taylor price
shark vs the universe
Aqua Utopia｜海の底で記憶を紡ぐ
❣ Chile in a Photography ❣
Product Placement
Janaina Medeiros
Mike Driver
Peter Solarz
No title available
h
sheepfilms
No title available
Sade Olutola
🪼
AnasAbdin
DEAR READER
JVL
hello vonnie
wallacepolsom
Game of Thrones Daily
seen from Germany
seen from Türkiye
seen from Malaysia
seen from Spain
seen from Austria
seen from France
seen from United States
seen from United States
seen from Malaysia
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@boyhowdyitgetsbetter
let me make myself very clear, on this blog its:
fuck donald trump
fuck ICE
immigrants are not illegal
free palestine
black lives have and will always matter
trans rights forever and always
pro choice
healthcare should be free
house the homeless
keep religion out of schools
LGBTQ+ rights
fuck the tories
if you dont agree, fuck off.
not to be insensitive but some of the salem witch trials were so funny bitches like “i saw her at the devils sacrament!!!” girl... what were YOU doing at the devils sacrament 👀
Happy Day of the Devil's Sacrament
Oldest showgirl in the world is Dorothy kloss?!!!!
Also nickname was the golden venus!!!!!!!
I'm Not in Kansas Anymore!" by Dorothy Dale Kloss. She was known as the oldest showgirl in the world.
koincidental" that Dorothy was born in St. Louis, was a ballerina/dancer before she became a showgirl and her last name was Kloss.
Why does the universe do this to us?
There's no business like show business
Notable things
The golden venus mind you with name kloss
hey fam
care to reblog with moments that you found where taylor was looking up to the right side bleachers of the stadium, where karlie was sitting? i’m hoping we could all work to compile a masterpost of them.
*this is a live under construction post meaning i will be updating this post for a bit as i add / edit
i’ll start with the examples i found. please add on!!
🟦 THE ONE
🟦 BETTY
🟦 AUGUST
🟦 MASTERMIND
🟦 KARMA
🟦 CRUEL SUMMER
🟦 LOVER
🟦 ENCHANTED
🟦 THE ONE
🟦 KARMA
thank you all for sending stuff you’ve found!! what a team effort 😭😭 im getting very emoshunul rn
What we’re NOT going to do is forget Taylor did all of this just less than two weeks ago.
🟦 DON’T BLAME ME
🟦 LONG LIVE
feels like a key piece of context 🥺😭😭😭🥹
idk why i never thought to look but one of the fan-run aggregate photo sites has had hq photos from the concert day up so, thought i would add these on 😌
happy two year anniversary to all those celebrating 😌
I hate having an internal monologue. Girl shut the fuck up.
these old pulp novel covers/art are reference poses of all time
I'm sorry, THAT is what we consider an episode dedicated to Jemily?? Like I knew it couldn't be anything really good so close to Will's death but seriously, wtf was that? If this is the beginning of something, or we find out JJ wasn't honest with how that convo went ok, cool. If that was the Jemily we are going to get this season, they could have kept it.
Non cooking spray stick
Non spray stick cooking
Non cooking stick spray
yeah okay ill reblog that
The Glass Closet: Taylor Swift, Chely Wright, Speculation, and the Industry That Keeps Artists in the Dark
For nearly two decades, Taylor Swift has orchestrated the art of reinvention—from a fresh-faced country prodigy to a global pop powerhouse, from America’s golden girl to a self-proclaimed anti-hero. Each era has been a transformation, each reinvention a shield. Yet, beneath the carefully curated personas, the shifting aesthetics, and the highly publicized relationships, one unspoken question lingers: Who is Taylor Swift, really?
The theory that Swift is queer and closeted—the heart of the “Gaylor” conversation—isn’t about unfounded gossip. It’s about the systems that shape an artist’s image, the forces that dictate what is and isn’t acceptable, and the very real cost of authenticity in an industry that thrives on marketability over truth.
To understand this, we have to look beyond Swift herself. We have to examine country music’s history of closeting artists like the fallout that followed Chely Wright’s coming out and the impossible balancing act Swift has performed for years.
This is a story about control, coded storytelling, and the glass closet Taylor Swift has spent her career trying to break free from—without ever shattering it completely. It's a story of paving the path for a brighter, louder, more colorful future because one thing is for sure...
SHADE NEVER MADE ANYBODY LESS GAY!
The Early Aughts + Country Music Stardom: A Foundation Built on Silence
Country music has long been one of the most traditionally conservative genres in the music industry. With a core audience rooted in Middle America values, the genre has historically upheld white, heterosexual, Christian narratives as the foundation of its storytelling.
Even in 2025, there are only a handful of openly queer country artists, and most of them struggle to receive mainstream recognition. Artists like Brandi Carlile, T.J. Osborne (Brothers Osborne), and Brandy Clark have helped pave the way, but country radio still hesitates to fully embrace LGBTQIA+ voices.
