Screenshot redraw (somewhat)!!!!!! That one frame where Nightwing holds boba and Jason looks so done lives in my head rent free
Claire Keane

Love Begins
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wallacepolsom
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Aqua Utopia|海の底で記憶を紡ぐ

roma★
ojovivo
trying on a metaphor
Monterey Bay Aquarium
Mike Driver
Acquired Stardust
d e v o n

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I'd rather be in outer space 🛸
Keni
YOU ARE THE REASON
Game of Thrones Daily
art blog(derogatory)

祝日 / Permanent Vacation
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@batfams
Screenshot redraw (somewhat)!!!!!! That one frame where Nightwing holds boba and Jason looks so done lives in my head rent free
Matt Murdock + Tuxedo
This is why you became the Flash, Barry. To put things right. You saved a lot of peoples’ lives this past year, Barry. Now it’s time to save yours.
HIGH SCHOOL MUSICAL 2 (2007) dir. Kenny Ortega
goat fight. non-negotiable.
#LISTEn listen most marvel fights feel so contrived and fake and like la-dee-da-superhero#but this one was REAL and had me on the edge of my seat and still does#partially bc of the street clothes not costumes#partially because steve is fighting 1 on 1 and gets stripped of his shield quick#and he has to show like his physical combat skills#and the ACTING on both their parts.. fucking ace#esp chris evans tho like his face looks PANICKED how often do u see captain fucking america panicked??#anyway in this essay i will (tags via @asterlark)
I think it’s also very important that this is a fight in which the characters *actually interact with their environment* in a way that feels real. Like, yes, have superpowers but there’s no cartoon physics involved, no obvious sense that this was filmed on an empty set with a greenscreen and the background was added later, or that they’re filming without even the people they’re fighting being present, just ‘look over here and make a hand gesture’. The shield gets stuck in a car, there’s that awful moment of the knife sliding along the side of the van that cues up with the mounting tension in the soundtrack. Bucky’s arm impacts the pavement and actually dents it, etc. They’re jumping over/behind the cars and getting thrown into them/into the pavement in a way that feels more visceral than just ‘whoosh there was a wire & we CGI’d in the rest’. t has a sense of real world space to it, and that adds to the feeling of real world stakes.
This is one of the few fight scenes I can recall seeing that makes a little knife look like a real threat. Like I am legit scared for Steve when that thing darts in, because he’s not wearing armor and it really feels like the WS could open him up like a can. I feel like movie fight scenes don’t usually hit that note with knives.
It’s worth pointing out that this scene WAS filmed on a actual set with actual asphalt and cars (with fall pads and stuff, but still). They really were interacting with their environment.
But as a fight nerd, there’s one other thing I want to point out about this fight, and it goes back to @mikkeneko’s point about the knife:
This isn’t a magic fight.
Yes, they’re both super soldiers. Yes, WS has a vibranium arm. Yes, Steve has a vibranium shield. But there are no magic blasts going on here. There’s no wuxia and minimal wire-work (mostly protective for the actors).
WS shoots at Steve until he runs out of bullets because that’s the most efficient way to murder him. Steve either dodges or hides his whole body behind his shield because that’s the most efficient way to not get murdered. The shield gets thrown, caught, thrown back, wedged in a car. Then it’s a knife fight. Throughout, it’s really obvious that neither of them are fucking around. WS is trying to just straight-up kill Steve, Steve is trying to not die. No banter. No dick-measuring. No quips.
This fight is brutal, efficient, and not flashy. Steve’s knife defense is textbook, and aside from that cool little flip that was almost too fast to clock, WS’s attacks are textbook. He’s doing his best to control Steve’s defense and open a hole to wedge that knife in. Steve’s doing his best to control that knife hand and keep just enough space between them that he can close those holes before WS can get to them. It’s telling that he’s paying so much attention to the knife that when WS finally gets through his guard, it’s with his empty, vibranium hand. (Still no idea why he tosses him instead of crushing his windpipe though, that was 100% movie logic.)
