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The entire world yearns for the collapse of America and it's empire

TIL “Yankee Doodle” was written by the British to mock americans. “Doodle” is thought to come from the German “dödel”, meaning “fool” or “simpleton” and “macaroni,” a flamboyantly stylish type of dress, painting the Yankees as morons who thought placing a feather in one’s cap made them a “dandy.”

via reddit.com

toastpotent-deactivated20250619

so you’re telling me that “stuck a feather in his hat and called it macaroni” would be like saying “wrote a G on his belt and called it gucci”

beggars-opera

that’s…a pretty good analogy actually

ti-bae-rius

US moron came to town

Hunting for some coochie

Wrote a G up on his belt

And this bitch called it Gucci

ti-bae-rius

Seeing my notifications get flooded with this every July 4th is the only thing I respect about America

tracing-rivers

"I confessed, to the wrong priest" is my favorite line in Wake Up Dead Man, because it's so subtle and yet so kind. Martha has been so dismissive of Jud the whole movie. Not outright mean, of course, but she clearly saw him as a tenant who sometimes gave her a hand rather than a priest, and put him down when he seemed to overstep by acting like one. The line is an admission that not only Jud is a priest, he's a priest who does share the beliefs she's built herself over for decades. Even disillusioned by Wicks's self-serving hypocrisy, he still allows her to see her faith as a moral pillar. It's saying "I should have trusted you, and if I had, maybe none of this would have happened".

It's the "because you are a good nurse" of the movie.

veradraven

insane parallels between vera and grace. while grace was a rebel, vera obeyed what her father told her for YEARS because she knew the story of the "harlot whore" and her shame and the disdain the church had for her. but after vera learns of the monsignor's aop, she's the first one to extend any sort of sympathy to grace, being the first one truly recognize "that poor girl" (which father jud later echoes in remembrance after the reveal) because vera realizes she's been trapped between her dead father and her "son" just like grace...incredible. and when the monsignor calls vera "her father's worst nightmare," it hits doubly hard bc that's exactly what the church viewed grace as. oh rian johnson the writer you are...

corvidcorgi

With three movies to compare between, I really appreciate how each Knives Out movie explores justice from a different thematic angle, not based on the murder that was committed but based on the cruelty that led to that murder.

In Knives Out, a compassionate, ethical young woman treats everyone around her with generosity, and the people around her repeatedly try to take advantage of her kindness to force her into losing the fortune that was gifted to her by a dear friend. There, justice means that she keeps the fortune and decides that actually, she doesn't have to be kind and giving to people who've proven themselves assholes.

In Glass Onion, a woman loses her sister to a gang of wealthy, successful people who've sacrificed their principles for the sake of ambition and ego. There, justice means that everyone involved will be made notorious: whatever their other accomplishments, they will forever be known for being complicit in the burning of the most famous painting in history.

In Wake Up Dead Man, the church takes advantage of a young girl's loyalty and faith to place her under a lifelong burden and fill her with guilt, shame, and hatred. Justice means helping her understand what was done to her and the women around her, and giving her compassion so she can find peace.

This is cool because it means the movies contradict each other! The compassionate justice of Wake Up Dead Man would be totally misplaced in Knives Out, and so would the toppling-monuments justice of Glass Onion. And because each movie has something different to say, they all stand on their own and feel fresh.

This is also why Benoit Blanc is the uniting figure but never the protagonist of these movies. He's an agent of legal justice in that he's the detective and it's his job to figure out whodunnit, but the protagonist -- Marta, Helen, and now Jud -- is always the character who delivers thematic justice.

thedykeparade

this-is-a-podcast-fanblog

the benoit blanc movies show really beautifully how to write a queer character whose story is not centered around their queerness. it's shown that benoit blanc is gay married (to hugh grant!) it's shown that he participates in queer mediums like musical theater and fashion, but none of those things are ever explicitly remarked on. he doesn't have a big coming out scene because he doesn't need one; and the subtle details about him not speaking to his mother, the way he associates a church with homophobia, allows us to draw conclusions about how his family felt about his queerness without making that the sole conflict in his story. the conflict in benoit blanc's story is not that he exists in the world as a gay person, it's that he's always trying to wrangle a bunch of 30 somethings into not confessing to crimes they didn't commit

boobyte

The duality of reviews on wake up dead man

mobius-m-mobius

Blanc and his Watsons 🔎💕

a-little-bit-oddish

despite the fact that jud's form and view of christianity is a very pleasant one, i appreciate that no part of benoit blanc is converted. it's not like i expected benoit to become a christian obviously, but i expected him to potentially stay for a service at the end, when invited. or to show appreciation for what jud is building at his church. even just appreciation that he's welcome.

after the whole movie, when benoit is given the invite, he still says there's nothing he wants less than to stay in that church. it's very, very reasonable and realistic of a traumatized atheist, but i almost never see it depicted in this way. usually they come around to "see the beauty" in one way or another. i just really appreciate that they didn't do that.

charnel-grounds

“Fair Rosamund”

unidentified English pre-Raphaelite artist

oil on canvas, 19th century

l0stfantasy

photography by: nonalimmen

cyanocoraxx

doodle of my bolivian ram, Ham

ainecdote-remade-deactivated202

tired of cannibalism as a metaphor for love or sex. can we get into cannibalism as a metaphor for colonization.

sloppity-bilepiper

1. Europeans using Egyptian mummies as medicine

2. The Delectable Negro: Human Consumption and Homoeroticism Within US Slave Culture by Vincent Woodard

3. "Abolitionists turned the tables on Europeans by accusing them of being cannibals when they ate sugar tainted with the flesh and blood of slaves."

4. Zombies (which I would class as cannibals, since they were human and need to eat humans to live) have a root in Haitian folklore and represented enslavement.

vintagedean

adding that, if you can find it, cannibal culture by deborah root is about exactly this. the way the white western world is a hungry, destructive force that cannibalizes non-white cultures and creates wealth and status through the cannibal colonization of those cultures.

here's the intro

i almost think there's an essay in bell hooks' black looks about this too? yes! just checked, there's an essay called "eating the other"

holdoncallfailed

ever since i was a little girl i knew i wanted to deny location sharing and turn off personalized ads and reject all non-essential cookies and not set up siri and face ID

professorsparklepants

I’ve made this post like six times but it still fucks me up the China’s mountains just look like that. Like I spent decades thinking it was stylistic but no, they just have different mountains over there.

professorsparklepants

For reference, here’s what my local mountains look like: