Masterlist
(Finally have just enough content to make one of these)

#extradirty
official daine visual archive
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Game of Thrones Daily
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The Bowery Presents

izzy's playlists!
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let's talk about Bridgerton tea, my ask is open

ellievsbear

pixel skylines

titsay
Sweet Seals For You, Always
ojovivo

Andulka
tumblr dot com

if i look back, i am lost

@theartofmadeline
Cosimo Galluzzi

EXPECTATIONS

seen from United States
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seen from United Kingdom

seen from Singapore
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seen from United States

seen from Türkiye
seen from Argentina
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seen from Bangladesh

seen from Malaysia
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@burtreynolds-esquire
Masterlist
(Finally have just enough content to make one of these)
Tips for Writing Injuries! (AGAIN)
Your action hero just got shot in the shoulder, stitched it up in a motel bathroom, and is now running through a forest. I need you to know that a shoulder wound severs muscle, nerves, and sometimes bone, and the human body's response to that is not "mild wincing followed by full range of motion." here is what injuries actually do to peoplee...
⊹ Adrenaline is REAL and it does allow people to do extraordinary things immediately after injury, BUT it is a loan, not a gift. you borrow the function and you pay it back later with interest. Your character might genuinely be able to run for twenty minutes after being stabbed. and then the adrenaline drops and everything the body was delaying arrives all at once. the collapse is NOT weakness. it's biology collecting its debt. write the debt collection. it's more interesting than the heroic sprint anyway.
⊹ Blood loss changes cognition before it drops you. you don't go from "fine" to "unconscious." you go through a whole middle stage of confusion, poor decision-making, emotional dysregulation, a strange calm, tunnel vision, difficulty forming sentences. Your injured character making a bad call, saying something they normally wouldn't, becoming suddenly and inexplicably gentle--that's blood loss. use the middle stage. it's dramatically rich and almost nobody writes it.
⊹ Recovery has a timeline and the timeline is long and boring and inconvenient to plot. a broken rib takes six weeks and during those six weeks sneezing is a genuine emergency. a concussion means no screens, no reading, no bright lights, and symptoms can persist for months. a stab wound to the abdomen means weeks of infection risk, limited mobility, and a specific kind of exhaustion that has nothing to do with sleep. Your character being sidelined and frustrated and useless for a long time is not a narrative problem. it's the story.
⊹ Pain also affects personality in ways writers skip. chronic pain makes people short-tempered and then guilty about being short-tempered. it makes concentration difficult. it makes intimacy complicated, both emotional and physical. a character who was patient and warm before their injury and is now snappy and withdrawn is not a character regression. they're in pain. pain is exhausting in ways that don't show on the outside. the people around them noticing and not knowing how to help is a whole story in itself.
me if reading x reader fanfics was illegal
Thought this might help others who struggle when writing. I know I get in my head too much.
thank you ao3 for being an archive and not an algorithm. thank you for letting me like things without consequences, thank you for being free with no ads, thank you for having lawyers to defend our freedom of speech. thank you tag wranglers. thank you to all authors and thank you ao3
not writing, not not writing, but a secret third thing
letting my stories spin around my head like a microwave
NEVER STOP BEING OBSESSED WITH YOUR OCS 🫵
NEVER STOP BEING OBSESSED WITH OTHER PEOPLES OCS 🫵
I hate that the "x reader" or "x Y/N" style of fanfic has become sooooo popular, partially because it's just not for me and partially because they clog general non-fic related tags and those authors seem allergic to the "read more" function on this website, but ALSO because I believe that you should have to go through the trouble of creating an absolutely batshit self-insert character, with a backstory that makes no sense and a name that doesn't really gel with the aesthetics of the universe. Legolas and Aragorn should be in a love triangle with Kylie, the angsty sixteen year old half-human half-elf and inexplicable tenth member of the Fellowship. Do the WORK. If everyone was doing "Y/N" nonsense back in the day, there would be no Ebony Dark'ness Dementia Raven Way, or probably Bella Swan. These are important women. They deserve to be named, confusingly and with no regard for the fictional world they inhabit.
not to be on my yellowjackets bullshit but roommate!jackie being the best and the worst person ever, because yeah she makes you feel butterflies every time she complements you (and they're the kind of compliments that make you feel seen, like really seen) but she also bails on your movie nights or dinner plans to hang out with shauna with no message, no nothing.
roommate!jackie who gets drunk with you off of home made pitchers of sex on the beach (which she was very heavy handed on) and kisses down your neck as she curls your hair, leading to a very clumsy makeout session and dry humping session on your apartment sofa. but the next day you get home from work to find jeff in your shared kitchen, flowers from the gas station on your counters waiting for jackie to be ready for their date.
Hey, real talk. How does one write smut??
Ooh that's a fun question!! I hope you don't mind, but I threw some thoughts together. I could definitely send you some resources if you'd like, there are other people who have written about this with way more finesse. But these are some of my tips for smut writing. Sorry this isn't well organized, this is just what came to mind! Some of this is big picture scene structure, some of this is little details.
1) Type out the sounds! Moans, grunts, groans, etc. Type 'em out. Type out the sputtering breath of a name that trails off into a moan, the "O-Ohhh!" or whatever it is. Feels weird! But it works. I think it makes the scene more immersive.
2) Euphemisms are okay sparingly, but it's usually better to just say the words you mean. Ie: Cock instead of throbbing member, that kind of thing. (I learned this particular smut writing tip from my mom. Fun fact: my mom has the distinct honor of being the first ever author to use the word 'cock' in a Harlequin romance novel. She fought hard for the right to use that word. Say 'cock' and my mom will be proud of you.) The Lewd Vocabulary In Erotic Fiction survey is a great resource for some good words that people like to read.
3) Use all five senses. Use the whole body. Sex happens in the body, so let your writing get really into the body. Every so often, do a sensory check: have I described the sounds they're making? What are the colors that stand out here? If they're in that position for a while, where are they going to feel tension or muscle strain? That kind of stuff. Keep coming back to sensory descriptions.
4) Verbs. A lot of verbs. Good, strong, interesting verbs. It's an action scene, after all, so choose good action words. Make sure your verb choices are strong enough to carry the action forward.
5) Don't lose sight of your characters. Sex scenes can be intimidating, but this is just a scene like any other. It's an opportunity to show how this specific character is going to act and feel in this scenario. Use dialogue, use their personality, use whatever baggage, or assumptions, or fears, or humor, or desires, or voice, or quirks, or strengths, or whatever they have in the rest of their day to day life. Let them carry all of that into the scene. What would make This Person In Particular feel really vulnerable? What would make them feel the most satisfied? What do they need? How do these two (or more) characters communicate? How do they match each other? Keep them in character. Specificity is sexy.
6) Tension and pacing. Tension is: why does this scene have to happen right now? Narratively, why does this have to happen right this second? Has this been building for a while and now there's a big emotional outpouring? Is one of them leaving in the morning and this is their only chance? Do they need this intimacy for their relationship to move forward? Whatever it is, the tension drives the action. The tension is the need. Why do they NEED this? And then pacing. By pacing, I mean the pace of the writing, not the pace of the sex act--although that can be related! My tip for pacing a sex scene is don't keep it all one note. Don't rush through it, let it build, then pull it back, have action and then a lull for some emotional connection, etc. Layer in dialogue to push things forward or to slow them down. Keep it moving, keep things happening, but not all in a breakneck straight line towards an orgasm.
7) Decide how much you want to describe and how explicit you want to go. You can have hard kink that is written subtly with description that is evocative to hint at what is happening. You can have vanilla missionary sex that is graphic about every drop of fluid and bit of friction. No wrong answers!
8) Re-read your favorite smut scenes and think about why they work, what the author does well, what it is about them that you like. Make a list of what stands out to you.
9) My biggest tip for writing smut is... never apologize for it. You should write any level of explicit or heat that you want, whatever you are comfortable with. But don't hold your writing back or censor yourself because you're embarrassed to be horny on main. It's devil's sacrament principle, we're all here writing and reading it with you.
Anyone else want to chime in? (If you do, I will also be taking notes, I want to hear everyone's favorite smut writing strategies!!)
What a great list! I will add that in addition to 5) and 6) that surprise and revelation also serve to delight readers. It is an action scene, after all, and how often are you satisfied with an action scene that proceeds exactly as expected? The surprise or revelation can be emotional, it can be physical, it can be kinky, the can be an unexpected moment of candour or vulnerability or even humour. Because it wasn’t in the reader’s more generic expectations it pulls them into the intimacy a bit more.
me: i wanna talk about my ocs
someone: ok tell me about your ocs
me, suddenly convinced that every single thing about my ocs is stupid and cringy and probably offensive: i. have them
writers who make playlists before writing anything scare me. how are you setting a mood for something that doesn’t exist yet. are you conjuring it. are you a witch.
Some idiot: "Why are you reading your own fic, that's shallow and stupid"
All fanfic writers and writers everywhere: "Who the fuck do you think I wrote it for?!"
writing is so fun
writing is impossible why does anyone do this
in the age of ai I must remind myself that I, too, can create bad, clunky, derivative writing‼️WITH MY OWN TWO HANDS !!!
every fic where lottie is nothing but a little cute freaky weirdo holds a special place in my heart because unfortunately her being a funny rich giant made everyone think shes some popular mean girl 💔