When Steve does that flying knee at WS, that’s not about flashy martial arts moves, that’s about brutal efficiency. Your knees and elbows are the hardest points on your body. Steve can engage in fisticuffs with normal people; he can knock out hitler over 200 times. He could also break his knuckles on WS’s face before doing any appreciable damage, and we watch him figure that out. So it’s not kung fu, it’s muay thai. It’s krav maga. Those flips aren’t for show - that’s pure Jiujitsu, the ruthless throws that are supposed to segue into joint locks and dislocations. That is the way to take your opponent apart, literally. He was trying to rip WS’s non-vibranium arm out of its socket.
That pile-driver? That was meant to break WS’s neck. A normal person would die instantly if Captain America pulled that WWE shit on them. We are into the gritty shit now. We have two extremely strong, extremely skilled men who are just trying to kill each other because the only way to win this fight is to die last, and it shows.
They scramble for position through the fight. When one move fails, they don’t bother breaking apart before finding the next-most-efficient killing move and trying that. This is what two people who are actually trying to murder each other look like - most street scuffles stay on the ground once they get there and don’t involve this much skill, but we can excuse that because it’s Captain America and the Winter Fucking Soldier. I still recognize the blocking of this fight as a real fight, not a spar. The urgency, breathlessness, the pragmatism, the messy transitions between moves as you just keep trying to improvise faster than the other guy… that’s all correct.
There’s no magic. There are fists, feet, elbows. There’s a shield and there’s a knife - the first and oldest human-made tools of war. There are chokes. There are joint locks. Not a word spoken. And it helps that they are really there - landing on cars, landing on asphalt.
No other MCU fight even comes close unless you’re including the tv shows, because that Daredevil long-shot hallway fight was pretty fucking badass too.
I love the elevator fight A LOT, but this one. This one. There’s like 3 separate fights going on, and they’re all EXTREMELY human.
A blonde and a lawyer are seated next to each other.
A blonde and a lawyer are seated next to each other on a flight from LA to NY.
The lawyer asks if she would like to play a fun game? The blonde, tired, just wants to take a nap, politely declines and rolls over to the window to catch a few winks. The lawyer persists and explains that the game is easy and a lot of fun.
He explains, “I ask you a question, and if you don’t know the answer, you pay me $5.00, and vice versa.”
Again, she declines and tries to get some sleep. The lawyer, now agitated, says, “Okay, if you don’t know the answer you pay me $5.00, and if I don’t know the answer, I will pay you $500.00.”
This catches the blonde’s attention and, figuring there will be no end to this torment unless she plays, agrees to the game. The lawyer asks the first question. “What’s the distance from the earth to the moon?”
The blonde doesn’t say a word, reaches into her purse, pulls out a $5.00 bill and hands it to the lawyer. “Okay” says the lawyer, “your turn.”
She asks the lawyer, “What goes up a hill with three legs and comes down with four legs?” The lawyer, puzzled, takes out his laptop computer and searches all his references, no answer. He taps into the air phone with his modem and searches the net and the library of congress, no answer. Frustrated, he sends e-mails to all his friends and coworkers, to no avail.
After an hour, he wakes the blonde, and hands her $500.00. The blonde says, “Thank you,” and turns back to get some more sleep. The lawyer, who is more than a little miffed, wakes the blonde and asks, “Well, what’s the answer?” Without a word, the blonde reaches into her purse, hands the lawyer $5.00, and goes back to sleep.
Yooooooooooo now THIS is the kind of blonde jokes I’m about
advent calendar ★ december 22nd: sansa stark edit (for @jakesperalta)
“A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same.“
What chance do we have? The question is "what choice." Run, hide, plead for mercy, scatter your forces. You give way to an enemy this evil with this much power and you condemn the galaxy to an eternity of submission. The time to fight is now! ROGUE ONE: A STAR WARS STORY 2016 | dir. Gareth Edwards
RIVER PHOENIX as DANNY POPE Running on Empty | 1988
here’s a thought…
They say if you dream a thing more than once, it's sure to come true, and I've dreamed that dream so many times | Sleeping Beauty (1959)
hey you guys should be patrolling
FAVORITE CLASSIC FILM PERFORMANCES
Marilyn Monroe as Lorelei Lee in GENTLEMEN PREFER BLONDES (1953) dir. Howard Hawks
If a girl's spending all of her time worrying about the money she doesn't have, how is she going to have any time for being in love?
Some Like It Hot (1959) dir. Billy Wilder