Just realized that as series goes on he’s getting smaller
RMH
Fai_Ryy
"I'm Dorothy Gale from Kansas"

oozey mess
Sweet Seals For You, Always
noise dept.
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let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
Cosmic Funnies

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

⁂

❣ Chile in a Photography ❣
Stranger Things
h
Peter Solarz
TVSTRANGERTHINGS
Xuebing Du
seen from Bulgaria

seen from United States

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seen from Japan

seen from United States
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@burnt-out-pancake
Just realized that as series goes on he’s getting smaller
When your LITTLE brother stops being little (relatable)
Audio from Jumanji: Welcome to the Jungle
Hiya in ur deaged Timmy au, do you think Dick ever fought with Jason over Tim’s attention or got extreme jealous?
i think dick is really happy that jason and timmy get along so well but he’s also personally going through it
thank you @feyburner for the dialogue
under the red hood
tim drake and religion
i really dont have anything to post so here's this for now, im so sorry i keep going on haitus unannounced!
bgs are hard but at least this makes it easier T_T
tips for getting people to like your ocs
*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that
you can do things like this:
Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.
My main piece of advice is: get better at writing.
That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)
What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.
what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)
what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)
what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?
how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?
where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?
what time of day is it? what time of year is it? what is the weather like?
Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).
Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?
Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.
Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.
Now go and share your ocs with the world!!!
DEAR ARTISTS, PLEASE READ THIS POST I STUMBLED ACROSS
IF YOU ARE NOT DOING THIS ALREADY, YOU SHOULD TRY IT
I even tested it out myself, it works great
STORYBOARD/ANIMATIC TIPS
ko-fi✏️
I made these for my friends, but I thought that might be helpful for yall as well! hehe! Now whenever someone asks for storyboard tips I can throw this at them!
Examples of storyboards I made for fun:
I was asked by a friend yesterday if I could offer basic tips about comic paneling. As it turns out, I have a lot to say on the matter! I tried breaking down the art of paneling using the principles of art and design, and I hope it helps you out!
EDIT: uh uh there are a lot of people reblogging this, so i figure i may as well append this now while i can lol
This whole thing was very much cranked out in a few hours so I had a visual to talk about with a friend! If this gives you a base understanding of paneling, that's awesome! Continue to pull in studies from the comics you see and what other artists do well and don't do well! You can tell paneling is doing well when the action is flowing around in its intended reading format.
Here's the link to the globalcomix article from which I pulled the images about panel staggering! Someone sent in a reblog that it wasn't totally clear that the 7th slide mostly covers what NOT to do in regards to staggering, and that is my mistake!
I saw in a tag that someone was surprised I used MamaYuyu too, and I don't blame them lol. If I had given myself more than a couple hours maybe I would have added something else on, I just really admire MamaYuyu's paneling personally.
uh uh, final append: I am by no means a renowned master of paneling, so if you find anything off base here, by all means, counter it with your own knowledge and ways you can build upon from here! Art is always a sum knowledge of everything we find. 💪
Burning
For @hockeyisforthegays !
my svsss comic about sqq and his little personality split (what if)