Game of Thrones Daily

pixel skylines
NASA

JVL
dirt enthusiast

❣ Chile in a Photography ❣
trying on a metaphor
h
todays bird

blake kathryn
Xuebing Du
Peter Solarz
let's talk about Bridgerton tea, my ask is open

@theartofmadeline
KIROKAZE
🪼
almost home
styofa doing anything

Kiana Khansmith
Claire Keane

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@betwixtstarfall
something something extremely sexy when magic users resort to physical violence. yeah i have the power of god and anime on my side but i also have THESE HANDS. i cast Punch You In The Face. i take my magic staff through which i channel the vast energies of the elements and the cosmos and i cast Severe Concussion And Skull Fracture. casting time for xenoglossy too long, chose the quicker route of Stab You In The Throat.
There's a recurring online tendency to aestheticize consensus itself. The imagined future village is full of emotionally compatible people who enjoy communal gardening, conflict resolution circles, acoustic folk music, mutual aid potlucks, and repairing bicycles together at sunset. Which is nice for the people who genuinely enjoy that lifestyle. But plenty of humans are solitary, prickly, obsessive, urban, nocturnal, sensory-seeking, technologically attached, contrarian, novelty-seeking, private, or just plain difficult. Those people do not evaporate after the revolution. They do not get Left Behind while you are Raptured into the Utopia. They become your neighbors.
The part about it being envisioned specifically as a "village" is relevant, I think, in that these kinds of people romanticize small rural villages as this ideal form of close-knit community to which we must retvrn, in contrast to the hard, alienating city life. But I'd argue that sure, dense urban environments can be alienating in certain ways, but they're also in many ways more utopian simply in that they force people to learn to peacefully co-exist as a community with others very different from themselves. The rural village appears to live in idyllic consensus because everyone who did not fit in has either been ostracized away, worn down into conformity, or has voluntarily fled to the nearest big city as soon as they were old enough.
the utopian character of the city is not only in that it teaches coexistence but also in that it fosters the development of communities within its community. a city is a thousand villages you can visit and join and leave without abandoning the comforts of your home and the stability of your lifestyle and the fundamental sense that you still ultimately belong. you can have even more tightly knit communities of maximally compatible people when more people have the opportunity to self-select and be accepted into them, and to self-select out of them without the coercive force of exclusion from your entire societal context. you can also have looser communities that benefit their members without them having to holistically get along with each other! people can be in multiple of both of these at the same time!! social butterflies can flourish to the greatest extent their own bodies and brains can handle, and the most closed-off self-sufficient loner in the world can still benefit from cooperation without it being predicated on connection. the community of the city itself is simply that of sharing space, but sharing space means sharing the myriad resources and opportunities that occupy it
the “sexy lamp test” but for disabled folks: if you can replace your disabled character with a beloved pet dog that needs an expensive surgery to survive then you have to throw out your manuscript
“The Family Dog” by Deaf artist Susan Dupor, 1991
i think the key difference between george lucas’s star wars and disney’s star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because that’s how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation can’t have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when you’re a giant corporation who only cares about selling to the widest audience possible, you can’t take sides. you can’t decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.
I have been looking for this post for years after I came across it and it’s finally here and I need to reblog this because it is absolutely and entirely accurate.
#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40’s adventure serials#but disney are making a ‘star wars film’ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)
ellingson.tv on instagram
see every time i see this status i get angry because i’ve played through literally every scenario in rct1 and there is no place where this is a thing. there is never more than one park per map. and in rct2 you can’t make that happen i the scenario editor either. it is not remotely within the game’s functionality to simulate two discrete parks and these games were coded in assembly for christ sake so it’s not like someone modded it in by adding the line “int const TOTAL_NUM_POSSIBLE_PARKS = 2;”. there is no conceivable way this post is anything close to true and even though i know how writing all this out reflects upon me as a person and even though i know exactly how meaningless and trifling of a takedown attempt this is on some random facebook screencap with hundreds of thousands of notes im going to post it anyway because i’m too petty to have any say in the matter
Stop asking me for vending machines on my beaches!!!!! This is not design by committee!!!!!!!!
farcille isn't "toxic yuri." nothing remotely toxic about them, they both treat each other with a great deal of care and affection and respect. just because marcille is willing to do forbidden necromancy and arguably cannibalism for her wife doesn't make her toxic that's just what you do for a woman with broad shoulders
hecate
idk anything about this but I love it
If you wanna know the state of Yugioh TCG collecting in the wake of Overframes in the core game…
Creative workaround for those who haven’t seen it
Someone in the reddit comments made a similar dress inspired by it and posted a pattern with it!
I'm imagining a world where RPGMaker somehow made it as the de facto codebase for software and you have to navigate your banking app by walking around in a huge room full of NPCs named "make deposit" and "make withdrawal" etc and there's loud as fuck stock music playing