In this world, being an openly queer artist isn’t just risky—it’s career-ending.
And no one embodies that reality more than Chely Wright.
Chely Wright: A Warning from the Closet
In 2010, Chely Wright became the first mainstream country artist to come out as lesbian and it destroyed her career.
Wright was a hitmaker, with #1 songs and major industry recognition. She had everything an artist could want—until she told the truth.
Country radio blacklisted her.
Venues stopped booking her.
Her album sales tanked.
The industry that once celebrated her pretended she never existed.
Her story became a cautionary tale—a stark warning that country music does not embrace queer artists. It erases them.
By 2010, Taylor Swift was already a superstar. If she was questioning her sexuality—or even fully aware of it—she had already been placed in a carefully controlled box.
Unlike Wright, Swift’s departure from country music wasn’t an exile—it was an escape. But that escape wasn’t just about genre. It was about control. It was about building a world where she could reinvent herself while keeping parts of her identity just out of reach.
A Different Perspective: Chely Wright’s Discomfort with Speculation
When The New York Times published an essay on the Gaylor theory, I was surprised to find that Chely Wright herself expressed discomfort with the way Taylor Swift’s sexuality is discussed in public. Wright called the piece “awful” and “triggering”, criticizing the newspaper for engaging in speculation. Given that Chely’s story has long been a major point of discussion in the Gaylor community, her response was jarring. At first, it made me question whether using her experience as a lens for understanding Taylor’s career was appropriate.
But upon deeper reflection, her reaction makes sense. Chely Wright’s coming-out experience was deeply traumatic—she spent years hiding, lying, and carefully constructing a false image to survive in country music. And when she finally told the truth, her career collapsed overnight. For Wright, the mere act of publicly discussing another artist’s sexuality—whether as support or analysis—might feel like the same kind of external pressure she once faced.
However, there is an important distinction: The Gaylor conversation is not about forcing a label onto Taylor Swift. It’s about analyzing the subtext Swift has deliberately embedded in her work. If Taylor wasn’t queercoding her music, this conversation wouldn’t exist in the first place.
It’s also crucial to recognize that the industry forces that once silenced Wright are the same forces that shaped Swift’s career. While Wright may reject this discussion entirely, that doesn’t change the reality that Taylor’s work is filled with coded storytelling—suggesting she is navigating the same strict boundaries but in a different way.
Wright’s response to the op-ed highlights a larger cultural question: Why does queerness still have to be treated as a secret, while speculation about straight relationships is encouraged?
Why Is Speculating About Queerness Seen as Different?
One of the biggest criticisms of the Gaylor theory is that it’s “invasive” to speculate about Taylor Swift’s sexuality. But where is the line between analyzing queer themes in her work and being inappropriate? Why do Swifties who push back against this theory have no problem speculating about her relationships with men?
This is where the double standard comes into play.
Taylor Swift fans have spent years digging into her personal life—analyzing lyrics, finding Easter eggs, and debating which songs are about which boyfriend. Entire media cycles have been built on this:
Is "All Too Well" about Jake Gyllenhaal?
Is she secretly engaged? Was she secretly married?
Was "You Belong With Me" about Joe Jonas?
These questions are not only accepted— they're expected.
But when Gaylors apply the same level of analysis through a queer lens, suddenly, it’s labeled “invasive” and “harmful.” The message is clear: It’s only okay to speculate if the answer is straight.
To me, this is an outdated view to force straightness onto someone while also claiming that sexuality is a spectrum. Given Taylor’s layered storytelling, it feels necessary to allow her to exist on that spectrum—where maybe some of her stories are not what they seem.
As we know, Taylor Swift spent the early years of her career operating under the rigid gender norms of country music, a world where women were expected to sing about heterosexual romance, faith, family, and small-town nostalgia. But as her success grew, so did her desire for creative control—and possibly, her need to carve out a space where she could express herself more authentically, even if only in coded ways.
Her transition to pop wasn’t just about breaking genre boundaries—it was about escaping Nashville’s conservative grip and stepping into a world where reinvention, subtext, and ambiguity could thrive. And she made that clear from the very first song on 1989.
“Welcome to New York”: Taylor’s Break from Nashville & Living In Screaming Color
"You can want who you want / Boys and boys and girls and girls."
This wasn’t just a throwaway lyric. It was the loudest queer-coded statement she had ever made—and it opened the album that marked her escape from country music’s restrictions.
This is also the era that she gave us New Romantics and Out of the Woods with lyrics like, "The rest of the world was black and white but we were in screaming color."
Many Gaylors believe that Red (2012) was already a queer-coded album, with songs about a secret relationship—possibly with Dianna Agron—hidden behind PR relationships with men. But in 2014, she took it a step further:
She stopped centering men in her music.
She built a “girl squad” narrative that celebrated female friendships—but felt, at times, like something more.
She became more private—hiding her personal life while crafting an ultra-public, ultra-marketable persona.
If Red was about testing boundaries, 1989 was about reinvention as a shield. From this moment forward, Taylor would never again present her personal life without layers of control.
Reinvention as Survival: The Dual Taylors
Swift has reinvented herself with every era, but this reinvention isn’t just about artistic evolution—it’s been a survival mechanism.
She constantly presents two versions of herself—the one the public sees, and the one hidden beneath the surface.
This is the essence of the glass closet—where an artist can leave clues, drop hints, and tell the truth without ever being forced to say it outright.
Why Taylor Swift’s Closet Is Different
Unlike Chely Wright, Swift never had to lose her career over her sexuality—but that’s because she never let it become the story in the first place. The longer she hints, codes, and subtextually confesses, the veil gets thinner.
When she says “ME! out now” on Lesbian Visibility Day, people still think it’s a coincidence. When she plays "Maroon" on Karlie's birthday, it doesn't mean anything. Somehow, even when a song with such an obvious rhyme scheme as "The Very First Night" all but hits you over the head alluding to a female pronoun in a love song, Swifties turn the other cheek and deny the obvious.
She has spent 20 years writing about love—but to the general public, that love has only been for men. For those who see through the lines, she has been communicating her real experience the entire time.
Swift’s public relationships always seem to appear when speculation about her queerness reaches a peak. The Summer of Lover 2019? Joe Alwyn’s presence is reinforced. The Midnights era? Enter Matty Healy, a quick PR cycle that fizzled just as fast as it began. And now, in 2024, with The Tortured Poets Department drenched in queer themes? Travis Kelce is front and center. Whether these relationships are real, exaggerated, or entirely contractual, they always serve a purpose—to keep the glass closet from completely shattering.
The Power of Subtext in the Mainstream
In many ways, Taylor has done something radical—she’s embedded queerness into mainstream pop culture in a way that allows it to exist without being outright rejected.
Before her, queerness in the industry was often either completely hidden or presented in a hypersexualized, rebellious way that still played into the male gaze (see: Madonna and Britney’s VMAs kiss, Katy Perry’s “I Kissed a Girl”).
Taylor’s approach is different. Her queerness isn’t a spectacle—it’s woven into love songs, metaphors, and heartbreak anthems, allowing it to be as deeply felt and widely consumed as straight narratives.
For younger artists, this has cracked open the door.
Queer Artists Who Have Benefited from the Shift
Artists who emerged in the post-Taylor pop landscape now have far more room to exist as their authentic selves. Many don’t have to code their queerness the way Taylor does, and that’s partially because her queer-coding forced the industry to acknowledge that queer narratives could be commercially successful.
Examples of artists who have benefited from this shift include:
Kelsea Ballerini – A country-pop artist and close friend of Taylor Swift, Kelsea has been a vocal LGBTQIA+ ally, advocating for inclusivity in a traditionally conservative genre. While not publicly queer, her embrace of queer narratives and shift toward pop mirrors Swift’s own path, signaling a slow but growing evolution in country music.
Girl in Red – Explicitly queer in both image and lyricism, yet embraced by the same industry that would have never allowed Taylor to be this open in 2006.
MUNA – An openly queer pop band that has been able to build mainstream success without needing to obscure their identities.
Billie Eilish – After coming out as queer in 2023, Billie has embraced her identity without industry pushback, reflecting the shifting landscape Taylor helped shape. Her openness marks a new era where pop stars no longer need to rely on subtext or plausible deniability to exist authentically.
Chappell Roan – The most recent example of a queer artist who is making waves in the pop scene—heavily inspired by the theatrical elements of Taylor Swift’s songwriting and world-building.
Would any of these artists have been able to flourish in the mainstream ten years ago? Unlikely. Taylor’s massive, industry-defining career—and the queer interpretations of her work that have never been shut down entirely—helped normalize the idea that queerness doesn’t have to be a commercial risk.
The Unfinished Revolution: Taylor’s Influence on the Future of Queer Storytelling
Taylor Swift’s position in pop culture is unique—she is arguably the most famous person in the world, yet her true identity remains one of the most debated subjects in modern music.
This paradox—existing in a glass closet while simultaneously paving the way for others to live openly—is what makes her influence so undeniable.
Taylor Swift may never fully break out of the closet herself—but she has already blown the door open for others to walk through.
She has spent two decades bending the rules of the industry, proving that queer-coded storytelling is not just marketable but deeply resonant. The next generation of artists doesn’t have to bend the way she did—they can step into the spotlight and tell their stories without hiding behind mirrors and metaphors.
Taylor may be trapped in the glass closet, but the industry she reshaped will never be able to shut the door again.
