worried about climate change seems to have fallen out of fashion since COVID for whatever reason. I believe a lot of these people have moved on to walkable urbanism and anti-AI movements.
And the aesthetic side of it started off with a particularly influential Tumblr post from 2014 that had quite a few neat ideas. All of those were sanded down over time into a vision of skyscrapers with moss and solar panels, coupled with some recycled cottagecore material and a bunch of Ghibli screencaps.
And then Chobani comes in and makes a yogurt commercial that's just futurist luxury automated cottagecore in a Ghibli aesthetic, complete with some vague handwaves at a spunky DIY attitude and a whole bunch of small-scale renewable electric generators. And from there the movement, whatever it was, merged with "Frutiger Aero" and completely fell apart into bland nothingness.
I suspect the Brazilian anarchist sci-fi writers who were hoping for some kind of cultural counterpart to thinking that Isaac Asimov's "The Last Question" was literally going to come true are rather disappointed in this turn of events.
It turns out that praxis leading to solarpunk future and solarpunk presence is million skills with million names and acquiring and practicing these skills don't look particularly like solarpunk aesthetic. It looks punk. But to give it a distinct visual language, both consistent and recognizable at a glance, you need to put a strictly aesthetic effort on top of everything else.
Praxis itself? It looks like disability activism. It looks like attending local town council meetings. It looks like diving into super specific debate on local law requirements on water-permeable surfaces percentage. It looks like keeping in contact with local priest to snoothly distribute furniture from well-off middle class finishing renovation to 18yo orphans ageing out of the system. It looks like negotating with local cultural activity center how to organise half-illegal craft workshops because paperwork for fully legal ones excludes the most neglected demographic. It looks like lobbying for health insurance to put "replacing batteries in the implant surgery" on the list of covered medical services, so people don't need to surgically replace whole implants. It looks like million other specific things.
People who got inspired by solarpunk tend to spend some time looking at art, then turn around, ask "okay but what can be done now that I can engage with" and then go do it. And then what they do stops looking like solarpunk aesthetic.
Of course there's also that thing that before Covid, lots of climate collapse containment issues were literally "we know that business-as-usual is cheapest short-term but can we focus on how it's killing us long-term". Covid era showed that business-as-usual is unsustainable now, mid-term and short-term and today and yesterday; and also that goverments can simply decide to act and it create tangible effects. Suddenly, it wasn't "solar would be better if your gas import was ever endangered", it's "we build all the solar for yesterday because we cannot afford keeping to gas". Creating inspiring narratives is optional when cost of business-as-usual is visible to naked eye. Lots of people who used to share inspiring pictures of solar on background of green hills either went to install solar and negotiate specifics of grid inclusion, or moved on to the next issue.
Central idea of solarpunk aesthetic was to give people tools to imagine sustainable future; to create visual and narrative shorthands allowing people to engage with vision of non-apocalyptic future.
Central idea of solarpunk philosophy is that apocalypse is anything but inevitable and the main challenge isn't lack of means and tools, but widespread cultural pessimism. You cannot change anything if you believe change is impossible. Therefore, for change to be possible, you need to envision the world that can be changed.
Basically, if solarpunk art convinced anyone that there is achievable alternative to doom, it have already succeeded.
You absolutely can merge in one all the issues ever discussed in context of exploring how sustainable climate-proofed non-capitalistic world can work and how it can be achieved, with the attempt to design a distinctive and consistent visual language for it.
And you absolutely can blame whichever aspect of that merged entity for the fact that detailed fact-based solutions are difficult to derive from visual language or using visual design tools.
You can! Totally! You're just going to sound silly.
idk man not to sound like a cartoon hippie but if your entirrrrre blog and dash is about how the world sucks and everyones bigoted i think you are going to give yorself brain worms
"ah but all of this is important and true and if i dont reblog all of this important stuff waga baga THE WORMS! THATS WORMS! THE BRAIN WORMS!
i do not think you are doing activism chief i think what you are doing is sitting in your room flagellating yourself expecting something to happen
Who's That Pokemon?
1hr checkpoint! Brown and gray head and body, white mask for face and white patch on chest, orange claw feet
It's Starly
Total time: 2h11! Small bird š„ŗ Also now I've made at least one pokemon in every evolution line!!! Woo!!
So I was falling asleep one day and my brain decided to figure out gen 1 pokemon teams for the Batch (this was not conducive for falling asleep)
I offer tech! His 6th mon is being debated, also I didnāt want to draw another thing lol)
Techās roster: Magneton (ace), Ratatta, Starmie, Parasect, and a very mischievous Ditto. His Ratatta is his heart mon though, he sewed it a little vest and taught it to use powertools. Everyone calls him Techās son. Tech has given up denying this.
That Ditto has shaved years off of Hunterās life.
Scenes are my weakness and Iām glad I finished this even if itās not perfect! Done in watercolor (The giant space is for me to write info). Alt color version below because it looked nice too
Big skirt pockets are a lifestyle.
The Owala is just proof.
dealing with the worst case scenario
yourĀ condom breaks
you feel a lump on your breast
your friends are ignoring you
youāre stranded on an islandĀ
you got rejected by a crush
you get into a car accident
you got stung by a bee/wasp
you got fired from your job
youāre in an earthquake
your tattoo gets infected
your house is on fire
youāre lost in the woods
you get arrested abroad
you get robbed
your partner cheated on you
youāre on a ship thatās sinking
you fall into ice
youāre stuck in an elevator
you hit a deer with your car
you have food poisoning
your pet passed away
you fall off of a horse
you or your friend has alcohol poisoning
you have toxic shock syndrome
your house has a gas leak
I feel like this could be useful in my future
REBLOG THIS. I CANNOT STRESS HOW IMPORTANT THIS GUIDES ARE, BOOST THIS SHIT
If I donāt reblog this one of these things is definitely going to happen to me
Iām gonna reblog for yāall but also for me bc Iām a writer man I need this random info
indeed, the writing potential
Dragon tamer philosophy
A savvy, buxom and eccentric elf, Amelia's model comes with several parts to build it as a Flak Arcana styled gunwitch, traditional witch or
Amelia Lumos the elf, is my newest 3D Character model, now available on MyMiniFactory. This is the first model I've ever published that was sculpted by me and I'm really happy with the result.
a few fish I drew back in may. these versatile little friends are perfect starter fish for those interested in fleshwater or faultwater tanks.
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you canāt not have servants in those times but many modern readers think ābut I would never have servants. it would be so weird to have servantsā and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldnāt it be so awful if your boss was always trying to be friends with you. a really common thing youāll see is the woke baronet having tea in the kitchen with the servants bc heās not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
Storm clouds building to the west, J-Six Ranch, Cochise County, Arizona.
So thereās this artist, Alex Schaefer, who makes a bunch of paintings of Chase Bank burning.
Thereās just
so many of these
and I think itās incredibly funny but
I just read this bit from the artist and
This is a "plein air" painting which means I set up my easel right across the street of this Chase bank in my city and painted it like it had caught fire. The police questioned me on the spot. Three weeks later Homeland Security was knocking on the door to my home. The question they kept asking me was "Do you hate these banks?" I can honestly say yes.
And I just think this is the greatest artist statement Iāve ever read.
an addition from his insta:
perfect t-shirt