LONG LIVE THE WALLS WE CRASHED THROUGH!
happy Thursday the 20th
I’d have to wait months or even years for another chance to reblog this, so why the fuck not?
next days you can reblog this on a Thursday the 20th
August 2015
October 2016
April 2017
July 2017
September 2018
December 2018
June 2019
February 2020
August 2020
You know, just in case you wanted to set your queue for the next 6 years
TODAY
Since it’s now August 20, 2020… The next days you can reblog this on a Thursday the 20th:
May 2021
January 2022
October 2022
April 2023
July 2023
June 2024
February 2025
March 2025
November 2025
August 2026
If you wanted to set your queue for the next six years.
THANK WHATEVER COSMIC BEING IS OUT THERE THAT THIS CAME UPON MY DASH HAPPY THURSDAY THE 20TH!!!!
happy Thursday the 20th guys
Holy shit, I don’t think I’ve ever seen a Tumblr post with this many notes. See you all in April!
HAPPY THURSDAY THE 20TH @hellsite-hall-of-fame
IT’S THURSDAY THE 20TH
Which also means the songs were finished and recorded BEFORE then…
Taylor fucking up the timeline for every “boyfriend” is my favorite pastime of hers. 😂
😝✌🏼🏀
So you’re telling me that Taylor came out in a new reputation body suit 83 months and 8 days after reputation came out
It also being 83 weeks since the Eras tour started
And it being 8 weeks and 3 days since her last eras show.
You’re also telling me she came out in this bisexual pride flag color looking dress for the surprise songs.
Also let’s not forget why 8/3 comes in and how today is also Karlie and Josh’s wedding anniversary 🫢
2190 +✌️ days since the wedding too..
HI LET’S SHARE NICOLE’S WORDS ON THE SUBJECT!
It has been literal years but every time I see Martin’s tweets posted somewhere and his word is shared as truth while her post is not shared it sort of reiterates the fact that we trust men to speak about feminism more than we believe women who experience it.
Interesting, innit? https://medium.com/@nickyknacks/working-while-female-59a5de3ad266
Reading her account of how their boss treated her blows me away. Men are so emboldened that they will literally admit to illegal discrimination casually and face no consequences.
In all the years of seeing this post I’ve never seen a link to her side. Didn’t even know she’d written one.
Adding screenshots of her post. His whole post is there without needing a link. Hers should be, too.
Also, she posted this is 2017! It’s fucking 2020 and I’ve seen his side of this for years, but it took 3 years for her side to make its way to my dash…
I’ve reblogged his story at least twice; it’s time for Nicole’s.
Reblogged him, bout time I got to reblog her.
I’ve seen this happen. Women who were calm, competent, good at their job being harassed, bullied and denigrated over the phone. Then I took over and the caller calmed down and became tractable.
Anyway, the least I could do was report that caller to the area manager, who threatened to de-franchise them if they harassed any of the staff like that.
But that doesn’t mean nobody else was going to do it.
if katy sings i kissed a girl and the camera’s on taylor then what? 😭
taylor dancing to i kissed a girl 🙃
Get that daylight!
Kate: I’m going to the store, anybody want anything?
Yelena: Can you buy some cherries?
Kate: No.
Yelena: What do you mean ‘no’, Kate Bishop? I’m craving them.
Kate: No you’re not. You just want the pits to make arsenic again.
Cassie: the pits?
Kamala: arsenic??
Peter: again???
Destroy the myth that libraries are no longer relevant. If you use your library, please reblog.
shoutout to my dash and the Democratic Party as a whole right now for being like
Some good policy reasons to get excited about Harris. Gun control! Heathcare! LGBT rights!
Fighting for the fate of the world: has said she’ll make climate change a top national security priority; was one of the original Senate sponsors of the Green New Deal (others: Ocasio-Cortez, Markey), much of which became Biden’s stealthily VERY green Bipartisan Infrastructure Bill and the Inflation Reduction Act
Yes, she was a prosecuting attorney; no, it’s NOT an ACAB situation—highlights of her time as District Attorney of San Francisco and Attorney General of California include enabling a re-entry/anti-recidivism program for young drug users which is now used as a template around the country, pointedly not prosecuting people for marijuana possession (distinctly before it was legal), defending Californians against foreclosures, got the “gay/trans panic” defense BANNED in CA courts, and being the first statewide agency to require all police offers to wear body cams.
As VP she’s spearheaded abortion rights, developed and nearly passed a landmark voting rights bill (stymied by Senate Republicans + 2 Democrats unwilling to change filibuster rules), and quietly built a solid foreign policy portfolio, including firm support of Palastine.
Find out if you’re registered to vote in any state!
Register to vote in any state!
Other voting resources—and DON’T FORGET to vote down-ballot, too! See how much Harris did as County District Attorney and State Attorney General? Those are elected offices!
